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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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SAXOPHONE
SYNTHETISEUR
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COUNTRY
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Non classifié
1000
PIANO & CLAVIERS
Piano, Voix
520
Piano seul
509
Piano grosses notes
293
Piano Facile
239
Piano, Voix et Guitare
181
Accompagnement Piano
69
Instruments en Do
55
Orgue
31
Piano Trio: piano, violon, violoncelle
26
1 Piano, 4 mains
15
2 Pianos, 4 mains
9
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano (partie séparée)
3
Orgue, Piano (duo)
1
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
157
Guitare
43
Ukulele
17
Basse electrique
15
Ligne De Mélodie, (Paroles) et Accords
9
Guitare (partie séparée)
6
2 Guitares (duo)
6
Dulcimer
6
4 Guitares (Quatuor)
3
3 Guitares (trio)
2
Mandoline
2
Paroles et Accords
2
Piano, Guitare (duo)
2
2 Mandolines (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
305
Chorale 3 parties
58
Chorale 2 parties
52
Chorale TTBB
52
Chorale SSAA
43
Chorale Unison
41
Voix Soprano, Piano
22
Voix Tenor, Piano
18
Voix Alto, Piano
11
Voix Tenor
6
Voix duo, Piano
6
Voix haute
3
Voix duo
2
Voix moyenne, Piano
2
Voix basse, Piano
2
Chorale SATBB
1
Voix basse
1
Voix seule
1
Chorale SSATB
1
Voix Soprano
1
Chorale SSATTB
1
Voix Mezzo-Soprano, Piano
1
Instrumentations suivantes
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VENTS
Clarinette et Piano
68
Flûte traversière et Piano
68
Hautbois, Piano (duo)
66
Saxophone (partie séparée)
64
Clarinette
58
Quatuor de Saxophones: 4 saxophones
56
Hautbois (partie séparée)
48
Flûte traversière
43
2 Saxophones (duo)
41
Saxophone Alto et Piano
37
Flûte, Hautbois, Clarinette, Basson
33
2 Flûtes traversières (duo)
32
Saxophone Soprano et Piano
31
Saxophone Tenor et Piano
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Saxophone Alto
28
Saxophone Baryton, Piano
27
Hautbois
24
Saxophone, Clarinette (duo)
17
Cor anglais, Piano
16
Clarinette (partie séparée)
14
3 Saxophones (trio)
14
Clarinette, Violon (duo)
14
Quatuor de Clarinettes: 4 clarinettes
14
Flûte, Clarinette (duo)
13
2 Clarinettes (duo)
13
2 Hautbois (duo)
12
Quintette de Saxophone: 5 saxophones
11
3 Clarinettes (trio)
10
2 Flûte à bec (duo)
9
Hautbois, Clarinette (duo)
8
Saxophone Tenor
8
Clarinette, Trompette (duo)
8
Quatuor de Flûtes : 4 flûtes
8
Hautbois, Basson (duo)
8
Ensemble de Flûtes
8
Clarinette et Alto
8
Ensemble de Clarinettes
7
Flûte et Guitare
7
Saxophone Soprano
7
Clarinette Basse, Piano
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte à bec Soprano
5
Flûte, Alto (duo)
5
Saxophone Baryton
5
Flûte, Hautbois, Clarinette (trio)
5
Flûte à bec Soprano, Piano
4
Quatuor de Flûtes à bec
4
Flute (partie séparée)
4
Harmonica
4
Flûte irlandaise
4
Flûte, Violoncelle
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Trio de Flûtes: 3 flûtes
4
Clarinette, Basson (duo)
4
Clarinette, Violoncelle (duo)
4
Ensemble de saxophones
3
Flûte à bec Alto
3
Flûte à Bec
3
Flûte à bec Alto, Piano
3
Hautbois, Violoncelle
3
Hautbois, Flûte
3
Flûte, Trompette (duo)
3
Flûte, Clarinette et Basson
3
Quintette de Flûte : 5 flûtes
3
Flûte, Saxophone (duo)
3
Cor Anglais
2
Flûte à bec Tenor
2
Flûte, Violon, Piano
2
Clarinette, Guitare (duo)
2
Flûte, Violon
2
Flûte, Hautbois (duo)
2
Clarinette, Harpe (duo)
1
Piccolo, Piano
1
Flûte, Hautbois, Basson
1
Flûte à bec Alto, Basse continue
1
2 Cors Anglais Et Pianoforte
1
Hautbois et alto (duo)
1
Hautbois, violon (duo)
1
2 Flûtes à bec, Guitare
1
Flûte, Clarinette, Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone et Orgue
1
Flute, harpe et violon
1
2 Clarinettes, Piano
1
Ensemble De Flûte à bec
1
Hautbois, Guitare (duo)
1
3 Flûtes à bec (trio)
1
Instrumentations suivantes
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CUIVRES
Trompette
56
Trombone et Piano
54
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
41
Cor et Piano
36
Trompette, Piano
31
Trompette (partie séparée)
29
Trombone
29
Cor
29
Trombone (partie séparée)
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
Tuba
23
Tuba et Piano
21
Cor anglais, Piano
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Cor (partie séparée)
12
2 Trompettes (duo)
10
Trompette, Trombone (duo)
9
Trompette, Saxophone (duo)
9
Euphonium, Piano (duo)
9
Quatuor de cuivres: 4 trombones
6
Tuba (partie séparée)
5
2 Trombones (duo)
5
2 Cors (duo)
4
2 Tubas (duo)
3
Quatuor de Cuivres
3
3 Trombones (trio)
3
Ensemble de Trompettes
2
Cor Anglais
2
Quatuor de cuivres: 4 cors
2
Trompette, Cor (duo)
1
Trompette, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
Cor, Violoncelle (duo)
1
2 Cors Anglais Et Pianoforte
1
Trio de Cuivres
1
Quatuor de cuivres: 4 trompettes
1
3 Euphoniums
1
2 Euphoniums et 2 Tubas
1
Trombone, Tuba (duo)
1
Ensemble de Trombones
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
177
Violon et Piano
117
Violoncelle (partie séparée)
97
Violon
69
Violon, Violoncelle (duo)
65
Harpe
65
Alto, Piano
61
Violoncelle, Piano
60
Trio à Cordes: violon, alto, violoncelle
33
Alto seul
29
2 Violons (duo)
26
Violoncelle
24
Trio à Cordes: 2 violons, violoncelle
24
Contrebasse, Piano (duo)
21
Violon (partie séparée)
21
Contre Basse
20
2 Violoncelles (duo)
19
Alto (partie séparée)
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
Violon, Alto (duo)
16
2 Harpes (duo)
14
2 Altos (duo)
13
Contrebasse (partie séparée)
9
Harpe, Voix
8
Trio à Cordes: 3 violoncelles
5
Alto, Violoncelle (duo)
4
2 Contrebasses (duo)
3
4 Violoncelles
3
2 Violons, Piano
2
Violon, Basson (duo)
2
Harpe, Violon, Violoncelle
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
Trio à Cordes: 2 violons, alto
1
Harpe, Flûte (duo)
1
Violoncelle , Guitare (duo)
1
Harpe, Violon (duo)
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes : 4 altos
1
Violon, Guitare (duo)
1
Alto et Basson
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
177
Orchestre
87
Orchestre à Cordes
53
Ensemble de cuivres
34
Ensemble Jazz
28
Cloches
22
Orchestre de chambre
19
Percussion (partie séparée)
14
Ensemble de Percussions
8
Jazz combo
7
Fanfare
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Marimba
3
Batterie (partie séparée)
3
Batterie
2
Xylophone
1
Orchestre, Violon
1
Percussion
1
Instrumentations suivantes
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AUTRES
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Arise, my love (Downloadable)
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High voice, piano - Moderately Difficult - Digital Download SKU: MQ.6181-E Composed…
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High voice, piano - Moderately Difficult - Digital Download SKU: MQ.6181-E Composed by Julian Wachner. Wedding. 5 pages. E. C. Schirmer Music Company - Digital #6181-E. Published by E. C. Schirmer Music Company - Digital (MQ.6181-E). English. Song of Songs 2; Song of Solomon 2.The text is from The Song of Solomon, King James Version of the Bible. The setting uses ascending lines to accentuate bold phrases, and the piano either plays a triplet figure or sustained notes often in blocked chords. Additionally, the ending leaves the audience wondering if the lover ever did arise, as there are four repeated descending figures in the piano followed by the lowest notes in the piece ending the song. It's exciting writing that allows for multiple interpretations.
$7.75
7.12 €
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Voix haute
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Julian Wachner
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Song of Solomon 2
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Arise, my love
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.21 €
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Voix haute
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Bist du bei mir (High Voice and Keyboard with Optional Instruments)
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1077436 By Jubal's Lyre …
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1077436 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Instructional,Sacred. 13 pages. Jubal's Lyre Music Publishers #681625. Published by Jubal's Lyre Music Publishers (A0.1077436). The beloved song Bist du bei mir (If You Are Near) from Anna Magdalena's 1525 Notebook is offered here in a special 300th Anniversary Edition for High Voice and keyboard with optional instruments. Two keyboard parts are provided along with parts for C Instruments, Bb Instruments, and Cello/Bassoon. Originally thought to have been composed by Johann Sebastian Bach, a recent discovery reveals that this song is from an opera by Gottfried Heinrich Stölzel (1690-1749). This aria became very popular, which is why Bach's second wife Anna Magdalena, a fine soprano herself, copied it into her music notebook. Other editions are available for Medium-High Voice (D major), Medium Voice (C major), Medium-Low Voice (Bb major), and Low Voice (A major). Instrumental editions are available in Bb and C major and contain parts for additional instruments. For more music and information, visit www.jubalslyre.com/music.
$4.99
4.58 €
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Voix haute
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Jubal's Lyre Music
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Martin Dicke
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Bist du bei mir
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Jubal's Lyre Music Publishers
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SheetMusicPlus
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