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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Time Was
Non classifié
3 255
Piano & claviers
Piano seul
1 698
Piano, Voix
735
Piano, Voix et Guitare
315
Piano Facile
231
Instruments en Do
159
Orgue
104
Accompagnement Piano
74
Piano Trio: piano, violon, violoncelle
35
1 Piano, 4 mains
30
2 Pianos, 4 mains
24
Piano Quatuor: piano, violon, alto, violoncelle
17
Piano Quatuor: piano, 2 violons, violoncelle
9
Clavecin
7
Piano (partie séparée)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
3
Accordéon
3
Piano grosses notes
2
2 Pianos, 8 mains
2
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
+ 16 instrumentations
Retracter
Guitares
Guitare
182
Guitare notes et tablatures
129
Ligne De Mélodie, (Paroles) et Accords
84
Basse electrique
38
Mandoline
38
Ukulele
31
2 Guitares (duo)
29
Paroles et Accords
12
Piano, Guitare (duo)
11
Guitare (partie séparée)
8
Mandoline, Guitare (duo)
7
Banjo
5
4 Guitares (Quatuor)
4
3 Guitares (trio)
3
Guitare, Violon, Violoncelle (trio)
2
2 Mandolines (duo)
1
Mandoline, Piano (duo)
1
Ensemble de guitares
1
Guitare, Orchestre
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
731
Chorale 3 parties
208
Chorale 2 parties
160
Chorale TTBB
99
Chorale SSAA
80
Chorale Unison
73
Voix duo, Piano
70
Voix Tenor, Piano
52
Voix Alto, Piano
44
Voix Soprano, Piano
43
Voix Baryton, Piano
35
Voix duo
29
Voix seule
25
Voix moyenne, Piano
9
Voix haute
9
Voix Tenor
6
Chorale SSAATTBB
4
Voix basse, Piano
3
Chorale SSAATB
1
Voix Soprano
1
+ 15 instrumentations
Retracter
Vents
2 Saxophones (duo)
519
Flûte traversière et Piano
338
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
334
Clarinette et Piano
280
Quatuor de Saxophones: 4 saxophones
260
Saxophone, Clarinette (duo)
250
2 Clarinettes (duo)
220
Flûte, Hautbois, Clarinette, Basson
218
Quintette de Saxophone: 5 saxophones
214
Saxophone Alto et Piano
187
Hautbois, Piano (duo)
184
2 Flûtes traversières (duo)
182
Clarinette, Violon (duo)
164
Quatuor de Clarinettes: 4 clarinettes
163
Saxophone Soprano et Piano
144
Clarinette, Trompette (duo)
138
Saxophone Tenor et Piano
131
Flûte traversière
129
Clarinette
120
Flûte, Clarinette (duo)
108
Saxophone Alto
106
2 Hautbois (duo)
99
Hautbois, Basson (duo)
87
Flûte, Violon
86
Clarinette et Alto
85
Saxophone Tenor
85
Hautbois, Clarinette (duo)
84
Ensemble de saxophones
84
Flûte, Saxophone (duo)
82
Hautbois, Flûte
81
Cor anglais, Piano
81
Saxophone Baryton, Piano
78
Saxophone (partie séparée)
75
Ensemble de Clarinettes
69
Quatuor de Flûtes : 4 flûtes
68
Flûte, Trompette (duo)
65
Flûte, Alto (duo)
61
Clarinette Basse, Piano
54
Hautbois (partie séparée)
50
Saxophone
45
Ensemble de Flûtes
41
Flûte à bec Soprano
35
3 Saxophones (trio)
34
Quintette de Clarinettes: 5 clarinettes
30
Quintette de Flûte : 5 flûtes
25
2 Flûte à bec (duo)
24
Flûte et Guitare
23
Ensemble De Flûte à bec
23
3 Clarinettes (trio)
22
Trio de Flûtes: 3 flûtes
20
Saxophone Soprano
17
Quatuor de Flûtes à bec
16
Clarinette, Guitare (duo)
15
Cor Anglais
14
Clarinette, Basson (duo)
13
Flute (partie séparée)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Ocarina
9
Flûte, Hautbois, Clarinette (trio)
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Flûte à bec Alto
8
Clarinette, Violoncelle (duo)
7
Flûte, Violoncelle
7
Hautbois
7
Flûte à Bec
7
3 Flûtes à bec (trio)
7
Piccolo, Piano
6
5 Flûtes à bec
6
Clarinette, Violoncelle, Piano (trio)
6
Flûte à bec Alto, Piano
5
Harmonica
5
Clarinette (partie séparée)
5
Flûte, Violoncelle, Piano (trio)
5
Flûte à bec Soprano, Piano
5
2 Flûtes traversières, Piano
4
Flûte, Hautbois (duo)
4
Hautbois, Guitare (duo)
4
2 Cors Anglais Et Pianoforte
4
Flûte, Alto et Piano
3
Flûte, Violon, Piano
3
2 Clarinettes, Piano
3
Flûte à bec Tenor
3
Flûte, Clarinette et Basson
3
Flûte irlandaise
2
Clarinette Basse
2
Saxophone et Orgue
2
Saxophone et Guitare
2
Flûte, Violon, Violoncelle et Piano
2
Flûte à Bec, Piano
2
Clarinette, Trombone (duo)
2
Flûte, Hautbois, Piano (trio)
2
Flûte traversière, Basse continue
2
Cor anglais, Guitare (duo)
2
Flûte, Hautbois, Basson
1
Hautbois, Violoncelle
1
Cor anglais et Harpe (duo)
1
Clarinette, Harpe (duo)
1
Hautbois, violon (duo)
1
Ensemble de Hautbois
1
Cornemuse
1
Flûte à bec Alto, Basse continue
1
Piccolo
1
Flûte à bec, Guitare (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte traversière, Orgue (duo)
1
Ensemble à vent
1
Clarinette, Alto et Piano (trio)
1
Saxophone et Piano
1
Saxophone Baryton
1
+ 104 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
423
Quatuor de Cuivres : 2 trompettes, trombone, tuba
221
Trombone et Piano
179
Trompette, Saxophone (duo)
174
Trompette, Piano
146
Trompette
136
2 Trombones (duo)
105
Cor et Piano
101
Quatuor de Cuivres
99
Trompette, Trombone (duo)
97
2 Trompettes (duo)
95
Trombone
89
Euphonium, Piano (duo)
86
Cor anglais, Piano
81
Quatuor de Cuivres: 2 trompettes, Cor, trombone
55
Tuba et Piano
45
Ensemble de Trombones
37
Ensemble de Trompettes
36
Cor
33
Trompette (partie séparée)
29
Quatuor de cuivres: 4 trombones
27
Tuba
22
Quatuor de cuivres: 4 cors
20
Trombone (partie séparée)
19
2 Cors (duo)
19
2 Euphoniums et 2 Tubas
16
Cor Anglais
14
Ensemble de Cors
14
Trio de Cuivres
9
Euphonium
6
Quatuor de cuivres: 4 trompettes
5
Trompette, Cor (duo)
5
2 Tubas (duo)
5
4 Tubas
5
Tuba (partie séparée)
4
2 Cors Anglais Et Pianoforte
4
Cor (partie séparée)
4
Tuba et Orgue
4
Trombone basse et Piano
3
3 Trombones (trio)
3
3 Trompettes (trio)
2
Trombone, Cor (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Euphoniums (duo)
2
Cor anglais, Guitare (duo)
2
3 Tubas (trio)
2
Euphonium, Tuba (duo)
2
3 Cors (trio)
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
Trompette, Violoncelle (duo)
1
2 Cors, Piano
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone et orchestre
1
Trombone basse
1
Trombone, Tuba (duo)
1
+ 52 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
572
Violon et Piano
341
Violoncelle, Piano
256
Alto, Piano
256
Violon, Violoncelle (duo)
178
Violon
177
Violoncelle
127
2 Violons (duo)
121
2 Violoncelles (duo)
107
2 Altos (duo)
107
Trio à Cordes: violon, alto, violoncelle
106
Violon, Alto (duo)
105
Harpe
95
Trio à Cordes: 2 violons, violoncelle
83
Quintette à cordes: 2 violons, alto, violoncelle, basse
82
Alto seul
60
2 Harpes (duo)
47
Contrebasse, Piano (duo)
32
Alto (partie séparée)
21
Violon, Guitare (duo)
18
4 Violoncelles
16
Contre Basse
15
Ensemble de Violons
15
Alto, Violoncelle (duo)
13
Ensemble d'Altos
13
Violon (partie séparée)
13
Trio à Cordes: 3 violoncelles
13
Violoncelle , Guitare (duo)
11
Harpe, Flûte (duo)
9
Contrebasse (partie séparée)
8
Piano Trio: Violon, Alto, Piano
8
Trio à cordes: 3 violins
6
Trio à cordes: 3 altos
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Quatuor à cordes : 4 altos
6
Quatuor à cordes: 4 violons
6
Alto, Guitare (duo)
5
Violoncelle, Orchestre
4
Violoncelle, Basse continue
3
Harpe, Voix
3
4 Contrebasses
2
Ensemble de Violoncelles
2
Harpe, Violon, Violoncelle
2
Violoncelle, Orgue
2
Violoncelle (partie séparée)
2
2 Contrebasses (duo)
2
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Alto, Orgue
1
Violoncelle, Contrebasse (duo)
1
3 Harpes
1
Harpe et mandoline
1
Harpe, Trombone (duo)
1
Alto et Harpe
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
869
Orchestre à Cordes
248
Orchestre
228
Ensemble de cuivres
154
Ensemble Jazz
112
Orchestre de chambre
96
Batterie
43
Cloches
42
Jazz combo
35
Ensemble de Percussions
20
Fanfare
19
Batterie (partie séparée)
4
Percussion (partie séparée)
4
Vibraphone
4
Marimba
3
Quintette de Cuivres: autres combinaisons
2
Piano et Orchestre
2
Xylophone
1
2 Marimbas
1
Voix Mezzo-Soprano, Orchestre
1
Ensemble d'École
1
Orchestre, Violon
1
+ 17 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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CORNET
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EUPHONIUM
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Vous avez sélectionné:
Time Was
Voix haute
Partitions à imprimer
9 partitions trouvées
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1
Hard Times Come Again No More (High Voice)
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stephen Foster
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Judith L
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Hard Times Come Again No More
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Maggs
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.821411 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Folk,Standards,Traditional. 4 pag...
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High Voice,Vocal Solo - Level 4 - SKU: A0.821411 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Folk,Standards,Traditional. 4 pages. Maggs #6345195. Published by Maggs (A0.821411). Stephen Foster wrote this American parlor song in the mid eighteen hundreds. It was very popular in its day, and is still sung. This arrangement is appropriate for a high singer, with an octave range from G to G. It is also available on SMP for medium high voice (Key of Eb - range Eb to Eb) and low voice (Key of C - range C to C).
$2.99
There Was a Time - High voice
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Voix haute
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INTERMÉDIAIRE
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Stephen Foster
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Judith L
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There Was a Time - High voice
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Maggs
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.821426 Composed by Stephen Foster (Words: James D. Byrne). Arranged by Judith L. Maggs. 19th Century,Tradition...
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High Voice,Vocal Solo - Level 3 - SKU: A0.821426 Composed by Stephen Foster (Words: James D. Byrne). Arranged by Judith L. Maggs. 19th Century,Traditional. 4 pages. Maggs #6443939. Published by Maggs (A0.821426). This is a lesser known, but lovely song written by American composer Stephen Foster, with lyrics by James D. Byrne. This arrangement, in the key of C, is appropriate for a high singer, with a range of an octave (G to G). It is also available on SMP for medium low voice (Key of F - range C to C) and medium high voice (Key of Ab - range Eb to Eb).
$2.99
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
People Get Ready
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Voix haute
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INTERMÉDIAIRE
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Musique Sacrée
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Rod Stewart
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David Neff
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People Get Ready
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.1140878 By Rod Stewart. By Curtis Mayfield. Arranged by David Neff. Christian,Religious,Sacred,Spiritual. 6 pa...
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High Voice,Vocal Solo - Level 3 - SKU: A0.1140878 By Rod Stewart. By Curtis Mayfield. Arranged by David Neff. Christian,Religious,Sacred,Spiritual. 6 pages. David Neff #741130. Published by David Neff (A0.1140878). Curtis Mayfield’s gospel-influenced R&B hit, People Get Ready was named by Rolling Stone magazine as the 24th greatest song of all time, and it was dubbed by Martin Luther King, Jr, the unofficial anthem of the Civil Rights Movement. The song has been covered by top-tier singers from Bob Dylan, Bob Marley, Aretha Franklin, and the Staple Singers, to Jeff Beck and Rod Stewart. I decided to use it in a church context during the season of Advent, a time of expectation and getting ready. Here is the high-voice version of the arrangement I performed in December 2022. This sheet music is also available on this site for low voice and piano.
$5.99
Già risi - secular lute song (Kapsperger, 1619)
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Voix haute
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INTERMÉDIAIRE
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Giovanni Girolamo Kapsperger
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Scott S
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Già risi - secular lute
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Scott S. Stewart
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.955849 Composed by Giovanni Girolamo Kapsperger. Arranged by Scott S. Stewart. Baroque,Concert,Instructional,S...
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High Voice,Vocal Solo - Level 3 - SKU: A0.955849 Composed by Giovanni Girolamo Kapsperger. Arranged by Scott S. Stewart. Baroque,Concert,Instructional,Standards. 7 pages. Scott S. Stewart #6448577. Published by Scott S. Stewart (A0.955849). The original secular lute song, Gia risi, was composed in Italian, with a basso continuo accompaniment. It was first published in 1619 in Libro terzo di villanelle, No.2. This modern arrangement is for soprano or tenor voice and keyboard and hopes to awaken a new appreciation of Kapsperger’s genius. A variety to the accompaniment, and embellishment to the vocal line for each verse of this strophic composition, provides a practical solution for modern recital hall performance. This piece is a fine introduction to the early Baroque style. Performance time: 3:58+
$9.99
Love Is Little (high voice)
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Voix haute
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INTERMÉDIAIRE
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David Neff
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David Neff
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Love Is Little
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.1202547 Composed by David Neff. Arranged by David Neff. 19th Century,Folk,Religious,Sacred,Wedding. 4 pages. D...
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High Voice,Vocal Solo - Level 3 - SKU: A0.1202547 Composed by David Neff. Arranged by David Neff. 19th Century,Folk,Religious,Sacred,Wedding. 4 pages. David Neff #801287. Published by David Neff (A0.1202547). This delicate and gentle Shaker tune from 1834 is appropriate for weddings, Maundy Thursday services, and any time we gather to celebrate love. There are several beautiful choral arrangements available, but I was unable to find any setting for solo voice and piano. This arrangement, available in three ranges, gives vocal soloists the opportunity to sing it as well.
$4.99
He
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Voix haute
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FACILE
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Musique Sacrée
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Christian contemporain
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Al Hibbler
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Stephen DeCesare
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He
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Exultet Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.1223198 By Al Hibbler. By Jack Richards and Richard Mullan. Arranged by Stephen DeCesare. Christian,Contempora...
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High Voice,Vocal Solo - Level 2 - SKU: A0.1223198 By Al Hibbler. By Jack Richards and Richard Mullan. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Standards. 5 pages. Exultet Music #819406. Published by Exultet Music (A0.1223198). The beautiful song about God that was written by Jack Richards in 1954 has now been arranged for a Vocal solo (High Key) with Piano accompaniment. Accessible for all levels of singing. Appropriate for concert or church setting. Can be sung at various times throughout the year but specifically during the season of Lent.
$4.99
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