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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Take You Out
Non classifié
760
Piano & claviers
Piano seul
460
Piano, Voix
201
Piano, Voix et Guitare
114
Piano Facile
95
Instruments en Do
76
Piano grosses notes
34
Orgue
32
1 Piano, 4 mains
16
2 Pianos, 4 mains
13
Accompagnement Piano
7
Piano Trio: piano, violon, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
1
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
36
Guitare
29
Basse electrique
14
Ligne De Mélodie, (Paroles) et Accords
13
Ukulele
12
Paroles et Accords
5
3 Guitares (trio)
4
Dulcimer
3
4 Guitares (Quatuor)
3
2 Guitares (duo)
3
Guitare (partie séparée)
2
Mandoline
2
Piano, Guitare (duo)
2
Banjo
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
208
Chorale 3 parties
47
Chorale 2 parties
34
Chorale TTBB
32
Chorale SSAA
21
Chorale Unison
15
Voix Soprano, Piano
8
Voix haute
6
Voix duo, Piano
6
Voix seule
3
Voix Baryton, Piano
2
Voix duo
2
Voix Tenor, Piano
2
Chorale SAATB A Cappella
1
Voix Tenor
1
Chorale SSATTB
1
Voix Alto, Piano
1
Voix Mezzo-Soprano, Piano
1
+ 13 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
92
2 Saxophones (duo)
87
Quintette de Saxophone: 5 saxophones
78
2 Clarinettes (duo)
53
Flûte traversière
51
Flûte traversière et Piano
47
Clarinette
46
Quatuor de Saxophones: 4 saxophones
44
2 Flûtes traversières (duo)
42
Saxophone, Clarinette (duo)
38
Hautbois, Piano (duo)
34
Clarinette et Piano
33
Flûte, Hautbois, Clarinette, Basson
28
Saxophone Alto et Piano
28
Clarinette, Violon (duo)
27
Saxophone Alto
27
2 Flûtes traversières, Piano
26
Clarinette, Trompette (duo)
24
Hautbois (partie séparée)
24
Saxophone Tenor et Piano
22
Ensemble de Clarinettes
22
Saxophone Tenor
19
2 Hautbois (duo)
19
Saxophone Soprano et Piano
16
Quatuor de Clarinettes: 4 clarinettes
16
Ensemble de saxophones
15
Flûte, Clarinette (duo)
15
Hautbois, Clarinette (duo)
15
Saxophone (partie séparée)
14
Clarinette et Alto
14
Quintette de Flûte : 5 flûtes
14
Ensemble de Flûtes
13
Hautbois, Basson (duo)
13
Flûte, Saxophone (duo)
13
Flûte, Violon
13
Flûte et Guitare
11
Flûte, Alto (duo)
11
3 Clarinettes (trio)
11
Flûte, Trompette (duo)
11
Hautbois, Flûte
10
3 Saxophones (trio)
10
Saxophone Baryton, Piano
9
Trio de Flûtes: 3 flûtes
8
Cor anglais, Piano
7
Clarinette (partie séparée)
6
Flute (partie séparée)
6
Flûte à Bec
6
Flûte, Hautbois (duo)
6
Clarinette, Guitare (duo)
5
Hautbois
4
Flûte, Clarinette et Basson
4
Flûte, Hautbois, Basson
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Soprano
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte à bec Soprano
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Saxophone
3
Clarinette Basse, Piano
3
2 Flûte à bec (duo)
3
Flûte, Violoncelle
3
Saxophone Baryton
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, Violoncelle (duo)
2
Flûte, Hautbois, Piano (trio)
2
2 Clarinettes, Piano
1
Flûte, Clarinette, Piano (trio)
1
Cor Anglais
1
2 Clarinettes, Basson
1
Flûte, trombone et piano
1
Harmonica
1
Hautbois, Guitare (duo)
1
Hautbois, Violoncelle
1
Piccolo
1
Cor anglais, Guitare (duo)
1
Clarinette, Basson (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Alto et Piano
1
Flûte traversière, Orgue (duo)
1
Flûte, Violon, Piano
1
Hautbois, violon (duo)
1
Flûte à bec Alto
1
5 Flûtes à bec
1
+ 79 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
67
Quatuor de Cuivres : 2 trompettes, trombone, tuba
53
Trompette
37
Trombone et Piano
34
Trompette, Piano
33
Trompette, Saxophone (duo)
25
Cor
24
2 Trombones (duo)
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
2 Trompettes (duo)
18
Tuba
17
Trombone
17
Trompette, Trombone (duo)
16
Cor et Piano
16
Trompette (partie séparée)
15
Ensemble de Trombones
13
Trombone (partie séparée)
12
Euphonium, Piano (duo)
11
Cor anglais, Piano
7
Tuba et Piano
7
Quatuor de Cuivres
6
Ensemble de Trompettes
6
2 Cors (duo)
5
Euphonium
4
Cor (partie séparée)
4
Trio de Cuivres
3
Trompette, Cor (duo)
2
Quatuor de cuivres: 4 trombones
2
2 Tubas (duo)
2
Tuba (partie séparée)
2
Trombone basse
1
Cor Anglais
1
Bass Clef Instruments
1
Trombone, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
4 Tubas
1
Cor anglais, Guitare (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 cors
1
Trompette, Euphonium (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
162
Violon et Piano
79
Violon
46
Alto, Piano
39
Violoncelle, Piano
35
Violon, Violoncelle (duo)
34
Violoncelle
31
2 Violons (duo)
31
Trio à Cordes: violon, alto, violoncelle
24
Harpe
24
Violon, Alto (duo)
23
2 Violoncelles (duo)
22
2 Altos (duo)
19
Alto seul
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
Contre Basse
12
Contrebasse, Piano (duo)
11
Trio à Cordes: 2 violons, violoncelle
10
Alto (partie séparée)
9
Ensemble de Violons
7
Ensemble d'Altos
7
Violon (partie séparée)
5
Trio à Cordes: 2 violons, alto
4
Trio à cordes: 3 altos
3
Trio à cordes: 3 violins
3
Contrebasse (partie séparée)
3
2 Harpes (duo)
3
2 Contrebasses (duo)
2
Trio à Cordes: 3 violoncelles
2
Violoncelle , Guitare (duo)
2
Violon, Basson (duo)
1
2 Violons, Piano
1
4 Contrebasses
1
Harpe, Flûte (duo)
1
Harpe, Violon (duo)
1
Harpe, Voix
1
Violon, Orgue
1
Alto et Basson
1
4 Violoncelles
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
157
Orchestre
69
Ensemble Jazz
67
Orchestre à Cordes
45
Ensemble de cuivres
30
Batterie
28
Fanfare
22
Orchestre de chambre
13
Cloches
8
Jazz combo
7
Ensemble de Percussions
6
Xylophone, Piano
4
Percussion (partie séparée)
2
Marimba
1
Batterie (partie séparée)
1
Percussion
1
Xylophone
1
Marimba, Piano (duo)
1
+ 13 instrumentations
Retracter
Autres
Formation musicale - Solfège
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CORNEMUSE
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DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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PERCU. ORCH…
PERCUSSION
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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TROMBONE
TROMPETTE
TUBA
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Vous avez sélectionné:
Take You Out
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Partitions à imprimer
6 partitions trouvées
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1
I Dream of You, to Wake (Soprano or Tenor and Piano)
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Hunter A
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I Dream of You, to Wake
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Hunter A. Brown
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243. Published by Hu...
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High Voice,Vocal Solo - Level 4 - SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243. Published by Hunter A. Brown (A0.1013578). I Dream of You, to Wake (soprano and piano) is an art song adaption of the sonnet by Christina Rossetti (1830-1894). The poem comes from her sonnet of sonnets - Monna Innominata (unknown lady) - in which she laments her lack of religious compatibility with the man she loves.With a duration of 4'00 - this song is perfect for the adept soprano, and would be ideal for a solo and ensemble contest or college recital.Key: B major, F-sharp minorRange: C#4 - G#5 I would love to hear from you! For questions, comments, or information about commissions, please reach out to me at hbrowncomp@gmail.comText: I dream of you to wake: would that I might Dream of you and not wake but slumber on. In happy dreams I hold you full in night. I blush again who waking look so wan; Brighter than sunniest day that ever shone, In happy dreams your smile makes day of night. Thus only in a dream we are at one, Thus only in a dream we give and take The faith that maketh rich who take or give; If thus to sleep is sweeter than to wake, To die were surely sweeter than to live, Though there be nothing new beneath the sun.
$9.99
23rd Psalm (Pastures of Green) (David) from "The Kings" ACT 1:Song 11
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Voix haute
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INTERMÉDIAIRE
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McCorkle, Dennis F
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23rd Psalm
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.784825 Composed by McCorkle, Dennis F. Christian,Jewish,Pop,Rock,Sacred. 10 pages. DF McCorkle Music and eBook...
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High Voice,Vocal Solo - Level 3 - SKU: A0.784825 Composed by McCorkle, Dennis F. Christian,Jewish,Pop,Rock,Sacred. 10 pages. DF McCorkle Music and eBook Publications #11739. Published by DF McCorkle Music and eBook Publications (A0.784825). ACT ONE: Song 11. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 16:11 - And Samuel said to Jesse: ‘Are here all your children?’ And he said: ‘There remains yet the youngest, and, behold, he tends the sheep.’ And Samuel said unto Jesse: ‘Send and fetch him; for we will not sit down till he come here.’ [Psalm 23 Sacred Melody of David.YAHWEH is My Shepherd I shall not want]. SAMUEL leaves SAUL and goes to the house of Jesse in Bethlehem where he chooses DAVID and anoints him as king. DAVID returns to the field and his sheep, trying to understand the meaning of the previous events [Pastures of Green – David and Ensemble]. The next morning, his father Jessie sends one of his servants to ask DAVID to take provisions to his brothers who are on the front line with SAUL engaged in a fierce battle with the Philistines. David leaves the sheep with the servant and goes off to the battlefield. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
CHARITY
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Sonny Rios
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CHARITY
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Sonny Rios
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.962909 Composed by Sonny Rios. Christian,Praise & Worship,Sacred. 6 pages. Sonny Rios #4277107. Published by S...
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High Voice,Vocal Solo - Level 4 - SKU: A0.962909 Composed by Sonny Rios. Christian,Praise & Worship,Sacred. 6 pages. Sonny Rios #4277107. Published by Sonny Rios (A0.962909). CHARITY: Taken from the biblical account found in 1 Corinthians 13:1-2, Charity was composed by Sonny Rios in the religious classical genre for High Voice. It’s in English and has an E4-G5 range. Ideally suited for Christian church services, the song may be used in religious or classical concerts, and UIL competitions. The song has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record this song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
MARY'S SONG
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Sonny Rios
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MARY'S SONG
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.962942 Composed by Sonny Rios. Broadway,Christian,Concert,Contemporary,Sacred. 6 pages. Sonny Rios #4312239. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.962942 Composed by Sonny Rios. Broadway,Christian,Concert,Contemporary,Sacred. 6 pages. Sonny Rios #4312239. Published by Sonny Rios (A0.962942). MARY’S SONG (Medium Low Voice): Mary’s Song, or The Magnificat, is part of a greater work, a Christmas cantata (Bells Are Ringing) written by Sonny Rios in 1976. The song, for Mezzo Soprano, is in English and has a range of Bb3-F#5. Its lyrics are taken from the biblical (KJV) account of Mary and Elizabeth conversing, as found in the first chapter of the gospel of Luke. The song may be sung in Christian services, secular or religious concerts and UIL competitions. The song has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
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