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TRI ET FILTRES
Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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COR
COR ANGLAIS
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FLUTE DE PAN
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PIANO
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UKULELE
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1177
Piano, Voix
453
Piano Facile
384
Instruments en Do
330
Piano, Voix et Guitare
254
Orgue
212
Accompagnement Piano
63
Accordéon
49
Piano grosses notes
48
2 Pianos, 4 mains
46
1 Piano, 4 mains
36
Piano Trio: piano, violon, violoncelle
20
Orgue, Piano (duo)
6
Piano Quatuor: piano, violon, alto, violoncelle
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Piano (partie séparée)
5
2 Pianos, 8 mains
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Piano Quatuor: piano, 2 violons, violoncelle
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Piano Quintette: piano, 2 violons, alto, violoncelle
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Accordéon, Piano
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Clavier
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Clavecin
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1 Piano, 6 mains
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Guitare
138
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115
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21
Dulcimer
7
Guitare (partie séparée)
7
Mandoline
5
2 Guitares (duo)
5
Banjo
4
Paroles et Accords
4
4 Guitares (Quatuor)
3
3 Guitares (trio)
3
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VOIX
Chorale SATB
567
Chorale 3 parties
156
Chorale 2 parties
134
Voix Alto, Piano
76
Voix Soprano, Piano
71
Chorale TTBB
63
Chorale Unison
60
Voix Tenor, Piano
55
Voix duo, Piano
49
Chorale SSAA
37
Voix duo
18
Voix haute
11
Voix seule
10
Voix Baryton, Piano
7
Voix moyenne, Piano
5
Voix Tenor
3
Voix basse, Piano
3
Chorale SSAATTBB
2
Voix Mezzo-Soprano, Piano
2
Chorale SSATTB
2
Voix Soprano
1
Voix Baryton
1
Chorale
1
Voix basse
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
238
Hautbois, Piano (duo)
229
Clarinette et Piano
225
Saxophone Alto et Piano
167
Saxophone Tenor et Piano
149
2 Saxophones (duo)
147
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
120
Quatuor de Saxophones: 4 saxophones
102
2 Flûtes traversières (duo)
91
2 Clarinettes (duo)
70
Clarinette
65
Quatuor de Clarinettes: 4 clarinettes
64
Quintette de Saxophone: 5 saxophones
62
Flûte traversière
62
Flûte, Hautbois, Clarinette, Basson
60
Saxophone, Clarinette (duo)
54
Hautbois (partie séparée)
52
Saxophone (partie séparée)
43
Saxophone Alto
39
Clarinette, Violon (duo)
38
Quatuor de Flûtes : 4 flûtes
33
Clarinette, Trompette (duo)
31
Flûte, Clarinette (duo)
30
Saxophone Tenor
30
2 Hautbois (duo)
23
Saxophone Soprano et Piano
21
Flûte, Violon
20
Ensemble de Clarinettes
20
Hautbois, Flûte
19
Hautbois, Clarinette (duo)
18
Flûte, Saxophone (duo)
17
Clarinette et Alto
17
Ensemble de Flûtes
17
Hautbois, Basson (duo)
17
3 Clarinettes (trio)
17
Flûte, Alto (duo)
16
Saxophone Baryton, Piano
15
3 Saxophones (trio)
14
Cor anglais, Piano
14
Quintette de Clarinettes: 5 clarinettes
14
Flûte, Trompette (duo)
13
Flûte et Guitare
13
Flûte à bec Soprano
12
Trio de Flûtes: 3 flûtes
12
Quintette de Flûte : 5 flûtes
10
Ensemble de saxophones
9
Clarinette, Guitare (duo)
8
Harmonica
7
2 Flûte à bec (duo)
6
Cor Anglais
6
Clarinette Basse, Piano
6
Flûte, Violon, Piano
5
Hautbois, Guitare (duo)
5
Quatuor de Flûtes à bec
4
Flute (partie séparée)
4
Flûte à Bec
4
Clarinette, Basson (duo)
3
Saxophone Soprano
3
Saxophone et Harpe
3
Clarinette, Trombone (duo)
3
Clarinette, Harpe (duo)
3
Flûte à bec Tenor
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte à bec Soprano, Piano
3
Saxophone et Orgue
2
Hautbois, Harpe
2
Flûte, Clarinette, Piano (trio)
2
Saxophone et Guitare
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte à bec Alto, Piano
2
Flûte irlandaise
2
Flûte, Basson et Piano
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto
1
Flûte, Hautbois (duo)
1
Flûte, Violon et Violoncelle
1
Cor anglais, Guitare (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette (partie séparée)
1
Flûte et Quatuor à Cordes
1
2 Clarinettes, Piano
1
Flûte, Clarinette et Basson
1
5 Flûtes à bec
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Piano (trio)
1
Ensemble De Flûte à bec
1
Saxophone
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Basson et Piano
1
Hautbois
1
3 Flûtes à bec (trio)
1
Flûte, Violoncelle
1
Cor anglais et Harpe (duo)
1
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CUIVRES
Trombone et Piano
170
Trompette
131
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
129
Trompette, Piano
89
Quatuor de Cuivres : 2 trompettes, trombone, tuba
67
Trompette, Saxophone (duo)
41
Trombone
41
2 Trompettes (duo)
29
Trompette (partie séparée)
28
2 Trombones (duo)
27
Quatuor de cuivres: 4 trombones
24
Trombone (partie séparée)
22
Cor et Piano
22
Trompette, Trombone (duo)
22
Quatuor de Cuivres
18
Cor
16
Ensemble de Trombones
15
Cor anglais, Piano
14
Tuba et Piano
10
Tuba
10
Euphonium, Piano (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor Anglais
6
Ensemble de Trompettes
6
2 Euphoniums et 2 Tubas
6
Quatuor de cuivres: 4 cors
5
Euphonium
5
2 Cors (duo)
5
Cor (partie séparée)
4
2 Tubas (duo)
4
Tuba (partie séparée)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor et Harpe
2
4 Tubas
2
Ensemble de Cors
2
3 Trombones (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone basse et Piano
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Euphonium (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor anglais, Guitare (duo)
1
Trombone basse
1
Trombone, Tuba (duo)
1
Trompette, Harpe
1
Ensemble de Tubas
1
2 Cors Anglais Et Pianoforte
1
2 Cors, Piano
1
Cor anglais et Harpe (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
239
Violon et Piano
235
Alto, Piano
211
Violoncelle, Piano
173
Violon
117
Harpe
113
2 Violons (duo)
64
Violoncelle
59
Violon, Violoncelle (duo)
55
Alto seul
32
2 Violoncelles (duo)
30
2 Altos (duo)
27
Violon, Alto (duo)
26
Trio à Cordes: violon, alto, violoncelle
22
Alto (partie séparée)
16
Harpe, Voix
14
Harpe, Flûte (duo)
10
Trio à Cordes: 2 violons, violoncelle
9
Contre Basse
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
2 Harpes (duo)
7
Contrebasse (partie séparée)
6
Trio à cordes
6
Violon, Guitare (duo)
6
Ensemble d'Altos
5
4 Violoncelles
5
Quatuor à cordes: 4 violons
5
Violoncelle , Guitare (duo)
5
Alto et Harpe
5
Ensemble de Violons
5
Contrebasse, Piano (duo)
5
Harpe, Violon (duo)
4
Alto, Violoncelle (duo)
4
Alto, Guitare (duo)
4
Trio à cordes: 3 violins
3
Harpe, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes : 4 altos
2
Harpe et Piano
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Ensemble de Violoncelles
1
4 Contrebasses
1
Harpe, Trombone (duo)
1
Trio à cordes: 3 altos
1
Autoharp
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, alto
1
Violon, Tuba (duo)
1
2 Contrebasses (duo)
1
Violon (partie séparée)
1
Violoncelle, Orgue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
470
Orchestre
140
Orchestre à Cordes
88
Ensemble Jazz
74
Ensemble de cuivres
60
Cloches
58
Orchestre de chambre
53
Ensemble de Percussions
23
Jazz combo
18
Fanfare
9
Batterie
6
Ensemble d'École
6
Vibraphone
4
Batterie (partie séparée)
4
Marimba
4
Xylophone, Piano
2
Percussion (partie séparée)
2
Quintette de Cuivres: autres combinaisons
1
Caisse Claire
1
Vibraphone et Marimba
1
Xylophone
1
2 Marimbas
1
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AUTRES
Formation musicale - Solfège
6
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When On
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Soprano Aria When there is my mansion by the Sea... from the opera On the Wings of the Scarlet Messe
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730185 Composed by James…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730185 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 9 pages. James Nathaniel Holland #370921. Published by James Nathaniel Holland (A0.730185). Mariana's (Soprano) Aria When there is my mansion by the sea... from On the Wings of the Scarlet Messenger An Opera in 4 Acts, Based on the Henry James novel, On the Wings of a Dove Music, Adaptation and Libretto by James Nathaniel Holland Composer website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube presentation: https://www.youtube.com/watch?v=dl4l8KeTfic A beautiful and virtuosic contemporary aria for a Gilda Rigoletto type lyric soprano with orchestral accompaniment. Has never been premiered before.Setting: The Fictional Southeast Asian island of Soon Rafa, present day, night, the garden behind Leila's mansion. Mariana (Soprano) niece and ward of her rich Aunt Leila. She cannot marry her love, Kai (bass), due to his lack of money. Mariana has just received a tongue lashing from her Aunt Leila in front of Leila's friends and has left for the garden. Alone and frustrated, Mariana sings of the day when she will have the freedom to do what she wants and execute revenge on all her critics. Fits requirement for contemporary aria in English.Duration: 5:15 Range: C4 to C6
$4.95
4.47 €
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Voix haute
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James Nathaniel Holland
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Soprano Aria When there is my mansion by the Sea... from the opera On the Wings of the Scarlet Messe
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James Nathaniel Holland
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SheetMusicPlus
"Not knowing when the down will come" Emily Dickinson
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1014490 Composed by Jan …
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1014490 Composed by Jan Van Outryve. Concert,Contemporary,Folk,New Age,Standards. 4 pages. Kaila #5733537. Published by Kaila (A0.1014490). 12 songs settings on poems by Emily Dickinson composed by Jan Van Outryve.You can find Not knowing when the dawn will come on Spotify :https://open.spotify.com/track/2CuFm0VDD2XVT86ZJlAM0c?si=G9zIQGayR6uFmLfaPh8oOg
$8.00
7.22 €
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Voix haute
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Jan Van Outryve
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"Not knowing when the down will come" Emily Dickinson
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Kaila
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SheetMusicPlus
When I Have Seen His Face (I Know That My Redeemer Lives)—High-Range Solo Voice and Piano
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1171672 By Daniel Carter…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1171672 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Christian,Easter,Praise & Worship,Religious,Sacred. 4 pages. Daniel Carter #771951. Published by Daniel Carter (A0.1171672). With text adapted from Job 19:25-27, “I know that my Redeemer Lives,†Daniel Carter creates a vocal solo for high-range voice and piano that is reverent and memorable. Suitable for worship services and settings that focus on Easter, atonement, communion, sacrament, and other Christ-centered gatherings. Sheet music for female/male vocal duet (medium-range voices and piano) and also medium-range solo voice and piano are available at www.danielcartermusic.com
$4.99
4.5 €
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Daniel Carter
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Daniel Carter
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When I Have Seen His Face
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Daniel Carter
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SheetMusicPlus
When Darkness Fills Your Heart - aria study for Tenor or Soprano
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1005648 Composed by Rudy…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1005648 Composed by Rudy Volkmann. Baroque,Christian,Concert,Instructional,Sacred. 4 pages. Rudy Volkmann #6116387. Published by Rudy Volkmann (A0.1005648). A study in long notes, this Baroque-style aria study was initially composed for tenor John Miles after he came to Brnau College for a concert in the late 1970's. Either a tenor or a soprano could use this piece to work on their long notes - it goes to dramatic high Bb, and has a simple piano part. It's a great recital piece. The piece eventually became number 5 of my 6 aria studies for trumpet and piano, as well as the basis for a larger work for brass quintet and organ.
$4.99
4.5 €
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Voix haute
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Rudy Volkmann
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When Darkness Fills Your Heart - aria study for Tenor or Soprano
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Rudy Volkmann
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.16 €
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
6.31 €
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.27 €
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Voix haute
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Father (Soprano Solo)
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.727567 Composed by Carol…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.727567 Composed by Carol Troutman Wiggins. Christian,Contemporary,Religious,Sacred. 9 pages. Carol Troutman Wiggins #4810863. Published by Carol Troutman Wiggins (A0.727567). FATHER Soprano SoloThis heartfelt song is a plea to our Heavenly Father to fix us when our lives are broken. Piano Accompaniment Track on this site.
$4.95
4.47 €
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Carol Troutman Wiggins
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Father
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Carol Troutman Wiggins
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SheetMusicPlus
Dancing
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1026448 Composed by Orie…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1026448 Composed by Oriel Sweet. Children. 4 pages. Oriel Sweet #6188561. Published by Oriel Sweet (A0.1026448). This is a happy dancing song. Based on the story of Cinderella after the ball when Cinderella is reminiscing about dancing with the prince.Suitable for anyone who loves a fairy story. .
$2.99
2.7 €
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Oriel Sweet
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Dancing
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Oriel Sweet
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SheetMusicPlus
Just Like That September 2011
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790016 Composed by Benj …
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790016 Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. 9 pages. Diamond S Music #3534827. Published by Diamond S Music (A0.790016). JUST LIKE THAT from A CHRISTMAS STORY the musical - Piano (keyboard) & Vocal Part Only . Arranged for Vocal Solo and 8 piece arrangement. This Keyboard part also contains the important cues for the other instrumentation. The beloved Christmas Classic film turned into a hit Broadway musical by the Tony Award and Academy Award winning team Benj Pasek & Justin Paul (Dear Evan Hansen, The Greatest Showman, La La Land). This 8 piece arrangement is for: Reed 1 (Flute), Reed 2 (Bb Clarinet), Trumpet, Trombone, Electronic Keyboard, Double Bass, Drum Set, Percussion (mallets & aux) - The Drums and Percussion can be played by the same player in this arrangement. Other 8 piece Orchestrations/Arrangements from A Christmas Story the musical by this publisher (Diamond S Music) available here are: Before The Old Man Comes Home, Just Like That, Ralph To The Rescue, Overture, Somewhere Hovering Over Indiana, When You're A Wimp, A Christmas Story, Counting Down To Christmas, Act 1 Finale, What A Mother Does, Parker Family Sing A-long, Sticky Situation, Up On Santa's Lap, You'll Shoot Your Eye Out, The Genius Of Cleveland Street, Red Ryder Carbine Action BB Gun. https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
9.01 €
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Benj Pasek and Justin Paul
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W
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Vocal Part Only
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Just Like That September 2011
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Diamond S Music
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SheetMusicPlus
Ave Maria De Caccini
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.623091 Composed by Carl …
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.623091 Composed by Carl Prentice Marsh and Joselito Michaud. Arranged by Stephen DeCesare. Christian,Classical,Contemporary,Sacred,Wedding. 3 pages. Exultet Music #4286325. Published by Exultet Music (A0.623091). This piece which was falsely attributed to the Renaissance composer - Guilio Caccini is based on the original Vladimir Vavilov composition who is the actual composer of this piece. This piece has been recorded by singers such as Andrea Bocelli and Charlotte Church. This arrangement is for High Solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at various occasions throughout the liturgical year (such as funerals or weddings) but especially when the theme is about the Blessed Virgin Mary.
$4.99
4.5 €
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Voix haute
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Carl Prentice Marsh and Joselito Michaud
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Stephen DeCesare
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Ave Maria De Caccini
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Exultet Music
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SheetMusicPlus
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