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Vous avez sélectionné:
Carmina Burana
intermédiaire
Chorale SATB
Partitions à imprimer
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O Fortuna
Chorale SATB
Mixed choir (SATB) and piano - intermediate - Digital Download No 1 of Carmina Burana…
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Mixed choir (SATB) and piano - intermediate - Digital Download No 1 of Carmina Burana. Composed by Carl Orff (1895- 1982). This edition: choral score. Downloadable. Duration 3 minutes. Schott Music - Digital #Q45842. Published by Schott Music - Digital
Latin.<br> <br> Carl Orff's masterpiece Carmina Burana composed in 1936 undoubtedly is one of the best-known musical creations throughout the world. By popular request, we now publish a separate edition of the opening chorus O Fortuna taken from the piano score (ED 2877) of the complete work. This new separate edition provides the opportunity to perform O Fortuna in a mixed concert.
$4.99
4.53 €
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Chorale SATB
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Carl Orff
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O Fortuna
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Schott Music - Digital
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SheetMusicPlus
Dios te salve, María (Ave Maria)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1032606 Composed by Alex G…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1032606 Composed by Alex Guerrero. 20th Century,A Cappella,Christmas,Contemporary,Sacred. Octavo. 7 pages. ScoresbyAlex #5044873. Published by ScoresbyAlex (A0.1032606). This is a beautiful and accessible 21st Century, Neo-Romantic a cappella setting of the Spanish Hail Mary prayer (Dios te salve, MarÃa) for SATB chorus, perfect for choirs ranging from high school to college and beyond. It also includes an alternate setting of the Latin Ave Maria prayer for those who might prefer that. (Here’s a link to the premiere performance: https://soundcloud.com/musicoalex/dios-te-salve-maria?in=musicoalex/sets/my-compositions.) A versatile musician, Alex Guerrero, whose setting of Tenebrae factae sunt was a prize winner in The New York Virtuoso Singers’ composition competition, always strives to write lyrical music that’s not only beautiful, but singable. He’s also an accomplished singer whose vast experience greatly informs his compositional style. As an operatic lyric tenor he performs with the Choruses at The Metropolitan Opera and Lyric Opera of Chicago; as a concert soloist his repertoire spans from Bach cantatas, Carl Orff's Carmina Burana, and frequent premieres of new music; and he has many years of experience performing as a chamber and concert choral artist with some of the premier ensembles in the US that include Yale Choral Artists and the Grammy Award-winning True Concord, as well as the symphonic choruses alongside world-renown orchestras like The Philadelphia Orchestra and The New York Philharmonic. He’s also an active liturgical musician in churches and synagogues with many years of experience serving in congregations of many different denominations: in New York City he’s served in the choirs at Temple Emanu-El, the largest Jewish Reform congregation in the US, the Anglican-style choir of men and boys at St. Thomas Church Fifth Avenue, Marble Collegiate Church, pulpit of the late Norman Vincent Peale, Congregation Shearith Israel - The Spanish and Portuguese Synagogue, an Orthodox Sephardi congregation which is the oldest Jewish congregation in North America, and is currently a staff cantor at St. Patrick’s Cathedral, one of the preeminent Roman Catholic cathedrals in the US.
$2.99
2.71 €
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Chorale SATB
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Alex Guerrero
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Dios te salve, María
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ScoresbyAlex
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SheetMusicPlus
Ecce gratum
Chorale SATB
Mixed choir (SATB) and piano (4 hands) - intermediate - Digital Download SKU: S9.Q2850
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Mixed choir (SATB) and piano (4 hands) - intermediate - Digital Download SKU: S9.Q2850 Aus Carmina burana. Composed by Carl Orff. This edition: choral score. Downloadable, Choral score. Duration 10 minutes. Schott Music - Digital #Q2850. Published by Schott Music - Digital (S9.Q2850). Latin.
$3.99
3.62 €
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Chorale SATB
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Carl Orff
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Ecce gratum
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Schott Music - Digital
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SheetMusicPlus
Three Latin Elegies to Lesbia
Chorale SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99
4.53 €
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Chorale SATB
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
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