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TRI ET FILTRES

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Non classifié 89

PIANO & CLAVIERS

Piano, Voix 52 Piano seul 40 Piano, Voix et Guitare 36 Instruments en Do 11 Piano Facile 7

Clavecin 1 Orgue 1 Piano grosses notes 1 Accompagnement Piano 1

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GUITARES

Guitare 4 Basse electrique 2 Ukulele 2 Guitare notes et tablatures 1 3 Guitares (trio) 1

Mandoline, Piano (duo) 1

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VOIX

Chorale SATB 33 Chorale 3 parties 12 Chorale SSAA 9 Chorale Unison 4 Voix duo, Piano 4 Voix haute 3

Chorale TTBB 3 Voix Baryton, Piano 3 Voix duo 2 Voix Mezzo-Soprano, Piano 2 Chorale 2 parties 2 Voix Soprano, Piano 2 Voix seule 1 Soli, choeur mixte et accompagnement 1 Voix basse, Piano 1 Voix Alto, Piano 1

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VENTS

Saxophone Alto 7 Clarinette et Piano 6 Flûte traversière 5 Saxophone Soprano et Piano 5 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 5

Saxophone (partie séparée) 4 Saxophone Alto et Piano 4 Quatuor de Saxophones: 4 saxophones 4 Saxophone Tenor 4 Flûte traversière et Piano 4 Quintette de Clarinettes: 5 clarinettes 3 Cor anglais, Piano 2 Hautbois, Piano (duo) 2 2 Saxophones (duo) 2 3 Clarinettes (trio) 2 Quatuor de Clarinettes: 4 clarinettes 2 Flûte, Hautbois, Clarinette, Basson 1 Trio de Flûtes: 3 flûtes 1 Ensemble de Clarinettes 1 Flûte, Clarinette (duo) 1 Hautbois (partie séparée) 1 Flûte, alto et harpe 1 2 Clarinettes (duo) 1 2 Flûtes traversières (duo) 1 Quintette de Saxophone: 5 saxophones 1 Flûte, Violoncelle 1 Clarinette 1 Saxophone Tenor et Piano 1 Hautbois, Flûte 1

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CUIVRES

Trompette 3 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3 Cor anglais, Piano 2 Trompette, Piano 2 Trombone et Piano 2

Quatuor de Cuivres : 2 trompettes, trombone, tuba 2 3 Trombones (trio) 1 2 Trompettes (duo) 1 Quatuor de cuivres: 4 trombones 1 2 Trombones (duo) 1 Cor et Piano 1 2 Cors (duo) 1 Ensemble de Trombones 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 14 Violon et Piano 7 Violon 7 Violoncelle 5 Violon, Violoncelle (duo) 4

Harpe 2 Violon, Alto (duo) 2 Alto seul 2 Quintette à cordes: 2 violons, alto, violoncelle, basse 2 Violoncelle, Piano 2 Trio à Cordes: 3 violoncelles 1 Harpe, Flûte (duo) 1 Alto, Piano 1 Contre Basse 1 Trio à Cordes: violon, alto, violoncelle 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 59 Orchestre de chambre 7 Orchestre 7 Ensemble de cuivres 5 Ensemble Jazz 4

Jazz combo 2 Quintette de Cuivres: autres combinaisons 1 Marimba, Piano (duo) 1 Orchestre à Cordes 1

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AUTRES

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The Woman in Red

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The Unquiet Grave from American Death Ballads (Downloadable)

Voix haute

High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…(+)

High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Coplandâ€™s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susaâ€™s Two Murder Ballads. The ingenuity of Susaâ€™s accompaniments for his ballads in imagining anew the original source material owes a great deal to Coplandâ€™s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englanderâ€™s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executionerâ€™s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.

$3.50 3.21 € #Voix haute #David Conte #The Unquiet Grave from American Death Ballads #E. C. Schirmer Music Company - Digital #SheetMusicPlus

Come Lie with Me (King David and Bathsheba) from "The Kings" - ACT 2:Song 5

Voix haute

High Voice,Vocal Solo - Digital Download SKU: A0.784831 Composed by McCorkle, Denni…(+)

High Voice,Vocal Solo - Digital Download SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBook Publications #11753. Published by DF McCorkle Music and eBook Publications (A0.784831). ACT TWO: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each manâ€™s choices in life. [2 Samuel 11:2-4â€¦ - And it came to pass at eventide, that David arose from off his bed, and walked upon the roof of the king's house; and from the roof he saw a woman bathing; and the woman was very beautiful to look upon. 3 And David sent and inquired after the woman. And one said: â€˜Is not this Bath-sheba, the daughter of Eliam, the wife of Uriah the Hittite?â€™ 4 And David sent messengers, and took her; and she came in unto him, and he lay with her;â€¦] Once settled into Jerusalem and after a tiff with MICHAL, DAVID looks around his magnificent palace and as he walks on his balcony, he sees a lovely young woman bathing herself in the moonlight. Giving in to his impulses, orders his men to have her brought to the palace on the pretense of speaking to her about her husband, URIAH who is in the field with the troops. DAVID, seeing her beauty and rationalizing his own importance, proceeds to seduce her and lies with her [Come Lie with Me â€“ David and Bathsheba]. BATHSHEBA, also lonely is seduced by his presence and gives in to his wishes. Leaving before daylight to escape notice, DAVID goes about business as usual, trying to forget what has happened. A few weeks later, a messenger arrives with a note from BATHSHEBA, DAVID, I'm pregnant! Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.

$2.99 2.74 € #Voix haute #McCorkle, Dennis F #Come Lie with Me #DF McCorkle Music and eBook Publications #SheetMusicPlus

Marriage Prayers (2001)

Voix haute

High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1012802 Composed by Gera…(+)

High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1012802 Composed by Gerald W. Gabbard. Contemporary,Sacred,Wedding. 9 pages. Gerald W. Gabbard #5361491. Published by Gerald W. Gabbard (A0.1012802). A song for high voice and piano using text from the Episcopal Book of Common Prayer (1979). Written on the occasion of the composer's brother's wedding in 2001. Alternate text suggested (loving couple), instead of just man and woman for an inclusive setting of this beautiful prayer.

$6.99 6.41 € #Voix haute #Gerald W #Marriage Prayers #Gerald W. Gabbard #SheetMusicPlus