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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
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FANFARE - BAND…
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GUITARE LAP ST…
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72
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33
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23
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23
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5
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4
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74
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16
2 Guitares (duo)
16
Mandoline
15
Banjo
8
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6
4 Guitares (Quatuor)
3
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2
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2
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1
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1
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218
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76
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48
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44
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29
Voix haute
11
Voix seule
10
Pack Instrumental pour Chorale
10
Voix duo, Piano
9
Chorale
7
Voix duo
5
Voix moyenne, Piano
2
Voix Alto, Piano
2
Voix Soprano, Piano
2
Voix basse, Piano
1
Voix Tenor, Piano
1
Voix, Guitare
1
Chorale SATTBB, Clavier
1
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1
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VENTS
Flûte traversière
85
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73
Clarinette
70
2 Saxophones (duo)
59
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54
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53
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48
Saxophone Alto
47
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45
Saxophone (partie séparée)
40
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39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
37
Saxophone Tenor et Piano
37
2 Clarinettes (duo)
33
Quatuor de Clarinettes: 4 clarinettes
31
Flûte, Hautbois, Clarinette, Basson
31
Hautbois, Piano (duo)
28
Ensemble de saxophones
26
2 Flûtes traversières (duo)
24
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18
Quintette de Saxophone: 5 saxophones
18
3 Clarinettes (trio)
17
3 Saxophones (trio)
16
Hautbois (partie séparée)
14
Clarinette, Violon (duo)
13
Saxophone Soprano et Piano
13
Flûte à Bec
12
Flûte, Clarinette (duo)
12
Hautbois, Basson (duo)
12
Clarinette, Trompette (duo)
11
Harmonica
11
Flûte et Guitare
11
2 Hautbois (duo)
10
Flûte, Violon
9
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9
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8
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8
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8
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8
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7
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7
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7
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6
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6
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6
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6
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4
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4
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4
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4
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4
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3
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3
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3
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3
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2
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2
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1
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Flûte de Pan
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Saxophone Soprano
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2 Saxophones, Piano
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1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Clarinettes, Piano
1
Hautbois, Violoncelle
1
Flûte à bec Alto
1
Flûte, Violoncelle
1
Flûte, Violoncelle, Guitare
1
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CUIVRES
Trompette
70
Trombone
65
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
49
Cor
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trombone et Piano
20
2 Trompettes (duo)
15
Quatuor de Cuivres
15
Trompette, Piano
15
Trompette (partie séparée)
14
Trombone (partie séparée)
13
Trompette, Saxophone (duo)
12
2 Trombones (duo)
12
Cor et Piano
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trompette, Trombone (duo)
8
Cor anglais, Piano
8
Tuba
7
Ensemble de Trompettes
5
Ensemble de Cors
5
2 Cors (duo)
5
Tuba et Orgue
4
4 Tubas
4
Quatuor de cuivres: 4 trombones
4
Ensemble de Trombones
4
Instruments en Sib
4
Euphonium, Piano (duo)
4
Bass Clef Instruments
4
3 Trombones (trio)
3
2 Tubas (duo)
3
Cor, Tuba (duo)
2
Trompette, Tuba (duo)
2
Trombone, Cor (duo)
2
Cor anglais, Guitare (duo)
2
Trompette et Guitare
1
Cor (partie séparée)
1
Trombone basse
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 cors
1
Tuba (partie séparée)
1
Tuba et Piano
1
2 Euphoniums (duo)
1
Euphonium
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trompettes
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
120
Violon
81
Harpe
79
Violoncelle
56
Violon et Piano
49
Alto seul
38
Violoncelle, Piano
31
Violon, Violoncelle (duo)
30
Trio à Cordes: violon, alto, violoncelle
30
Alto, Piano
26
2 Violons (duo)
17
2 Altos (duo)
15
2 Violoncelles (duo)
15
Violon, Alto (duo)
11
Contre Basse
11
Violon, Guitare (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Trio à Cordes: 2 violons, violoncelle
7
Alto (partie séparée)
7
Violon (partie séparée)
6
Alto, Violoncelle (duo)
6
Trio à cordes: 3 violins
6
Trio à cordes: 3 altos
5
Trio à Cordes: 3 violoncelles
5
Contrebasse (partie séparée)
5
Violoncelle , Guitare (duo)
5
2 Contrebasses (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
4 Violoncelles
3
Contrebasse, Piano (duo)
3
Quatuor à cordes: 4 violons
2
3 Contrebasses
2
Quatuor à cordes : 4 altos
2
Violoncelle (partie séparée)
2
Harpe, Violoncelle (duo)
2
2 Harpes (duo)
2
Harpe et mandoline
2
Violon, Basse continue
1
Violoncelle, Contrebasse (duo)
1
Autoharp
1
Ensemble d'Altos
1
Flûte, Contrebasse (duo)
1
Harpe, Violon (duo)
1
Ensemble de Violons
1
3 Harpes
1
Violon, Basson (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Flûte (duo)
1
Ensemble de Violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
109
Ensemble Jazz
74
Orchestre
72
Orchestre à Cordes
61
Cloches
52
Jazz combo
30
Batterie
26
Ensemble de cuivres
22
Fanfare
19
Ensemble de Percussions
18
Orchestre de chambre
10
Xylophone, Piano
5
Xylophone
5
Ensemble d'École
4
Vibraphone
3
Marimba
3
Batterie (partie séparée)
3
2 Xylophones
1
Percussion (partie séparée)
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
1
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CAVALLI Francesco: Un amata che motteggio, aria from the cantata, - Voice and Piano (E mi
Voix haute
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868817 Composed by Franc…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868817 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4596953. Published by Really Good Music, LLC. (A0.868817). Un amata che motteggio is an aria from Solo cantata XI Presso un fiume tranquillo, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of E minor (E4 – F#5) for high voice.
$5.95
5.44 €
#
Voix haute
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Francesco CAVALLI
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Sergei PICHUGIN
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CAVALLI Francesco: Un amata che motteggio, aria from the cantata, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
CAVALLI Francesco: Tiranna mia, aria from the cantata, - Voice and Piano (C minor)
Voix haute
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868780 Composed by Franc…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868780 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4580903. Published by Really Good Music, LLC. (A0.868780). Tiranna mia is an aria from Solo cantata VI Tu vaneggi, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C minor (G4 – G5) for high voice.
$5.95
5.44 €
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Voix haute
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Francesco CAVALLI
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Sergei PICHUGIN
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CAVALLI Francesco: Tiranna mia, aria from the cantata, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
CAVALLI Francesco: Sperar qualche mercè, aria from the cantata, - Voice and Piano (G min
Voix haute
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868785 Composed by Franc…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868785 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4580913. Published by Really Good Music, LLC. (A0.868785). Sperar qualche mercè is an aria from Solo cantata VI Tu vaneggi, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (G4 – G5) for high voice.
$5.95
5.44 €
#
Voix haute
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Francesco CAVALLI
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Sergei PICHUGIN
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CAVALLI Francesco: Sperar qualche mercè, aria from the cantata, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
CAVALLI Francesco: La speme di goder, aria from the cantata, - Voice and Piano (C minor)
Voix haute
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868787 Composed by Franc…
(+)
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868787 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4580925. Published by Really Good Music, LLC. (A0.868787). La speme di goder is an aria from Solo cantata VI Tu vaneggi, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C minor (F#4 – G5) for high voice.
$5.95
5.44 €
#
Voix haute
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Francesco CAVALLI
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Sergei PICHUGIN
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CAVALLI Francesco: La speme di goder, aria from the cantata, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
BONONCINI Giovanni: Pieta, mio caro bene, aria from the serenata, - Voice and Piano (B mi
Voix haute
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868714 Composed by Giova…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868714 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4405110. Published by Really Good Music, LLC. (A0.868714). Pieta, mio caro bene is an aria from serenata L’Euleo festeggiante nel ritorno d’Alessandro Magno dall’Indie (1699), composed by Giovanni BONONCINI (1670 – 1747). It was realized from the manuscript and edited for voice and piano by Sergei Pichugin. Although being intended by composer for a tenor part, the aria is traditionally quite often performed by female voices. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (E3 – G#4/E4 – G#5) for high voices. .
$5.95
5.44 €
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Voix haute
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Giovanni BONONCINI
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Sergei PICHUGIN
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BONONCINI Giovanni: Pieta, mio caro bene, aria from the serenata, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
Voix haute
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
6.39 €
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Voix haute
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
Voix haute
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.35 €
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
For Terry--Four Songs
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.845948 Composed by Maria…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.845948 Composed by Maria Thompson Corley. 20th Century,Concert,Contemporary. 20 pages. Maria Thompson Corley #6265255. Published by Maria Thompson Corley (A0.845948). These four songs were commissioned by Louise Toppin. The texts are by and about the composer's late brother, Terry (1963-88). The first, For Terry, has whole tone harmonies. Poem has a gospel/funk feel with a short moment of reggae. L'orangerie is distinctly French in its inspiration. The poignant final song, The Visitor, quotes Mendelssohn's Introduction and Rondo Capriccioso, which was the only piano piece Terry would play on request. He always stopped after the easy part. The text is based on a dream the composer had a few months after her brother's death.
$18.99
17.36 €
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Maria Thompson Corley
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For Terry--Four Songs
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Maria Thompson Corley
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SheetMusicPlus
Does It Matter?
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike …
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by Lyons Music Services (A0.767060). This song was written in response to Siegfried Sassoon's well-known war poem of the same title. I have tried to emulate the ironic tone of Sassoon's descriptions of the treatment of wounded and damaged men by the society for whom they have been fighting. This is as current a topic today as it was 50 years ago. The song is short at just under 2 minutes, but demands some difficult techniques from both singer and pianist. The vocal line, in particular, will need good control of breathing and pitch in the sliding arpeggio on the Ah!! after letter B and the line And people won't say that you're mad. The sudden ending is quite deliberate and the final bar rest should be counted in full. The listener should expect more, but there isn't anything more to say - we treat our soldiers badly!
$3.99
3.65 €
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Mike Lyons
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Does It Matter?
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Lyons Music Services
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SheetMusicPlus
Die Stadt | Kunstlied for Soprano or Tenor
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.998585 Composed by Micha…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.998585 Composed by Michael Barrera. Classical,Contemporary,Romantic Period. 6 pages. Michael Barrera #6860425. Published by Michael Barrera (A0.998585). Https://www.michaelbarreraflute.com/shop/p/die-stadt Program Notes Die Stadt is a piece modeled after a Kunstlied, a type of art song that sets text to music, typically with a voice part and instrumental accompaniment. The text is translated from Heinrich Heine’s poem of the same name. Originally sketched a few years back, it has been reworked and polished, giving the text a beautifully rich setting. The beginning is mysterious and misty like the evening twilight before the wind picks up as the piano swells with huge sweeping arpeggios. The calm returns as all sounds fade into the mist. Instrumentation Soprano Piano Soprano may be substituted with other voice parts, although the range is written best for soprano and tenor.
$7.99
7.3 €
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Michael Barrera
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Die Stadt | Kunstlied for Soprano or Tenor
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Michael Barrera
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SheetMusicPlus
Where ? ART SONG
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.993555 Composed by Anita…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.993555 Composed by Anita Gower ----- Lyricist Carol Lile Mitchell. 20th Century,Film/TV,Musical/Show,World. 5 pages. Arpeggio Press #4569629. Published by Arpeggio Press (A0.993555). VOCAL SOLO- med high/ Piano (Em). This is a song which, at first, reads like a a lonely story that has no recourse. But the questions are searching for meaning, with passion, to retrieve a lost relationship. Talented lyricist Carol Lile Mitchell gracefully places word imagery to the melody, for a convincing search to find. Piano renders a plaintive tone to vocal imperative. Appropriate for concert, recital, contest and musical.
$3.00
2.74 €
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Anita Gower ----- Lyricist Carol Lile Mitchell
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(Em). 
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Where ? ART SONG
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Arpeggio Press
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SheetMusicPlus
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