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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Scott S
Non classifié
628
Piano & claviers
Piano seul
428
Piano, Voix
201
Piano Facile
146
Piano, Voix et Guitare
122
Accordéon
63
1 Piano, 4 mains
46
Instruments en Do
45
Accompagnement Piano
31
Piano (partie séparée)
15
Piano Trio: piano, violon, violoncelle
11
Piano grosses notes
11
Orgue
8
Clavecin
3
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Accordéons
1
2 Pianos, 4 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
68
Guitare
53
Basse electrique
48
Guitare (partie séparée)
22
Ligne De Mélodie, (Paroles) et Accords
20
Mandoline
14
2 Guitares (duo)
11
Ukulele
6
Piano, Guitare (duo)
5
Paroles et Accords
5
4 Guitares (Quatuor)
4
Basse électrique (partie séparée)
3
Banjo
2
Ensemble de Ukulélés
1
Dulcimer
1
+ 10 instrumentations
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Voix
Chorale SATB
366
Chorale TTBB
100
Chorale 3 parties
96
Chorale SSAA
47
Voix Alto, Piano
26
Voix Soprano, Piano
25
Chorale 2 parties
24
Voix Tenor, Piano
19
Chorale Unison
12
Pack Instrumental pour Chorale
11
Voix duo
9
Voix duo, Piano
5
Voix haute
4
Voix Tenor
3
Voix Soprano
3
Chorale
3
Voix seule
1
Voix haute, Piano
1
+ 13 instrumentations
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Vents
Saxophone (partie séparée)
255
Clarinette (partie séparée)
163
Quatuor de Saxophones: 4 saxophones
68
Hautbois (partie séparée)
64
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
60
Flûte traversière et Piano
59
Flute (partie séparée)
55
Flûte, Hautbois, Clarinette, Basson
46
Hautbois, Piano (duo)
44
Quatuor de Clarinettes: 4 clarinettes
44
Clarinette et Piano
34
Saxophone Alto et Piano
33
2 Saxophones (duo)
27
Saxophone Tenor et Piano
24
Quatuor de Flûtes : 4 flûtes
23
Saxophone Soprano et Piano
22
Flûte traversière
21
2 Clarinettes (duo)
21
2 Flûtes traversières (duo)
20
Quintette de Saxophone: 5 saxophones
19
Clarinette
16
Saxophone Alto
15
Clarinette, Violon (duo)
13
3 Clarinettes (trio)
13
Saxophone, Clarinette (duo)
12
Ensemble de Clarinettes
12
Flûte, Clarinette (duo)
12
3 Saxophones (trio)
9
Clarinette, Trompette (duo)
9
Saxophone Tenor
8
Hautbois, Clarinette (duo)
7
Saxophone Baryton, Piano
6
Flûte, Clarinette, Piano (trio)
6
Flûte, Clarinette et Basson
6
Clarinette Basse, Piano
5
2 Flûtes traversières, Piano
5
2 Clarinettes, Piano
5
Flûte, Trompette (duo)
5
Flûte et Guitare
5
Flûte, trombone et piano
5
2 Hautbois (duo)
5
Flûte, Alto (duo)
5
Hautbois, Basson (duo)
5
Hautbois, Flûte
5
Cornemuse
5
Flûte, Violon
5
Flûte, Alto et Piano
4
Flûte à bec Soprano
4
Clarinette et Alto
4
Flûte à Bec
4
Saxophone et Piano
4
Flûte, Saxophone (duo)
4
Trio de Flûtes: 3 flûtes
4
3 Flûtes à bec (trio)
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Hautbois, Basson
3
Clarinette, Violoncelle, Piano (trio)
3
Cor anglais, Piano
3
Quatuor de Flûtes à bec
3
Ensemble de saxophones
2
Ensemble de Flûtes
2
Flûte, Hautbois, Piano (trio)
2
Flûte et Trio à cordes
2
Flûte, Violoncelle, Piano (trio)
2
Saxophone et Harpe
2
Instruments en Mib
2
Clarinette, Guitare (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte irlandaise
2
Hautbois, Guitare (duo)
2
Flûte, Violon, Guitare
1
2 Clarinettes, Basson
1
Flûte à bec, Guitare (duo)
1
Piccolo
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone et Guitare
1
Hautbois, Harpe
1
Clarinette, Harpe (duo)
1
Harmonica
1
Saxophone
1
Saxophone Soprano
1
Hautbois
1
Quintette de Flûte : 5 flûtes
1
Flûte, Basson et Piano
1
Flûte à bec Alto, Piano
1
Flûte, Violon et Violoncelle
1
Flûte, Violon, Piano
1
+ 82 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
194
Trompette (partie séparée)
131
Cor (partie séparée)
72
Tuba (partie séparée)
68
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
54
Trombone et Piano
37
Trompette, Piano
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Trompette
23
Quatuor de Cuivres
13
Cor et Piano
12
2 Trompettes (duo)
10
Trompette, Saxophone (duo)
10
Trombone
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Quatuor de cuivres: 4 trombones
10
Trompette, Trombone (duo)
7
2 Trombones (duo)
6
Tuba
5
Cor
5
Euphonium, Piano (duo)
5
Tuba et Piano
4
Trompette, Cor (duo)
3
Quatuor de cuivres: 4 cors
3
Ensemble de Cors
3
Cor anglais, Piano
3
3 Trompettes (trio)
2
Cor, Trompette, Trombone (trio)
2
Quatuor de cuivres: 4 trompettes
2
Bass Clef Instruments
2
Instruments en Sib
2
Trompette, Violoncelle et Piano
2
3 Trombones (trio)
1
Euphonium
1
Euphonium, Tuba (duo)
1
2 Tubas (duo)
1
Cor et Harpe
1
Trompette, Trombone, Piano
1
Ensemble de Trombones
1
2 Euphoniums et 2 Tubas
1
2 Cors (duo)
1
Trompette, Harpe
1
Trombone basse et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 39 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
120
Violon et Piano
73
Violon (partie séparée)
54
Alto, Piano
48
Violon
42
Harpe
41
Violoncelle, Piano
39
Contrebasse (partie séparée)
38
Violon, Violoncelle (duo)
33
Trio à Cordes: violon, alto, violoncelle
32
2 Violons (duo)
26
Violoncelle (partie séparée)
23
Violoncelle
19
Alto (partie séparée)
17
Trio à Cordes: 2 violons, violoncelle
17
Violon, Alto (duo)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Alto seul
13
2 Altos (duo)
11
2 Violoncelles (duo)
10
Contrebasse, Piano (duo)
8
Contre Basse
7
Trio à cordes: 3 violins
6
4 Violoncelles
6
2 Harpes (duo)
6
Piano Trio: Violon, Alto, Piano
4
Trio à Cordes: 2 violons, alto
4
Violoncelle , Guitare (duo)
3
Violon, Guitare (duo)
2
Alto, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
Quatuor à cordes: 4 violons
2
Harpe, Violon (duo)
2
Harpe (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto et Harpe
1
Alto, Guitare (duo)
1
Harpe, Violoncelle (duo)
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Violoncelle, Contrebasse (duo)
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
277
Percussion (partie séparée)
96
Orchestre à Cordes
59
Orchestre
43
Fanfare
41
Ensemble de cuivres
31
Ensemble Jazz
29
Timbales (partie séparée)
26
Cloches
20
Batterie
19
Batterie (partie séparée)
18
Orchestre de chambre
16
Jazz combo
8
Ensemble de Percussions
6
Marimba
2
Xylophone
1
Percussion
1
+ 12 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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MANDOLINE
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Scott S
Voix haute
Partitions à imprimer
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Già risi - secular lute song (Kapsperger, 1619)
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Voix haute
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INTERMÉDIAIRE
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Giovanni Girolamo Kapsperger
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Scott S
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Già risi - secular lute
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Scott S. Stewart
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.955849 Composed by Giovanni Girolamo Kapsperger. Arranged by Scott S. Stewart. Baroque,Concert,Instructional,S...
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High Voice,Vocal Solo - Level 3 - SKU: A0.955849 Composed by Giovanni Girolamo Kapsperger. Arranged by Scott S. Stewart. Baroque,Concert,Instructional,Standards. 7 pages. Scott S. Stewart #6448577. Published by Scott S. Stewart (A0.955849). The original secular lute song, Gia risi, was composed in Italian, with a basso continuo accompaniment. It was first published in 1619 in Libro terzo di villanelle, No.2. This modern arrangement is for soprano or tenor voice and keyboard and hopes to awaken a new appreciation of Kapsperger’s genius. A variety to the accompaniment, and embellishment to the vocal line for each verse of this strophic composition, provides a practical solution for modern recital hall performance. This piece is a fine introduction to the early Baroque style. Performance time: 3:58+
$9.99
Over The Rainbow
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Film/TV
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Judy Garland
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Scott S
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Over The Rainbow
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Scott S. Stewart
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.955797 By Judy Garland. By Harold Arlen. Arranged by Scott S. Stewart. Contemporary. 5 pages. Scott S. Stewart...
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High Voice,Vocal Solo - Level 4 - SKU: A0.955797 By Judy Garland. By Harold Arlen. Arranged by Scott S. Stewart. Contemporary. 5 pages. Scott S. Stewart #6036813. Published by Scott S. Stewart (A0.955797). Classically trained singers are generally first contact for most elementary, middle school and high school students via in-school programs, out-reach programs, etc. For those YAP programs/Studio Artists programs popular music arrangements are needed, and those available leave the singer oft' times wanting something more... This arrangement grew out of such an experience: a gifted singer & her talented pianist showed up at a school with the most generic of printed arrangements. Thus this attempt to create an ensemble of two - performing a tune recognized by all. All it requires is the singers art & soul.
$12.99
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
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