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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sim\\\\
Non classifié
8 927
Piano & claviers
Piano seul
6 977
Piano Facile
5 466
Piano grosses notes
3 328
Piano, Voix
2 389
Piano, Voix et Guitare
2 321
Orgue
1 905
Instruments en Do
1 246
1 Piano, 4 mains
207
Accordéon
166
2 Pianos, 4 mains
159
Accompagnement Piano
109
Piano Trio: piano, violon, violoncelle
77
Clavier
64
Piano Quatuor: piano, violon, alto, violoncelle
28
Piano (partie séparée)
27
Piano Quatuor: piano, 2 violons, violoncelle
23
Clavecin
23
Orgue, Piano (duo)
11
Piano Quintette: piano, 2 violons, alto, violoncelle
10
1 Piano, 6 mains
6
Orgue, Trompette (duo)
5
2 Pianos, 8 mains
4
Accordéon, Voix
3
Accordéon et Orchestre
2
Ensemble d'Accordéons
1
2 Accordéons
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 166
Basse electrique
1 106
Guitare
864
Ukulele
490
Ligne De Mélodie, (Paroles) et Accords
456
Paroles et Accords
418
2 Guitares (duo)
127
Guitare (partie séparée)
50
Dulcimer
34
4 Guitares (Quatuor)
29
Mandoline
29
Banjo
25
Piano, Guitare (duo)
21
Ensemble de guitares
20
3 Guitares (trio)
17
Ukulele Baryton
8
2 Ukuleles
3
Guitare Pedal Steel
3
Guitare, Violon, Violoncelle (trio)
2
Orchestre à Plectres
2
Basse électrique (partie séparée)
2
2 Dulcimers (duo)
2
Mandoline, Guitare (duo)
2
2 Mandolines (duo)
1
Guitare, Orchestre
1
3 Dulcimers (trio)
1
Cithare
1
+ 22 instrumentations
Retracter
Voix
Chorale SATB
2 698
Chorale 3 parties
1 086
Chorale 2 parties
759
Chorale TTBB
540
Chorale SSAA
343
Chorale Unison
332
Voix seule
134
Voix Soprano, Piano
117
Pack Instrumental pour Chorale
113
Chorale
98
Voix Alto, Piano
97
Voix duo, Piano
85
Voix Tenor, Piano
84
Voix duo
62
Voix haute
52
Voix Baryton, Piano
34
Voix basse, Piano
13
Voix moyenne, Piano
12
Chorale SSAATTBB
12
Voix Tenor
7
Voix Soprano
5
Voix, Guitare
4
Chorale SSAB, Piano
4
Chorale SSATB
3
Voix basse
2
Chorale SSAATB
2
Chorale SSATTB
2
Voix et basse continue
2
Voix Soprano, Orchestre
1
Soli, choeur mixte et accompagnement
1
Chorale SAATB A Cappella
1
Chorale SATBB
1
Voix Mezzo-Soprano, Piano
1
+ 28 instrumentations
Retracter
Vents
Saxophone (partie séparée)
899
Flûte traversière
885
Clarinette
843
Saxophone Alto
709
2 Saxophones (duo)
677
Flûte traversière et Piano
623
Saxophone Tenor
580
Clarinette et Piano
533
Quatuor de Saxophones: 4 saxophones
518
Hautbois (partie séparée)
515
Hautbois, Piano (duo)
473
Saxophone
408
2 Flûtes traversières (duo)
390
Flûte, Hautbois, Clarinette, Basson
380
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
376
Saxophone Alto et Piano
373
2 Clarinettes (duo)
362
Flûte à bec Soprano
303
Ocarina
279
Saxophone Tenor et Piano
256
Quatuor de Clarinettes: 4 clarinettes
232
Flûte à bec Alto
210
Quintette de Saxophone: 5 saxophones
203
Saxophone Soprano et Piano
167
Saxophone, Clarinette (duo)
166
2 Hautbois (duo)
166
Flûte, Clarinette (duo)
164
Clarinette, Violon (duo)
163
3 Saxophones (trio)
143
Quatuor de Flûtes : 4 flûtes
135
Hautbois
124
Hautbois, Basson (duo)
123
Saxophone Baryton, Piano
119
Clarinette, Trompette (duo)
116
Hautbois, Clarinette (duo)
110
2 Flûte à bec (duo)
109
Clarinette et Alto
94
3 Clarinettes (trio)
91
Flûte, Alto (duo)
89
Ensemble de Clarinettes
87
Flûte et Guitare
87
Cor anglais, Piano
84
Flûte, Violon
82
Flûte à Bec
81
Trio de Flûtes: 3 flûtes
77
Cor Anglais
73
Ensemble de Flûtes
72
Ensemble de saxophones
67
Flûte, Saxophone (duo)
62
Clarinette Basse, Piano
62
Flûte, Violoncelle
60
Clarinette (partie séparée)
59
Hautbois, Flûte
57
Quintette de Clarinettes: 5 clarinettes
56
Flute (partie séparée)
56
Clarinette, Basson (duo)
52
Flûte, Trompette (duo)
52
Saxophone Soprano
51
Saxophone Baryton
47
Flûte à bec Alto, Piano
41
Flûte, Hautbois (duo)
38
Clarinette, Violoncelle (duo)
37
Flûte, Hautbois, Clarinette (trio)
36
Quatuor de Flûtes à bec
35
Hautbois, Violoncelle
33
Quintette de Flûte : 5 flûtes
33
Flûte, Clarinette et Basson
32
Ensemble De Flûte à bec
29
Clarinette, Guitare (duo)
29
Hautbois, violon (duo)
25
Hautbois, Clarinette, Basson (trio d'anches)
24
Flûte, Hautbois, Basson
23
Hautbois et alto (duo)
23
Flûte, Violon, Piano
21
Harmonica
20
Saxophone et Guitare
17
Flûte à bec Tenor
17
Flûte, Trombone (duo)
16
Clarinette, Trombone (duo)
15
3 Flûtes à bec (trio)
14
Flûte à bec Soprano, Piano
13
Flûte, Tuba (duo)
13
Flûte, Clarinette, Violon (trio)
13
Hautbois, Guitare (duo)
12
Clarinette Basse
12
5 Flûtes à bec
12
Clarinette, Tuba
12
Piccolo
11
Piccolo, Piano
9
Flûte à Bec, Piano
9
Hautbois, trombone (duo)
9
Flûte, Violon, Violoncelle et Piano
9
Flûte, Hautbois, Piano (trio)
8
Flûte, Clarinette, Piano (trio)
8
Flûte, Violon et Violoncelle
7
Cor anglais, Guitare (duo)
7
2 Flûtes traversières, Piano
7
Instruments en Mib
7
4 Hautbois
6
Flûte, Basson et Piano
6
2 Clarinettes, Piano
6
2 Saxophones, Piano
5
Flûte, Alto et Piano
5
Ensemble de Hautbois
5
Flute, harpe et violon
5
3 Hautbois
5
Clarinette, Harpe (duo)
5
Saxophone et Piano
4
Flûte et Trio à cordes
4
Flûte, Hautbois, Violon
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette, Violoncelle, Piano (trio)
3
Hautbois, Harpe
3
Flûte irlandaise
3
Flûte, Harpe et Violoncelle
3
Saxophone et Orgue
3
Saxophone et Harpe
2
Hautbois, Violon, Piano
2
Hautbois, Basson et Piano
2
Flûte traversière, Orgue (duo)
2
Hautbois, Clarinette et Piano (Trio)
2
2 Cors Anglais Et Pianoforte
2
Clarinette, Basson, Piano (trio)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Clarinette, Contrebasse (duo)
2
Cornemuse
1
Ensemble à vent
1
Flûte de Pan
1
2 Clarinettes, Basson
1
Clarinette, Alto et Piano (trio)
1
2 Hautbois, 2 Cors et 2 Bassons
1
Hautbois, Violoncelle et Piano
1
2 Flûtes traversières, Harpe
1
Flûte, trombone et piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Orgue
1
Flûte, Violoncelle, Guitare
1
2 Flûtes traversières, Guitare
1
2 Flûtes à bec, Piano
1
Cor anglais et Harpe (duo)
1
Clarinette, Orgue
1
Hautbois, Trompette (duo)
1
+ 138 instrumentations
Retracter
Cuivres
Trompette
761
Trombone
698
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
430
Trompette, Piano
401
Cor
397
Trombone et Piano
350
Cor et Piano
311
Tuba
300
Quatuor de Cuivres : 2 trompettes, trombone, tuba
231
2 Trompettes (duo)
206
Trompette (partie séparée)
197
2 Trombones (duo)
183
Tuba et Piano
163
Quatuor de Cuivres
150
Trombone (partie séparée)
141
Euphonium
136
Trompette, Trombone (duo)
134
Trompette, Saxophone (duo)
121
2 Cors (duo)
93
Quatuor de Cuivres: 2 trompettes, Cor, trombone
92
Cor anglais, Piano
84
Cor Anglais
73
Euphonium, Piano (duo)
62
Quatuor de cuivres: 4 trombones
62
2 Tubas (duo)
45
Trompette, Cor (duo)
44
Cor (partie séparée)
41
Tuba (partie séparée)
40
Quatuor de cuivres: 4 cors
38
Tuba et Orgue
32
Quatuor de cuivres: 4 trompettes
24
Trompette, Tuba (duo)
20
Trio de Cuivres
18
Ensemble de Trombones
18
3 Trombones (trio)
18
4 Tubas
17
Ensemble de Cors
13
3 Trompettes (trio)
13
Trombone, Violon (duo)
12
Ensemble de Trompettes
12
Trombone, Cor (duo)
12
Trombone basse et Piano
11
Trombone basse
11
Cor, Tuba (duo)
11
2 Euphoniums et 2 Tubas
11
2 Euphoniums (duo)
10
Instruments en Sib
9
Trompette, Violoncelle (duo)
7
Cor anglais, Guitare (duo)
7
Bass Clef Instruments
7
3 Cors (trio)
7
3 Tubas (trio)
6
Trombone, Tuba (duo)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Cor, Violoncelle (duo)
5
Trompette, Basson (duo)
5
Trompette et Guitare
5
Cor et Basson (duo)
4
Trompette, violon (duo)
4
Instruments en Fa
3
Euphonium, Tuba (duo)
3
Cor et Harpe
3
Ensemble de Tubas
2
Cornet A Pistons
2
2 Cors Anglais Et Pianoforte
2
Trompette, Violoncelle et Piano
2
Trombone, Orgue
2
Cornet et Piano
2
Trompette, Euphonium (duo)
1
Clarinette, Cor (duo)
1
Trompette, Trombone, Piano
1
2 Cors, Piano
1
Cor, Orchestre
1
Trompette, Harpe
1
2 Trompettes, Clavier (piano ou orgue)
1
Cornet et orchestre
1
Cor anglais et Harpe (duo)
1
Trombone, Alto (duo)
1
+ 73 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 293
Violon
1 045
Violon et Piano
850
Violoncelle
834
Alto seul
525
Violoncelle, Piano
511
Alto, Piano
471
Harpe
380
Violon, Violoncelle (duo)
362
2 Violons (duo)
325
2 Violoncelles (duo)
264
Violon, Alto (duo)
241
2 Altos (duo)
204
Quintette à cordes: 2 violons, alto, violoncelle, basse
202
Trio à Cordes: violon, alto, violoncelle
199
Alto (partie séparée)
188
Contrebasse, Piano (duo)
177
Contre Basse
172
Trio à Cordes: 2 violons, violoncelle
104
Violon (partie séparée)
91
2 Harpes (duo)
64
Alto, Violoncelle (duo)
63
Violon, Guitare (duo)
54
Contrebasse (partie séparée)
54
Trio à cordes: 3 violins
47
Trio à Cordes: 3 violoncelles
45
Violon, Basson (duo)
44
2 Contrebasses (duo)
41
Trio à cordes
36
4 Violoncelles
35
Violoncelle (partie séparée)
28
Trio à cordes: 3 altos
27
Quatuor à cordes: 4 violons
24
Piano Trio: Violon, Alto, Piano
19
Quatuor à cordes : 4 altos
17
Harpe, Flûte (duo)
17
Violoncelle, Contrebasse (duo)
16
Violoncelle , Guitare (duo)
16
Violon, Tuba (duo)
13
Harpe, Violon (duo)
12
Alto, Guitare (duo)
12
Alto et Basson
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Trio à Cordes: 2 violons, alto
8
Flûte, Contrebasse (duo)
8
Harpe, Violoncelle (duo)
8
Quintette à cordes : 2 violons, alto et 2 violoncelles
7
Harpe, Voix
7
Ensemble de Violoncelles
4
Ensemble de Violons
4
Harpe, Violon, Violoncelle
4
Autoharp
3
2 Violons, Piano
3
Alto et Harpe
3
2 Violoncelles, Piano
3
Harpe et Piano
3
5 Harpes
2
Violoncelle, Basse continue
2
3 Harpes
2
Violoncelle, Orgue
2
Violon, Orgue
2
4 Contrebasses
2
Alto, Orgue
2
Violoncelle, Orchestre
1
Harpe, Trombone (duo)
1
Ensemble d'Altos
1
Violon, Clarinette, Piano (trio)
1
2 Altos, Piano
1
Violon, Violoncelle, Clarinette
1
Violon, Basse continue
1
+ 65 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 631
Batterie
806
Orchestre à Cordes
633
Orchestre
399
Ensemble Jazz
375
Ensemble de cuivres
355
Cloches
341
Fanfare
213
Orchestre de chambre
117
Ensemble de Percussions
93
Jazz combo
83
Percussion (partie séparée)
56
Batterie (partie séparée)
42
Marimba
35
Xylophone, Piano
24
Xylophone
21
Percussion
17
2 Xylophones
12
Vibraphone
10
Timbales (partie séparée)
6
Ensemble d'École
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Quintette à Vent
3
Piano et Orchestre
2
Timbales
2
3 Marimbas
2
Bongos
1
2 Marimbas
1
Marimba ou Xylophone et Piano
1
Caisse Claire
1
Orchestre, Violon
1
Conga
1
2 Caisses Claires (duo)
1
+ 28 instrumentations
Retracter
Autres
Formation musicale - Solfège
8
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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CARISSIMI, Giacomo: Piangete, ohimè piangete, cantata for Voice (Soprano/Tenor) and Piano (G minor)
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Voix haute
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Giacomo CARISSIMI
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Sergei PICHUGIN
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CARISSIMI, Giacomo: Piangete,
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Really Good Music, LLC.
#
SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.868639 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,St...
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High Voice,Vocal Solo - SKU: A0.868639 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4365834. Published by Really Good Music, LLC. (A0.868639). The cantata Piangete, ohimè piangete was composed by Giacomo CARISSIMI (1605 – 1674), one of the greatest composers of Italian Baroque. It was arranged for voice and piano by Sergei Pichugin. The cantata may be an invaluable addition to the repertoire of vocal teachers and students. The tune is available in the original key of G minor (D4 – A5) for high voice. .
$5.95
CARISSIMI, Giacomo: Crudo amore, cantata for Voice (Soprano/Tenor) and Piano (B minor)
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Voix haute
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INTERMÉDIAIRE
#
Giacomo CARISSIMI
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Sergei PICHUGIN
#
CARISSIMI, Giacomo: Crudo amor
#
Really Good Music, LLC.
#
SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.868631 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instru...
(+)
High Voice,Vocal Solo - Level 3 - SKU: A0.868631 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4365804. Published by Really Good Music, LLC. (A0.868631). The cantata Crudo amore was composed by Giacomo CARISSIMI (1605 – 1674), one of the greatest composers of Italian Baroque. The realization of the tune for voice and piano, made by Sergei Pichugin, is based on its early publication in the collection Scelta di canzonette italiane de più autori (London, 1679). The cantata may be an invaluable addition to the repertoire of vocal teachers and students. The tune was transposed into B minor (F#4 – A5). .
$5.95
CARISSIMI, Giacomo: No, no, non si speri, cantata for Voice (Soprano/Tenor) and Piano (E minor)
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Voix haute
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INTERMÉDIAIRE
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Giacomo CARISSIMI
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Sergei PICHUGIN
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CARISSIMI, Giacomo: No, no, no
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.868636 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instru...
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High Voice,Vocal Solo - Level 3 - SKU: A0.868636 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4365826. Published by Really Good Music, LLC. (A0.868636). The cantata No, no, non si speri was composed by Giacomo CARISSIMI (1605 – 1674), one of the greatest composers of Italian Baroque, and arranged for voice and piano by Sergei Pichugin. The cantata may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of E minor (C#4 – A5).
$5.95
CARISSIMI, Giacomo: Crudo amore, cantata for Voice (Soprano/Tenor) and Piano (G minor)
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Voix haute
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INTERMÉDIAIRE
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Giacomo CARISSIMI
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Sergei PICHUGIN
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CARISSIMI, Giacomo: Crudo amor
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.868630 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instru...
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High Voice,Vocal Solo - Level 3 - SKU: A0.868630 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4365796. Published by Really Good Music, LLC. (A0.868630). The cantata Crudo amore was composed by Giacomo CARISSIMI (1605 – 1674), one of the greatest composers of Italian Baroque. The realization of the tune for voice and piano, made by Sergei Pichugin, is based on its early publication in the collection Scelta di canzonette italiane de più autori (London, 1679). The cantata may be an invaluable addition to the repertoire of vocal teachers and students. The tune is available in the original key of G minor (D4 – F5).
$5.95
THE SONG OF SIMEON for High Voice and Piano
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Christian contemporain
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Richard St
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THE SONG OF SIMEON for High Vo
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Richard St. Clair
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.939889 Composed by Richard St. Clair. 20th Century,Christian,Contemporary,Praise & Worship. 11 pages. Richard ...
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High Voice,Vocal Solo - Level 4 - SKU: A0.939889 Composed by Richard St. Clair. 20th Century,Christian,Contemporary,Praise & Worship. 11 pages. Richard St. Clair #6516703. Published by Richard St. Clair (A0.939889). This 4 1/2-minute song for Tenor or Soprano is a setting of the Bible, Gospel of Luke 2:25-32, where Simeon receives and blesses the infant Jesus. This text is often set in Latin as Nunc Dimittis. In this setting, the text is in English.
$12.99
O dulcissima dilecta mea
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Voix haute
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Classique
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Stefano Bernardi
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Early Music Scores
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O dulcissima dilecta mea
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Early Music Scores
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.1203493 Composed by Stefano Bernardi. Arranged by Early Music Scores. Baroque. 3 pages. Early Music Scores #802128. Publ...
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High Voice,Vocal Solo - SKU: A0.1203493 Composed by Stefano Bernardi. Arranged by Early Music Scores. Baroque. 3 pages. Early Music Scores #802128. Published by Early Music Scores (A0.1203493). Voice and continuoComposed by Stefano Bernardi (1580-1637). From Seconda raccolta de' sacri canti, Lorenzo Calvi, Venezia, 1624. Edited by Felipe Dias. 3 pages.
$5.99
Simbolo di eterna pena
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Maurizio Chiavaroli
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Simbolo di eterna pena
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Maurizio Chiavaroli
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.790760 Composed by Maurizio Chiavaroli. Concert,Musical/Show,Opera,Standards,World. 6 pages. Maurizio Chiavaro...
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High Voice,Vocal Solo - Level 4 - SKU: A0.790760 Composed by Maurizio Chiavaroli. Concert,Musical/Show,Opera,Standards,World. 6 pages. Maurizio Chiavaroli #5800609. Published by Maurizio Chiavaroli (A0.790760). Composizione originale per soprano e pianoforteOriginal composition for soprano voice and piano.
$5.99
Simon & Garfunkel: Bridge Over Troubled Water [Jazz version] (arr. Brent Edstrom) - voice & piano (High Voice)
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Voix haute
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INTERMÉDIAIRE
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Jazz
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Simon & Garfunkel
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Virtualsheetmusic
Instantly printable sheet music by Simon & Garfunkel for voice & piano (High Voice) of MEDIUM skill level. / jazz,pop,wedding,festival,love
Instantly printable sheet music by Simon & Garfunkel for voice & piano (High Voice) of MEDIUM skill level. / jazz,pop,wedding,festival,love
$5.97
This Nearly Was Mine from South Pacific
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Richard Rodgers
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W
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This Nearly Was Mine from Sout
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Diamond S Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.790001 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. 15 pages. Diamond S Mu...
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High Voice,Vocal Solo - Level 4 - SKU: A0.790001 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. 15 pages. Diamond S Music #3533727. Published by Diamond S Music (A0.790001). THIS NEARLY WAS MINE from South Pacific. For SOLO VOICE (Tenor or Soprano) AND PIANO ACCOMPANIMENT (with optional Double Bass). KEY of Eb. This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949 Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$8.99
Gregory Sullivan Isaacs: A Simple Song (to Victorian Stanzas) for high voice and piano
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Voix haute
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: A Sim
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Musik Fabrik Music Publishing
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.533399 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love,Sacred,Wedding. 5 pages. Musik Fabrik Music Publis...
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High Voice,Vocal Solo - SKU: A0.533399 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love,Sacred,Wedding. 5 pages. Musik Fabrik Music Publishing #2894447. Published by Musik Fabrik Music Publishing (A0.533399). A setting of Victorian poetry by William Fox. Suitable for weddings, church services and for concert performance, especially for Valentine's day.
$9.10
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Scrivete occhi dolenti
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Voix haute
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Classique
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Giacomo Carissimi
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Early Music Scores
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Scrivete occhi dolenti
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Early Music Scores
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.1228488 Composed by Giacomo Carissimi. Arranged by Early Music Scores. Baroque. 8 pages. Early Music Scores #824566. Pub...
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High Voice,Vocal Solo - SKU: A0.1228488 Composed by Giacomo Carissimi. Arranged by Early Music Scores. Baroque. 8 pages. Early Music Scores #824566. Published by Early Music Scores (A0.1228488). Voice and continuoComposed by Giacomo Carissimi (c.1605-1674). From I-Bc X.235/4. Edited by Felipe Dias. 8 pages.
$7.99
Lamentationes Jeremiae Prophetae: Feriae Quintae in Coena Domini, Lectio Seconda
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Voix haute
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Classique
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Giacomo Carissimi
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Early Music Scores
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Lamentationes Jeremiae Prophet
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Early Music Scores
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.1202336 Composed by Giacomo Carissimi. Arranged by Early Music Scores. Baroque. 4 pages. Early Music Scores #801021. Pub...
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High Voice,Vocal Solo - SKU: A0.1202336 Composed by Giacomo Carissimi. Arranged by Early Music Scores. Baroque. 4 pages. Early Music Scores #801021. Published by Early Music Scores (A0.1202336). Voice and continuoVau. Et egressus est ad filia Sion. Composed by Giacomo Carissimi (c.1605-1674). From Museo internazionale e biblioteca della musica di Bologna, MS Q.43, ff.5r-6v. Edited by Felipe Dias. 4 pages.
$7.99
Serenade
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Voix haute
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AVANCÉ
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Christopher Benfield
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Serenade
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Christopher Benfield
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.909882 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. 6 pages. Christopher Benfield #429...
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High Voice,Vocal Solo - Level 5 - SKU: A0.909882 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. 6 pages. Christopher Benfield #4292981. Published by Christopher Benfield (A0.909882). Serenade is the famous poem by the same name by Paul Verlaine set to music for piano accompaniment and soprano soloist. This extremely languid and evocative art song was written with the similarly evocative text in mind, presenting images of love and the praise of beauty. This piece is recommended for advanced singers.
$3.99
Keep Nothing From Me - a flowing ballad for solo female voice & piano
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Voix haute
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INTERMÉDIAIRE
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Simon Walters
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Keep Nothing From Me - a flowi
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Simon Walters
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.832134 Composed by Simon Walters. Folk,Pop. 9 pages. Simon Walters #5723215. Published by Simon Walters (A0.83...
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High Voice,Vocal Solo - Level 3 - SKU: A0.832134 Composed by Simon Walters. Folk,Pop. 9 pages. Simon Walters #5723215. Published by Simon Walters (A0.832134). A flowing pop/folk ballad for most female voices (A below middle C to C above middle C) asking a partner to open up.... if the relationship is to have a future...How many have been lost through lack of communication ?Keep nothing from me: it's no use keeping secrets, can't you see?If we are to continue then we need to talk things through: keep nothing from me...Why can't you set me free....?
$3.99
Serrana si vuestros ojos
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Voix haute
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Classique
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Luis de Briceño
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Early Music Scores
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Serrana si vuestros ojos
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Early Music Scores
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.1380155 Composed by Luis de Briceño. Arranged by Early Music Scores. Baroque. Score. 1 pages. Early Music Scores #964...
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High Voice,Vocal Solo - SKU: A0.1380155 Composed by Luis de Briceño. Arranged by Early Music Scores. Baroque. Score. 1 pages. Early Music Scores #964902. Published by Early Music Scores (A0.1380155). Voice and baroque guitarComposed by Luis de Briceño (S.XVII). From Metodo mui facilissimo para aprender a tañer la guitarra a lo espagnol, Paris, 1626. Edited and reconstructed by Felipe Dias. 1 page.
$6.99
Pro peccatis suae gentis
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Christian contemporain
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Musique Sacrée
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Maurizio Chiavaroli
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Pro peccatis suae gentis
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Maurizio Chiavaroli
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.790454 Composed by Maurizio Chiavaroli. Christian,Contemporary,Easter,Sacred,Standards. 2 pages. Maurizio Chia...
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High Voice,Vocal Solo - Level 4 - SKU: A0.790454 Composed by Maurizio Chiavaroli. Christian,Contemporary,Easter,Sacred,Standards. 2 pages. Maurizio Chiavaroli #4297565. Published by Maurizio Chiavaroli (A0.790454). Composizione originale per soprano e pianoforte estratto dall'opera sacra Stabat Mater di Maurizio Chiavaroli disponibile anche nella versione per orchestra sinfonicaOriginal composition for soprano voice and piano extracted from the sacred opera Stabat Mater by Maurizio Chiavaroli also available in the version for simphony orchestra.
$4.99
CAVALLI Francesco: Onde piante fioriti arboscelli, aria from the cantata, - Voice and Pia
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Voix haute
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FACILE
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Francesco CAVALLI
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Sergei PICHUGIN
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CAVALLI Francesco: Onde piante
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.868808 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instru...
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High Voice,Vocal Solo - Level 2 - SKU: A0.868808 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4596841. Published by Really Good Music, LLC. (A0.868808). Onde piante fioriti arboscelli is an aria from Solo cantata X Bellissima Dorsibe, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of B flat major (F4 – G5) for high voice.
$5.95
CAVALLI Francesco: Tu sei finta, aria from the cantata, - Voice and Piano (G minor)
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Voix haute
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FACILE
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Francesco CAVALLI
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Sergei PICHUGIN
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CAVALLI Francesco: Tu sei fint
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.868810 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instru...
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High Voice,Vocal Solo - Level 2 - SKU: A0.868810 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4596847. Published by Really Good Music, LLC. (A0.868810). Tu sei finta is an aria from Solo cantata X Bellissima Dorsibe, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (D4 – G5) for high voice.
$5.95
O quam tristis et afflicta
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Christian contemporain
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Musique Sacrée
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Maurizio Chiavaroli
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O quam tristis et afflicta
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Maurizio Chiavaroli
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.790453 Composed by Maurizio Chiavaroli. Christian,Contemporary,Easter,Sacred,Standards. 2 pages. Maurizio Chia...
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High Voice,Vocal Solo - Level 4 - SKU: A0.790453 Composed by Maurizio Chiavaroli. Christian,Contemporary,Easter,Sacred,Standards. 2 pages. Maurizio Chiavaroli #4297563. Published by Maurizio Chiavaroli (A0.790453). Composizione originale per soprano e pianoforte estratto dall'opera sacra Stabat Mater di Maurizio Chiavaroli disponibile anche nella versione per orchestra sinfonicaOriginal composition for soprano voice and piano extracted from the sacred opera Stabat Mater by Maurizio Chiavaroli also available in the version for simphony orchestra.
$4.99
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