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This comprehensive volume contains well-known original works and transcriptions from the Baroque, Classical and Romantic periods by Bottesini, Capuzzi, Dragonetti, Eccles, Faure, Koussevitzky, Lulier, Saint-Saens, Simandl, Sperger and others. The repertoire is suitable for lessons, auditions, examinations and competitions. All pieces are printed in standard orchestral tuning; in addition, piano accompaniments for playing in solo tuning are available for download. Thus, the volume can be used flexibly in lessons at the upper classes of music schools as well as in studies.

Dieser umfangreiche Band enthalt bekannte Originalwerke und Transkriptionen aus Barock, Klassik und Romantik von Bottesini, Capuzzi, Dragonetti, Eccles, Faure, Koussevitzky, Lulier, Saint-Saens, Simandl, Sperger und anderen. Alle Stucke werden in der normalen Orchesterstimmung abgedruckt, zusatzlich sind Klavierbegleitungen fur das Spiel in Solostimmung zum Download erhaltlich.

The "Easy Concert Pieces" series offers a wide spectrum of pieces from the Renaissance, Baroque, Classical, Romantic and Modern eras. The repertoire enriches the daily exercises and double bass tutor and is suited for all kinds of auditions. It contains original works for double bass solo as well as orchestral excerpts and arrangements of famous classical masterpieces.
Volume 1 (easy) contains pieces in half and first position, with easy rhythms and melodies. It includes easy strokes and articulations such as portato, staccato and legato. Some pieces contain easy Flageolets. This volume offers a broad selection of classical masterpieces in easy arrangements.
Volume 2 (easy to intermediate) contains pieces up to the 3rd position. As some new double bass tutors have a different approach in introducing position changes, volume 2 offers several pieces which reach the 2nd position, some pieces using only 1st and 3rd positions and some more difficult pieces which encompass all positions from half to third position. This volume consists of more original works.
Volume 3 (intermediate) increases the repertoire up to the 6th position and requires a good control of the lower positions. It makes higher demands on expressive playing and interpretation, velocity and rhythm, as well as bowing techniques with articulation and phrasing.