Partitions Numériques de Fast pour Contrebasse, Piano (duo)

Fast

Czardas (Vittorio Monti) for Contrabass and Piano #Contrebasse, Piano (duo) #INTERMÉDIAIRE/AVANCÉ #Vittorio Monti #Harry Walker #Czardas #SCORE EDITIONS #SheetMusicPlus

Double Bass,Piano,String Bass - Level 4 - SKU: A0.1455592 Composed by Vittorio Monti. Arranged by Harry Walker. 20th Century,Contest,Festival,Multicultu...(+)

Double Bass,Piano,String Bass - Level 4 - SKU: A0.1455592 Composed by Vittorio Monti. Arranged by Harry Walker. 20th Century,Contest,Festival,Multicultural,World. Score and part. 17 pages. SCORE EDITIONS #1034686. Published by SCORE EDITIONS (A0.1455592). Vittorio Monti's Csárdás is a vibrant celebration of Hungarian musical tradition. Composed in 1904, the piece is based on the traditional csárdás dance, distinguished by its variations in tempo and intensity. From its slow, expressive introduction to its fast, dynamic conclusion, the work offers an exhilarating musical journey that displays both technical prowess and emotional depth. Monti succeeded in capturing the essence of a culture and transporting it to global audiences, making Csárdás an enduring and beloved piece in the classical repertoire. In this version, the composition was arranged for Contrabass and Piano by Harry Walker.

Two Pieces for Double Bass #Contrebasse, Piano (duo) #INTERMÉDIAIRE/AVANCÉ #Juliette Marie Olga #Graham Boag #Two Pieces for Double Bass #Graham Boag #SheetMusicPlus

Double Bass,Piano,String Bass - Level 4 - SKU: A0.1382790 Composed by Juliette Marie Olga (Lili) Boulanger. Arranged by Graham Boag. 20th Century,Chambe...(+)

Double Bass,Piano,String Bass - Level 4 - SKU: A0.1382790 Composed by Juliette Marie Olga (Lili) Boulanger. Arranged by Graham Boag. 20th Century,Chamber,Classical. Score and part. 15 pages. Graham Boag #967218. Published by Graham Boag (A0.1382790). Originally composed for Violin and Piano I have transcribed and arranged these for Double Bass in Orchestral tuning aiming them towards the advanced intermediate/advanced student. Lili Boulanger was the sister of the famous teacher Nadia Boulanger who taught Aaron Copland, Elliott Carter and Philip Glass amongst others. She was a composer for the last 10 years of her tragically short life â€“ she died at 25. Her music was highly influenced by Faure and Debussy. The Nocturne begins sparsely, with bare octave figures wound about with a theme built from a repetitive rise-and-fall figure. As the texture becomes thicker the violin becomes more virtuosic and begins to climb. There is no harmonic resolution until the final ppp note in the top register, which is answered by a low octave from the piano. The Cortege is more lively without being fast. Shifting rhythmic accents, tricky runs and contrasting dynamics make this an exciting piece.