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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Across Time
Non classifié
81
Piano & claviers
Piano seul
40
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2
Piano Facile
2
Piano, Voix
1
Piano Trio: piano, violon, violoncelle
1
Instruments en Do
1
Orgue
1
+ 2 instrumentations
Retracter
Guitares
Guitare
4
2 Guitares (duo)
3
Ligne De Mélodie, (Paroles) et Accords
1
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Piano, Guitare (duo)
1
Guitare notes et tablatures
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
10
Chorale TTBB
6
Chorale SSAA
3
Chorale 3 parties
2
Voix Alto, Piano
1
Chorale 2 parties
1
+ 1 instrumentations
Retracter
Vents
2 Saxophones (duo)
10
Flûte traversière et Piano
7
Saxophone, Clarinette (duo)
5
Ensemble de saxophones
4
Clarinette, Trompette (duo)
4
Quintette de Saxophone: 5 saxophones
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Quatuor de Saxophones: 4 saxophones
4
Clarinette, Violon (duo)
3
2 Clarinettes (duo)
3
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3
2 Flûtes traversières (duo)
3
Clarinette et Alto
2
Flûte, Saxophone (duo)
2
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2
2 Hautbois (duo)
2
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2
Hautbois, Clarinette (duo)
2
Flûte, Violon
2
Clarinette et Piano
2
Flûte, Trompette (duo)
2
Hautbois, Flûte
2
Ensemble de Clarinettes
2
Clarinette, Guitare (duo)
2
Saxophone Alto et Piano
2
Ensemble de Flûtes
1
Flûte, Clarinette (duo)
1
Hautbois, Basson (duo)
1
Quintette de Flûte : 5 flûtes
1
+ 24 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trompette, Saxophone (duo)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Ensemble de Trombones
2
2 Trombones (duo)
2
Trompette
1
Trombone et Piano
1
Trompette, Piano
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, Trombone (duo)
1
2 Trompettes (duo)
1
Ensemble de Trompettes
1
+ 8 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violon, Violoncelle (duo)
15
Trio à Cordes: 2 violons, violoncelle
14
Violon et Piano
9
Violoncelle, Piano
7
Trio à Cordes: violon, alto, violoncelle
6
2 Violoncelles (duo)
4
2 Altos (duo)
3
Violon, Alto (duo)
3
Harpe
2
Alto, Piano
2
2 Harpes (duo)
2
Harpe, Violon, Violoncelle
2
Ensemble de Violons
2
Violon
1
Harpe, Voix
1
4 Violoncelles
1
Ensemble d'Altos
1
Violoncelle
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 violins
1
Alto, Guitare (duo)
1
Violon, Guitare (duo)
1
2 Violons (duo)
1
+ 19 instrumentations
Retracter
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Orchestre d'harmonie
10
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6
Ensemble de cuivres
2
Orchestre de chambre
2
Orchestre
1
Ensemble Jazz
1
Jazz combo
1
Batterie
1
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▽ INSTRUMENTS
ACCORDEON
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Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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Chorale SATB
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10 partitions trouvées
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1
Across The Universe
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Chorale SATB
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INTERMÉDIAIRE
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Rock
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The Beatles
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Scott S
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Across The Universe
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Scott S. Stewart
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.955845 By The Beatles. By John Lennon and Paul McCartney. Arranged by Scott S. Stewart. Contemporary. Octavo. 17...
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Choral Choir (SATB) - Level 3 - SKU: A0.955845 By The Beatles. By John Lennon and Paul McCartney. Arranged by Scott S. Stewart. Contemporary. Octavo. 17 pages. Scott S. Stewart #6353635. Published by Scott S. Stewart (A0.955845). The flavor of Transcendental Meditation of late 1967, with text based on a Sanskrit mantra has given us one of the best lyrics I’ve written says John Lennon of Across the Universe. It’s a life-reaffirming song, for it’s a song about being free of being controlled by life as it goes on around you… This song was beamed into space towards the North Star, Polaris celebrating NASA’s 50th birthday and 40th anniversary of Across the Universe in 2008. This arrangement is scored for a 4-part SATB ensemble with piano accompaniment. Performance time: 4:35
$2.99
Going Across the Mountain (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Ellen Gilson Voth
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Going Across the Mountain
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir unaccompanied - Medium - SKU: MQ.1.3379-E Composed by Ellen Gilson Voth. Secular, 21st Century, Americana, Folk Song. 10 pages. Duration 2 mi...
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SATB choir unaccompanied - Medium - SKU: MQ.1.3379-E Composed by Ellen Gilson Voth. Secular, 21st Century, Americana, Folk Song. 10 pages. Duration 2 minutes, 1 second. Galaxy Music Corporation - Digital #1.3379-E. Published by Galaxy Music Corporation - Digital (MQ.1.3379-E). English.This arrangement contrasts the unbridled optimism and resolve of a person heading off to war with the bittersweet nostalgia of leaving a special person behind, along with the promise of return. The repeated statements of the refrain are most effective when singers highlight the syncopations and rhythmic differences among them. Tenors should sing the final statement of 'Goin' across the mountain' (m. 39) with a more wistful quality than at the start. All singers should enjoy the harmonic movement of the last line, and their carefully timed roles in it—all the way to the altos' final, delayed word. -Ellen Gilson VothDuration: 2:01.
$2.65
October Dawn - Choral Song (SSAATB)
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Chris Gordon
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October Dawn - Choral Song
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Cool Wind Music Digital
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.841250 Composed by Chris Gordon. Contemporary. Octavo. 18 pages. Cool Wind Music Digital #3029087. Publis...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.841250 Composed by Chris Gordon. Contemporary. Octavo. 18 pages. Cool Wind Music Digital #3029087. Published by Cool Wind Music Digital (A0.841250). A setting of a very powerful poem by English poet, Ted Hughes, about the onset of autumn in an English (Yorkshire) garden and the surrounding countryside. It is full of pathos and passion, harmony and dissonance, chaos and peace - just like English weather!This is a very individual and innovative choral setting of Hughes' poem which is, itself, rich in 'meaty' metaphor and colour - and the composer is a vegetarian! It evokes a savage Nature within a savage landscape where humans and animals compete for space and for food. It is October, the fields and woods and gardens of rural Yorkshire are readying themselves for the cold and desolation (and despair) of winter which isn't far away in time. 'A glass, half-filled with wine, left out(side) To the dark heaven all night, by dawn Has dreamed a premonition of ice across its eye as if the ice-age had begun its heave.' That is only two and a half stanzas but you see from these lines that there are veiled threats of (Nature's) violence in the heavy tread of the poet's slowly-building angst over what is happening in the surrounding countryside - and his fear grows, and his awe grows, with every line. There is even fear underlining the very last line: 'And now it is about to start.' Winter is creeping closer and closer towards the house and it will not be pleasant to experience!I have tried to instil a little of this in the music which keeps skidding from consonance to dissonance and back to consonance. Sometimes the dissonance piles up, like snow driven by the wind piles up into deep banks; sometimes the music relaxes into stillness and calm (painted in tonal music) like a crisp, mild late autumn or early winter's day when the sun warms the landscape and life appears bearable, tolerable. I hope this adds to the song's 'charm'. It wasn't easy to write: sometimes the right music was elusive. The music ends with the word 'October' repeated three times, with voices overlapping in a little canon. This conjures up the wistful feelings of the poet as he looks out onto a peaceful scene, soon to be filled with all manner of 'natural violence', while his inner peace will soon be shattered by the mayhem about to be unleashed around him.Setting Ted Hughes is no easy task. It is for choirs and choirmasters to judge if I have succeeded in conveying the 'sense and sensibility' of a classic 20th century English poem.The price is for one copy: please purchase a sufficient number of scores if you intend to perform this work. SMP Press offers discounts for multiple-copy purchases.
$3.00
Be Thou My Vision
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Lukas C Jaeger
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Be Thou My Vision
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Lukas C Jaeger
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1206837 Composed by Lukas C Jaeger. A Cappella,Christian,Praise & Worship,Religious,Sacred. Octavo. 9 pages. Luk...
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Choral Choir (SATB) - Level 3 - SKU: A0.1206837 Composed by Lukas C Jaeger. A Cappella,Christian,Praise & Worship,Religious,Sacred. Octavo. 9 pages. Lukas C Jaeger #805014. Published by Lukas C Jaeger (A0.1206837). This popular text has been redone time and time again across centuries. This arrangement starts and ends as a contemporary reharmonization of the original tune, but each verse is a stylistic homage to the many iterations that came before it. You will find delicious dissonance and beautiful harmonic suspension throughout. Some of the larger stacked chords may be intimidating, but it was written with achievability in mind. Though challenging at times, the intuitive voice leading makes this piece accessible for the average choir. The vocal ranges for all parts are safe and comfortable- without compromising on emotional impression at phrasal climaxes...This piece is dear to me and I hope that it may become so to those others who would sing and hear it as well!
$2.00
Rock - a Roger Jones musical
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...
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Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
The Children of the World (July 1969)
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Chorale SATB
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INTERMÉDIAIRE
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Glyn Lehmann
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The Children of the World
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Glyn Lehmann
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.510171 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). 20th Century,Latin,Pop,World. Octavo. 16 pages....
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Choral Choir (SATB) - Level 3 - SKU: A0.510171 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). 20th Century,Latin,Pop,World. Octavo. 16 pages. Glyn Lehmann #3542457. Published by Glyn Lehmann (A0.510171). The third song from the SPACE RACE song cycle, celebrating the 50th anniversary of the Apollo 11 moon landing, July 1969. The other songs are Gagarin (Beyond Blue Sky), Space Race (To Every Question) and Apollo 11 (Homecoming).Captures the sense of wonder and excitement children felt as they watched Neil Armstrong walk on the moon in 1969. Gentle melodic verses and a lively, upbeat chorus. More information at https://glynlehmann.com/Space-Racehttps://youtu.be/BH97dn2_fSIThe Children of the World (July 1969)Words by Phil Cummings, music by Glyn LehmannFor children in nineteen sixty nineThere were new games to playTo the children of that far off time There was wonder in that July DayA rocket flew with fire and flameAcross a wide open sky On TV screens around the worldChildren saw that rocket flyYoung hearts beat a rhythmGreat minds played their part The children of the world held their breath As Armstrong placed a print upon their heartsAt night the children gazed at the starsTheir faces lit by silver moonlightAnd tried to imagine the the viewOf those on that Apollo flightKids flew in missions to save the worldCreated games and stories and schemesTheir bikes flew like asteroids Treehouses were rockets in dreamsThe children of the world in streets everydaySaw flickering screens in shop window displaysPhotos without colour on newspaper spreadsBooks about space strewn across bedsLyrics © 2018 Phil Cummings
$2.50
#WeToo
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Chorale SATB
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INTERMÉDIAIRE
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
The Chorister's Prayer (from Missa Brevis)
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Chorale SATB
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INTERMÉDIAIRE
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Mark D
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The Chorister's Prayer
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Mark Templeton Choral Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.864412 Composed by Mark D. Templeton. A Cappella,Contemporary,Sacred. Octavo. 4 pages. Mark Templeton Choral Mus...
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Choral Choir (SATB) - Level 3 - SKU: A0.864412 Composed by Mark D. Templeton. A Cappella,Contemporary,Sacred. Octavo. 4 pages. Mark Templeton Choral Music #2032229. Published by Mark Templeton Choral Music (A0.864412). For SATB chorus a cappella. The Chorister's Prayer, as this title is sometimes referred to, is the seventh movement from Mark Templeton's Misaa Brevis. Mark Templeton, born 1974, is an American choral composer, conductor, and countertenor. Templeton’s music has been performed across the world at various international festivals and ACDA conventions. Some of his music is published by Santa Barbara Music Publishing, and he has recently started to self-publish. He teaches and resides with his wife, Becca, at West Nottingham Academy in Colora, Maryland, the oldest boarding school in the United States. He also enjoys coaching, playing, and watching soccer when he is not working. He is available for commission upon request.
$1.99
On Christmas Day - SATB divisi Ensemble
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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English Folk Song, Henry Wadsw
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Mark R Lewis
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On Christmas Day - SATB divisi
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Mark R Lewis
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.1169891 Composed by English Folk Song, Henry Wadsworth Longfellow, and John Baptiste Calkin. Arranged by ...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.1169891 Composed by English Folk Song, Henry Wadsworth Longfellow, and John Baptiste Calkin. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Religious,Traditional. Octavo. 23 pages. Mark R Lewis #770256. Published by Mark R Lewis (A0.1169891). On Christmas Day is a medley of I Heard the Bells on Christmas Day and I Saw Three Ships by Mark R Lewis. John Baptiste Calkin wrote the music for I Heard the Bells in 1872 as an adaptation of the earlier poem Christmas Bells by Henry Wadsworth Longfellow. I Saw Three Ships is an English carol thought to originate from the 17th century, though the lyrics used is most modern arrangements come from later published versions.This arrangement is intended to be performed by SATB divisi choir and accompanied by a 3-5 octave handbell choir. All four voice parts pass the melody back and forth and are featured at different times and explore different vocal and accompaniment styles throughout the piece. Most intermediate choirs should be able to perform this piece, although the basses and alto should be able to sing down to a D2 or an F3 respectively (there are optional notes if this is too low). The handbell part is not particularly difficult but is active across the whole ensemble and uses mallets through one of the middle verses. There are also several key changes that will require quick bell changes or sharing of bells. It is also worth noting that I Heard the Bells is in 4/4 and I Saw Three Ships is in 6/8.This download includes a piano and choir score for when handbells are not an option as well as the handbell sheet music. Handbells are the preferred accompaniment, although it will still sound good with just piano.
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Shenandoah (SATB)
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Chorale SATB
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INTERMÉDIAIRE
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Michael Ware
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Michael Ware
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Shenandoah
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Michael Ware Music
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 3 - SKU: A0.1514493 By Michael Ware. By American Folk Song. Arranged by Michael Ware. 19th Century,A Cappella,...
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Choral Choir,Choral (SATB Chorus) - Level 3 - SKU: A0.1514493 By Michael Ware. By American Folk Song. Arranged by Michael Ware. 19th Century,A Cappella,Folk,Historic,Traditional. 8 pages. Michael Ware Music #1088978. Published by Michael Ware Music (A0.1514493). Experience the timeless beauty of Shenandoah, a quintessential American folk song, in Michael Ware’s stunning unaccompanied arrangement for SATB or TTBB choir. This setting captures the song's soaring melody and rich harmonies, creating a deeply moving performance piece for your ensemble. Perfect for concerts or special events, it showcases your choir’s vocal abilities and brings this beloved traditional tune to life.Across the Wide Missouri.
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