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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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CORNET
DEEJAY
DIDGERIDOO
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FLUTE TRAVERSI…
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LIVRES
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MANDOLINE
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84 pages.
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21
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4
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1
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9
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3
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Vents
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4
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2
2 Saxophones (duo)
2
2 Clarinettes (duo)
2
Clarinette
1
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1
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1
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1
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1
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5
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1
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1
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1
Cor, Tuba (duo)
1
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4
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2
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2
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2
Alto, Violoncelle (duo)
1
Violon, Alto (duo)
1
Ensemble de Contre basses
1
Trio à Cordes: 2 violons, violoncelle
1
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1
Trio à Cordes: 2 violons, alto
1
4 Violoncelles
1
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18
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18
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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EUPHONIUM
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1
Blessed Are They Who Dwell (Ps. 84) [Octavo - Complete Package]
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1362773 By Cher & G…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1362773 By Cher & Gene Klosner. By Gene Klosner. Arranged by Cher & Gene Klosner. Christian,Christmas,Contemporary,Religious,Sacred. 12 pages. Cher & Gene Klosner #947153. Published by Cher & Gene Klosner (A0.1362773). Responsorial Psalm. USCCB-approved for Catholic and liturgical use. Verbatim Text on refrain and verses.Contemporary setting of Ps. 84, with Psalm Tone verses.Use for:Feast of the Holy Family of Jesus, Mary and Joseph - Optional C (xmhfoptC)Ritual Masses: For the Conferral of Holy OrdersVarious Needs: For the Holy Church: For PriestsVarious Needs: For the Holy Church: For Vocations to Holy Orders or Religious LifeUse with Psalm Tone 4 or 5 in FOfficial Liturgical text: “Blessed are they who dwell in your house, O Lord.Sheet music available in Octavo complete package and in Soloist/Small Group formats.www.facebook.com/ltfmusicwww.LTFMusic.comwww.youtube.com/LighttheFireMusicKlosner.
$1.99
1.83 €
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Chorale SATB
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Cher & Gene Klosner
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Cher & Gene Klosner
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Blessed Are They Who Dwell
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Cher & Gene Klosner
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SheetMusicPlus
VIVANCO 400th - Ten Motets
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1073961 Composed by Sebast…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1073961 Composed by Sebastian de Vivanco. Arranged by Cesar Alejandro Carrillo, editor. A Cappella,Renaissance,Sacred. Octavo. 84 pages. Cesar Alejandro Carrillo #678152. Published by Cesar Alejandro Carrillo (A0.1073961). As part of the commemoration of the four hundredth anniversary of the death of one of the greatest Spanish polyphonists of all time, Sebastian de Vivanco (c.1551-1622), we offer this collection of ten motets for mixed choir in an edition designed for practical use. All the motets come entirely from the Antologia Polifonica Sacra, published by Samuel Rubio in the mid-1950s (You can see the content by visiting the following YouTube Playlist: https://www.youtube.com/playlist?list=PLBw7F0B2vt5_hUy7FR2qqyXFkBA5AUojC).
$15.00
13.8 €
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Chorale SATB
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Sebastian de Vivanco
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VIVANCO 400th - Ten Motets
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Cesar Alejandro Carrillo
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SheetMusicPlus
ON HUMAN RIGHTS (2) for SATB choir, strings and one percussionist
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.887085 Composed by …
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.887085 Composed by Marilena Zlatanou. Contemporary. 84 pages. Marilena Zlatanou #3895449. Published by Marilena Zlatanou (A0.887085). This is an extended version of the composition ON HUMAN RIGHTS for SATB choir and piano (1), and consequently marked as (2). The extension is limited to the instrumental parts, the texts used are famous quotations on the subject (all attributed in the score). The texts used are in English and comprise of six different international famous quotations on the subject of Human Rights, marked in the score. Included in this composition are also two important existing songs: The March of The Women by Ethel Smyth and Bread and Roses (USA, Anon.). The attached file is a long pdf file with conductor's score, choir score, and parts, all included. Duration ca 10 min. The composer is a member of TONO, the Norwegian copyright org. The mp3 file attached is a converted sibelius file.For more inforamtion on the composer please visit website www.zlatanou.net
$25.00
23.01 €
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Chorale SATB
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Marilena Zlatanou
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ON HUMAN RIGHTS
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Marilena Zlatanou
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SheetMusicPlus
Three Latin Elegies to Lesbia
Chorale SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99
4.59 €
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Chorale SATB
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
How Lovely Is Thy Dwelling Place (Downloadable Full/Choral Score)
Chorale SATB
SATB choir, congregation, brass quartet, and organ - Medium - Digital Download SKU: MQ.…
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SATB choir, congregation, brass quartet, and organ - Medium - Digital Download SKU: MQ.8314-E Composed by David Conte. Building Dedication, Organ Dedication, 21st Century. Instrument parts. 16 pages. Duration 4 minutes, 48 seconds. E. C. Schirmer Music Company - Digital #8314-E. Published by E. C. Schirmer Music Company - Digital (MQ.8314-E). English. Psalms 84.Commissioned for the 100th anniversary of Lakewood Congregational Church, Lakewood, Ohio. The text is drawn both from Psalm 84 and two additional verses written by the late poet John Stirling Walker. The anthem features interludes based on the tune AURELIA (“The Church’s One Foundationâ€) by Samuel Wesley. The final verse includes the congregation singing this tune as a descant accompanying the original music. Duration: 4:48Brass Quartet parts include: B-flat Trumpets I and II, Trombones I and II.
$2.85
2.62 €
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Chorale SATB
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David Conte
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How Lovely Is Thy Dwelling Place
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Mea Lesbia
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864429 Composed by Mark D.…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864429 Composed by Mark D. Templeton. Contemporary. Octavo. 8 pages. Mark Templeton Choral Music #2098371. Published by Mark Templeton Choral Music (A0.864429). Mea Lesbia, commonly known as Catullus 87, consists of two elegiac couplets written by Gaius Valerius Catullus (84 - 54 B.C.E) for his lover, Lesbia. Catullus was only one of Lesbia’s many lovers, and he often wrote of his jealousy and disdain for her unfaithful actions. This elegy was written at a time when Lesbia had been particularly cruel toward Catullus. Despite being broken hearted, his obsession with her never waned. In his despair and desperation, he basically says, My love for you is so great that no other woman could possibly even know what love is..
$2.00
1.84 €
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Chorale SATB
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Mark D
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Mea Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
You're The Voice
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.774738 By Rebecca St. Jame…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.774738 By Rebecca St. James. By Andy Quanta, Chris Thompson, Keith Reid, and Maggie Ryder. Arranged by Sandra Milliken. Christian,Gospel. Octavo. 16 pages. Sandra Milliken #4408392. Published by Sandra Milliken (A0.774738). You’re the Voice is a powerful protest song written by Andy Qunta, Keith Reid, Chris Thompson and Maggie Ryder, and recorded by the very popular Australian singer John Farnham for his album Whispering Jack in 1986.The song was one of the biggest hits of 1986 in Australia, topping the singles chart for seven weeks. In 1987 it was awarded the ARIA Award for Single of the Year. It was also one of Farnham’s biggest successes in Europe, charting at No. 1 in Germany and Sweden and reaching the Top 10 in Austria, Ireland, Switzerland and the UK.The song’s main message is an empowering one, encouraging people everywhere to take a stand against corruption and to make their voices heard. To wake up to your own power. It can also be described it as an anti-war song, since it was released in the mid-80s, during the height of the Cold War.Farnham’s version of You’re the Voice contains one of the most famous bagpipe solos ever recorded. It was played by a group of four pipers. If you have a bagpipe soloist/s available, tacet the choir in the bagpipe section (from measure 59) to get the full effect!The SATB arrangement provides scope for a massed choir situation: have a children’s choir sing the Soprano or Soprano and Alto parts in the section beginning at measure 84, with the semi chorus being a group of 3 or more strong singers, ensuring an appropriate balance between the solo, semi-chorus and full choir.
$2.30
2.12 €
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Chorale SATB
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Rebecca St
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Sandra Milliken
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You're The Voice
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Sandra Milliken
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SheetMusicPlus
Holy Family of Jesus, Mary, and Joseph (Downloadable)
Chorale SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
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Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-017E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, Advent, 21st Century. 6 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-017E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-017E). English. Psalms 128, 105, 84.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.3 €
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Chorale SATB
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Luke Mayernik
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Holy Family of Jesus, Mary, and Joseph
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Lesbia mi dicit semper male
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864441 Composed by Mark D.…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #2343381. Published by Mark Templeton Choral Music (A0.864441). Lesbia mi dicit semper male, commonly known as Catullus 92, consists of two elegiac couplets written by Gaius Valerius Catullus (84-54 B.C.E) for his lover, Lesbia. Lesbia was the name believed to have been given by Catullus to his mistress. Her real name was Clodia, the sexually promiscuous wife of proconsul Quintus Caecilius Metellus Celer, known as Metellus. Catullus’ earlier poem, 83, brings some context to 92. In the first part of 83, Catullus says: Lesbia keeps insulting me in front of her husband:this fills the fatuous idiot with delight. Mule, do you perceive nothing? If she shut up and ignored me that’d show healthy indifference;… In 92, Catullus expounds on the idea of why Clodia insults him in front of Metellus. Catullus reckons that he is always cursing her, and he loves her. She always curses him, so she must love him as well. In his desperation, Catullus uses his wit and humor to reason that his obsessive love for Coldia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint the words, Lesbia mi dicit semper male nec tacet umquam de me (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythms return in the men’s voices when Catullus says he does the same, quia sunt totidem mea: deprecor illam assidue (…it’s the same with me: I’m continually complaining.) The piece comes to a final rest after Catullus realizes the he will always be cursed to love her.
$2.00
1.84 €
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Chorale SATB
#
Mark D
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Lesbia mi dicit semper male
#
Mark Templeton Choral Music
#
SheetMusicPlus
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