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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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So Into You
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Non classifié
328
Piano & claviers
Piano seul
197
Piano, Voix
170
Piano Facile
50
Piano, Voix et Guitare
31
Orgue
14
1 Piano, 4 mains
8
Instruments en Do
7
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
1
Orgue, Piano (duo)
1
Clavecin
1
2 Pianos, 4 mains
1
Orgue, Trompette (duo)
1
+ 8 instrumentations
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Guitares
Guitare
14
Guitare notes et tablatures
12
Ukulele
5
2 Guitares (duo)
4
Mandoline
3
4 Guitares (Quatuor)
3
Basse electrique
2
Banjo
1
Paroles et Accords
1
+ 4 instrumentations
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Voix
Chorale SATB
70
Chorale 3 parties
23
Chorale SSAA
16
Chorale 2 parties
10
Chorale TTBB
9
Chorale Unison
5
Voix haute
2
Voix Soprano, Piano
2
Voix Tenor
2
Chorale SSATTB
1
Voix basse, Piano
1
Voix duo, Piano
1
Voix Alto, Piano
1
Voix Baryton, Piano
1
Voix Tenor, Piano
1
+ 10 instrumentations
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Vents
Clarinette
89
Flûte traversière et Piano
32
Clarinette et Piano
24
Hautbois, Piano (duo)
23
Flûte traversière
19
Flûte, Hautbois, Clarinette, Basson
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Hautbois
11
Quintette de Saxophone: 5 saxophones
11
Saxophone Alto et Piano
10
Saxophone Alto
10
2 Clarinettes (duo)
9
Saxophone Tenor
9
2 Flûtes traversières (duo)
8
Quatuor de Saxophones: 4 saxophones
8
Saxophone Soprano et Piano
8
Hautbois (partie séparée)
7
2 Saxophones (duo)
7
Saxophone Tenor et Piano
7
Ensemble de Clarinettes
6
Quintette de Flûte : 5 flûtes
5
Clarinette, Basson (duo)
5
Quatuor de Clarinettes: 4 clarinettes
5
Saxophone Baryton, Piano
4
3 Clarinettes (trio)
4
Saxophone, Clarinette (duo)
3
Hautbois, Clarinette (duo)
3
Hautbois, Basson (duo)
3
Ensemble de Flûtes
3
Trio de Flûtes: 3 flûtes
3
2 Hautbois (duo)
3
Flûte, Clarinette (duo)
3
Ocarina
2
Clarinette, Violon (duo)
2
Flûte, Hautbois (duo)
2
3 Hautbois
2
Saxophone Baryton
2
Cor anglais, Piano
2
5 Flûtes à bec
2
Clarinette Basse, Piano
2
Hautbois, Basson et Piano
2
Saxophone Soprano
2
Flûte, Hautbois, Piano (trio)
2
Clarinette Basse
1
Hautbois, Flûte
1
2 Clarinettes, Piano
1
3 Saxophones (trio)
1
Clarinette, Violoncelle (duo)
1
2 Hautbois, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette et Alto
1
Hautbois, Guitare (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Saxophone (duo)
1
Flûte, Alto (duo)
1
2 Clarinettes, Basson
1
Clarinette, Trompette (duo)
1
Flûte, Violon
1
Ensemble de saxophones
1
Flûte à bec Soprano
1
Quatuor de Flûtes : 4 flûtes
1
Flûte à bec Alto
1
Flûte, Trompette (duo)
1
Harmonica
1
Flûte et Guitare
1
+ 60 instrumentations
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Cuivres
Trompette
25
Trompette, Piano
22
Trombone
20
Trombone et Piano
20
Cor et Piano
19
Tuba et Piano
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Cor
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Tuba
15
2 Trombones (duo)
8
Trompette, Trombone (duo)
6
Ensemble de Trompettes
5
2 Trompettes (duo)
4
2 Cors (duo)
3
3 Trombones (trio)
3
2 Tubas (duo)
3
Ensemble de Trombones
2
Trompette, Saxophone (duo)
2
Trompette, Tuba (duo)
2
Trombone, Cor (duo)
2
Ensemble de Cors
2
Quatuor de Cuivres
2
Cor, Tuba (duo)
2
Cor anglais, Piano
2
Euphonium, Piano (duo)
2
Euphonium
1
3 Trompettes (trio)
1
Trombone basse et Piano
1
4 Tubas
1
Ensemble de Tubas
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
66
Violon
42
Violon et Piano
32
Violoncelle
26
Alto, Piano
25
Violoncelle, Piano
21
Alto seul
20
Violon, Violoncelle (duo)
15
Harpe
15
Contrebasse, Piano (duo)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Contre Basse
9
2 Violons (duo)
6
Trio à Cordes: 2 violons, violoncelle
6
Violon, Alto (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
2 Violoncelles (duo)
4
Trio à cordes: 3 violins
3
2 Altos (duo)
3
Trio à cordes: 3 altos
3
Ensemble de Violons
2
3 Contrebasses
2
Alto, Violoncelle (duo)
2
Alto (partie séparée)
2
2 Contrebasses (duo)
2
Trio à Cordes: 3 violoncelles
2
Violoncelle, Contrebasse (duo)
1
3 Harpes
1
Ensemble de Violoncelles
1
2 Altos, Piano
1
4 Contrebasses
1
2 Harpes (duo)
1
Violoncelle, Basse continue
1
4 Harpes
1
Alto, Guitare (duo)
1
2 Violoncelles, Piano
1
+ 31 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
72
Orchestre à Cordes
23
Orchestre
22
Ensemble de cuivres
18
Ensemble Jazz
16
Batterie
5
Orchestre de chambre
3
Cloches
2
Ensemble de Percussions
2
Marimba
1
Ensemble d'École
1
+ 6 instrumentations
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Autres
Formation musicale - Solfège
6
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--INSTRUMENTS--
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So Into You
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
#
Voix haute
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
(+)
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
#
Voix haute
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
(+)
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
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