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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Will B
Sheetmusicplus
Non classifié
1 894
Piano & claviers
Piano seul
820
Piano, Voix
270
Piano Facile
240
Instruments en Do
185
Accompagnement Piano
141
Piano, Voix et Guitare
132
Orgue
69
1 Piano, 4 mains
27
Piano Trio: piano, violon, violoncelle
21
2 Pianos, 4 mains
9
Piano (partie séparée)
7
Orgue, Piano (duo)
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Accordéon
3
Clavecin
2
Clavier
1
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
113
Basse electrique
94
Guitare notes et tablatures
73
Guitare
68
Ukulele
26
Ligne De Mélodie, (Paroles) et Accords
24
Guitare (partie séparée)
15
2 Guitares (duo)
7
Paroles et Accords
6
Dulcimer
6
Guitare Pedal Steel
2
Banjo
2
Basse électrique (partie séparée)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
282
Chorale 3 parties
75
Chorale TTBB
66
Chorale 2 parties
48
Chorale SSAA
37
Voix duo, Piano
35
Chorale Unison
22
Pack Instrumental pour Chorale
15
Voix duo
11
Voix Soprano, Piano
8
Voix Alto, Piano
8
Voix Tenor, Piano
7
Voix haute
6
Chorale
5
Voix moyenne, Piano
3
Voix seule
3
Voix basse, Piano
2
Voix basse
1
Voix Soprano
1
Chorale SSAB, Piano
1
+ 15 instrumentations
Retracter
Vents
Clarinette (partie séparée)
808
Clarinette et Piano
572
Saxophone (partie séparée)
472
Clarinette
300
Hautbois, Piano (duo)
255
Flûte traversière et Piano
253
Saxophone Alto et Piano
195
Saxophone Tenor et Piano
176
2 Saxophones (duo)
73
Quatuor de Clarinettes: 4 clarinettes
70
Saxophone Alto
66
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
64
2 Flûtes traversières (duo)
63
Flûte, Hautbois, Clarinette, Basson
56
Flûte traversière
55
Flûte, Clarinette (duo)
55
Quatuor de Saxophones: 4 saxophones
54
2 Clarinettes (duo)
51
Saxophone Tenor
43
Hautbois (partie séparée)
35
Saxophone Baryton, Piano
25
Ensemble De Flûte à bec
24
Ensemble de Clarinettes
20
3 Clarinettes (trio)
18
Clarinette, Basson (duo)
18
Quintette de Saxophone: 5 saxophones
18
3 Saxophones (trio)
17
Hautbois, Clarinette (duo)
15
Saxophone Soprano et Piano
13
Clarinette, Violoncelle (duo)
13
Clarinette, Violon (duo)
12
Quintette de Clarinettes: 5 clarinettes
12
2 Saxophones, Piano
12
Clarinette Basse, Piano
11
Quatuor de Flûtes : 4 flûtes
11
Flûte, Clarinette, Piano (trio)
11
Ensemble de saxophones
11
Clarinette et Alto
8
Clarinette, Harpe (duo)
8
Flute (partie séparée)
8
2 Clarinettes, Piano
7
Cor anglais, Piano
7
2 Hautbois (duo)
6
Flûte, Violon, Piano
6
Trio de Flûtes: 3 flûtes
6
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte et Guitare
5
Flûte à bec Soprano
5
Flûte, Hautbois, Clarinette (trio)
4
Clarinette, Violoncelle, Piano (trio)
4
Quintette de Flûte : 5 flûtes
4
Saxophone et Piano
4
Flûte, trombone et piano
3
Ensemble de Flûtes
3
Clarinette, Trombone (duo)
3
Clarinette Basse
3
2 Flûtes traversières, Piano
3
Flûte, Violon
2
Flûte, Alto et Piano
2
Clarinette, Trompette (duo)
2
Clarinette, Tuba
2
Clarinette, Guitare (duo)
2
Saxophone, Clarinette (duo)
2
Clarinette, Contrebasse (duo)
2
Flûte, Trompette (duo)
2
Piccolo, Piano
1
Flute, harpe et violon
1
Saxophone
1
Quatuor de Flûtes à bec
1
Flûte à Bec
1
Piccolo
1
Flûte, Saxophone (duo)
1
Clarinette, trompette et piano
1
Hautbois, Trompette (duo)
1
Flûte, Clarinette et Basson
1
3 Flûtes à bec (trio)
1
Flûte et Quatuor à Cordes
1
Flûte, Hautbois, Violon
1
Flûte, Violoncelle
1
Flûte irlandaise
1
Saxophone et Orgue
1
Hautbois
1
Flûte traversière, Orgue (duo)
1
Harmonica
1
+ 79 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
678
Trompette
451
Trompette, Piano
438
Trombone (partie séparée)
389
Trombone et Piano
220
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
121
Tuba (partie séparée)
69
Tuba ou Euphonium ou Saxhorn
66
Trombone
56
Cornet A Pistons
50
2 Trompettes (duo)
46
Trompette, Trombone (duo)
46
Cor et Piano
43
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
2 Trombones (duo)
31
Ensemble de Trompettes
29
Tuba
28
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
Cor
26
Quatuor de Cuivres
26
Trompette, Cor (duo)
25
Euphonium, Piano (duo)
18
Euphonium
16
Tuba et Piano
14
Quatuor de cuivres: 4 trombones
14
Cor (partie séparée)
13
2 Cors (duo)
11
Trompette, Harpe
7
Ensemble de Trombones
7
Cor anglais, Piano
7
Quatuor de cuivres: 4 cors
6
Trompette, Basson (duo)
6
Trio de Cuivres
6
Trompette, Violoncelle (duo)
5
Trombone basse
5
Ensemble de Cors
4
Trompette, violon (duo)
4
Trompette, Tuba (duo)
3
2 Tubas (duo)
2
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Euphonium (partie séparée)
1
4 Tubas
1
2 Cors, Piano
1
Trompette, Euphonium (duo)
1
Cornet et Piano
1
Trombone, Cor (duo)
1
+ 43 instrumentations
Retracter
Cordes
Violon et Piano
272
Alto, Piano
232
Violoncelle, Piano
211
Quatuor à cordes: 2 violons, alto, violoncelle
197
Violon
94
Violoncelle
75
Harpe
68
Violon, Violoncelle (duo)
47
2 Violons (duo)
40
2 Violoncelles (duo)
36
Alto seul
34
Trio à Cordes: violon, alto, violoncelle
32
2 Harpes (duo)
24
2 Altos (duo)
22
Alto (partie séparée)
21
Violon, Alto (duo)
15
Trio à Cordes: 2 violons, violoncelle
15
Piano Trio: Violon, Alto, Piano
12
Contre Basse
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Harpe, Flûte (duo)
8
Contrebasse (partie séparée)
8
Contrebasse, Piano (duo)
6
Violon, Guitare (duo)
6
Harpe, Violoncelle (duo)
5
Harpe, Violon (duo)
5
Alto et Harpe
4
2 Violons, Piano
4
Violon, Clarinette, Piano (trio)
4
Violon (partie séparée)
4
Violoncelle , Guitare (duo)
3
Alto, Violoncelle (duo)
3
Trio à cordes: 3 altos
3
4 Violoncelles
2
Ensemble d'Altos
2
Violoncelle (partie séparée)
2
2 Altos, Piano
1
Trio à Cordes: 3 violoncelles
1
Violon, Basse continue
1
Violoncelle, Basse continue
1
Trio à Cordes: 2 violons, alto
1
Ensemble de Violons
1
Trio à cordes: 3 violins
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 658
Fanfare
343
Ensemble Jazz
143
Cloches
82
Orchestre
67
Ensemble de cuivres
64
Orchestre à Cordes
59
Jazz combo
40
Batterie
35
Ensemble de Percussions
18
Marimba
18
Orchestre de chambre
17
Batterie (partie séparée)
9
Ensemble d'École
5
Percussion (partie séparée)
3
Percussion
2
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
Vibraphone
1
+ 14 instrumentations
Retracter
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CLAIRON
CLARINETTE
CLAVECIN
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
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DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
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VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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Vous avez sélectionné:
Will B
SheetMusicPlus
Partitions à imprimer
6 partitions trouvées
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When I Let God Lead (High Voice)
Voix haute
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.947834 Composed by Josep…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.947834 Composed by Joseph H. Gilmore. Words by Elizabeth Ragsdale, Music by Elizabeth Ragsdale, and William B. Bradbury. Arranged by Elizabeth Ragsdale. Christian,Sacred. 7 pages. Elizabeth Ragsdale #2548741. Published by Elizabeth Ragsdale (A0.947834). This sacred solo explores the when, where, and how of God’s leading. It incorporates a refrain from the well-known hymn He Leadeth Me. With its easy, engaging accompaniment, the music has great audience appeal. Duration: 4:06. Vocal range: C4–E5.
$4.79
4.42 €
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Voix haute
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Joseph H
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Elizabeth Ragsdale
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When I Let God Lead
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Elizabeth Ragsdale
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SheetMusicPlus
My Hope Is Built on Nothing Less (SOLID ROCK), High Voice, arr. Brenda Portman
Voix haute
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.753040 Composed by Willi…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.753040 Composed by William B. Bradbury. Arranged by Brenda Portman. Christian,Classical,Praise & Worship,Religious,Sacred. 7 pages. Brenda Portman #1795645. Published by Brenda Portman (A0.753040). A kinetic and driving setting that grabs the attention from the start and keeps a sense of excitement until the end. For Solo Voice and Piano. Vocal range D to A-flat. Recording is in the original key of E major. For more vocal arrangements by Brenda Portman, visit: https://brendaportman.com/compositions-vocal
$4.25
3.92 €
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Voix haute
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William B
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Brenda Portman
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My Hope Is Built on Nothing Less
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Brenda Portman
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SheetMusicPlus
Just As I Am (WOODWORTH), High Voice, arr. Brenda Portman
Voix haute
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.753074 Composed by Willi…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.753074 Composed by William B. Bradbury. Arranged by Brenda Portman. Christian,Classical,Praise & Worship,Religious,Sacred. 8 pages. Brenda Portman #3115825. Published by Brenda Portman (A0.753074). An old favorite invitational hymn, set in a beautiful and creative way for solo voice and piano. Vocal range F to G. Hymn Tune: WOODWORTHFor more vocal arrangements by Brenda Portman, visit: https://brendaportman.com/compositions-vocal
$4.25
3.92 €
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Voix haute
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William B
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Brenda Portman
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Just As I Am
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Brenda Portman
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SheetMusicPlus
Ave Maria - vocal solo-high
Voix haute
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.844444 Composed by Phil …
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.844444 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 4 pages. Phil Beaman #3364773. Published by Phil Beaman (A0.844444). The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more.The lyrics quote only the first 3 phrases of the traditional Ave Maria text. These 6 words are in common across most usages regardless of region or religion or purpose and impart a broader blessing. These 6 words are interspersed throughout the piece with the Ave (Hail) high in the range for celebration, Gratia (Grace) mid-range for acceptance, and Dominus (God) low in the range for humility.The vocal range of the song is thus quite large - a full two octaves. The High version goes from a B flat below the Treble Staff to an A flat above the Treble Staff. The Low version (a third lower) goes from a low G to a high F.The accompaniment is a circling minimalist 2 chord ostinato for the entire piece.Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it.(4 pages, 3:45 minutes)
$4.99
4.6 €
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Voix haute
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Phil Beaman
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Ave Maria - vocal solo-high
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Phil Beaman
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SheetMusicPlus
Does It Matter?
Voix haute
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike …
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by Lyons Music Services (A0.767060). This song was written in response to Siegfried Sassoon's well-known war poem of the same title. I have tried to emulate the ironic tone of Sassoon's descriptions of the treatment of wounded and damaged men by the society for whom they have been fighting. This is as current a topic today as it was 50 years ago. The song is short at just under 2 minutes, but demands some difficult techniques from both singer and pianist. The vocal line, in particular, will need good control of breathing and pitch in the sliding arpeggio on the Ah!! after letter B and the line And people won't say that you're mad. The sudden ending is quite deliberate and the final bar rest should be counted in full. The listener should expect more, but there isn't anything more to say - we treat our soldiers badly!
$3.99
3.68 €
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Voix haute
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Mike Lyons
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Does It Matter?
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Lyons Music Services
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.23 €
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Voix haute
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
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Will B
