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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Spirit of Love
Non classifié
962
Piano & claviers
Piano seul
466
Piano Facile
237
Piano, Voix
132
Piano, Voix et Guitare
84
Accompagnement Piano
78
Instruments en Do
59
Orgue
43
Piano Trio: piano, violon, violoncelle
15
Piano Quatuor: piano, 2 violons, violoncelle
7
1 Piano, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
6
2 Pianos, 4 mains
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
24
Guitare
16
2 Guitares (duo)
13
Ligne De Mélodie, (Paroles) et Accords
12
Ukulele
6
Piano, Guitare (duo)
3
Basse electrique
3
Mandoline
2
Dulcimer
1
Banjo
1
Paroles et Accords
1
4 Guitares (Quatuor)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
520
Chorale 3 parties
136
Chorale 2 parties
114
Chorale Unison
86
Voix duo, Piano
54
Chorale TTBB
32
Voix Soprano, Piano
24
Voix Tenor, Piano
19
Chorale SSAA
18
Voix duo
10
Voix Alto, Piano
8
Voix haute
5
Voix Tenor
4
Voix Baryton, Piano
3
Voix Mezzo-Soprano, Piano
2
Voix Soprano
2
Voix moyenne, Piano
2
Voix seule
2
Voix basse, Piano
1
Chorale SSAB, Piano
1
+ 15 instrumentations
Retracter
Vents
2 Saxophones (duo)
78
2 Flûtes traversières (duo)
69
Clarinette et Piano
63
Flûte traversière
58
Hautbois, Piano (duo)
58
Flûte traversière et Piano
53
Quatuor de Saxophones: 4 saxophones
46
Flûte, Hautbois, Clarinette, Basson
45
Saxophone Alto
42
2 Clarinettes (duo)
39
Saxophone Alto et Piano
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
35
Saxophone Soprano et Piano
33
Saxophone Tenor et Piano
33
Clarinette
33
Hautbois (partie séparée)
31
Flûte, Clarinette (duo)
29
Quintette de Saxophone: 5 saxophones
28
Hautbois, Basson (duo)
26
Hautbois
25
Saxophone Tenor
24
Saxophone, Clarinette (duo)
22
Clarinette, Trompette (duo)
21
Quatuor de Flûtes : 4 flûtes
20
Clarinette, Violon (duo)
20
2 Hautbois (duo)
19
2 Flûte à bec (duo)
16
Flûte, Trompette (duo)
16
Hautbois, Clarinette (duo)
15
Saxophone Baryton, Piano
14
Clarinette, Basson (duo)
14
Saxophone Soprano
12
Quatuor de Clarinettes: 4 clarinettes
11
Cor anglais, Piano
11
Clarinette et Alto
10
Flûte, Alto (duo)
9
Flûte, Clarinette et Basson
8
3 Saxophones (trio)
8
Hautbois, Flûte
7
Flûte, Saxophone (duo)
7
3 Clarinettes (trio)
6
Flûte, Violon
6
Ensemble de Clarinettes
5
Hautbois, Violoncelle
5
Saxophone Baryton
4
Trio de Flûtes: 3 flûtes
4
Ensemble de Flûtes
4
Saxophone (partie séparée)
4
Clarinette, Violoncelle (duo)
4
Flûte, Violoncelle
4
Clarinette Basse, Piano
3
2 Flûtes traversières, Piano
3
Flûte à bec Soprano, Piano
3
Flûte, Hautbois, Clarinette (trio)
3
Ensemble de saxophones
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Violoncelle, Piano (trio)
2
Quintette de Flûte : 5 flûtes
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Soprano
2
Hautbois, violon (duo)
2
Flûte, Hautbois (duo)
2
Flûte et Guitare
2
Flûte à bec Alto, Piano
2
Flûte à bec Alto
1
Clarinette Basse
1
Quatuor de Flûtes à bec
1
Hautbois, Trompette (duo)
1
Flûte traversière, Orchestre
1
Flûte, Trombone (duo)
1
Clarinette, Trombone (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Cor Anglais
1
Cornemuse
1
Clarinette, trompette et piano
1
Flûte, Hautbois, Basson
1
Clarinette, Tuba
1
2 Clarinettes, Piano
1
Flûte, Violon et Violoncelle
1
Hautbois et alto (duo)
1
Flute (partie séparée)
1
Flûte, Violon, Piano
1
Ocarina
1
Flûte, Basson et Piano
1
Flûte, trombone et piano
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Guitare (duo)
1
Saxophone et Orgue
1
5 Flûtes à bec
1
Hautbois, trombone (duo)
1
Clarinette, Contrebasse (duo)
1
+ 86 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
56
Trombone et Piano
48
Trompette, Piano
43
Trompette
40
Trombone
36
Cor et Piano
35
Cor
35
Trompette, Trombone (duo)
28
2 Trompettes (duo)
23
2 Cors (duo)
21
Tuba
20
Tuba et Piano
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
2 Trombones (duo)
18
Trompette, Saxophone (duo)
15
Trompette, Cor (duo)
14
Quatuor de Cuivres
13
Cor anglais, Piano
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Tubas (duo)
6
Trio de Cuivres
5
Euphonium, Piano (duo)
5
Cor, Violoncelle (duo)
3
Quatuor de cuivres: 4 trompettes
3
Quatuor de cuivres: 4 trombones
3
Trompette, Violoncelle (duo)
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 cors
1
Trompette, Violoncelle et Piano
1
Ensemble de Cors
1
Cor Anglais
1
Cor et Basson (duo)
1
2 Euphoniums et 2 Tubas
1
Trombone, Orgue
1
Ensemble de Trompettes
1
4 Tubas
1
Trompette, Tuba (duo)
1
+ 32 instrumentations
Retracter
Cordes
Violon et Piano
123
Quatuor à cordes: 2 violons, alto, violoncelle
117
Violon, Violoncelle (duo)
71
Alto, Piano
67
Violon
65
Violoncelle
62
Alto seul
53
Violoncelle, Piano
51
Violon, Alto (duo)
45
2 Violons (duo)
45
Harpe
30
Contre Basse
28
2 Violoncelles (duo)
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Contrebasse, Piano (duo)
20
2 Altos (duo)
19
Trio à Cordes: 2 violons, violoncelle
18
Alto, Violoncelle (duo)
18
Trio à Cordes: violon, alto, violoncelle
13
Piano Trio: Violon, Alto, Piano
9
2 Contrebasses (duo)
6
Alto (partie séparée)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Harpe, Violon (duo)
4
Trio à Cordes: 2 violons, alto
3
2 Harpes (duo)
3
Alto et Basson
3
Harpe, Flûte (duo)
3
4 Violoncelles
2
Harpe, Voix
2
Harpe et Piano
2
Violon, Basson (duo)
2
4 Harpes
2
Flûte, Contrebasse (duo)
1
Violoncelle, Contrebasse (duo)
1
Violon (partie séparée)
1
Trio à cordes: 3 altos
1
Violon, Clarinette, Piano (trio)
1
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 violins
1
Quatuor à cordes: 4 violons
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
109
Cloches
37
Orchestre à Cordes
31
Orchestre
27
Ensemble de cuivres
12
Orchestre de chambre
9
Fanfare
6
Ensemble Jazz
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Jazz combo
3
Marimba
2
Percussion (partie séparée)
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
Spirit of Love
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Partitions à imprimer
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1
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Thirst
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Voix haute
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AVANCÉ
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William P
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Thirst
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William P. Gorton
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.999888 Composed by William P. Gorton. 20th Century,Concert,Spiritual. 6 pages. William P. Gorton #6116907. Pub...
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High Voice,Vocal Solo - Level 5 - SKU: A0.999888 Composed by William P. Gorton. 20th Century,Concert,Spiritual. 6 pages. William P. Gorton #6116907. Published by William P. Gorton (A0.999888). Thirst is a powerful outcry against one's inner demons, a rebuttal to the negative thoughts that we all have experienced at times, and a prayer for peace. Broad and dramatic, with a virtuosic and powerful piano accompaniment, this song will provide great dramatic contrast and substance to any vocal program. More appropriate for the advanced singer, this piece would work well as part of a set (see other Gorton compositions for ideas). Your pianist will love this piece!
$6.95
Amazing Grace—High-Range Vocal Solo, Fiddle, and Piano
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Voix haute
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AVANCÉ
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Musique Sacrée
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Daniel Carter
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Daniel Carter
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Amazing Grace—High-Range
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Daniel Carter
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1074551 By Daniel Carter. By William Walker. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred...
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High Voice,Vocal Solo - Level 5 - SKU: A0.1074551 By Daniel Carter. By William Walker. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred,Spiritual. 9 pages. Daniel Carter #678826. Published by Daniel Carter (A0.1074551). John Newton penned the words to “Amazing Grace†around 1764 after he survived a near-death experience on a slave-trading ship that nearly capsized, after which he became a priest. His words were set to music by William Walker who composed the hymn tune NEW BRITAIN, first published in “Southern Harmony in 1847. The hymn is extremely influential in religious and folk music, crossing over successfully into secular music. One of the most recognizable and beloved songs in history, Daniel Carter’s setting has a traditional southern folk song feel. Arranged for solo voice, fiddle obbligato, and piano and is suitable for worship, devotionals, concert settings, and music recitals. The fiddle part is included on the last page of the score. Available for both high-range and medium-range vocal solo, fiddle, and piano at danielcartermusic.com.
$5.99
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