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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Red Pen Music
Sheetmusicplus
Non classifié
1 737
Piano & claviers
Piano seul
723
Piano, Voix
327
Piano, Voix et Guitare
123
Orgue
122
Piano Facile
116
Instruments en Do
77
Accompagnement Piano
37
Piano (partie séparée)
26
2 Pianos, 4 mains
24
1 Piano, 4 mains
19
Piano Trio: piano, violon, violoncelle
12
Orgue, Trompette (duo)
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavier
3
Orgue, Piano (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano grosses notes
2
Fake Book
1
Accordéon
1
2 Pianos, 8 mains
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
97
Guitare
71
Guitare (partie séparée)
50
Ligne De Mélodie, (Paroles) et Accords
24
Basse electrique
12
Piano, Guitare (duo)
7
Ukulele
5
Mandoline
4
2 Guitares (duo)
3
4 Guitares (Quatuor)
3
Paroles et Accords
2
Banjo
2
Ensemble de guitares
1
Dulcimer
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
831
Chorale 3 parties
242
Chorale 2 parties
173
Chorale Unison
87
Voix duo, Piano
56
Chorale TTBB
44
Voix Soprano, Piano
36
Voix Baryton, Piano
32
Chorale SSAA
31
Voix Alto, Piano
29
Voix Tenor, Piano
28
Voix duo
23
Voix basse, Piano
10
Voix seule
9
Voix haute
8
Chorale
7
Voix moyenne, Piano
3
Voix basse
2
Voix Tenor
2
Chorale SSAATTBB
2
Voix, Guitare
1
Voix Mezzo-Soprano, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSATB
1
Voix Soprano
1
+ 20 instrumentations
Retracter
Vents
Saxophone (partie séparée)
188
Clarinette (partie séparée)
74
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
74
Quatuor de Saxophones: 4 saxophones
73
Flûte traversière et Piano
66
Flûte, Hautbois, Clarinette, Basson
52
Hautbois, Piano (duo)
47
Clarinette et Piano
47
Saxophone Alto et Piano
45
Quintette de Saxophone: 5 saxophones
43
Quatuor de Clarinettes: 4 clarinettes
43
Flûte traversière
39
Flute (partie séparée)
38
Flûte, Violon, Piano
35
Saxophone Tenor et Piano
33
Hautbois (partie séparée)
32
Clarinette
30
2 Saxophones (duo)
29
Ensemble de saxophones
26
Saxophone Tenor
24
Ensemble de Clarinettes
24
Saxophone Alto
24
Quatuor de Flûtes : 4 flûtes
18
Saxophone Soprano et Piano
17
2 Flûtes traversières (duo)
16
Quintette de Clarinettes: 5 clarinettes
15
Ensemble de Flûtes
14
3 Saxophones (trio)
13
Saxophone Soprano
11
Trio de Flûtes: 3 flûtes
10
2 Clarinettes (duo)
10
Saxophone Baryton, Piano
9
Quintette de Flûte : 5 flûtes
9
3 Clarinettes (trio)
8
Ocarina
8
Hautbois
8
Cor anglais, Piano
7
Clarinette Basse, Piano
7
Flûte à bec Soprano
7
2 Flûte à bec (duo)
6
Saxophone, Clarinette (duo)
6
Flûte, Clarinette (duo)
6
Flûte à bec Alto
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte, Clarinette et Basson
5
Flûte, Hautbois, Clarinette (trio)
4
Clarinette, Violon (duo)
4
Flûte et Guitare
3
3 Flûtes à bec (trio)
3
Harmonica
3
Saxophone et Orgue
2
Flûte, Violon, Violoncelle et Piano
2
Flûte à Bec
2
Ensemble à vent
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Guitare (duo)
2
Ensemble De Flûte à bec
2
Saxophone et Harpe
2
Flûte irlandaise
2
Flûte, Saxophone (duo)
2
Clarinette, Basson (duo)
2
Flute, harpe et violon
2
Flûte, Violon
2
2 Clarinettes, Piano
2
Flûte, Violoncelle
2
Clarinette, Trompette (duo)
2
Flûte à bec Soprano, Piano
1
Flûte, Trompette (duo)
1
Piccolo, Piano
1
Flûte, Harpe et Violoncelle
1
Saxophone
1
Quatuor de Flûtes à bec
1
Hautbois, Clarinette (duo)
1
2 Clarinettes, Basson
1
Flûte à Bec, Piano
1
Hautbois, Basson (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette et Alto
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Alto, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Harpe (duo)
1
Hautbois, Guitare (duo)
1
5 Flûtes à bec
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Tenor
1
Clarinette, Orgue
1
2 Hautbois (duo)
1
+ 83 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
195
Trompette (partie séparée)
161
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
107
Quatuor de Cuivres : 2 trompettes, trombone, tuba
80
Trompette
54
Cor (partie séparée)
53
Trombone et Piano
44
Tuba (partie séparée)
41
Trompette, Piano
36
Cor et Piano
31
Trombone
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Quatuor de cuivres: 4 trombones
19
Cor
14
Ensemble de Trompettes
12
Tuba et Piano
12
Ensemble de Trombones
11
2 Trompettes (duo)
10
Cor anglais, Piano
7
Euphonium, Piano (duo)
7
Tuba
7
Quatuor de Cuivres
6
4 Tubas
5
2 Trombones (duo)
5
Ensemble de Cors
4
2 Tubas (duo)
3
Quatuor de cuivres: 4 trompettes
3
3 Trombones (trio)
2
Trombone, Cor (duo)
2
Trompette, Trombone, Piano
2
2 Cors (duo)
2
Cor et Harpe
2
Trompette, Trombone (duo)
2
Quatuor de cuivres: 4 cors
2
Trombone basse et Piano
1
3 Tubas (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Euphoniums et 2 Tubas
1
Trompette, Harpe
1
Trombone, Orgue
1
2 Cors, Piano
1
Trompette, Euphonium (duo)
1
Trompette, Cor (duo)
1
Trompette, Saxophone (duo)
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
168
Violon et Piano
104
Violon (partie séparée)
95
Alto, Piano
70
Contrebasse (partie séparée)
67
Violon
59
Violoncelle, Piano
53
Violoncelle
43
Alto (partie séparée)
26
Trio à Cordes: violon, alto, violoncelle
23
Violon, Violoncelle (duo)
22
Alto seul
22
Harpe
22
Violoncelle (partie séparée)
20
2 Violons (duo)
20
Violon, Alto (duo)
13
Contre Basse
11
2 Violoncelles (duo)
11
Contrebasse, Piano (duo)
11
Trio à Cordes: 2 violons, violoncelle
10
2 Harpes (duo)
6
2 Altos (duo)
6
Ensemble de Violons
6
Harpe, Flûte (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Ensemble d'Altos
4
Trio à cordes: 3 violins
3
Harpe, Voix
3
4 Violoncelles
3
Trio à Cordes: 3 violoncelles
3
Violoncelle, Orgue
2
Alto, Orgue
2
Quatuor à cordes : 4 altos
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 altos
2
Quatuor à cordes: 4 violons
2
Alto et Harpe
2
Piano Trio: Violon, Alto, Piano
2
Harpe, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orchestre
1
Harpe et Piano
1
Alto et orchestre
1
Harpe, Violon (duo)
1
4 Contrebasses
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
3 352
Fanfare
359
Orchestre
273
Orchestre à Cordes
228
Ensemble Jazz
127
Cloches
60
Orchestre de chambre
59
Percussion (partie séparée)
56
Ensemble de cuivres
47
Jazz combo
29
Batterie (partie séparée)
28
Ensemble de Percussions
11
Batterie
7
Timbales (partie séparée)
6
Vibraphone
4
Percussion
4
Marimba
4
Instrumentation Flexible
3
Ensemble d'École
3
Piano et Orchestre
2
Vibraphone et Marimba
1
Orchestre, Violon
1
Quintette de Cuivres: autres combinaisons
1
Caisse Claire
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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REGGAE
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Vous avez sélectionné:
Red Pen Music
SheetMusicPlus
Partitions à imprimer
8 partitions trouvées
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1
A New Theology, Edward Hirsch, poem. (Often paired with "The Sweetness."
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Mary Ann Joyce
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A New Theology, Edward Hirsch,
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Mary Ann Joyce-Walter
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.989239 Composed by Mary Ann Joyce. Concert,Contemporary,Holiday. 5 pages. Mary Ann Joyce-Walter #6209129. Publ...
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High Voice,Vocal Solo - Level 4 - SKU: A0.989239 Composed by Mary Ann Joyce. Concert,Contemporary,Holiday. 5 pages. Mary Ann Joyce-Walter #6209129. Published by Mary Ann Joyce-Walter (A0.989239). A New Theology, Edward Hirsch,poem. God looks at Adam and Eve in the Garden of Paradise and....He couldn't bear their happiness when he saw them laughing together, eating pomegranates, and celebrating life.... The poet decides that thewhole shebang about the apple and the serpent was a set up because God couldn't stand being alone with his own creation....exactly like us, love. Exactly like us. A humorous, but serious poem and musical setting.
$4.99
The Serpent’s Biggest Lie (High Voice)
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Voix haute
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INTERMÉDIAIRE
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Musique Sacrée
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Elizabeth Ragsdale
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The Serpent’s Biggest Li
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Elizabeth Ragsdale
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.947831 Composed by Elizabeth Ragsdale. Christian,Sacred. 9 pages. Elizabeth Ragsdale #2548733. Published by El...
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High Voice,Vocal Solo - Level 3 - SKU: A0.947831 Composed by Elizabeth Ragsdale. Christian,Sacred. 9 pages. Elizabeth Ragsdale #2548733. Published by Elizabeth Ragsdale (A0.947831). The lyrics of this sacred solo are based on a quote from Miscellaneous Writings 1883–1886 by Mary Baker Eddy: That man can break the forever-law of infinite Love, was, and is, the serpent’s biggest lie! The creative rhythmic and harmonic ideas in this piece engage musician and listener alike. Duration: 5:15. Vocal range: D4–F#5.
$4.79
Pentecost Sequence (Vocal solo - High Key)
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Voix haute
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DÉBUTANT
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Stephen DeCesare
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Pentecost Sequence
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Exultet Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 1 - SKU: A0.519053 By Stephen DeCesare. By Stephen DeCesare. A Cappella,Classical,Easter,Sacred,Traditional. 3 pages. Exul...
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High Voice,Vocal Solo - Level 1 - SKU: A0.519053 By Stephen DeCesare. By Stephen DeCesare. A Cappella,Classical,Easter,Sacred,Traditional. 3 pages. Exultet Music #129684. Published by Exultet Music (A0.519053). Sometimes called the Golden Sequence, is a sequence prescribed in the Roman Liturgy that is sung before the Gospel during the Pentecost Mass. Scored for a Vocal solo (with optional chords for an instrumentalist to accompany). Accessible and appropriate for any church setting.
$4.99
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
CAVALLI Francesco: Peno languisco è moro, aria from the cantata, - Voice and Piano (A mi
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Voix haute
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FACILE
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Francesco CAVALLI
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Sergei PICHUGIN
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CAVALLI Francesco: Peno langui
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.868772 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instru...
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High Voice,Vocal Solo - Level 2 - SKU: A0.868772 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4580879. Published by Really Good Music, LLC. (A0.868772). Peno languisco è moro is an aria from Solo cantata IV Credete voi, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A minor (G#4 – G5) for high voice.
$5.95
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Come Lie with Me (King David and Bathsheba) from "The Kings" - ACT 2:Song 5
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Voix haute
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McCorkle, Dennis F
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Come Lie with Me
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBoo...
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High Voice,Vocal Solo - SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBook Publications #11753. Published by DF McCorkle Music and eBook Publications (A0.784831). ACT TWO: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:2-4… - And it came to pass at eventide, that David arose from off his bed, and walked upon the roof of the king's house; and from the roof he saw a woman bathing; and the woman was very beautiful to look upon. 3 And David sent and inquired after the woman. And one said: ‘Is not this Bath-sheba, the daughter of Eliam, the wife of Uriah the Hittite?’ 4 And David sent messengers, and took her; and she came in unto him, and he lay with her;…] Once settled into Jerusalem and after a tiff with MICHAL, DAVID looks around his magnificent palace and as he walks on his balcony, he sees a lovely young woman bathing herself in the moonlight. Giving in to his impulses, orders his men to have her brought to the palace on the pretense of speaking to her about her husband, URIAH who is in the field with the troops. DAVID, seeing her beauty and rationalizing his own importance, proceeds to seduce her and lies with her [Come Lie with Me – David and Bathsheba]. BATHSHEBA, also lonely is seduced by his presence and gives in to his wishes. Leaving before daylight to escape notice, DAVID goes about business as usual, trying to forget what has happened. A few weeks later, a messenger arrives with a note from BATHSHEBA, DAVID, I'm pregnant! Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Amazing Grace—High-Range Vocal Solo, Fiddle, and Piano
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Voix haute
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AVANCÉ
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Musique Sacrée
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Daniel Carter
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Daniel Carter
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Amazing Grace—High-Range
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Daniel Carter
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1074551 By Daniel Carter. By William Walker. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred...
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High Voice,Vocal Solo - Level 5 - SKU: A0.1074551 By Daniel Carter. By William Walker. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred,Spiritual. 9 pages. Daniel Carter #678826. Published by Daniel Carter (A0.1074551). John Newton penned the words to “Amazing Grace†around 1764 after he survived a near-death experience on a slave-trading ship that nearly capsized, after which he became a priest. His words were set to music by William Walker who composed the hymn tune NEW BRITAIN, first published in “Southern Harmony in 1847. The hymn is extremely influential in religious and folk music, crossing over successfully into secular music. One of the most recognizable and beloved songs in history, Daniel Carter’s setting has a traditional southern folk song feel. Arranged for solo voice, fiddle obbligato, and piano and is suitable for worship, devotionals, concert settings, and music recitals. The fiddle part is included on the last page of the score. Available for both high-range and medium-range vocal solo, fiddle, and piano at danielcartermusic.com.
$5.99
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