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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
tempo.
Non classifié
1 898
Piano & claviers
Piano seul
1 691
Orgue
376
Piano Facile
352
Piano, Voix et Guitare
300
Piano, Voix
237
Instruments en Do
75
Piano (partie séparée)
71
1 Piano, 4 mains
35
Accompagnement Piano
35
2 Pianos, 4 mains
16
Piano Trio: piano, violon, violoncelle
13
Accordéon
10
Clavier
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Clavecin
2
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano grosses notes
1
+ 14 instrumentations
Retracter
Guitares
Guitare
395
Ukulele
339
Mandoline
268
Guitare (partie séparée)
134
Guitare notes et tablatures
134
Ligne De Mélodie, (Paroles) et Accords
29
Basse electrique
19
Piano, Guitare (duo)
11
Banjo
9
2 Guitares (duo)
7
3 Guitares (trio)
4
4 Guitares (Quatuor)
3
Ensemble de guitares
3
Paroles et Accords
3
Dulcimer
2
Guitare, Violon, Violoncelle (trio)
1
Mandoline, Guitare (duo)
1
2 Ukuleles
1
2 Dulcimers (duo)
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
475
Chorale TTBB
184
Chorale 3 parties
141
Chorale SSAA
100
Chorale 2 parties
76
Chorale Unison
42
Voix duo, Piano
22
Voix seule
8
Voix Soprano, Piano
8
Voix Alto, Piano
7
Voix duo
6
Voix Baryton, Piano
5
Voix haute
4
Voix Tenor
3
Chorale SSAATTBB
1
Chorale SATTB
1
Voix Tenor, Piano
1
Chorale
1
+ 13 instrumentations
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Vents
Saxophone (partie séparée)
360
Ocarina
265
Flûte à bec Soprano
255
Harmonica
192
Quatuor de Saxophones: 4 saxophones
188
Flûte à bec Alto
184
2 Saxophones (duo)
171
Flûte, Hautbois, Clarinette, Basson
126
Flûte traversière et Piano
114
Clarinette
109
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
96
2 Clarinettes (duo)
91
Saxophone Alto et Piano
89
Clarinette et Piano
83
Saxophone, Clarinette (duo)
78
2 Flûtes traversières (duo)
76
Quatuor de Clarinettes: 4 clarinettes
73
Hautbois, Piano (duo)
70
Flûte traversière
66
Clarinette, Violon (duo)
58
Saxophone Tenor et Piano
55
Clarinette, Trompette (duo)
48
Flute (partie séparée)
47
Saxophone Soprano et Piano
39
Quatuor de Flûtes : 4 flûtes
38
3 Saxophones (trio)
34
Flûte, Clarinette (duo)
34
2 Hautbois (duo)
34
Clarinette (partie séparée)
33
Flûte, Violon
32
Saxophone Alto
32
Flûte à bec Alto, Piano
31
Hautbois, Clarinette (duo)
29
Clarinette et Alto
28
Quintette de Saxophone: 5 saxophones
28
Hautbois, Flûte
27
Flûte, Saxophone (duo)
27
3 Clarinettes (trio)
27
Hautbois, Basson (duo)
26
Trio de Flûtes: 3 flûtes
25
Flûte, Alto (duo)
22
Ensemble de saxophones
21
Ensemble de Clarinettes
20
Flûte, Trompette (duo)
20
Ensemble de Flûtes
20
Saxophone Tenor
19
Clarinette Basse, Piano
16
Hautbois (partie séparée)
16
Cor anglais, Piano
16
Saxophone Baryton, Piano
13
Quintette de Clarinettes: 5 clarinettes
12
Flûte, Clarinette, Piano (trio)
9
Flûte, Violoncelle
8
Flûte et Guitare
7
Flûte, Clarinette et Basson
7
Flûte, Violoncelle, Piano (trio)
6
Flûte, Violon, Piano
6
2 Flûtes traversières, Piano
6
Hautbois
5
3 Flûtes à bec (trio)
5
Flûte, Violon et Violoncelle
5
Flûte à Bec
5
Flûte, Hautbois, Basson
4
2 Clarinettes, Piano
4
Quintette de Flûte : 5 flûtes
4
Flûte, Hautbois, Piano (trio)
4
Flûte, trombone et piano
3
Clarinette, Basson (duo)
3
Hautbois, violon (duo)
3
Flûte, Hautbois (duo)
3
Clarinette Basse
3
Cor Anglais
3
Piccolo
2
Piccolo, Piano
2
Flûte, Alto et Piano
2
Flûte à bec Soprano, Piano
2
Clarinette, Guitare (duo)
2
Hautbois, Guitare (duo)
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, trompette et piano
2
Clarinette, Violoncelle, Piano (trio)
2
Quatuor de Flûtes à bec
2
Saxophone et Harpe
1
Cor anglais, Guitare (duo)
1
3 Hautbois
1
Flûte traversière, Orchestre
1
Clarinette, Saxophone, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
2 Hautbois, 2 Cors et 2 Bassons
1
2 Clarinettes, Basson
1
Ensemble à vent
1
Clarinette, Harpe (duo)
1
Flûte à Bec, Piano
1
Saxophone Soprano
1
Flûte traversière, Orgue (duo)
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 92 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
294
Trompette (partie séparée)
233
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
157
Quatuor de Cuivres : 2 trompettes, trombone, tuba
93
Trompette, Piano
68
Trompette, Saxophone (duo)
56
Cor (partie séparée)
54
Trombone et Piano
53
Tuba (partie séparée)
49
Trompette
44
2 Trombones (duo)
37
Cor et Piano
36
Quatuor de Cuivres
35
2 Trompettes (duo)
35
Trompette, Trombone (duo)
29
Tuba et Piano
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
Trombone
22
Euphonium, Piano (duo)
17
Cor anglais, Piano
16
Cor
14
Tuba
9
Quatuor de cuivres: 4 trombones
8
Ensemble de Trombones
7
Trompette, Violoncelle et Piano
6
2 Cors (duo)
6
Trio de Cuivres
5
Quatuor de cuivres: 4 cors
5
3 Trombones (trio)
5
2 Tubas (duo)
4
2 Euphoniums et 2 Tubas
4
Quatuor de cuivres: 4 trompettes
3
Cor Anglais
3
Euphonium
3
Trombone basse
2
Cor et Harpe
2
Cor anglais, Guitare (duo)
1
3 Cors (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Orgue
1
Ensemble de Cors
1
Trompette, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Euphoniums (duo)
1
Euphonium, Tuba (duo)
1
Cor et Orgue
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
365
Violon et Piano
210
Violon
129
Contrebasse (partie séparée)
79
Violoncelle, Piano
71
Alto, Piano
69
2 Violoncelles (duo)
56
2 Violons (duo)
53
Violon, Violoncelle (duo)
52
Violoncelle
49
Harpe
41
Violon, Alto (duo)
38
2 Altos (duo)
37
Trio à Cordes: violon, alto, violoncelle
28
Alto seul
27
Violon (partie séparée)
22
Trio à Cordes: 2 violons, violoncelle
20
Contrebasse, Piano (duo)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Contre Basse
11
Alto (partie séparée)
8
Violoncelle (partie séparée)
6
Violoncelle, Contrebasse (duo)
6
2 Harpes (duo)
6
4 Violoncelles
5
Alto, Violoncelle (duo)
4
Quatuor à cordes: 4 violons
4
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 violins
3
Violon, Basson (duo)
3
Harpe et mandoline
3
Violoncelle , Guitare (duo)
3
Violon, Guitare (duo)
3
Harpe, Violoncelle (duo)
2
Violon, Trompette et Piano
2
2 Contrebasses (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Orgue
1
Alto, Orgue
1
Trio à Cordes: 2 violons, alto
1
Harpe et Piano
1
Alto et Harpe
1
Harpe, Violon (duo)
1
Harpe, Flûte (duo)
1
Violoncelle, Orchestre
1
Violon, Clarinette, Piano (trio)
1
Autoharp
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Trombone (duo)
1
Ensemble d'Altos
1
Violoncelle, Orgue
1
Ensemble de Violoncelles
1
Trio à cordes: 3 altos
1
Ensemble de Violons
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
501
Ensemble Jazz
398
Orchestre à Cordes
168
Cloches
152
Orchestre
111
Ensemble de cuivres
98
Batterie (partie séparée)
66
Jazz combo
65
Ensemble de Percussions
57
Orchestre de chambre
33
Fanfare
25
Batterie
21
Percussion (partie séparée)
6
Vibraphone
6
Marimba
5
Xylophone
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Percussion
2
Xylophone, Piano
2
Marimba, Piano (duo)
1
Piano et Orchestre
1
Big band
1
2 Xylophones
1
Timbales (partie séparée)
1
Quintette à Vent
1
Caisse Claire
1
Orchestre, Violon
1
+ 22 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
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BOUZOUKI
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CLAIRON
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Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
The Lamb (William Blake) — high voice (soprano / tenor), keyboard accompaniment
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Voix haute
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FACILE
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the stream and o'er the mead;<
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Todd Marchand
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The Lamb
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Con Spirito Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. P...
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High Voice,Vocal Solo - Level 2 - SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. Published by Con Spirito Music (A0.1141419). William Blake (1757-1827), a seminal figure in the history of the poetry and visual art of the Romantic Age, published the lyric poem The Lamb in his collection, Songs of Innocence, in 1789.The Lamb is presented as from the viewpoint of, and in the voice of, a child. In the first stanza, the child asks the lamb if it knows its Creator; in the second, it tells the creature, by means of metaphor, that its Creator is the Lord Jesus Christ, who like the lamb took on the flesh of a created being, “little,†“meek,†and “mild.†The child declares that he/she shares with the creature the name of the One who is, in Christian belief, both the sacrificial Lamb and the Shepherd of his flock. Finally, the child pronounces a benediction: “Little lamb, God bless thee!â€This new setting of The Lamb for voice and keyboard accompaniment is intended to evoke the simplicity of the text, and therefore should be performed simply yet expressively, with subtle rubato (flexibility in tempo) to give emphasis to the text.Little lamb, who made thee? / Dost thou know who made thee,Gave thee life, and bid thee feed / By the stream and o'er the mead;Gave thee clothing of delight, / Softest clothing, woolly, bright;Gave thee such a tender voice, / Making all the vales rejoice?Little lamb, who made thee? / Dost thou know who made thee?Little lamb, I'll tell thee; / Little lamb, I'll tell thee:He is called by thy name, / For He calls Himself a Lamb.He is meek, and He is mild, / He became a little child.I a child, and thou a lamb, / We are called by His name.Little lamb, God bless thee! / Little lamb, God bless thee!Soprano range C4-G5; Tenor range C3-G4©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$4.99
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Deep Purple (High Voice)
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Voix haute
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Jazz
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Nino Tempo & April Stevens
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Deep Purple
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - SKU: HX.470308 By Nino Tempo & April Stevens. Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digit...
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(High Voice) - SKU: HX.470308 By Nino Tempo & April Stevens. Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470308).
$1.99
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