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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
PERCUSSION
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TROMBONE
TROMPETTE
TUBA
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XYLOPHONE
But I Do
Non classifié
90
Piano & claviers
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39
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27
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21
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10
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3
Piano Facile
3
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2
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1
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Basse electrique
7
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5
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3
Ukulele
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4 Guitares (Quatuor)
2
Mandoline
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1
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Piano, Guitare (duo)
1
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Chorale SATB
30
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12
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11
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2
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Voix duo
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Voix Tenor
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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5
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4
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Flûte traversière et Piano
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3
Flûte, Hautbois, Clarinette, Basson
3
Cor anglais, Guitare (duo)
3
Ensemble de Clarinettes
3
3 Saxophones (trio)
2
Quintette de Flûte : 5 flûtes
2
Saxophone Soprano et Piano
2
Hautbois, Guitare (duo)
2
Clarinette et Piano
2
3 Clarinettes (trio)
2
2 Flûtes traversières (duo)
1
Saxophone Tenor et Piano
1
Flûte, Hautbois, Basson
1
Flûte, Clarinette, Piano (trio)
1
Flûte, trombone et piano
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette Basse, Piano
1
Clarinette, Alto et Piano (trio)
1
Flûte, Violon et Violoncelle
1
Flûte irlandaise
1
Flûte traversière
1
Flûte, Basson et Piano
1
Clarinette, Violon (duo)
1
Flûte, Alto et Piano
1
Quatuor de Saxophones: 4 saxophones
1
Quintette de Clarinettes: 5 clarinettes
1
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trombone et Piano
4
Trompette, Piano
3
Cor anglais, Guitare (duo)
3
Trompette
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de Cuivres
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Euphonium (duo)
1
2 Trompettes (duo)
1
Ensemble de Trompettes
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trombones
1
Trompette (partie séparée)
1
Trio de Cuivres
1
Ensemble de Trombones
1
+ 11 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
14
Alto, Piano
4
Harpe
3
Violon et Piano
3
Violon, Violoncelle (duo)
2
Ensemble de Violons
2
Violoncelle , Guitare (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
2 Violons (duo)
2
Violon
2
Trio à cordes: 3 violins
1
Ensemble d'Altos
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes: 4 violons
1
Violoncelle
1
Violoncelle, Piano
1
Contrebasse, Piano (duo)
1
Harpe et Piano
1
4 Violoncelles
1
+ 14 instrumentations
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Orchestre & Percussions
Ensemble Jazz
7
Orchestre à Cordes
6
Orchestre d'harmonie
6
Jazz combo
5
Batterie
3
Orchestre de chambre
3
Orchestre
3
Ensemble de cuivres
1
Ensemble de Percussions
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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Vous avez sélectionné:
But I Do
intermédiaire
Chorale SATB
Partitions à imprimer
30 partitions trouvées
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But I Do (i Don't Know Why)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.780678 By The Jewels. By P…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.780678 By The Jewels. By Paul Gayten, Robert C Guidry, and Robert C. Guidry. Arranged by Cathy Stamegna. Blues,Contemporary,Pop,Rock,Wedding. Octavo. 6 pages. Cathy Stamegna #5214389. Published by Cathy Stamegna (A0.780678). (I Don’t Know Why I Love You) But I Do (SATB Choir, Piano Accompaniment). This popular, singable melody was recorded by Clarence Frogman Henry. Key of Bb (original key). A fun, SATB addition to your program. Other vocal/instrumental arrangements available. Performance Time: 2:25.
$2.50
2.3 €
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Chorale SATB
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The Jewels
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Cathy Stamegna
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Key of Bb (original key)
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But I Do
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Cathy Stamegna
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SheetMusicPlus
I See You
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887281 Composed by Michell…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published by Teton Music (A0.887281). SATB, a cappellaWritten for the Early Light Academy Spotlight Singers (South Jordan, UT) and taken from actual responses from the students they were asked, when people look at you, what do you want them to see? This song is intended to be a very personal expression for the singers as well as for the audience.Text:I see: eyes and a face, hands and feetYou see: the sameI see: tears and a smile, working, movingYou see: the sameI see: pain, joy, strength, enduranceYou see, you think you see-but you can’t name it.I see you, please see me.When you look at me, see a person who isn’t afraid to be-- just be.I am tall or I am small, but I am happy to be me.I may be confident or meek, I may be really strong or weak,And if it changes week to week, it doesn’t matter.What matters is that you see me.When you listen, notice that my voice may sometimes raise the roofAnd other times it may seem aloof when I cannot find the proofOf what is truth and what is fair, but listen ‘til you hear me shareAnd know deep down I really care, because it matters.It matters that you see me.I see: someone who is strong and kind, someone who knows their mind, Someone who struggles just like me, but keeps fighting endlesslyI see you, please see me.I see: a soul who fin’ly knows I’m hereAnd doesn’t judge if I bow down to smallish fearsYou see me, and I see you, there’s nothing greater we can doThan to acknowledge we’re all trav’ling down this road,But not alone.It matters-That I see you-and you see me.
$2.49
2.3 €
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Chorale SATB
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Michelle Willis
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I See You
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Teton Music
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SheetMusicPlus
When I Survey the Wondrous Cross
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.886923 Composed by Isaac W…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.886923 Composed by Isaac Watts. Arranged by Justin M. Ryan. Baroque,Contemporary,Easter,Sacred. Octavo. 8 pages. Justin M. Ryan #3049153. Published by Justin M. Ryan (A0.886923). The hymn, When I Survey the Wondrous Cross, was written by Isaac Watts, and published in Hymns and Spiritual Songs in 1707. It is significant for being an innovative departure from the early English hymn style of only using paraphrased biblical texts, although the first two lines of the second verse do paraphrase St Paul at Galatians 6:14. The poetry of When I survey... may be seen as English literary baroque.[1] The hymn's fourth verse (His dying crimson...) is commonly omitted in printed versions, a practice that began with George Whitefield in 1757.[2]This arrangement is for SATB Choir and is performed at a Moderate tempo. It is broken up into 4 verses plus please watch verse 3. The Soprano melody has been slightly adjusted but still follows the same harmonic movement as in Vs. 1 and 2. Enjoy this wonderful Lenten Classic.Tune Information Composer: Lowell Mason (1824) Meter: 8.8.8.8 Incipit: 11232 34323 33343 Key: F Major or modal Source: Adapted from a Gregorian Chant
$2.99
2.76 €
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Chorale SATB
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Isaac Watts
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Justin M
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When I Survey the Wondrous Cross
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Justin M. Ryan
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SheetMusicPlus
I Will Sing and Praise Your Name - SATB Ensemble
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1144881 Composed by Mark R…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1144881 Composed by Mark R Lewis. A Cappella,Religious,Sacred. Octavo. 12 pages. Mark R Lewis #745196. Published by Mark R Lewis (A0.1144881). I Will Sing and Praise the Lord is an original piece by Mark Lewis. Written for a cappella choir, the lyrics are adapted from Psalm 61 and the tune is entirely original. It begins with a fanfare asking God to listen and moves into a dance-like prayer for God's blessing with the chorus repeating a simple statement of praise to God. This piece is quite achievable by most groups. The sopranos and basses do spend a fair bit of time towards the extreme of their ranges but there is only one (optional) note that can only be reached by a true bass so most singers will have little difficulty performing it.
$1.99
1.83 €
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Chorale SATB
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Mark R Lewis
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I Will Sing and Praise Your Name - SATB Ensemble
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Mark R Lewis
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SheetMusicPlus
Do Not Doubt (Communion Antiphon for Divine Mercy Sunday)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.758035 Composed by James B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.758035 Composed by James Bicigo. Christian,Easter,Praise & Worship,Sacred. Octavo. 14 pages. Polar Publications #6351725. Published by Polar Publications (A0.758035). This is an SATB choir setting of the communion Antiphon for the Sunday after Easter, also known as Divine Mercy Sunday. I have set all ten verses and the doxology, as in the Roman Liturgy, but practicality would dictate that a reasonable number of the verses be chosen and sung, ending with verse ten and the doxology.
$4.50
4.15 €
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Chorale SATB
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James Bicigo
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Do Not Doubt
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Polar Publications
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SheetMusicPlus
Funeral For A Tree
Chorale SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.874246 Composed by John P…
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.874246 Composed by John Powell. Arranged by a do Ray me flute studio production , Ray-Michael Kauffman. Contemporary. Octavo. 31 pages. As do Ray meflute studio production #3885051. Published by as do Ray meflute studio production (A0.874246). Https://www.youtube.com/watch?v=PqIQfHGxLEg&feature=youtu.be With thoughts leaning and reflecting on the end on Fall, and November, I can’t help but notice the beauty of fall and the trees and foliage. This wonderous little musical piece , from the motion picture The Lorax from the Dr. Seuss movie, depicts of the main character the Lorax speaking for the trees and in many ways advocating for all things, people and groups that can not speak for themselves. And even in the times that we live in, this story still rings true today. And beauty can still be found in sadness, or endings whether the be falling leaves in the park, or even with the events that are said , we grow and learn, being grateful for what we have , and learn to find our voices to speak out for the things that truly matter in life. This music, which is much like a hymnal, especially in the beginning of the piece, is perfect for this message. A message of peace, reflectiveness and hope and courage. As a side note , this piece should be played with lots of thoughtful rubato, and when the meter changes for 4/4(5/4) to 12/8, the beat does not change from quarter to dotted quarter .In the middle, minor section, I really added and improvised my musical skills per chord and melody of the song which makes my arrangement very distinctive, individual and unique. This would be great for a movie themed concert, all by it's self, for a funeral, for Arbor Bay/ Tree ceremony , for fall or autumn music/ themed programs, recitals, etc. Sure to be a well used piece in your collection. Scored for piccolo, flute 1, 2, 3 4, alto and bass flute. This pieces suites smaller groups , such as 1 per part, or doubling up with discretion. please visit my website at doraymeflute.com , too!I hope you enjoy this as much as I do, thank you for your support.#movie music #arborday#holidaymusic #fallmusic #holiday #fall #autumn #season #flutechoir #movieflute #autumnmusic
$14.99
13.82 €
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Chorale SATB
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John Powell
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Funeral For A Tree
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as do Ray meflute studio production
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SheetMusicPlus
Of The Father's Love Begotten
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.940837 Composed by 11th ce…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.940837 Composed by 11th century trope. Arranged by Michael D. McClish. Christian,Christmas,Praise & Worship,Sacred. Octavo. 7 pages. Michael D. McClish #6656833. Published by Michael D. McClish (A0.940837). This is a beautiful rendition of the familiar chant, keeping the intent of early chant and choral sound, but within a more contemporary harmonic palette. It begins simply and ends in a very uplifting, positive manner, with several transpositions along the way. However, the feeling of plainchant is always present in each variation as they evolve. This is the first of what I hope to be a collection of hymn arrangements for choir that follow the Christian Church Year, this one being Advent season. Of course it can be sung anytime that fits the situation, but I used the United Methodist Hymnal suggestion for an Advent hymn. The piano simulates bells and chimes, and the voices sometimes do also. A very uplifting arrangement, while not so difficult as to discourage choirs. It employs the concept of canon and contemporary harmonies. I hope you and your choir or choral organization enjoy it as much as I enjoyed writing it.
$2.50
2.3 €
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Chorale SATB
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11th century trope
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Michael D
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Of The Father's Love Begotten
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Michael D. McClish
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SheetMusicPlus
September Song
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1030044 By Jimmy Du…
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1030044 By Jimmy Durante. By Kurt Weill. Arranged by Tye Maurice Thomas. Contemporary. Octavo. 4 pages. Tye Maurice Thomas #6036563. Published by Tye Maurice Thomas (A0.1030044). A choral arrangement of Kurt Weill and Maxwell Anderson's timeless classic September Song. The Arrangement is for chorus SATB with the occasional division of voices. This piece fits nicely with nostalgia-themed concerts, but also works to complement a more upbeat evening of greatest broadway hits of the 30's or the like. The harmonies and rhythms are jazzy, but 'conservative' and should be accessible to intermediate-level choirs.Dear buyer, I hope you will enjoy this piece as much as I do!
$1.99
1.83 €
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Chorale SATB
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Jimmy Durante
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Tye Maurice Thomas
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September Song
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Tye Maurice Thomas
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SheetMusicPlus
Bye, Bye Covid!
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1265973 By Johnson Gao. By…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1265973 By Johnson Gao. By Johnson Gao. 20th Century,Chamber,Multicultural,World. Octavo. 2 pages. Johnson Gao #858709. Published by Johnson Gao (A0.1265973). This is song announcing the end of Covid -19 pandemic.這是宣布 Covid -19 大æµè¡ŒçµæŸçš„æŒæ›²ã€‚In the early morning around 5:00 AM, July 18, 2023, I was waked up by my son's small Pomeranian dog bark, which was caused for some reasons, may be requesting a pee pee. After I letting the pets for a short walk, I tried to continue my sleep, but I couldn't. Then, some melodies came to my mind, and I wrote them down over a small piece of card board available by my bed. Since I can't sleep anymore, I get up rather early to use my computer to have composed this song and made a MTV, which has no lyrics.  I hope that someone could do the good job for that song. The dog's image was added in this video for its initiation of the job.2023 å¹´ 7 月 18 日，清晨5:00å·¦å³ï¼Œæˆ‘被兒åçš„å°åšç¾ŽçŠ¬å è²åµé†’，這是由於æŸç¨®åŽŸå› 引起的，å¯èƒ½æ˜¯åœ¨è¦æ±‚尿尿。 在我讓寵物散散æ¥å¾Œï¼Œæˆ‘試圖繼續ç¡è¦ºï¼Œä½†æˆ‘åšä¸åˆ°ã€‚ 然後，一些旋律浮ç¾åœ¨æˆ‘的腦海裡，我把它們寫在床邊的一å°å¡Šç´™æ¿ä¸Šã€‚ 由於ç¡ä¸è‘—，我就起得很早，用電腦創作了這首æŒï¼Œä¸¦è£½ä½œäº†ä¸€å€‹æ²’有æŒè©žçš„MTV。 我希望有人能把這首æŒåšå¥½ã€‚ 該狗的圖åƒè¢«æ·»åŠ åˆ°è©²è¦–é »ä¸ä»¥å•Ÿå‹•è©²å·¥ä½œã€‚A list of my other songs were presented in links of the following site.我的其他æŒæ›²åˆ—表顯示在以下網站的éˆæŽ¥ä¸ã€‚https://www.youtube.com/watch?v=fvyQNwaCEXM&t=1s.
$1.99
1.83 €
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Chorale SATB
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Johnson Gao
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Bye, Bye Covid!
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Johnson Gao
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SheetMusicPlus
Art is a fire!
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.925770 Composed by David N…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.925770 Composed by David Nelson Jex. 20th Century,Concert,Contemporary,Graduation. Octavo. 9 pages. David Jex #2154591. Published by David Jex (A0.925770). 2016 Choral Contest EntryArt is a fire! is a bold statement on the importance of Art in our lives and society.Composed for SATB Chorus and Piano it is of moderate difficulty, with a length of 3 1/2 minutes.. The text is from a poem written by our older son, Matthew. He has a gift to express ideas and emotions in words that I do not, and I was very pleased and excited when he gave me permission to set his poem to music. The music is in an overall ternary form, with the fiery outer sections tempered with a more spiritual middle segment. The piano plays an important but supporting accompanying role. The music is somewhat tonally oriented, with an E minor basis for the more passionate outer sections. These sections also require the choir to sing some chromatic melodic and harmonic lines and constructions. The rhythm also varies somewhat, asking the chorus to express these emotional portions of the piece. The flowing middle section has a more consistent tempo and is centered in C major. This key seems to have the qualities of innocence and peace, which offsets the more restless and fiery E minor of the rest of this work. This more meditative center section also has a more triadic basis than the somewhat contrapuntal textures surrounding it. It invites the music performers and listeners to experience the joy of Music and Art, while the closing music and text sing of the passion and energy of the artistic experience.
$2.99
2.76 €
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Chorale SATB
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David Nelson Jex
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Art is a fire!
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David Jex
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SheetMusicPlus
The Cloud (Downloadable)
Chorale SATB
SATB choir, piano - Medium - Digital Download SKU: MQ.7.0628-E Composed by Stephen …
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SATB choir, piano - Medium - Digital Download SKU: MQ.7.0628-E Composed by Stephen Chatman. 8 pages. Galaxy Music Corporation - Digital #7.0628-E. Published by Galaxy Music Corporation - Digital (MQ.7.0628-E). English.A Sara Teasdale poem given a sublime setting with a gorgeous piano accompaniment:I AM a cloud in the heaven's height,The stars are lit for my delight,Tireless and changeful, swift and free,I cast my shadow on hill and sea-But why do the pines on the mountain's crest Call to me always, Rest, rest?
$2.65
2.44 €
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Chorale SATB
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Stephen Chatman
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The Cloud
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Shadows
Chorale SATB
SATB choir, string orchestra - Intermediate SKU: LO.55-1068S A Service of Tenebr…
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SATB choir, string orchestra - Intermediate SKU: LO.55-1068S A Service of Tenebrae. Composed by Douglas E. Wagner. Choral, cantatas. Holy Week, Sacred. Choral score. Duration 20-25 minutes. Sacred Music Press #55/1068S. Published by Sacred Music Press (LO.55-1068S). UPC: 000308060669.Remembering the events of Jesus' last hours leading up to his crucifixion and death is one of the extraordinary opportunities Christians have during Holy Week. This service of worship dramatizes the events and recaptures those solemn and sacred moments. The Canonical Hours of Matins and Lauds, recited and sung on the evenings of the Wednesday, Thursday and Friday before Easter Sunday, is called the 'Tenebrae,' which means 'darkness' or 'shadows.' It is named for the practice of extinguishingall but one of the prepared candles in the worship space during the course of the service. Mr. Wagner's service of Tenebrae focuses on seven episodes in the Passion and Death of Our Lord, and his choral music, all original, is passionate, dynamic and devotional. In addition, he has arranged his choral accompaniment for either keyboard or string ensemble. Congregational responsive readings and scriptural references also become a part of this exceptional observance. Performance time: 20-25 min.
Song List: They Took My Lord Away In Darkness Do I Wander Kyrie Eleison Who Could Have Imagined But Morning Never Came Into Gods Hands Ah Holy Jesus Is It I Lord
Song List
: They Took My Lord Away In Darkness Do I Wander Kyrie Eleison Who Could Have Imagined But Morning Never Came Into Gods Hands Ah Holy Jesus Is It I Lord
$9.95
9.17 €
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Chorale SATB
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Douglas E
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Shadows
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Sacred Music Press
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SheetMusicPlus
Hallelujah
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.799676 By Lee DeWyze. By L…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.799676 By Lee DeWyze. By Leonard Cohen. Arranged by D. M. Gardner. A Cappella,Rock. Octavo. 10 pages. D. M. Gardner Music #4803255. Published by D. M. Gardner Music (A0.799676). Hallelujah - For Those Who Fight for FreedomA Tribute to VeteransSATB a cappellaMy orders say we're shipping' outWe don’t have long now to talk aboutThe hundred thousand ways I’m gonna’ miss ya’When we told the kids I’d have to leaveThrough tears, they tried to comfort me And my broken heart cried out a Hallelujah!CHORUS: Hallelujah, Hallelujah, Hallelujah, HallelujahMy boots sink in the desert sandAnd all I want is to hold your handAnd kiss you like the day I whisper'd to ya’But reminding me as I left the gateYou said, Freedom’s call, it can never waitAnd you’d be right there when I came back runnin’ to ya’CHORUS****THIRD VERSE HIDDEN IN HOPES YOU WILL PURCHASE THE MUSIC! THANKS!***CHORUS X2My darling, would you please sit downAnd gather all the kids around?I got somethin’ that I really need to tell ya’Daddy’s not gonna’ make it home;I tried so hard, but your not alone,‘Cause from way up here, I can see your Momma’s with ya’!CHORUS X2Alternate lyrics for verse four:My darling, would you please sit downAnd gather all the kids around?I got somethin’ that I really need to tell ya’Sometimes you might feel alone, But please don't cry, 'cause I'm coming' home,And don't be afraid, 'cause you know I'm always with ya'!To learn more about the arranger and poet, please visit https://www.dmgardner.com*Please note, all text above is subject to copyright. Please do not use without purchase!
$1.99
1.83 €
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Chorale SATB
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Lee DeWyze
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D
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Hallelujah
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D. M. Gardner Music
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SheetMusicPlus
Bring His Love
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1019370 Composed by Kevin …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1019370 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6532899. Published by Kevin Longley (A0.1019370). Bring His LoveInspiration (below is a note I sent to my sister) Hi Karen! In the fall of last year I started working on a new church anthem for FUMC. Over the years your choir has sung several pieces of mine; so I felt I should do something in return. I quickly got an idea for the music only (sometimes I will get some lyric ideas also, but didn't this time.) By the first of the year I had the basic structure sketched out on paper but then put it aside for Easter Rehearsals. When the pandemic stopped all church choirs I returned to the music and by early May had the score in the computer, close to completion. At that point I still didn't have any lyrics but began feeling that it should be about God's creation. All I could envision was a singer with his arms stretched out to the sun, the ocean, the moon, etc. while singing this piece. So I started searching for a possible prayer that might fit and came upon Canticle of the Son. As I read it through I liked the structure and began sketching out the lyrics. I couldn't help but wonder what our response should be to God's creation. How should we thank him or praise him or take care of it? I then turned my thoughts to FUMC and considered this - what phrase would sum up this churches mission? I almost immediately got Bring His Love. From there the balance of the lyrics fell into place. So attached is the recording and the music. I have no expectations but hope you and the choir enjoy the music. The Music The piece starts with 16th note broken chords in the upper register of the piano which lead to the opening theme. A tenor soloist begins by singing God's praises for all he has given us; ending with the thought How can we thank such kindness?; The answer Bring His Love the B section. At its conclusion we are returned to the opening theme, this time sung by the choir which again leads us to the same questionHow can we thank such kindness?, The answer Bring His Love the B section. A C section is then introduced with a change to a more beat driven accompaniment with the vocals alternating between the upper and lower voices. A return to the opening theme, with minimal chordal accompaniment, features the original soloist but then adds a second voice leading to a duet and a return to the broken chord accompaniment.. Finally the B section,Bring His Love is repeated and concludes in a rousing fashion.. Program Notes The piece could work very well for Earth Day celebrations.
$1.99
1.83 €
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Chorale SATB
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the first of the year I had the basic structure sketched out on paper but then put it aside for Easter Rehearsals
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Kevin Longley
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Bring His Love
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Kevin Longley
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SheetMusicPlus
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
27.66 €
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Chorale SATB
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Stuart Brown
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An Omani Dance Suite - COMPLETE BUNDLE
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Stuart Brown Music
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SheetMusicPlus
Rock - a Roger Jones musical
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger J…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
9.21 €
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Chorale SATB
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
On That Cross
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.835422 Compo…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.835422 Composed by Stuart Brown. Contemporary,Sacred. 8 pages. Stuart Brown Music #9697. Published by Stuart Brown Music (A0.835422). Possibly unique: an Easter (or more properly Good Friday) hymn for six-part choir, in which the choir is actually the accompaniment for a piano solo of almost hyponotic dissonance in comparison. The result of superimposing these elements is strangely beautiful. The composer offers the following commentary: I guess most people seeing a piece with a choir and a piano would think of it – not unreasonably – as a choir accompanied by a piano. This piece is subtly different: the way in which I can best explain what was in my mind when I composed it would be to describe it as a piano solo accompanied by choir. While the choir sings music that feels like a slow pavane the pianist plays a series of arpeggios and cluster chords around another relatively simple but unlinked melody. The combined effect is almost hypnotic and if the singers think of the pianist as their accompanist they will almost certainly lose the plot of what they are singing! On first hearing it may appear that the piano and the choir have little in common but the concept is simple enough. Both choir and pianist are meditating on the same theme, but coming at it from totally different directions. There is no formula to the way in which we approach the cross of Christ. We come as we are, seeking forgiveness and reconciliation, meeting at the foot of the cross. The juxtaposition of choir and piano represents that meeting and the cluster chords that the pianist plays reinforce a sense of brokenness that is essential to a proper understanding of the music. I have dedicated this to Canon Andrew White and the Christians of Iraq, knowing that their situation seems impossible in the face of the evil that walks that land, but trusting in the God and Father of the Lord Jesus Christ to do right even if from our earthly perspective we are unable to discern what right is.
$3.50
3.23 €
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Chorale SATB
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Stuart Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.22 €
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Chorale SATB
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
And His Kingdom Will Have No End
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1109087 By K…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise & Worship,Religious,Sacred. 10 pages. Kevin Longley #711630. Published by Kevin Longley (A0.1109087). Inspiration While I have recited the Nicene Creed countless times, in July 2021 something changed. The church had cleared the return of the choir, post pandemic, and it was my first Sunday of singing in well over a year. That Sunday as I recited the creed something happened when I reached the line “And His Kingdom Will Have No Endâ€. Was it louder? Was it spoken with greater conviction? Something was different! Maybe it was just me. I'm not sure but all I know is that every Sunday thereafter it had the same impact on me. Within a few weeks I decided to compose a choral piece about that very line. I had to! The Music For the most part the harmony and structure are traditional but do contain harmonic structures with a contemporary flair. The arrangement is refrain, verse, refrain, verse, bridge and then refrain. The first and 3rd refrains are highly similar while the second refrain contains a soprano section descant while featuring the bass's carrying the main melody. The overall intent of the music is that on every return to the refrain, it is louder than the previous refrain. This signifies the singers confidence growing, in the existence of God's Kingdom, after each verse. With that said the piece starts quietly, almost being heard from a distance. The refrain lyrics speak to the hope that we carry for God's kingdom while the verses speak to God and Jesus in a more intimate way. The bridge speaks to the strength of the Kingdom and then leads back to the opening refrain, now in double forte. The high point in the piece is reached where volume, emotion and a significant ritard occur at the phrase “we'll be togetherâ€. From there the piece decreases in volume ending in a quiet confidence repeating “No end, no end, no endâ€.
$1.99
1.83 €
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Chorale SATB
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Kevin Longley
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Kevin Longley
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And His Kingdom Will Have No End
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Kevin Longley
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SheetMusicPlus
Pippo Non Lo Sa
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1264987 Composed by…
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1264987 Composed by Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri. Arranged by Bacco Baccanels and Pasquale Amico. A Cappella,Jazz,Multicultural,World. Octavo. 8 pages. Bacco Baccanels #857827. Published by Bacco Baccanels (A0.1264987). SAATBB version of the great song by Gorni Kramer.STBB voices follow a simple arrangement: Soprano does the main melody and Tenor, Baritone and Bass do accompaniment: an easy bass line and two voices for the chords.Baritone and Bass often play upbeat in the first bars of most of the phrases (pretending to be guitars or trumpets) and turn to straight beat in the final measures.Tempo is fast, thus singing those upbeat at the right speed can be challenging: bear in mind slowing them down produces a global weakening of the entire song: I suggest Tenor2 and Baritone drink some coffee before singing...SAA voices, (Soprano, the lead, Alto and Contralto the other), come from a Pasquale Amico (thank You!) arrangement and make a very good melody harmonisation.To add movement to an otherwise great and funny but simple structure, I added few bars to the original work, starting from bar 79 (F mark); here, pay attention to sing in sync, since the section is very rhythmic.Some background information about the song: written in 1939 under the fascist regime, Kramer was accused of making fun of the fascist hierarch Achille Starace, who used to walk upright in a black shirt, arousing the hilarity of the population. The song thus had to face the censorship of the regime, given that the allusion appeared quite clear.Many years after the composition, Gorni Kramer declared that the piece was inspired not by Starace but by the maestro Pippo Barzizza, with whom, in 1939, Kramer had had an argument during a performance at the Kursaal in Viareggio.
$4.00
3.69 €
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Chorale SATB
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Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri
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Pippo Non Lo Sa
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Bacco Baccanels
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SheetMusicPlus
#WeToo
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
1.83 €
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Chorale SATB
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
O Lord, you have searched me out
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1496253 Compos…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1496253 Composed by Philip Le Bas. A Cappella,Christian,Praise & Worship,Religious,Sacred. 7 pages. Philip Le Bas #1072778. Published by Philip Le Bas (A0.1496253). A new setting of Psalm 139 by Philip Le Bas, which begins O Lord, you have searched me out and known me - text printed below. The psalm is a deeply personal reflection by the psalmist on the wonder of my being and on the inescapability of God's love, wherever we might try to hide, and whatever we might do ourselves or might experience - even death. This gentle setting for unaccompanied SATB choir uses the full range of all four choral voices, with just one divisi passage at the end of the composition in the tenor and bass parts. The piece should be sung meditatively, without too much drama, even in the fortissimo passages, aiming for a sense of wonder and inner peace. Psalm 139 O Lord, you have searched me out and known me; you know all my sitting down and rising; you discern my thoughts from afar. You mark all my journeys and my resting place and are acquainted with all my ways. For not a word is on my tongue but, Lord, you know it altogether. You encompass me, behind and before me, you lay you hand upon me. O where can I go from your spirit? Or where can I flee from your presence? If I climb up to heaven you are there; you are there if the grave is where I lie. If I take the wings of the morning, or dwell in the depths of the sea, even there your hand shall lead me, your right hand hold me fast. You created my innermost parts; you knit me together in my mother's womb. I thank you for the wonder of my being, I marvel at all your works. Amen.
$2.99
2.76 €
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Chorale SATB
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Philip Le Bas
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O Lord, you have searched me out
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Philip Le Bas
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SheetMusicPlus
Grace Kelly
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1188981 By Mika. By…
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1188981 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Richard Swan. Pop,Rock,Singer/Songwriter. Octavo. 28 pages. Richard Swan #788594. Published by Richard Swan (A0.1188981). I hope you enjoy this arrangement of Mika's brilliant song. In due course I'll link a video of my choir performing it, but they haven't done so yet, as it's brand new. Do get in touch if you like my stuff, there's plenty more where this came from. I have around 100 arrangements in all, and I'm slowly getting them uploaded here. If you'd like to see the sort of repertoire I have, check out London City Voices choir on YouTube. Enjoy.
$4.50
4.15 €
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Chorale SATB
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Mika
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Richard Swan
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Grace Kelly
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Richard Swan
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SheetMusicPlus
Ave Maria, Woman of Valor+Harp Part
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.940833 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.940833 Composed by Michael D. McClish. Christian,Contemporary,Holiday,Sacred. Octavo. 11 pages. Michael D. McClish #5797717. Published by Michael D. McClish (A0.940833). This piece combines the standard text of Ave Maria in English with the text from Proverbs 31 known as Woman of ValorI wrote this piece to venerate Mary and also to venerate all women and their personal strengths. I consider this Easy to Medium in difficulty, as it has a lot of unison singing and simple four part choral singing. This would be perfect to use to in a Christmas, Mother's Day, or regular service that highlights contributions of women, and the personal strength necessary to surmount ordeals in life. The middle melody is taken from the Gregorian Chant Ave Maria but with words from Proverbs. It should be sung in the style of a legato, light chant, yet with crisp consonants to hear all the words. I am working on an SSA version of the same piece. For those who do not have a budget for a harpist, I also have a backing track available with the harp and organ. The organ is lighter, so an organist could play along and be dominant, and the harp would be heard most. The harp part is attached score.
$2.25
2.07 €
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Chorale SATB
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Michael D
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Ave Maria, Woman of Valor+Harp Part
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Michael D. McClish
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SheetMusicPlus
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