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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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COR Modern classical
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Chorale SATB
Partitions à imprimer
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Ave Verum Corpus
Chorale SATB
Piano Accompaniment, Organ, Choir, SATB - Intermediate - Digital Download Composed by…
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Piano Accompaniment, Organ, Choir, SATB - Intermediate - Digital Download Composed by Robin Stopford. 21st Century, Contemporary Classical, Modern, Christian, Sacred. Score. 4 pages. Published by rcstopford
A lyrical setting of the Latin text for SATB Choir with optional organ/piano accompaniment.<br> Very approachable in style, with interesting touches of harmonic interest.<br> Soprano 1 part could be replaced by solo soprano.
$1.99
1.8 €
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Chorale SATB
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Robin Stopford
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Ave Verum Corpus
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rcstopford
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SheetMusicPlus
Three Latin Elegies to Lesbia
Chorale SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99
4.5 €
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Chorale SATB
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
ATON part 2-Kinder kinder! - choir, strings, piano, timpani
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576180 Composed by David W…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576180 Composed by David Warin Solomons. Contemporary,Opera,World. Octavo. 21 pages. David Warin Solomons #4555. Published by David Warin Solomons (A0.576180). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
4.51 €
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Chorale SATB
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David Warin Solomons
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ATON part 2-Kinder kinder! - choir, strings, piano, timpani
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David Warin Solomons
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SheetMusicPlus
Total Eclipse - SATB choir and piano
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1373417 Comp…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1373417 Composed by Phil Beaman. Classical,Contemporary,Contest,Festival,Pop,Romantic Period. 10 pages. Phil Beaman #957783. Published by Phil Beaman (A0.1373417). I originally wrote Total Eclipse as an expressive Art Song for solo voice and piano. Â I used several lines of poetry from Newburgh Hamilton (1741) and set them to unique music that is a fusion of Classical, Romantic, and Modern, with a touch of Pop. Â The music expressively drifts from major to minor to modal every few measures, inspired by the themes of darkness and light. Â When I adapted it for SATB I filled out the already rich harmony and added ethereal 'oo's under some of the melody. Â In a few brief measures, at different places, SAB each will have a divisi line where it splits to 2 parts. Â (The texture is never thicker than 5 parts at once.) Â This approachable piece of music is a good introduction for singers to the interpretation of an Art Song and is a dramatic performance piece for concert. Â And perfect for the upcoming April 8 total eclipse!(Haydn also used variations of this text to create several Recitatives and an Aria for his oratorio Samson.) Â 10 pages, 2:00 minutesVocal Ranges: Â all 1 octave; Sop - middle C to C; Alto - low G to G; Tenor - D to C; Bass - G to Gattached recording is of the original solo voice version which SATB is closely based on. Â Be the first choir to record this and send me a link which I will post. Â plbeaman@gmail.comalso available on this site as a vocal solo in several keys, and as a Unison Choral hymn
$3.50
3.16 €
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Chorale SATB
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Phil Beaman
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Sop - middle C to C
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Total Eclipse - SATB choir and piano
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Phil Beaman
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SheetMusicPlus
R. Nathaniel Dett - Listen to the Lambs for solo soprano and 8-part chours
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.914176 Composed by R. Nath…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.914176 Composed by R. Nathaniel Dett, Robert Nathaniel Dett. Arranged by Music for a While. 20th Century,Christian,Romantic Period,Sacred,Spiritual. Octavo. 11 pages. Music for a While #6416607. Published by Music for a While (A0.914176). Robert Nathaniel Dett (1882-1943) was born in Canada before moving to the Unites States at the age of 11. He began studying piano at an early age and went on to be the first black American to graduate from Oberlin Conservatory of Music. Throughout his career he worked as a composer, organist, pianist, choral director and music professor; he received many awards for his music and writing and spent a period at the Fontainebleau School of Music south of Paris where he studied with Nadia Boulanger. Dett became well known for incorporating tunes and and elements of African American folk songs and spirituals into classical music.Listen to the Lambs is scored for mixed unaccompanied chorus with solo soprano part and was originally published by G. Schirmer in 1914. It became one of his most famous choral works and was featured in The Oxford Book of Spirituals and Choral Music: A Norton Historical Anthology. There are modern recordings of the anthem performed by chamber choirs but Dett himself conducted a 900-voice performance of the work at Hampton University, Virginia where he was the director of the music department between 1928 and 1932.
$1.99
1.8 €
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Chorale SATB
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R
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Music for a While
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R. Nathaniel Dett - Listen to the Lambs for solo soprano and 8-part chours
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Music for a While
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SheetMusicPlus
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Chorale SATB
Choir, SATB, SATB a cappella - Intermediate - Digital Download Composed by Rich Campb…
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Choir, SATB, SATB a cappella - Intermediate - Digital Download Composed by Rich Campbell. 21st Century, Contemporary Classical, Modern, Post- Modern, Minimalism. Octavo, Score. 16 pages. Published by Pay The Band Music
$2.75
2.48 €
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Chorale SATB
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Rich Campbell
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Pay The Band Music
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SheetMusicPlus
Chor-Express
Chorale SATB
Mixed choir (SATB) a cappella - intermediate - Digital Download SKU: S9.Q19263 C…
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Mixed choir (SATB) a cappella - intermediate - Digital Download SKU: S9.Q19263 Classics newly arranged. Arranged by Manfred Sievritts. This edition: choral score. Chor-Express. Downloadable, Choral score. Op. Heft 8. Schott Music - Digital #Q19263. Published by Schott Music - Digital (S9.Q19263). Famous catchy tunes of classical instrumental music have been rearranged for four-part mixed choir in the pop, swing, rock and Latin styles. This express transfer from the 'serious' world of the original versions into the 'more modern' genres makes us smile - not least due to the not-so-serious texts. Bach, Mozart, Vivaldi, Haydn, even Beethoven: Would they have smiled too? You bet!
$11.99
10.82 €
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Chorale SATB
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Manfred Sievritts
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Chor-Express
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Schott Music - Digital
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SheetMusicPlus
Missa humilis, op. 22
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1207767 Composed by Adrian…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1207767 Composed by Adrian Gagiu. A Cappella,Christian,Classical. Octavo. 31 pages. Adrian Gagiu #805880. Published by Adrian Gagiu (A0.1207767). Missa humilis (= Humble Mass) in D, a mass for choir a cappella based on the Catholic liturgical text and with all its themes based on Orthodox chants: no fanatic dogmatism, nor leveling ecumenism, but aiming simply at unity in spirit, love and truth. Suitable for use in church services, due to its modest length, forces, and contemplative character. Its style is accessible, based on church modes and mostly consonances and some non-functional chords, yet not ostensibly modernist and almost neo-impressionistic. The movements: Kyrie, Gloria, Credo, Sanctus, Benedictus, Agnus Dei, and Dona nobis pacem. The present publication includes the choral score and an organ part for rehearsal use only. Total length: ca. 20 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the first movement, Kyrie.
$19.00
17.14 €
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Chorale SATB
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Adrian Gagiu
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Missa humilis, op. 22
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Adrian Gagiu
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SheetMusicPlus
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