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BANJO
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CLAIRON
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CLAVECIN
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664
Piano & claviers
Piano seul
506
Piano, Voix et Guitare
195
Piano, Voix
184
Piano Facile
176
Instruments en Do
48
1 Piano, 4 mains
36
Orgue
28
Piano Quatuor: piano, violon, alto, violoncelle
28
Piano grosses notes
9
Accordéon
6
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
2
Accompagnement Piano
1
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
+ 11 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
57
Guitare notes et tablatures
45
Ukulele
28
Guitare
25
Basse electrique
15
2 Guitares (duo)
9
Mandoline
6
Piano, Guitare (duo)
6
Banjo
5
Dulcimer
5
Guitare (partie séparée)
2
Dobro
1
Paroles et Accords
1
Ukulele Baryton
1
+ 9 instrumentations
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Chorale SATB
224
Chorale 3 parties
69
Pack Instrumental pour Chorale
49
Chorale TTBB
47
Chorale SSAA
40
Chorale 2 parties
34
Chorale Unison
23
Chorale SSATB
4
Voix seule
4
Voix Soprano, Piano
4
Voix haute
2
Chorale SSATTB
2
Voix duo
1
Chorale SSAATB
1
Voix Tenor, Piano
1
Chorale SSAATTBB
1
Soli, choeur mixte et accompagnement
1
Voix duo, Piano
1
+ 13 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
62
Saxophone (partie séparée)
58
Flûte traversière
43
Clarinette
38
Saxophone Tenor
37
Saxophone Alto
34
Flûte, Hautbois, Clarinette, Basson
34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Hautbois (partie séparée)
26
2 Saxophones (duo)
23
Flûte traversière et Piano
22
Clarinette et Piano
20
Hautbois, Piano (duo)
16
2 Flûtes traversières (duo)
16
Quintette de Saxophone: 5 saxophones
15
Saxophone Alto et Piano
14
2 Flûte à bec (duo)
13
2 Clarinettes (duo)
12
Clarinette (partie séparée)
12
Quatuor de Clarinettes: 4 clarinettes
11
Ensemble de Clarinettes
11
Saxophone Tenor et Piano
10
Quintette de Clarinettes: 5 clarinettes
10
Hautbois
7
Ensemble de Flûtes
7
Quatuor de Flûtes : 4 flûtes
7
Flute (partie séparée)
6
2 Hautbois (duo)
6
Flûte, Clarinette (duo)
6
Flûte à bec Soprano
5
Hautbois, Clarinette (duo)
5
Flûte, Hautbois (duo)
4
Ocarina
4
Saxophone Soprano et Piano
4
Flûte à bec Alto
3
Ensemble de saxophones
3
Saxophone, Clarinette (duo)
3
Flûte et Guitare
3
3 Saxophones (trio)
2
Flûte à bec Alto, Piano
2
Quintette de Flûte : 5 flûtes
2
Harmonica
2
Clarinette, Violon (duo)
2
Flûte à Bec
2
Clarinette et Alto
1
2 Clarinettes, Piano
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Orgue
1
Flûte, Clarinette et Basson
1
Flûte, Saxophone (duo)
1
Clarinette, Violoncelle (duo)
1
Hautbois, Flûte
1
2 Flûtes traversières, Piano
1
Flûte, Violon
1
Trio de Flûtes: 3 flûtes
1
Cor Anglais
1
Saxophone
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, trompette et piano
1
Saxophone Baryton, Piano
1
Flûte, Clarinette, Piano (trio)
1
+ 58 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
45
Trompette (partie séparée)
44
Trompette
44
Trombone
41
Cor
27
Trombone (partie séparée)
26
Tuba
21
Cor et Piano
20
Trompette, Piano
20
Trombone et Piano
15
2 Trompettes (duo)
13
2 Trombones (duo)
11
Euphonium
9
2 Cors (duo)
7
2 Euphoniums et 2 Tubas
7
2 Tubas (duo)
6
Trompette, Trombone (duo)
6
3 Trompettes (trio)
6
Tuba et Piano
5
Cor (partie séparée)
4
Trompette, Cor (duo)
4
Quatuor de Cuivres
4
Trompette, Saxophone (duo)
3
Tuba et Orgue
2
Euphonium, Piano (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor et Orgue
1
Quatuor de cuivres: 4 cors
1
Trompette, Violoncelle et Piano
1
Cor Anglais
1
Ensemble de Trombones
1
3 Trombones (trio)
1
Cor et Harpe
1
Tuba (partie séparée)
1
+ 30 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
157
Violon et Piano
69
Violon
54
Violoncelle, Piano
52
Alto, Piano
52
Violoncelle
48
Alto seul
28
Harpe
25
Violon, Violoncelle (duo)
22
Trio à Cordes: violon, alto, violoncelle
20
Contrebasse, Piano (duo)
18
2 Violons (duo)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
2 Violoncelles (duo)
12
2 Altos (duo)
9
Contre Basse
8
Alto (partie séparée)
7
Violon, Alto (duo)
7
2 Contrebasses (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
Violon (partie séparée)
6
4 Violoncelles
3
Contrebasse (partie séparée)
2
Violoncelle , Guitare (duo)
2
Harpe, Flûte (duo)
2
Alto, Violoncelle (duo)
2
Violon, Guitare (duo)
2
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes : 4 altos
1
Violoncelle, Contrebasse (duo)
1
2 Harpes (duo)
1
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 28 instrumentations
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Orchestre d'harmonie
243
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75
Orchestre
29
Ensemble Jazz
28
Orchestre à Cordes
19
Cloches
15
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14
Orchestre de chambre
10
Batterie
8
Ensemble de Percussions
5
Jazz combo
5
Percussion (partie séparée)
2
Batterie (partie séparée)
2
Xylophone
2
Orchestre, Violon
1
Piano et Orchestre
1
Marimba
1
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Partitions à imprimer
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The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Where ? ART SONG
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Anita Gower ----- Lyricist Car
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(Em).
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Where ? ART SONG
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Arpeggio Press
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.993555 Composed by Anita Gower ----- Lyricist Carol Lile Mitchell. 20th Century,Film/TV,Musical/Show,World. 5 ...
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High Voice,Vocal Solo - Level 4 - SKU: A0.993555 Composed by Anita Gower ----- Lyricist Carol Lile Mitchell. 20th Century,Film/TV,Musical/Show,World. 5 pages. Arpeggio Press #4569629. Published by Arpeggio Press (A0.993555). VOCAL SOLO- med high/ Piano (Em). This is a song which, at first, reads like a a lonely story that has no recourse. But the questions are searching for meaning, with passion, to retrieve a lost relationship. Talented lyricist Carol Lile Mitchell gracefully places word imagery to the melody, for a convincing search to find. Piano renders a plaintive tone to vocal imperative. Appropriate for concert, recital, contest and musical.
$3.00
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