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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
You Say
Sheetmusicplus
Non classifié
553
Piano & claviers
Piano seul
379
Piano, Voix et Guitare
245
Piano, Voix
226
Piano Facile
104
Instruments en Do
48
Piano grosses notes
26
Orgue
12
1 Piano, 4 mains
12
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano (partie séparée)
2
Accordéon
2
Clavecin
1
Accompagnement Piano
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
97
Ligne De Mélodie, (Paroles) et Accords
38
Guitare
37
Basse electrique
32
Ukulele
29
Paroles et Accords
24
Guitare (partie séparée)
4
Piano, Guitare (duo)
4
2 Guitares (duo)
3
Dulcimer
2
Banjo
2
Mandoline
2
Guitare, Violon, Violoncelle (trio)
1
+ 8 instrumentations
Retracter
Voix
Chorale 3 parties
213
Chorale SATB
210
Chorale TTBB
49
Chorale 2 parties
33
Pack Instrumental pour Chorale
30
Chorale SSAA
27
Chorale Unison
16
Voix haute
9
Voix duo
6
Voix Soprano, Piano
5
Voix Soprano
3
Voix Baryton, Piano
3
Voix basse, Piano
2
Voix seule
2
Voix Alto, Piano
2
Chorale SSATTB
1
Voix Tenor
1
Voix duo, Piano
1
Chorale
1
Voix basse
1
Voix Tenor, Piano
1
Voix moyenne, Piano
1
Chorale SSAATB
1
+ 18 instrumentations
Retracter
Vents
Saxophone (partie séparée)
43
Quatuor de Saxophones: 4 saxophones
43
Flûte traversière
35
Clarinette
34
Flûte traversière et Piano
27
Saxophone Alto
25
Saxophone Tenor
25
Hautbois (partie séparée)
23
2 Flûtes traversières (duo)
21
Flûte, Hautbois, Clarinette, Basson
20
Saxophone Alto et Piano
20
Saxophone Tenor et Piano
19
Clarinette et Piano
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Quatuor de Clarinettes: 4 clarinettes
18
Hautbois, Piano (duo)
17
Quintette de Saxophone: 5 saxophones
14
2 Saxophones (duo)
12
2 Clarinettes (duo)
11
3 Saxophones (trio)
10
Quatuor de Flûtes : 4 flûtes
10
Flûte et Guitare
8
Saxophone Soprano et Piano
8
Quintette de Clarinettes: 5 clarinettes
7
Ensemble de Clarinettes
7
Flûte, Clarinette (duo)
5
Ensemble de Flûtes
5
Flûte, Clarinette et Basson
5
Cor anglais, Guitare (duo)
4
Clarinette, Guitare (duo)
4
Flute (partie séparée)
4
Cor anglais, Piano
4
Saxophone, Clarinette (duo)
3
Saxophone et Guitare
3
Clarinette, Violon (duo)
3
Trio de Flûtes: 3 flûtes
3
3 Clarinettes (trio)
3
Quintette de Flûte : 5 flûtes
2
2 Hautbois (duo)
2
Hautbois, Clarinette (duo)
2
Flûte, Violon, Piano
2
5 Flûtes à bec
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Violon et Violoncelle
2
Flûte, Violon
2
Hautbois, Basson (duo)
2
Saxophone Baryton, Piano
2
Flûte traversière, Orgue (duo)
1
Hautbois, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Flûte
1
Quatuor de Flûtes à bec
1
Flûte, Saxophone (duo)
1
Flûte à bec Soprano
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette et Alto
1
Flûte, Hautbois, Basson
1
Saxophone et Orgue
1
Flûte, Hautbois (duo)
1
Flûte, Basson et Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Clarinette, Piano (trio)
1
2 Flûte à bec (duo)
1
3 Hautbois
1
Clarinette, trompette et piano
1
Flûte, Alto (duo)
1
Clarinette Basse, Piano
1
Clarinette, Harpe (duo)
1
Flûte, Trompette (duo)
1
+ 65 instrumentations
Retracter
Cuivres
Trompette
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Trompette (partie séparée)
22
Trombone
19
Cor
18
Trombone et Piano
17
Trombone (partie séparée)
13
Trompette, Piano
13
Cor et Piano
9
Tuba
8
Tuba et Piano
5
Euphonium
4
Ensemble de Trompettes
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor anglais, Guitare (duo)
4
Cor anglais, Piano
4
Trompette, Trombone (duo)
3
2 Cors (duo)
3
Quatuor de cuivres: 4 trombones
3
2 Trompettes (duo)
3
2 Trombones (duo)
2
Ensemble de Trombones
2
Trompette, Saxophone (duo)
2
Trompette, Cor (duo)
1
2 Euphoniums et 2 Tubas
1
Trombone, Cor (duo)
1
Ensemble de Cors
1
Trompette, Violoncelle et Piano
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Euphonium (duo)
1
Trio de Cuivres
1
Cor (partie séparée)
1
Quatuor de Cuivres
1
Tuba (partie séparée)
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
100
Violon
74
Violon et Piano
36
Violoncelle
35
Harpe
32
Alto seul
21
Violon, Violoncelle (duo)
20
Alto, Piano
19
Violoncelle, Piano
19
Trio à Cordes: violon, alto, violoncelle
14
2 Violons (duo)
12
2 Violoncelles (duo)
9
Trio à Cordes: 2 violons, violoncelle
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Harpes (duo)
5
Contrebasse (partie séparée)
5
Alto (partie séparée)
4
4 Violoncelles
4
Violoncelle , Guitare (duo)
4
Violon, Alto (duo)
4
Violon, Guitare (duo)
3
Ensemble de Violons
3
2 Altos (duo)
3
Alto, Violoncelle (duo)
3
Alto, Guitare (duo)
2
Alto et Harpe
2
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
2
Harpe, Flûte (duo)
1
Harpe, Voix
1
Contrebasse, Piano (duo)
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes : 4 altos
1
Harpe, Violon (duo)
1
Contre Basse
1
Violon (partie séparée)
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
157
Orchestre à Cordes
32
Orchestre
31
Ensemble Jazz
25
Batterie
17
Ensemble de cuivres
15
Orchestre de chambre
12
Fanfare
12
Cloches
10
Ensemble de Percussions
7
Jazz combo
6
Marimba
3
Batterie (partie séparée)
3
Marimba, Piano (duo)
1
Percussion
1
Orchestre, Violon
1
2 Percussions
1
+ 12 instrumentations
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COR ANGLAIS
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FLUTE A BEC
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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9 partitions trouvées
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1
Contemporary Soprano Aria, "They Say You Can Find Love" from the opera "Menkaure"
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Voix haute
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AVANCÉ
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James Nathaniel Holland
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Contemporary Soprano Aria, &qu
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James Nathaniel Holland
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.730207 Composed by James Nathaniel Holland. Contemporary,Holiday,Opera,Wedding. 9 pages. James Nathaniel Holla...
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High Voice,Vocal Solo - Level 5 - SKU: A0.730207 Composed by James Nathaniel Holland. Contemporary,Holiday,Opera,Wedding. 9 pages. James Nathaniel Holland #37039. Published by James Nathaniel Holland (A0.730207). They say you can find Love Contemporary Soprano aria in English from 21st Century opera (Duration: 4'30) Music and Libretto by American Costa Rican composer James Nathaniel Holland Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlVideo: https://www.youtube.com/watch?v=br_0U00Ck4Q From the American Opera MENKAURE Full opera YouTube: https://www.youtube.com/playlist?list=PLEcbVsA36MCuT1hxkTAyLuChFGJjtj4Ia Lyrics: They say you can find love, but in truth it is love who finds you! No matter how you force things, no matter what you do. You may sit patiently waiting, As months or years pass you by, and then one day it happens, A glance, a smile, you spy. Yes, I want love to find me, To tangle and entwine me, And it will, I know it will in its own sweet time. (Entire Opera duration: 2 hours) BRIEF SYNOPSIS: 6,000 years ago an almighty ruler died in Aksum. But today he lives for one woman, Trista,who falls in love with his statue at the Metropolitan Museum of Art in New York City. She is pulled deep into obsession, and her family is unable to rescue her; she tries to kiss the statue's face, and is arrested. With a quest to find the statue's twin, she flees to the country Joondor, site of the ancient city of Aksum where she is ultimately consumed by her love for Menkaure. Opera Website Page: http://www.lacoronadelossantos.net/menkaureopera.html Composer's website: http://www.lacoronadelossantos.net/jamesnathanielholland.html
$3.95
I Just Called To Say I Love You (High Voice)
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Voix haute
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Rock
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Stevie Wonder
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I Just Called To Say I Love Yo
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - SKU: HX.470368 By Stevie Wonder. Pop,Rock,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.47...
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(High Voice) - SKU: HX.470368 By Stevie Wonder. Pop,Rock,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.470368).
$1.99
Waltz of the Roses (Think of My Love As A Rose), for High Voice Piano, Theme from The Snow Queen, A
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Voix haute
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INTERMÉDIAIRE
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.730413 Composed by James Nathaniel Holland. Contemporary,Holiday,Wedding. 8 pages. James Nathaniel Holland #33...
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High Voice,Vocal Solo - Level 3 - SKU: A0.730413 Composed by James Nathaniel Holland. Contemporary,Holiday,Wedding. 8 pages. James Nathaniel Holland #3369761. Published by James Nathaniel Holland (A0.730413). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged for high voice (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.95
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Does It Matter?
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Voix haute
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AVANCÉ
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Mike Lyons
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Does It Matter?
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Lyons Music Services
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by...
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High Voice,Vocal Solo - Level 5 - SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by Lyons Music Services (A0.767060). This song was written in response to Siegfried Sassoon's well-known war poem of the same title. I have tried to emulate the ironic tone of Sassoon's descriptions of the treatment of wounded and damaged men by the society for whom they have been fighting. This is as current a topic today as it was 50 years ago. The song is short at just under 2 minutes, but demands some difficult techniques from both singer and pianist. The vocal line, in particular, will need good control of breathing and pitch in the sliding arpeggio on the Ah!! after letter B and the line And people won't say that you're mad. The sudden ending is quite deliberate and the final bar rest should be counted in full. The listener should expect more, but there isn't anything more to say - we treat our soldiers badly!
$3.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Silent Night (arr. D. Howell - Tenor/Soprano - C)
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Voix haute
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INTERMÉDIAIRE
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Noël
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Music by Franz Gruber, Words b
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Doug Howell
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Silent Night
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Creative Measures
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.896322 Composed by Music by Franz Gruber, Words by Joseph Mohr (v. 4 by Doug Howell). Arranged by Doug Howell....
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High Voice,Vocal Solo - Level 3 - SKU: A0.896322 Composed by Music by Franz Gruber, Words by Joseph Mohr (v. 4 by Doug Howell). Arranged by Doug Howell. Christmas,Pop,Sacred,Spiritual. 8 pages. Creative Measures #4992825. Published by Creative Measures (A0.896322). For me-like many of you, I’m sure-this is my very favorite Christmas carol. And under normal circumstances it is probably the one that I’d least want to meddle with, as it is so simply sacred, just as it is. But for me this project began to mean a lot more than just meddling. I lay awake several nights in a row, imagining the holy scene, and myself standing there. What would I have felt, and done? What was my response to the babe in the manger? What could I possibly have to say? What does his birth mean for me?
$1.99
Danny Boy (Funeral Version) (High Vocal Solo)
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Voix haute
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INTERMÉDIAIRE
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Musique Sacrée
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Musique Sacrée
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Frederic Weatherly, Franz Schu
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Stephen DeCesare
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Danny Boy
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Exultet Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.626415 Composed by Frederic Weatherly, Franz Schubert. Arranged by Stephen DeCesare. Celtic,Contemporary,Irish...
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High Voice,Vocal Solo - Level 3 - SKU: A0.626415 Composed by Frederic Weatherly, Franz Schubert. Arranged by Stephen DeCesare. Celtic,Contemporary,Irish,Multicultural,Praise & Worship,Sacred,World. 5 pages. Exultet Music #5718379. Published by Exultet Music (A0.626415). This version not only is the ballad that is most closely associated with Irish communities, but it combines the famous Ave Maria by Franz Schubert. Â The piece starts as the normal duet but when the phrase begins you'll kneel and say an Ave there for me is where the Ave Maria begins as duet and then the original tune comes back in at a later point. Â Scored for a High Vocal Solo with Piano accompaniment. Â Accessible for all levels of singing and playing and can used for a variety of venues. An accompaniment track is also available.
$4.99
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