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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Secular
Non classifié
2 919
Piano & claviers
Piano seul
1 175
Piano, Voix et Guitare
639
Piano, Voix
526
Piano Facile
350
Piano grosses notes
102
1 Piano, 4 mains
92
Instruments en Do
38
Accompagnement Piano
27
Instrument seul et Orgue
19
Orgue
18
Piano (partie séparée)
16
2 Pianos, 4 mains
14
Accordéon, Voix
13
Piano Trio: piano, violon, violoncelle
10
Accordéon
9
Orgue, Voix
7
Ligne De Mélodie, Piano
5
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 6 mains
3
Orgue, Piano (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 16 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
181
Guitare notes et tablatures
164
Ukulele
104
Guitare (partie séparée)
32
Guitare
32
Banjo
12
4 Guitares (Quatuor)
9
2 Guitares (duo)
7
Piano, Guitare (duo)
5
3 Guitares (trio)
3
Mandoline
2
Basse electrique
1
+ 7 instrumentations
Retracter
Voix
Chorale
1 786
Chorale SATB
1 416
Chorale 3 parties
1 370
Chorale 2 parties
1 106
Chorale TTBB
132
Chorale SSAA
110
Chorale Unison
38
Voix Soprano, Piano
26
Voix seule
24
Voix Tenor, Piano
14
Chorale SSAATTBB
14
Voix duo, Piano
12
Voix haute
10
Chorale SSATBB
9
Voix Mezzo-Soprano, Piano
8
Chorale SSATB
6
Voix moyenne, Piano
6
Voix, Guitare
5
Voix Baryton, Piano
4
Voix haute, Piano
4
Voix basse
3
Voix duo
3
Chorale SSAB, Piano
3
Voix basse, Piano
3
Chorale, Orgue
1
Chorale SAATB A Cappella
1
Chorale SATTBB A Cappella
1
Chorale SSATTB
1
Chorale SSAB a cappella
1
Chorale SATTB
1
+ 25 instrumentations
Retracter
Vents
Saxophone Alto
122
Flûte traversière
108
Clarinette
100
Saxophone (partie séparée)
93
Saxophone Tenor
88
Flûte traversière et Piano
77
Clarinette et Piano
73
Quatuor de Clarinettes: 4 clarinettes
49
Saxophone Alto et Piano
32
Quatuor de Flûtes : 4 flûtes
30
Clarinette (partie séparée)
29
Hautbois, Piano (duo)
29
Flute (partie séparée)
28
Quatuor de Saxophones: 4 saxophones
28
Flûte, Hautbois, Clarinette, Basson
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Saxophone Tenor et Piano
19
Saxophone Soprano et Piano
18
3 Clarinettes (trio)
17
2 Saxophones (duo)
12
Instruments en Mib
11
Flûte et Guitare
11
2 Flûtes traversières (duo)
11
Cor anglais, Piano
11
Quintette de Clarinettes: 5 clarinettes
10
Saxophone Baryton, Piano
10
2 Clarinettes (duo)
7
Saxophone et Piano
7
Ensemble de Clarinettes
6
Quintette de Saxophone: 5 saxophones
6
Trio de Flûtes: 3 flûtes
5
Clarinette, Guitare (duo)
5
Saxophone, Clarinette (duo)
5
Ensemble de Flûtes
5
Clarinette, Violon (duo)
4
Flûte, Violon
4
3 Saxophones (trio)
4
Clarinette Basse, Piano
4
Flûte à bec, Guitare (duo)
4
Hautbois, Basson (duo)
4
2 Hautbois (duo)
3
Clarinette, Trompette (duo)
3
3 Flûtes à bec (trio)
3
Clarinette, Basson (duo)
3
Quatuor de Flûtes à bec
3
Flûte à bec Soprano
3
Clarinette, Harpe (duo)
2
Flûte, Violon, Piano
2
2 Flûtes traversières, Guitare
2
Flûte, Violoncelle
2
Flûte, Saxophone (duo)
2
Clarinette et Alto
2
Flûte, Alto (duo)
2
Hautbois, Clarinette (duo)
2
Hautbois (partie séparée)
2
2 Clarinettes, Piano
2
Ensemble de saxophones
1
Ensemble De Flûte à bec
1
Clarinette, Violoncelle (duo)
1
Saxophone et Guitare
1
Quintette de Flûte : 5 flûtes
1
2 Flûtes traversières, Piano
1
Hautbois, Flûte
1
Cor anglais, Guitare (duo)
1
Saxophone
1
Flûte, Clarinette, Piano (trio)
1
Flûte à Bec
1
Hautbois, Violoncelle
1
Saxophone Baryton
1
Saxophone et Orgue
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Alto et Violoncelle
1
Flûte, Trompette (duo)
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois (duo)
1
Flûte à bec Alto, Piano
1
Flûte, Clarinette (duo)
1
Saxophone Soprano
1
Hautbois, Guitare (duo)
1
+ 74 instrumentations
Retracter
Cuivres
Trompette
138
Trombone (partie séparée)
103
Cor
103
Trompette (partie séparée)
94
Trombone
87
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
59
Trompette, Piano
52
Bass Clef Instruments
32
2 Trombones (duo)
31
Trombone et Piano
24
Cor et Piano
20
Cor (partie séparée)
20
Tuba (partie séparée)
17
Instruments en Sib
16
Cor anglais, Piano
11
Tuba et Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Quatuor de cuivres: 4 trombones
7
Quatuor de Cuivres
6
Euphonium, Piano (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette, Trombone (duo)
4
Trompette, Saxophone (duo)
4
Tuba et Orgue
3
2 Cors (duo)
3
2 Trompettes (duo)
3
3 Trombones (trio)
2
Ensemble de Trombones
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Euphonium
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor anglais et Harpe (duo)
1
4 Tubas
1
+ 29 instrumentations
Retracter
Cordes
Alto seul
125
Violon
120
Violoncelle
98
Quatuor à cordes: 2 violons, alto, violoncelle
86
Alto, Piano
75
Violon et Piano
69
Violoncelle, Piano
47
2 Violons (duo)
42
Violon (partie séparée)
34
Alto (partie séparée)
32
Contrebasse (partie séparée)
26
2 Violoncelles (duo)
19
Harpe
15
Trio à Cordes: violon, alto, violoncelle
10
Violoncelle (partie séparée)
10
Harpe, Flûte (duo)
10
Violon, Alto (duo)
9
Violon, Violoncelle (duo)
9
Violon, Guitare (duo)
8
Contrebasse, Piano (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
4 Violoncelles
5
Alto, Guitare (duo)
4
Trio à cordes: 3 violins
4
Violoncelle , Guitare (duo)
3
2 Harpes (duo)
3
2 Violons, Piano
3
Trio à Cordes: 3 violoncelles
2
2 Altos (duo)
2
Alto, Violoncelle (duo)
2
2 Altos, Piano
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
661
Orchestre à Cordes
223
Cloches
146
Ensemble Jazz
114
Orchestre
110
Batterie (partie séparée)
18
Fanfare
13
Orchestre de chambre
12
Percussion (partie séparée)
9
Ensemble de cuivres
8
Marimba
7
Batterie
5
Piano et Orchestre
4
Quintette à Vent
2
Jazz combo
1
2 Marimbas
1
Percussion
1
+ 12 instrumentations
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
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MANDOLINE
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Vous avez sélectionné:
Secular
Voix haute
Partitions à imprimer
10 partitions trouvées
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1
Già risi - secular lute song (Kapsperger, 1619)
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Voix haute
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INTERMÉDIAIRE
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Giovanni Girolamo Kapsperger
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Scott S
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Già risi - secular lute
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Scott S. Stewart
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.955849 Composed by Giovanni Girolamo Kapsperger. Arranged by Scott S. Stewart. Baroque,Concert,Instructional,S...
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High Voice,Vocal Solo - Level 3 - SKU: A0.955849 Composed by Giovanni Girolamo Kapsperger. Arranged by Scott S. Stewart. Baroque,Concert,Instructional,Standards. 7 pages. Scott S. Stewart #6448577. Published by Scott S. Stewart (A0.955849). The original secular lute song, Gia risi, was composed in Italian, with a basso continuo accompaniment. It was first published in 1619 in Libro terzo di villanelle, No.2. This modern arrangement is for soprano or tenor voice and keyboard and hopes to awaken a new appreciation of Kapsperger’s genius. A variety to the accompaniment, and embellishment to the vocal line for each verse of this strophic composition, provides a practical solution for modern recital hall performance. This piece is a fine introduction to the early Baroque style. Performance time: 3:58+
$9.99
Christmas Like A Lullaby
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Voix haute
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FACILE
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John Denver
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Bob Latchaw (ASCAP)
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Christmas Like A Lullaby
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Bob Latchaw
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.1283353 By John Denver. By John Denver. Arranged by Bob Latchaw (ASCAP). Christmas,Folk,Holiday. 6 pages. Bob ...
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High Voice,Vocal Solo - Level 2 - SKU: A0.1283353 By John Denver. By John Denver. Arranged by Bob Latchaw (ASCAP). Christmas,Folk,Holiday. 6 pages. Bob Latchaw #874539. Published by Bob Latchaw (A0.1283353). This lovely John Denver original speaks to the heart of Christmas, a message of peace, love and unity. It is an ideal solo song for any holiday setting, secular or sacred.
$6.00
Amazing Grace—High-Range Vocal Solo, Fiddle, and Piano
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Voix haute
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AVANCÉ
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Musique Sacrée
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Daniel Carter
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Daniel Carter
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Amazing Grace—High-Range
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Daniel Carter
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1074551 By Daniel Carter. By William Walker. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred...
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High Voice,Vocal Solo - Level 5 - SKU: A0.1074551 By Daniel Carter. By William Walker. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred,Spiritual. 9 pages. Daniel Carter #678826. Published by Daniel Carter (A0.1074551). John Newton penned the words to “Amazing Grace†around 1764 after he survived a near-death experience on a slave-trading ship that nearly capsized, after which he became a priest. His words were set to music by William Walker who composed the hymn tune NEW BRITAIN, first published in “Southern Harmony in 1847. The hymn is extremely influential in religious and folk music, crossing over successfully into secular music. One of the most recognizable and beloved songs in history, Daniel Carter’s setting has a traditional southern folk song feel. Arranged for solo voice, fiddle obbligato, and piano and is suitable for worship, devotionals, concert settings, and music recitals. The fiddle part is included on the last page of the score. Available for both high-range and medium-range vocal solo, fiddle, and piano at danielcartermusic.com.
$5.99
I'd Rather Have Jesus
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Voix haute
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INTERMÉDIAIRE
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Musique Sacrée
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George Beverly Shea and Rhea F
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David Neff
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I'd Rather Have Jesus
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Christian,Pra...
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High Voice,Vocal Solo - Level 3 - SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Christian,Praise & Worship,Religious,Sacred. 6 pages. David Neff #717430. Published by David Neff (A0.1115658). Here’s a fresh high-voice arrangement of the classic gospel song written by bass-baritone George Beverly Shea. It is appropriate for any setting where sacred music is welcomed. This arrangement is also available on this site for medium voice. Shea wrote the tune for “I’d Rather Have Jesus†at age 23. He’d been offered a well-paying job as a singer on NBC’s Your Hit Parade, and he was struggling with whether to choose a secular singing career or to stick with singing in churches and on Christian radio. He turned down the job offer, stuck with sacred music, and eventually took a role as the main vocalist with the Billy Graham Evangelistic Crusades. “I’d Rather Have Jesus†became his signature tune. It was featured on his first release from RCA records, and because of his role with Billy Graham, it is thought that he sang live before more people than anyone else in history.
$4.99
This Christmas
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Voix haute
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DÉBUTANT
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Noël
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Rita Deane
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This Christmas
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Digital Opus
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SheetMusicPlus
High Voice,Vocal Solo - Level 1 - SKU: A0.965257 Composed by Rita Deane. Christmas,Contemporary,Standards. 8 pages. Digital Opus #2885659. Published by ...
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High Voice,Vocal Solo - Level 1 - SKU: A0.965257 Composed by Rita Deane. Christmas,Contemporary,Standards. 8 pages. Digital Opus #2885659. Published by Digital Opus (A0.965257). Music and lyrics by Rita Deane. Christmas. Solo voice with piano accompaniment. Secular lyrics sharing a Christmas wish of love and peace.Lyrics (1 page)Score with piano arrangement (6 pages)Duration 6 min. Also available for unison choir with optional solos, appropriate for high voice choir, unison choir, women's choir, community choir, schools and students.
$7.95
AT THE CROSS
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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R
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Sonny Rios
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AT THE CROSS
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Sonny Rios
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.962905 Composed by R.E. Hudson. Arranged by Sonny Rios. Christian,Gospel,Praise & Worship,Sacred. 6 pages. Son...
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High Voice,Vocal Solo - Level 4 - SKU: A0.962905 Composed by R.E. Hudson. Arranged by Sonny Rios. Christian,Gospel,Praise & Worship,Sacred. 6 pages. Sonny Rios #4277077. Published by Sonny Rios (A0.962905). AT THE CROSS: This popular public domain song, composed by R.E. Hudson and written by Isaac Watts, has been masterfully arranged by Sonny Rios for solo High Voice. The lyrics, in this arrangement, are in English, Spanish and Cherokee, and are a testimony of how one came to Christ for salvation. The song is ideal for Christian services, as well as religious and secular concerts. It has a range of Eb4-Bb5. This arrangement has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record this arrangement, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
MARY'S SONG
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Sonny Rios
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MARY'S SONG
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Sonny Rios
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.962942 Composed by Sonny Rios. Broadway,Christian,Concert,Contemporary,Sacred. 6 pages. Sonny Rios #4312239. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.962942 Composed by Sonny Rios. Broadway,Christian,Concert,Contemporary,Sacred. 6 pages. Sonny Rios #4312239. Published by Sonny Rios (A0.962942). MARY’S SONG (Medium Low Voice): Mary’s Song, or The Magnificat, is part of a greater work, a Christmas cantata (Bells Are Ringing) written by Sonny Rios in 1976. The song, for Mezzo Soprano, is in English and has a range of Bb3-F#5. Its lyrics are taken from the biblical (KJV) account of Mary and Elizabeth conversing, as found in the first chapter of the gospel of Luke. The song may be sung in Christian services, secular or religious concerts and UIL competitions. The song has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
Ice! from Songs from the High Sierra
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Voix haute
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Gwyneth W
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Ice! from Songs from the High
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8...
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High voice and piano - Medium - SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
$7.25
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
lily has a rose (Downloadable)
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Gwyneth W
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lily has a rose
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E. C. Schirmer Music Company - Digital
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High voice, piano - Moderately Difficult - SKU: MQ.4319-2E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. Duration 1 minute, 40 seconds....
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High voice, piano - Moderately Difficult - SKU: MQ.4319-2E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. Duration 1 minute, 40 seconds. E. C. Schirmer Music Company - Digital #4319-2E. Published by E. C. Schirmer Music Company - Digital (MQ.4319-2E). Duration: 1:40.
$5.00
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