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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Letter
Non classifié
548
Piano & claviers
Piano Facile
884
Piano seul
355
Piano, Voix
164
Piano, Voix et Guitare
100
Orgue
24
2 Pianos, 4 mains
23
Instruments en Do
15
1 Piano, 4 mains
6
Piano grosses notes
4
Accordéon
2
Accompagnement Piano
2
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
71
Guitare
43
Ligne De Mélodie, (Paroles) et Accords
24
Paroles et Accords
22
Ukulele
17
Basse electrique
5
Banjo
2
Ensemble de guitares
2
Piano, Guitare (duo)
2
2 Guitares (duo)
1
2 Dulcimers (duo)
1
4 Guitares (Quatuor)
1
Mandoline
1
Mandoline, Guitare (duo)
1
+ 9 instrumentations
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Voix
Chorale SATB
104
Chorale 3 parties
27
Chorale 2 parties
17
Chorale SSAA
14
Chorale Unison
11
Voix Soprano, Piano
10
Chorale TTBB
10
Voix duo, Piano
8
Voix Mezzo-Soprano, Piano
4
Voix Baryton, Piano
4
Voix haute
3
Voix Tenor, Piano
3
Chorale
2
Voix seule
2
Voix duo
2
Voix Alto, Piano
1
Voix Tenor
1
+ 12 instrumentations
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Vents
Clarinette
51
Quatuor de Saxophones: 4 saxophones
47
Flûte traversière
37
Flûte, Hautbois, Clarinette, Basson
16
Flûte traversière et Piano
15
3 Saxophones (trio)
13
Saxophone Alto et Piano
11
Saxophone Tenor et Piano
10
Quintette de Clarinettes: 5 clarinettes
10
2 Flûtes traversières (duo)
10
3 Clarinettes (trio)
9
2 Clarinettes (duo)
9
Quatuor de Clarinettes: 4 clarinettes
8
Flûte, Violon, Piano
8
Trio de Flûtes: 3 flûtes
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Quintette de Saxophone: 5 saxophones
7
2 Saxophones (duo)
6
Saxophone Alto
6
Flûte et Guitare
5
Quatuor de Flûtes : 4 flûtes
5
Saxophone Tenor
5
Saxophone Soprano et Piano
5
Clarinette et Piano
5
Saxophone (partie séparée)
3
Ensemble de Flûtes
3
Quintette de Flûte : 5 flûtes
3
Hautbois, Piano (duo)
3
Saxophone Baryton, Piano
3
Flûte, Violon et Violoncelle
2
Clarinette, Guitare (duo)
2
Saxophone Soprano
2
Clarinette Basse, Piano
2
Ensemble de saxophones
2
Flûte, Violoncelle, Piano (trio)
1
Hautbois (partie séparée)
1
Flûte irlandaise
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Orgue
1
Flûte à Bec
1
Flûte, Violoncelle
1
Hautbois
1
Clarinette, Violoncelle (duo)
1
Ensemble de Clarinettes
1
+ 39 instrumentations
Retracter
Cuivres
Trompette
98
Cor
34
Trombone
31
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Quatuor de cuivres: 4 trombones
18
Trompette, Piano
15
Trombone et Piano
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Ensemble de Trombones
10
Cor et Piano
7
Quatuor de cuivres: 4 cors
5
2 Trombones (duo)
5
2 Euphoniums et 2 Tubas
5
2 Trompettes (duo)
4
Trompette (partie séparée)
4
Euphonium, Piano (duo)
3
Trombone (partie séparée)
2
Tuba et Piano
2
2 Cors (duo)
2
Quatuor de Cuivres
1
Tuba
1
Euphonium, Tuba (duo)
1
2 Tubas (duo)
1
3 Trombones (trio)
1
Ensemble de Trompettes
1
+ 20 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
107
Trio à Cordes: violon, alto, violoncelle
42
Violon
41
Violon et Piano
33
Harpe
32
Violoncelle
21
Violon, Violoncelle (duo)
16
Violon, Alto (duo)
14
2 Violoncelles (duo)
9
Alto, Piano
9
Violoncelle, Piano
9
Trio à Cordes: 2 violons, violoncelle
8
Alto seul
8
2 Violons (duo)
7
4 Violoncelles
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Altos (duo)
3
Contre Basse
3
Alto (partie séparée)
2
Trio à cordes: 3 violins
2
Piano Trio: Violon, Alto, Piano
1
Alto, Guitare (duo)
1
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
Contrebasse, Piano (duo)
1
Contrebasse (partie séparée)
1
+ 21 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
242
Orchestre
124
Ensemble Jazz
52
Orchestre à Cordes
30
Orchestre de chambre
25
Ensemble de Percussions
17
Ensemble de cuivres
12
Fanfare
11
Vibraphone
9
Marimba
9
Jazz combo
6
Cloches
4
Ensemble d'École
3
Big band
2
2 Xylophones
1
Xylophone, Piano
1
+ 11 instrumentations
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Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
FINGERSTYLE - FINGER…
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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The Letter
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Ice! from Songs from the High Sierra
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High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwynet…
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High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
$7.25
6.68 €
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Voix haute
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Gwyneth W
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Ice! from Songs from the High Sierra
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.23 €
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Voix haute
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Does It Matter?
Voix haute
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike …
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by Lyons Music Services (A0.767060). This song was written in response to Siegfried Sassoon's well-known war poem of the same title. I have tried to emulate the ironic tone of Sassoon's descriptions of the treatment of wounded and damaged men by the society for whom they have been fighting. This is as current a topic today as it was 50 years ago. The song is short at just under 2 minutes, but demands some difficult techniques from both singer and pianist. The vocal line, in particular, will need good control of breathing and pitch in the sliding arpeggio on the Ah!! after letter B and the line And people won't say that you're mad. The sudden ending is quite deliberate and the final bar rest should be counted in full. The listener should expect more, but there isn't anything more to say - we treat our soldiers badly!
$3.99
3.68 €
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Voix haute
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Mike Lyons
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Does It Matter?
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Lyons Music Services
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SheetMusicPlus
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