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We Come with Joy - Service Music
Non classifié
99
Piano & claviers
Piano seul
79
Piano Facile
36
Orgue
11
Piano, Voix
9
Piano, Voix et Guitare
6
1 Piano, 4 mains
5
Instruments en Do
5
Accompagnement Piano
2
2 Pianos, 4 mains
2
1 Piano, 6 mains
1
+ 5 instrumentations
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Guitares
Guitare notes et tablatures
17
Guitare
14
Ukulele
6
Mandoline
3
4 Guitares (Quatuor)
1
Ligne De Mélodie, (Paroles) et Accords
1
3 Guitares (trio)
1
+ 2 instrumentations
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Voix
Chorale SATB
52
Chorale 2 parties
5
Chorale 3 parties
4
Chorale Unison
2
Voix haute
2
Chorale TTBB
2
Chorale SSAA
1
Voix basse
1
Voix seule
1
+ 4 instrumentations
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Vents
2 Saxophones (duo)
19
Flûte traversière
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Saxophone Alto
15
Clarinette
14
Ocarina
12
Quatuor de Saxophones: 4 saxophones
11
Saxophone Alto et Piano
10
Saxophone (partie séparée)
9
Flûte, Hautbois, Clarinette, Basson
9
Hautbois (partie séparée)
9
Flûte à bec Soprano
8
Flûte traversière et Piano
8
Quintette de Saxophone: 5 saxophones
7
Saxophone Tenor
7
Saxophone Tenor et Piano
7
Clarinette et Piano
7
2 Flûtes traversières (duo)
6
Flûte à bec Alto
6
Hautbois, Piano (duo)
6
2 Clarinettes (duo)
5
Flûte à bec Tenor
4
Flûte à Bec
4
Saxophone Soprano et Piano
4
Saxophone Baryton, Piano
4
2 Hautbois (duo)
4
Flûte, Harpe et Violoncelle
4
Clarinette, Violoncelle (duo)
4
Harmonica
3
Ensemble de Flûtes
2
Flûte irlandaise
2
Saxophone Baryton
2
Saxophone Soprano
2
Flûte, Violoncelle, Piano (trio)
2
Hautbois
2
Quatuor de Clarinettes: 4 clarinettes
2
Hautbois, Basson (duo)
2
Hautbois, Violoncelle
2
Flûte, Violon
2
Clarinette, Basson (duo)
1
Ensemble à vent
1
Flûte, Violoncelle
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Harpe (duo)
1
Saxophone, Clarinette (duo)
1
+ 40 instrumentations
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Cuivres
Trombone
17
Trompette
13
2 Trompettes (duo)
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Tuba
9
Cor
8
Tuba et Piano
6
Trompette, Piano
6
2 Cors (duo)
5
2 Trombones (duo)
5
Trio de Cuivres
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor et Piano
4
Trombone et Piano
3
Quatuor de Cuivres
3
2 Tubas (duo)
2
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 cors
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Basson (duo)
1
2 Euphoniums et 2 Tubas
1
+ 16 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
18
Violoncelle
17
Violon
17
2 Violons (duo)
14
Harpe
14
Violoncelle, Piano
10
2 Altos (duo)
8
Alto seul
8
2 Violoncelles (duo)
8
Violon et Piano
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Contrebasse, Piano (duo)
7
Alto, Piano
7
Contre Basse
7
Violon (partie séparée)
7
Violoncelle, Contrebasse (duo)
6
2 Contrebasses (duo)
5
Alto (partie séparée)
5
Violon, Alto (duo)
5
Violon, Violoncelle (duo)
4
Harpe, Voix
3
Alto, Violoncelle (duo)
3
Violoncelle (partie séparée)
3
Harpe, Flûte (duo)
1
Alto et Harpe
1
Violoncelle , Guitare (duo)
1
Harpe, Violon (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: 3 violoncelles
1
+ 24 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
17
Orchestre
13
Orchestre à Cordes
10
Ensemble de cuivres
8
Cloches
6
Orchestre de chambre
1
Batterie
1
Ensemble Jazz
1
Vibraphone
1
+ 4 instrumentations
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We Come with Joy - Service Music
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The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Waltz of the Roses (Think of My Love As A Rose), for High Voice Piano, Theme from The Snow Queen, A
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Voix haute
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INTERMÉDIAIRE
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.730413 Composed by James Nathaniel Holland. Contemporary,Holiday,Wedding. 8 pages. James Nathaniel Holland #33...
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High Voice,Vocal Solo - Level 3 - SKU: A0.730413 Composed by James Nathaniel Holland. Contemporary,Holiday,Wedding. 8 pages. James Nathaniel Holland #3369761. Published by James Nathaniel Holland (A0.730413). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged for high voice (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.95
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We Come with Joy - Service Music
