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22581
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2122
Piano, Voix
1134
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928
Instruments en Do
382
Piano, Voix et Guitare
339
Orgue
141
Accompagnement Piano
133
Piano Trio: piano, violon, violoncelle
54
1 Piano, 4 mains
25
2 Pianos, 4 mains
17
Piano Quatuor: piano, violon, alto, violoncelle
14
Piano (partie séparée)
7
Piano grosses notes
7
Clavecin
6
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Orgue, Piano (duo)
2
Orgue, Trompette (duo)
2
Ensemble d'Accordéons
1
1 Piano, 6 mains
1
2 Pianos, 8 mains
1
Accordéon, Voix
1
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Guitare
4261
Basse electrique
3249
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1187
Ukulele
195
Ligne De Mélodie, (Paroles) et Accords
65
Mandoline
32
2 Guitares (duo)
20
Paroles et Accords
13
4 Guitares (Quatuor)
11
Guitare (partie séparée)
11
Dulcimer
8
Piano, Guitare (duo)
8
Banjo
4
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3
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1
2 Ukuleles
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3 Guitares (trio)
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259
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80
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70
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39
Voix duo, Piano
32
Voix Tenor, Piano
25
Voix Alto, Piano
12
Voix duo
11
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7
Voix moyenne, Piano
3
Voix haute
3
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3
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2
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Male Voice
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16024
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7020
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1276
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Hautbois
750
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594
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
351
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332
2 Saxophones (duo)
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Clarinette et Piano
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3 Saxophones (trio)
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Quatuor de Flûtes : 4 flûtes
51
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48
Clarinette, Trompette (duo)
43
Ensemble de Clarinettes
42
Saxophone Baryton
40
Quintette de Clarinettes: 5 clarinettes
37
3 Clarinettes (trio)
35
Flûte, Violon
34
Clarinette et Alto
31
Cor anglais, Piano
31
Hautbois, Flûte
29
Cor Anglais
29
Quintette de Flûte : 5 flûtes
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2 Flûte à bec (duo)
28
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18
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14
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21
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16
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Piano Trio: Violon, Alto, Piano
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12
4 Violoncelles
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9
Ensemble de Violons
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Alto et Basson
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Quintette à cordes: 2 violons, 2 altos, violoncelle
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2 Altos, Piano
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Alto, Guitare (duo)
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Flûte, Contrebasse (duo)
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2 Violoncelles, Piano
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Alto et Harpe
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Trio à cordes
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1337
Orchestre d'harmonie
706
Orchestre à Cordes
230
Percussion
144
Ensemble Jazz
115
Cloches
85
Ensemble de cuivres
76
Orchestre de chambre
67
Fanfare
36
Timbales (partie séparée)
35
Jazz combo
32
Marimba
29
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26
Ensemble de Percussions
23
Xylophone
18
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16
Timbales
11
Xylophone, Piano
10
Quintette de Cuivres: autres combinaisons
2
2 Xylophones
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Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Vibraphone
2
Trio à Vent: 3 instruments à vents
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Instrumentation Flexible
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2 Marimbas
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Piano et Orchestre
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Caisse Claire
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Vibraphone (partie séparée)
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Formation musicale - Solfège
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Tim King
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Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuar…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
7.11 €
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Stuart Brown
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Idylls - five songs for solo high voice
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Stuart Brown Music
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.21 €
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
GOD SO LOVED (Solo for High Voice, optional flute)
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.891175 Composed by Richa…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.891175 Composed by Richard Donn. Contemporary,Easter,Sacred,Traditional. 8 pages. Cartecay River Music Publishing #3260171. Published by Cartecay River Music Publishing (A0.891175). GOD SO LOVED is a new rendering of John 3:16 from composer Richard Donn. It features a lovely ascending melody with a descending bass line facilitating the harmonic structure. The solo is very accessible with homophonic and gentle contrapuntal interplay in the instrumental parts. An optional flute part adds just the right touch, making this a piece that you will return to time and again. It is rated medium-easy. Also available: SATB (soprano solo, opt. flute, piano), Medium voice solo (opt. flute), and Low voice solo (opt. flute).
$4.95
4.55 €
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Voix haute
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Richard Donn
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GOD SO LOVED
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Cartecay River Music Publishing
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SheetMusicPlus
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