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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
SOME SAY
Non classifié
246
Piano & claviers
Piano seul
243
Piano, Voix
157
Piano, Voix et Guitare
79
Piano Facile
56
Instruments en Do
10
Orgue
7
1 Piano, 4 mains
6
Accordéon
5
2 Pianos, 4 mains
3
Piano grosses notes
3
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
1
Clavecin
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
35
Guitare
26
Ukulele
14
Ligne De Mélodie, (Paroles) et Accords
12
Paroles et Accords
9
Guitare (partie séparée)
2
Dulcimer
2
Mandoline
2
Basse electrique
2
Banjo
1
Piano, Guitare (duo)
1
2 Guitares (duo)
1
3 Guitares (trio)
1
Ensemble de guitares
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
93
Chorale 3 parties
31
Chorale SSAA
10
Voix seule
8
Chorale 2 parties
8
Chorale TTBB
6
Chorale
5
Pack Instrumental pour Chorale
4
Chorale Unison
3
Voix haute
3
Voix Soprano, Piano
3
Voix Baryton, Piano
2
Voix duo, Piano
2
Voix duo
1
Voix moyenne, Piano
1
Voix Tenor
1
Chorale SSATTB
1
Voix basse, Piano
1
+ 13 instrumentations
Retracter
Vents
Clarinette
28
Saxophone
24
Flûte traversière
20
2 Flûtes traversières (duo)
18
Clarinette et Piano
18
Flûte traversière et Piano
17
Saxophone (partie séparée)
17
Saxophone Alto et Piano
17
Hautbois (partie séparée)
16
Quatuor de Saxophones: 4 saxophones
11
Saxophone Alto
9
Hautbois, Piano (duo)
9
Saxophone Soprano et Piano
9
Saxophone Tenor
8
2 Saxophones (duo)
8
Saxophone Tenor et Piano
7
2 Clarinettes (duo)
7
Flûte et Guitare
6
Flûte, Hautbois, Clarinette, Basson
6
Quatuor de Clarinettes: 4 clarinettes
5
Quintette de Clarinettes: 5 clarinettes
4
Flute (partie séparée)
3
Saxophone, Clarinette (duo)
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flûte, Clarinette (duo)
3
Ensemble de Clarinettes
3
Saxophone et Guitare
2
Flûte à Bec
2
Cor anglais, Guitare (duo)
2
Flûte, Violon
2
Flûte, Alto et Piano
2
Clarinette, Violon (duo)
2
Saxophone Baryton, Piano
2
Instruments en Mib
2
3 Clarinettes (trio)
2
Cor anglais, Piano
2
Ocarina
2
Clarinette, Guitare (duo)
2
Clarinette et Alto
1
Hautbois, Flûte
1
Hautbois
1
2 Hautbois (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Guitare (duo)
1
Saxophone et Orgue
1
Trio de Flûtes: 3 flûtes
1
2 Flûte à bec (duo)
1
Flûte, Alto (duo)
1
Ensemble de Flûtes
1
3 Saxophones (trio)
1
Hautbois, Basson (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Violon, Piano
1
Hautbois, Clarinette (duo)
1
Clarinette Basse, Piano
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Saxophone (duo)
1
Quatuor de Flûtes : 4 flûtes
1
+ 53 instrumentations
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Cuivres
Trompette
23
Trombone
19
Cor et Piano
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trombone et Piano
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trompette (partie séparée)
7
Tuba
6
Cor
6
Trompette, Piano
5
Tuba et Piano
5
2 Trombones (duo)
4
Trombone (partie séparée)
4
2 Trompettes (duo)
4
Euphonium
3
Cor anglais, Guitare (duo)
2
Trompette, Saxophone (duo)
2
Cor anglais, Piano
2
Trompette, Trombone (duo)
2
Instruments en Sib
2
Bass Clef Instruments
1
Quatuor de cuivres: 4 cors
1
Trompette, Euphonium (duo)
1
Cor (partie séparée)
1
Tuba (partie séparée)
1
Trompette, Tuba (duo)
1
+ 21 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
50
Violon
24
Violon et Piano
17
Harpe
14
Violoncelle
14
2 Violons (duo)
14
Alto seul
13
Alto, Piano
11
Violoncelle, Piano
10
2 Violoncelles (duo)
8
Violon, Violoncelle (duo)
7
Violoncelle , Guitare (duo)
4
2 Harpes (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Alto, Guitare (duo)
2
Contrebasse (partie séparée)
2
4 Violoncelles
2
Alto (partie séparée)
2
Violon, Alto (duo)
2
Quatuor à cordes: 4 violons
1
2 Altos (duo)
1
Contre Basse
1
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
Contrebasse, Piano (duo)
1
Alto, Violoncelle (duo)
1
Harpe, Violon (duo)
1
2 Violoncelles, Piano
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Contrebasse (duo)
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
47
Orchestre
16
Orchestre à Cordes
12
Ensemble de cuivres
10
Ensemble Jazz
10
Orchestre de chambre
7
Jazz combo
5
Ensemble de Percussions
4
Fanfare
3
Cloches
1
Marimba
1
Batterie (partie séparée)
1
Marimba, Piano (duo)
1
Batterie
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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COR ANGLAIS
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CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
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XYLOPHONE
style (tous)
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ASIE
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CHANSON FRANÇAISE
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METHODE : ACCORDS ET…
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METHODE : TECHNIQUES
NOËL
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OPERA
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POLKA
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PUNK
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REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
SOME SAY
Voix haute
Partitions à imprimer
3 partitions trouvées
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1
Does It Matter?
#
Voix haute
#
AVANCÉ
#
Mike Lyons
#
Does It Matter?
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Lyons Music Services
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by...
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High Voice,Vocal Solo - Level 5 - SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by Lyons Music Services (A0.767060). This song was written in response to Siegfried Sassoon's well-known war poem of the same title. I have tried to emulate the ironic tone of Sassoon's descriptions of the treatment of wounded and damaged men by the society for whom they have been fighting. This is as current a topic today as it was 50 years ago. The song is short at just under 2 minutes, but demands some difficult techniques from both singer and pianist. The vocal line, in particular, will need good control of breathing and pitch in the sliding arpeggio on the Ah!! after letter B and the line And people won't say that you're mad. The sudden ending is quite deliberate and the final bar rest should be counted in full. The listener should expect more, but there isn't anything more to say - we treat our soldiers badly!
$3.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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Voix haute
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AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
#
Voix haute
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
(+)
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
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