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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Take That
Non classifié
1 585
Piano & claviers
Piano seul
926
Piano, Voix
305
Piano, Voix et Guitare
304
Piano Facile
166
Instruments en Do
101
Orgue
63
Accompagnement Piano
41
1 Piano, 4 mains
28
Piano Trio: piano, violon, violoncelle
17
2 Pianos, 4 mains
13
Piano (partie séparée)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano grosses notes
2
Orgue, Trompette (duo)
2
Clavier
1
Orgue et Orchestre
1
Orgue, Piano (duo)
1
Clavecin
1
+ 16 instrumentations
Retracter
Guitares
Guitare
95
Guitare notes et tablatures
64
Ligne De Mélodie, (Paroles) et Accords
46
Paroles et Accords
18
Ukulele
16
Basse electrique
13
2 Guitares (duo)
12
Guitare (partie séparée)
9
4 Guitares (Quatuor)
7
Mandoline
6
3 Guitares (trio)
6
Banjo
5
Dulcimer
4
Piano, Guitare (duo)
2
Ensemble de guitares
2
Orchestre à Plectres
1
Guitare, Orchestre
1
+ 12 instrumentations
Retracter
Voix
Chorale Unison
858
Chorale SATB
472
Chorale 3 parties
153
Chorale 2 parties
88
Chorale TTBB
78
Chorale SSAA
56
Voix duo, Piano
28
Voix Soprano, Piano
24
Voix haute
10
Voix Baryton, Piano
6
Voix Alto, Piano
6
Chorale
5
Chorale SSAATTBB
4
Soli, choeur mixte et accompagnement
3
Voix duo
3
Voix Tenor, Piano
2
Voix seule
2
Voix Tenor
2
Chorale SSATB
2
Voix Soprano
2
Voix Mezzo-Soprano, Piano
1
Pack Instrumental pour Chorale
1
Chorale SSAB a cappella
1
Voix basse, Piano
1
Voix moyenne, Piano
1
+ 20 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
158
Quintette de Saxophone: 5 saxophones
138
Quatuor de Saxophones: 4 saxophones
117
Flûte traversière et Piano
95
Flûte, Hautbois, Clarinette, Basson
84
Saxophone
80
Flûte traversière
79
Hautbois, Piano (duo)
73
Ensemble de saxophones
68
Clarinette
65
2 Saxophones (duo)
63
Saxophone Alto et Piano
63
Clarinette et Piano
55
Saxophone Alto
54
Saxophone (partie séparée)
53
Saxophone Tenor et Piano
49
Saxophone Soprano et Piano
46
Saxophone Tenor
45
Ensemble de Clarinettes
40
Saxophone Baryton, Piano
34
Quatuor de Clarinettes: 4 clarinettes
32
Hautbois (partie séparée)
29
2 Clarinettes (duo)
29
2 Flûtes traversières, Piano
26
2 Flûtes traversières (duo)
25
Ensemble de Flûtes
23
Quatuor de Flûtes : 4 flûtes
23
Clarinette (partie séparée)
20
Saxophone Soprano
19
Quintette de Flûte : 5 flûtes
17
3 Saxophones (trio)
17
Hautbois
12
Saxophone Baryton
12
Flute (partie séparée)
11
Clarinette, Basson (duo)
10
2 Hautbois (duo)
10
Flûte, Hautbois, Clarinette (trio)
9
Clarinette Basse, Piano
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Clarinette, Violoncelle (duo)
9
Hautbois, Basson (duo)
9
Flûte, Clarinette (duo)
9
Flûte à bec Soprano
9
Quintette de Clarinettes: 5 clarinettes
9
Flûte à Bec
8
Flûte, Violoncelle
7
Quatuor de Flûtes à bec
7
3 Clarinettes (trio)
6
Flûte et Guitare
6
Clarinette, Violon (duo)
6
Flûte, Violon, Piano
6
Cor anglais, Piano
6
Trio de Flûtes: 3 flûtes
6
Hautbois, Violoncelle
6
Flûte à bec Alto
5
Flûte, Hautbois (duo)
5
5 Flûtes à bec
4
Clarinette, Guitare (duo)
4
Flûte, Alto et Piano
4
Hautbois, Clarinette (duo)
3
Flûte, Alto (duo)
3
Flûte, Violon
3
Flûte à bec Alto, Piano
2
Ensemble De Flûte à bec
2
Clarinette, Trompette (duo)
2
Flûte, Clarinette et Basson
2
2 Clarinettes, Piano
2
Harmonica
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Trompette (duo)
1
Saxophone et Guitare
1
Cor anglais, Guitare (duo)
1
Flûte, Saxophone (duo)
1
Flûte, trombone et piano
1
Clarinette et Alto
1
Flûte, Basson et Piano
1
Cor Anglais
1
Hautbois, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violoncelle, Guitare
1
Hautbois, violon (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
2 Clarinettes, Basson
1
Flûte, Clarinette, Piano (trio)
1
Saxophone, Clarinette (duo)
1
+ 80 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
162
Quatuor de Cuivres : 2 trompettes, trombone, tuba
98
Trompette
67
Trombone et Piano
57
Trompette, Piano
55
Ensemble de Trompettes
49
Quatuor de Cuivres: 2 trompettes, Cor, trombone
46
Cor
45
Cor et Piano
44
Trombone
42
Trombone (partie séparée)
39
Trompette (partie séparée)
38
Tuba
35
Quatuor de Cuivres
32
Ensemble de Trombones
29
Tuba et Piano
27
2 Trombones (duo)
17
Cor (partie séparée)
12
Euphonium, Piano (duo)
12
2 Cors (duo)
11
2 Trompettes (duo)
11
Tuba (partie séparée)
10
Trompette, Trombone (duo)
8
Ensemble de Cors
7
Quatuor de cuivres: 4 trombones
6
Cor anglais, Piano
6
Quatuor de cuivres: 4 cors
5
2 Tubas (duo)
4
Trio de Cuivres
4
Quatuor de cuivres: 4 trompettes
3
Trompette, Cor (duo)
3
3 Trompettes (trio)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Euphoniums (duo)
2
Trombone, Cor (duo)
2
Cor, Violoncelle (duo)
2
4 Tubas
2
Trompette, Basson (duo)
2
2 Euphoniums et 2 Tubas
1
Cor et Basson (duo)
1
Cor anglais, Guitare (duo)
1
Bass Clef Instruments
1
Trombone basse et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor Anglais
1
Trombone basse
1
Trompette, Euphonium (duo)
1
Trompette et Guitare
1
Euphonium
1
Euphonium, Tuba (duo)
1
Trompette, Saxophone (duo)
1
Trompette, Violoncelle (duo)
1
Trombone, Tuba (duo)
1
+ 48 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
257
Violon et Piano
127
Violon
100
Violoncelle, Piano
78
Alto, Piano
75
Trio à Cordes: violon, alto, violoncelle
66
Violoncelle
65
Alto seul
46
Quintette à cordes: 2 violons, alto, violoncelle, basse
43
Violon, Violoncelle (duo)
40
Harpe
27
Violon (partie séparée)
27
Contre Basse
26
Contrebasse, Piano (duo)
26
Alto (partie séparée)
25
2 Violons (duo)
21
2 Violoncelles (duo)
20
Trio à Cordes: 2 violons, violoncelle
18
Violon, Alto (duo)
17
Contrebasse (partie séparée)
17
Ensemble d'Altos
12
Ensemble de Violons
12
2 Altos (duo)
10
4 Violoncelles
7
Violoncelle (partie séparée)
7
Alto, Violoncelle (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Piano Trio: Violon, Alto, Piano
4
Violon, Guitare (duo)
4
Quatuor à cordes: 4 violons
3
Violon, Basson (duo)
3
Harpe, Voix
3
Ensemble de Violoncelles
2
Alto et Basson
2
2 Harpes (duo)
2
Violoncelle , Guitare (duo)
2
4 Contrebasses
1
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 3 violoncelles
1
Harpe, Flûte (duo)
1
Violon, Clarinette, Piano (trio)
1
Harpe, Trombone (duo)
1
Quatuor à cordes : 4 altos
1
Harpe, Violon (duo)
1
Harpe et mandoline
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
565
Orchestre
169
Orchestre à Cordes
134
Ensemble Jazz
130
Ensemble de cuivres
51
Batterie
33
Cloches
30
Jazz combo
26
Orchestre de chambre
23
Fanfare
15
Ensemble de Percussions
12
Percussion (partie séparée)
10
Batterie (partie séparée)
5
Xylophone, Piano
4
Marimba
3
Cajon
2
Vibraphone
1
Caisse Claire
1
Xylophone
1
+ 14 instrumentations
Retracter
Autres
Formation musicale - Solfège
7
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Nouveautes
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débutant
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Vous avez sélectionné:
Take That
Voix haute
Partitions à imprimer
10 partitions trouvées
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1
They Can't Take That Away From Me [Jazz version] (arr. Brent Edstrom)
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Voix haute
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Comédie Musicale
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Jazz
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They Can't Take That Away From
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - Interactive Download SKU: HX.457785 This edition: Interactive Download. Broadway,Jazz,Standards. Piano Vocal. 5 pages. Published by Hal Le...
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(High Voice) - Interactive Download SKU: HX.457785 This edition: Interactive Download. Broadway,Jazz,Standards. Piano Vocal. 5 pages. Published by Hal Leonard - Digital (HX.457785).
$4.99
They Can't Take That Away From Me (High Voice)
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Voix haute
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Comédie Musicale
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Jazz
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Frank Sinatra
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They Can't Take That Away From
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - SKU: HX.470831 By Frank Sinatra. Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (...
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(High Voice) - SKU: HX.470831 By Frank Sinatra. Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470831).
$1.99
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
I Dream of You, to Wake (Soprano or Tenor and Piano)
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Hunter A
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I Dream of You, to Wake
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Hunter A. Brown
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243. Published by Hu...
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High Voice,Vocal Solo - Level 4 - SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243. Published by Hunter A. Brown (A0.1013578). I Dream of You, to Wake (soprano and piano) is an art song adaption of the sonnet by Christina Rossetti (1830-1894). The poem comes from her sonnet of sonnets - Monna Innominata (unknown lady) - in which she laments her lack of religious compatibility with the man she loves.With a duration of 4'00 - this song is perfect for the adept soprano, and would be ideal for a solo and ensemble contest or college recital.Key: B major, F-sharp minorRange: C#4 - G#5 I would love to hear from you! For questions, comments, or information about commissions, please reach out to me at hbrowncomp@gmail.comText: I dream of you to wake: would that I might Dream of you and not wake but slumber on. In happy dreams I hold you full in night. I blush again who waking look so wan; Brighter than sunniest day that ever shone, In happy dreams your smile makes day of night. Thus only in a dream we are at one, Thus only in a dream we give and take The faith that maketh rich who take or give; If thus to sleep is sweeter than to wake, To die were surely sweeter than to live, Though there be nothing new beneath the sun.
$9.99
Ice! from Songs from the High Sierra
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Voix haute
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Gwyneth W
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Ice! from Songs from the High
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8...
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High voice and piano - Medium - SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
$7.25
Periwinkle
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Alicia Willard
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Periwinkle
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Alicia Santee-Davis
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.1027761 Composed by Alicia Willard. 20th Century,Blues,Contemporary. 34 pages. Alicia Santee-Davis #2923157. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.1027761 Composed by Alicia Willard. 20th Century,Blues,Contemporary. 34 pages. Alicia Santee-Davis #2923157. Published by Alicia Santee-Davis (A0.1027761). Periwinkle is a song cycle that was originally composed for mezzo-soprano and piano, but has been arranged for soprano and piano; it is a collection of character pieces using original poetry by Alicia Willard. High High Shoes is an upbeat, rhythmically active piece that illustrates the exhilaration and anxiety in reaching for one’s desires. Wings is a hauntingly slow array of uneasy dissonances, using only one line of text that is chopped into fragments and slowly arranged into a comprehensible statement. Boulders on Our Shoulders has a lilting jazz feel, including several piano solos that incorporate many aspects of the blues. Follow the Borrowers is much more introspective, with the music vividly conveying what the text colorfully provides in such lines as I’ll caress the tongue shapes. The title of the cycle is taken from a line of poetry in which the periwinkle dirt in the sky is introduced, providing one of many colors that are portrayed in the pieces. Periwinkle was written in 2009 and premiered at the University of North Carolina School of the Arts by Stephanie McAllister, mezzo-soprano, and the composer at the piano. After its recomposition, the soprano edition was premiered in Fairbanks, Alaska in 2016 by Amy Ingram, soprano, with the composer at the piano.
$16.95
George Gershwin: They Can't Take That Away From Me [Jazz version] (arr. Brent Edstrom) - voice & piano (High Voice)
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Voix haute
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INTERMÉDIAIRE
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Jazz
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George Gershwin
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Virtualsheetmusic
Instantly printable sheet music by George Gershwin for voice & piano (High Voice) of MEDIUM skill level. / jazz,standards,broadway
Instantly printable sheet music by George Gershwin for voice & piano (High Voice) of MEDIUM skill level. / jazz,standards,broadway
$5.97
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