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ACCORDEON
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AUTOHARPE
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HARPE
HAUTBOIS
LIVRES
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Orgue
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1 Piano, 4 mains
17
2 Pianos, 4 mains
11
Piano Trio: piano, violon, violoncelle
10
Accompagnement Piano
7
Piano Quatuor: piano, violon, alto, violoncelle
6
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4
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3
Orgue, Piano (duo)
2
1 Piano, 6 mains
1
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1
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1
Accordéon
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GUITARES
Guitare
64
Guitare notes et tablatures
42
Basse electrique
26
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11
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9
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8
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8
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6
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4
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3
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2
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1
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1
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VOIX
Chorale SATB
204
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57
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49
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31
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26
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22
Voix duo, Piano
21
Voix Soprano, Piano
17
Voix seule
14
Voix Tenor, Piano
8
Voix Alto, Piano
7
Voix duo
5
Voix Baryton, Piano
4
Voix basse, Piano
2
Voix haute
2
Voix Mezzo-Soprano, Piano
2
Voix moyenne, Piano
1
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1
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VENTS
Saxophone
82
Clarinette
67
2 Saxophones (duo)
57
Quatuor de Saxophones: 4 saxophones
50
Flûte traversière
48
Saxophone (partie séparée)
47
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
43
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34
Flûte, Hautbois, Clarinette, Basson
33
2 Clarinettes (duo)
32
Flûte traversière et Piano
25
2 Flûtes traversières (duo)
24
Saxophone, Clarinette (duo)
24
Saxophone Alto et Piano
24
Clarinette et Piano
23
Hautbois, Piano (duo)
23
Saxophone Alto
20
Clarinette, Violon (duo)
18
Hautbois (partie séparée)
17
Saxophone Tenor et Piano
16
Ensemble de Clarinettes
16
2 Hautbois (duo)
16
Clarinette, Trompette (duo)
15
Saxophone Soprano et Piano
14
Flûte, Clarinette (duo)
14
Hautbois, Clarinette (duo)
12
Ensemble de saxophones
12
Quatuor de Flûtes : 4 flûtes
12
Quatuor de Clarinettes: 4 clarinettes
11
Hautbois, Basson (duo)
11
Ensemble de Flûtes
11
Saxophone Baryton, Piano
11
Harmonica
10
Hautbois, Flûte
10
Flûte, Saxophone (duo)
9
Clarinette et Alto
9
Flûte, Violon
8
Cor Anglais
8
Flûte, Trompette (duo)
8
Cor anglais, Piano
8
Flûte, Alto (duo)
8
Quintette de Flûte : 5 flûtes
6
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6
Flûte à bec Soprano
6
2 Flûtes traversières, Piano
6
3 Saxophones (trio)
5
Flûte, Hautbois (duo)
5
Flûte et Guitare
4
Clarinette, Guitare (duo)
4
Flute (partie séparée)
4
Flûte à bec Soprano, Piano
4
Clarinette Basse, Piano
4
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3
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3
Hautbois
3
Trio de Flûtes: 3 flûtes
3
3 Clarinettes (trio)
2
Clarinette, Violoncelle, Piano (trio)
2
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2
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2
Hautbois, Guitare (duo)
2
Clarinette, Basson (duo)
2
5 Flûtes à bec
2
3 Flûtes à bec (trio)
1
3 Hautbois
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Alto
1
Ensemble à vent
1
Flûte, Violoncelle, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Flûte, Clarinette et Basson
1
Flûte, Violon et Violoncelle
1
Flûte traversière, Orgue (duo)
1
Flûte irlandaise
1
Flûte, Violon, Piano
1
Saxophone Tenor
1
Ensemble de Hautbois
1
Flûte, Clarinette, Piano (trio)
1
Cor anglais, Guitare (duo)
1
Flûte, Hautbois, Basson
1
Flûte à Bec
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
80
Trompette
49
Quatuor de Cuivres : 2 trompettes, trombone, tuba
47
Trombone
45
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25
Trombone et Piano
23
Quatuor de Cuivres
19
Tuba
18
Trombone (partie séparée)
18
Trompette, Saxophone (duo)
18
2 Trombones (duo)
17
Trompette (partie séparée)
17
Cor
15
2 Trompettes (duo)
15
Trompette, Trombone (duo)
12
Cor et Piano
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Tuba et Piano
9
Cor Anglais
8
Cor anglais, Piano
8
2 Cors (duo)
7
Cor (partie séparée)
6
Ensemble de Trombones
5
2 Tubas (duo)
5
Tuba (partie séparée)
5
Euphonium, Piano (duo)
4
Trompette, Basson (duo)
4
Euphonium
4
3 Trombones (trio)
3
Trompette, Violoncelle (duo)
3
Ensemble de Trompettes
3
Trompette, Cor (duo)
2
Trompette, Tuba (duo)
2
Trombone, Tuba (duo)
2
Ensemble de Cors
2
3 Euphoniums
1
Quatuor de cuivres: 4 cors
1
Trompette, Euphonium (duo)
1
Cor anglais et Harpe (duo)
1
2 Cors, Piano
1
4 Tubas
1
Cor anglais, Guitare (duo)
1
Trombone basse
1
Tuba et Orgue
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
116
Violon
54
Violon, Violoncelle (duo)
47
Violon et Piano
42
Harpe
42
Alto, Piano
30
Violoncelle (partie séparée)
28
Trio à Cordes: 2 violons, violoncelle
25
Violoncelle, Piano
24
2 Violoncelles (duo)
22
Violon, Alto (duo)
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
2 Violons (duo)
19
Contre Basse
17
2 Altos (duo)
16
Alto seul
14
Trio à Cordes: violon, alto, violoncelle
13
Violoncelle
9
Alto (partie séparée)
7
Alto, Violoncelle (duo)
7
Violon (partie séparée)
6
Contrebasse (partie séparée)
5
2 Harpes (duo)
4
Contrebasse, Piano (duo)
4
Harpe, Flûte (duo)
4
2 Contrebasses (duo)
4
Piano Trio: Violon, Alto, Piano
2
4 Violoncelles
2
Ensemble d'Altos
2
Ensemble de Violons
2
Trio à Cordes: 3 violoncelles
2
Violon, Basson (duo)
1
Alto et Basson
1
4 Contrebasses
1
Harpe, Voix
1
Alto et Harpe
1
Violoncelle , Guitare (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
148
Orchestre
58
Orchestre à Cordes
54
Ensemble Jazz
38
Batterie
33
Ensemble de cuivres
31
Orchestre de chambre
18
Cloches
16
Jazz combo
12
Fanfare
9
Marimba
7
Batterie (partie séparée)
4
Percussion (partie séparée)
3
Xylophone
2
Ensemble de Percussions
2
Xylophone, Piano
2
Caisse Claire
2
Percussion
1
Vibraphone
1
Timbales
1
Piano et Orchestre
1
2 Marimbas
1
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AUTRES
Vous avez sélectionné:
The Right Time
Harpe, Flûte (duo)
Partitions à imprimer
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The Naiad for flute and harp
Harpe, Flûte (duo)
Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1174114 By Schwar…
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Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1174114 By Schwarz Matthew H. By Matthew H Schwarz. Arranged by Matthew H Schwarz. Chamber,Classical,Contemporary. 12 pages. Matthew H Schwarz #774278. Published by Matthew H Schwarz (A0.1174114). A four-minute haunting duet for flute and harp. Generally modal/melodic accessible music. There are some more advanced rhtyhms and high passages in the flute, and Bach-like runs in the harp that will require practice for intermediate musicians.  The flute goes from low C to the B an octave above the treble cleff (but, only one 3-measure passage goes above the D above the treble cleff).The harp part can be played on a pedal harp or, with a little effort, on a lever harp. It starts in two flats, there's a middle section with F#s (with time to switch levers - the sheet music indicates some bass notes that can be skipped to flip levers), and the end adds Ab (which will require two levers flipped by reaching over with the right hand - unusual, but not too awkward with practice). The lowest note in the harp is the G below the bass cleff (however, all notes below the bass cleff are octave doublings and could be ignored on a smaller harp), and the highest is the D above the treble cleff.
$5.00
4.56 €
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Harpe, Flûte (duo)
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Schwarz Matthew H
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Matthew H Schwarz
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The Naiad for flute and harp
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Matthew H Schwarz
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SheetMusicPlus
Coventry Carol
Harpe, Flûte (duo)
Instrumental Duet Flute,Harp,Instrumental Duet - Level 4 - Digital Download SKU: A0.797…
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Instrumental Duet Flute,Harp,Instrumental Duet - Level 4 - Digital Download SKU: A0.797502 Arranged by Danielle Harmon. Celtic,Christian,Christmas. Score and parts. 5 pages. Afghan Press Music for the Harp #4887033. Published by Afghan Press Music for the Harp (A0.797502). Mysterious and ethereal, this treatment of a traditional medley used at Christmas time is very unusual. It is meditational in nature, and the melody is sort of hidden. It is a really cool arrangement and takes good musicians to perform, as the flute part is détaché and should be delicate yet at the same time emphatic. The harp part is full of rich low sustained chords that ring while playing harmonics, sometimes double, in the right hand.
$5.00
4.56 €
#
Harpe, Flûte (duo)
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Danielle Harmon
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Coventry Carol
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Afghan Press Music for the Harp
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SheetMusicPlus
Pachelbel: Canon in D for Bass Flute & Harp
Harpe, Flûte (duo)
Instrumental Duet Bass Flute,Harp,Instrumental Duet - Digital Download SKU: A0.1098499
(+)
Instrumental Duet Bass Flute,Harp,Instrumental Duet - Digital Download SKU: A0.1098499 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702355. Published by jmsgu3 (A0.1098499). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Bass Flute & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95
30.05 €
#
Harpe, Flûte (duo)
#
Johann Pachelbel
#
James M
#
Pachelbel: Canon in D for Bass Flute & Harp
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jmsgu3
#
SheetMusicPlus
Pachelbel: Canon in D for Alto Flute & Harp
Harpe, Flûte (duo)
Instrumental Duet Alto Flute,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A…
(+)
Instrumental Duet Alto Flute,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1098488 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702344. Published by jmsgu3 (A0.1098488). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Alto Flute & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$34.95
31.87 €
#
Harpe, Flûte (duo)
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Johann Pachelbel
#
James M
#
Pachelbel: Canon in D for Alto Flute & Harp
#
jmsgu3
#
SheetMusicPlus
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