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Non classifié
4395
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Piano seul
2242
Piano, Voix
754
Piano Facile
663
Piano, Voix et Guitare
462
Instruments en Do
261
Orgue
211
Accompagnement Piano
80
1 Piano, 4 mains
65
Piano Trio: piano, violon, violoncelle
38
2 Pianos, 4 mains
29
Piano Quatuor: piano, violon, alto, violoncelle
21
Accordéon
19
Piano grosses notes
14
Piano (partie séparée)
12
Piano Quatuor: piano, 2 violons, violoncelle
7
Orgue, Trompette (duo)
5
Orgue, Piano (duo)
4
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4
Clavecin
2
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188
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92
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37
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21
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20
Mandoline
17
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13
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11
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11
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9
Banjo
6
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5
Ensemble de guitares
4
3 Guitares (trio)
3
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2
Mandoline, Piano (duo)
2
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Chorale SATB
1194
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415
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345
Chorale TTBB
195
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163
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158
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144
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55
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47
Voix seule
11
Voix haute
10
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9
Voix Alto, Piano
8
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5
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4
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Voix Baryton, Piano
4
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3
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2
Voix Soprano
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1
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
Voix duo, Orgue
1
Chorale SATTBB A Cappella
1
Chorale
1
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VENTS
Quatuor de Saxophones: 4 saxophones
275
Flûte à bec Soprano
275
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
269
Flûte traversière et Piano
243
Harmonica
205
Clarinette et Piano
201
Flûte, Hautbois, Clarinette, Basson
199
2 Saxophones (duo)
198
Flûte à bec Alto
196
Hautbois, Piano (duo)
175
Saxophone Alto et Piano
170
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157
Flûte traversière
149
Clarinette
137
Saxophone (partie séparée)
134
Saxophone Tenor et Piano
118
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111
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104
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101
Saxophone Soprano et Piano
101
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95
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80
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78
Saxophone
71
Flûte, Clarinette (duo)
62
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59
Quatuor de Flûtes : 4 flûtes
57
Saxophone, Clarinette (duo)
57
Ensemble de Clarinettes
46
Clarinette, Violon (duo)
46
Flûte à bec Alto, Piano
37
2 Hautbois (duo)
37
Clarinette, Trompette (duo)
36
Flûte à Bec
36
3 Saxophones (trio)
36
Ensemble de Flûtes
35
Hautbois
35
Hautbois, Basson (duo)
33
Cor anglais, Piano
32
Ensemble de saxophones
30
Clarinette (partie séparée)
30
Hautbois, Clarinette (duo)
28
Quintette de Clarinettes: 5 clarinettes
27
3 Clarinettes (trio)
27
Clarinette Basse, Piano
26
Trio de Flûtes: 3 flûtes
26
Quintette de Flûte : 5 flûtes
24
Hautbois, Flûte
22
Flûte et Guitare
21
Flûte, Saxophone (duo)
21
Flûte, Violon
21
Flûte, Alto (duo)
21
Clarinette et Alto
20
Quatuor de Flûtes à bec
17
Flûte, Trompette (duo)
17
2 Flûte à bec (duo)
15
Flute (partie séparée)
14
Clarinette, Basson (duo)
11
Flûte, Hautbois (duo)
10
Flûte, Hautbois, Clarinette (trio)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Saxophone Soprano
9
Flûte, Violoncelle, Piano (trio)
9
5 Flûtes à bec
9
Clarinette, Violoncelle (duo)
9
Flûte, Clarinette et Basson
8
2 Clarinettes, Piano
7
Flûte, Violon, Piano
7
Hautbois, Violoncelle
7
Saxophone Baryton
6
Flûte, Violoncelle
6
Flûte, Basson et Piano
6
Clarinette, Violoncelle, Piano (trio)
5
Flûte, Hautbois, Basson
5
Flûte, Clarinette, Piano (trio)
5
Flûte à bec Tenor
5
Ocarina
5
Hautbois, Violoncelle et Piano
4
Clarinette, Guitare (duo)
4
Clarinette, Harpe (duo)
4
2 Flûtes traversières, Piano
4
Hautbois, Guitare (duo)
3
Clarinette, Basson, Piano (trio)
3
Flûte à bec Soprano, Piano
3
3 Flûtes à bec (trio)
3
Piccolo
3
Flute, harpe et violon
3
Flûte, Hautbois, Piano (trio)
3
Hautbois, Clarinette et Piano (Trio)
3
Hautbois, Harpe
3
Piccolo, Piano
3
Clarinette, Alto et Piano (trio)
3
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2
Saxophone et Guitare
2
Hautbois, Basson et Piano
2
2 Saxophones, Piano
2
Flûte, Violon, Violoncelle et Piano
2
Ensemble de Hautbois
2
Hautbois, Violon, Piano
2
Flûte, Alto et Piano
2
Cor Anglais
2
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1
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1
Hautbois et alto (duo)
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1
4 Hautbois
1
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1
Flûte, Violon et Violoncelle
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Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Clarinettes, Basson
1
2 Hautbois, Piano
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
327
Trompette
190
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163
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154
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145
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121
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87
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83
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75
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72
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60
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55
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51
Tuba
50
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46
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46
Quatuor de Cuivres
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44
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44
Ensemble de Trombones
34
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31
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29
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20
Tuba (partie séparée)
15
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11
Trio de Cuivres
11
Quatuor de cuivres: 4 trompettes
8
2 Tubas (duo)
8
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7
Trompette, Cor (duo)
6
Euphonium
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
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5
Cor, Violoncelle (duo)
4
3 Trompettes (trio)
4
4 Tubas
4
2 Euphoniums et 2 Tubas
4
Trompette, Violoncelle (duo)
4
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3
Ensemble de Cors
3
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Cor et Basson (duo)
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Trombone basse
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2
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Euphonium, Tuba (duo)
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2 Cors, Piano
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2
Cor Anglais
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3 Euphoniums
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Quatuor à cordes: 2 violons, alto, violoncelle
823
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307
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Violon
213
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Trio à Cordes: violon, alto, violoncelle
182
Violoncelle
180
Alto, Piano
171
Harpe
106
Alto seul
102
Trio à Cordes: 2 violons, violoncelle
100
2 Violons (duo)
97
Quintette à cordes: 2 violons, alto, violoncelle, basse
71
Violon, Alto (duo)
70
2 Violoncelles (duo)
63
Contre Basse
54
Contrebasse, Piano (duo)
45
2 Altos (duo)
38
Violon (partie séparée)
30
Alto (partie séparée)
29
Contrebasse (partie séparée)
21
2 Harpes (duo)
19
4 Violoncelles
17
Piano Trio: Violon, Alto, Piano
13
Alto, Violoncelle (duo)
13
Harpe, Flûte (duo)
11
Ensemble d'Altos
8
Trio à Cordes: 3 violoncelles
8
Quatuor à cordes: 4 violons
7
Ensemble de Violons
7
Harpe, Violon (duo)
7
Trio à Cordes: 2 violons, alto
7
Violon, Clarinette, Piano (trio)
6
Trio à cordes: 3 violins
6
Quatuor à cordes : 4 altos
5
Harpe, Voix
5
Violon, Guitare (duo)
4
Trio à cordes: 3 altos
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violon, Basson (duo)
4
2 Altos, Piano
3
2 Contrebasses (duo)
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Alto et Harpe
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Violoncelle (partie séparée)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe et mandoline
2
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2
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2
Violoncelle , Guitare (duo)
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Trio à cordes
1
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Orchestre d'harmonie
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Orchestre
355
Orchestre à Cordes
232
Ensemble de cuivres
212
Ensemble Jazz
174
Cloches
113
Orchestre de chambre
95
Fanfare
80
Jazz combo
52
Ensemble de Percussions
51
Percussion (partie séparée)
32
Batterie (partie séparée)
28
Batterie
20
Xylophone, Piano
14
Xylophone
14
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Marimba
8
Vibraphone
5
Orchestre, Violon
2
Piano et Orchestre
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3 Marimbas
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2 Marimbas
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2 Xylophones
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Conga
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Big band
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The Unquiet Grave from American Death Ballads (Downloadable)
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.14 €
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Ice! from Songs from the High Sierra
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High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwynet…
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High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
$7.25
6.51 €
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Voix haute
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Gwyneth W
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Ice! from Songs from the High Sierra
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
People Need The Lord
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.622110 By Steve Green. B…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.622110 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacred. 6 pages. Exultet Music #3587385. Published by Exultet Music (A0.622110). The tender Christian anthem made popular by Christian artist Steve Green, has now been freshly arranged for a Vocal High Solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year. .
$4.99
4.48 €
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Voix haute
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Steve Green
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Stephen DeCesare
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People Need The Lord
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Exultet Music
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SheetMusicPlus
The Christening Song
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.995914 Composed by Ruby …
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.995914 Composed by Ruby Mann Pool. Christian,Sacred. 3 pages. Pool Publishing Company #4745379. Published by Pool Publishing Company (A0.995914). This tender song can be performed as a song of blessing for a baby boy or girl. It can be performed at a christening or special baby dedication.
$2.00
1.8 €
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Ruby Mann Pool
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The Christening Song
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Pool Publishing Company
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SheetMusicPlus
The Lord bless you and keep you (solo/high)
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Composed by John Rutter (1945-). Sheet music. 4 pages. Oxford University Press Digit…
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Composed by John Rutter (1945-). Sheet music. 4 pages. Oxford University Press Digital #9780193550636. Published by Oxford University Press Digital
ISBN 9780193550636.<br> <br> A much-loved setting of the Aaronic Blessing (Numbers 6: 24), this simple but highly expressive work is at once tender and profound. It was composed for a memorial service for Edward T. Chapman, the Director of Music at Highgate School, where John Rutter was a pupil. It is arranged here for solo high voice and piano (which may be adapted for performance on the organ), originally published in Oxford Solo Songs: Sacred. Also available in versions for solo low. voice and piano, SATB and organ/strings, SAB and piano, and SA and piano/organ/strings.
$4.00
3.59 €
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John Rutter (1945-)
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The Lord bless you and keep you
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Oxford University Press Digital
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SheetMusicPlus
My Lord What A Morning
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.984951 Arranged by Brend…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.984951 Arranged by Brenda A. McGee. Christian,Concert,Gospel,Sacred,Spiritual. 7 pages. Brenda A. McGee #4804883. Published by Brenda A. McGee (A0.984951). My Lord What a Morning is a new piano arrangement of the African American spiritual for soprano and piano accompaniment. The audio recording is sung by Laura Bohn. This song is about the day when Jesus returns to earth at the Last Day. My Lord What a Morning is appropriate for all church services or at a recital. Brenda A. McGee is affiliated with BMI. Ms. McGee can be contacted at facebook.com/thepianoladybamcgee, www.brendaamcgee.com, or a bamcgee@brennieproductions.com.
$4.37
3.92 €
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Brenda A
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My Lord What A Morning
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Brenda A. McGee
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SheetMusicPlus
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuar…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
6.95 €
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Stuart Brown
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Idylls - five songs for solo high voice
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Stuart Brown Music
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SheetMusicPlus
Somewhere Only We Know
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.956050 By Keane. By Rich…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.956050 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Teresa OConnell (BMI). Film/TV. 7 pages. Teresa O'Connell (BMI) #6235521. Published by Teresa O'Connell (BMI) (A0.956050). Somewhere Only We Know is a beautiful ballad by the band, Keane. Arranged for voice (soprano or tenor) with early intermediate piano accompaniment, it is the perfect recital piece for singers. The singer's melody is built in to the piano accompaniment, which instilsl confidence in the singer. Lyrics are appropriate and easy to learn. Teachers, your students will love to sing this emotional, melodic, haunting piece. This is a great arrangement to encourage young pianists to play and sing at the same time! Highly recommended!
$4.99
4.48 €
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Keane
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Teresa OConnell (BMI)
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Somewhere Only We Know
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Teresa O'Connell
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SheetMusicPlus
This Nearly Was Mine from South Pacific
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790001 Composed by Richa…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790001 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. 15 pages. Diamond S Music #3533727. Published by Diamond S Music (A0.790001). THIS NEARLY WAS MINE from South Pacific. For SOLO VOICE (Tenor or Soprano) AND PIANO ACCOMPANIMENT (with optional Double Bass). KEY of Eb. This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949 Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$8.99
8.07 €
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Richard Rodgers
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W
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This Nearly Was Mine from South Pacific
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Diamond S Music
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SheetMusicPlus
Where ? ART SONG
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.993555 Composed by Anita…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.993555 Composed by Anita Gower ----- Lyricist Carol Lile Mitchell. 20th Century,Film/TV,Musical/Show,World. 5 pages. Arpeggio Press #4569629. Published by Arpeggio Press (A0.993555). VOCAL SOLO- med high/ Piano (Em). This is a song which, at first, reads like a a lonely story that has no recourse. But the questions are searching for meaning, with passion, to retrieve a lost relationship. Talented lyricist Carol Lile Mitchell gracefully places word imagery to the melody, for a convincing search to find. Piano renders a plaintive tone to vocal imperative. Appropriate for concert, recital, contest and musical.
$3.00
2.69 €
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Anita Gower ----- Lyricist Carol Lile Mitchell
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(Em). 
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Where ? ART SONG
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Arpeggio Press
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SheetMusicPlus
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