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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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CORNET
DEEJAY
DIDGERIDOO
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Good As Hell
Non classifié
10
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2
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1
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1
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1
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1
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1
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3
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1
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1
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1
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1
Ensemble de Clarinettes
1
2 Clarinettes (duo)
1
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1
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1
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1
+ 7 instrumentations
Retracter
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1
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1
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1
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1
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1
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1
Violon
1
+ 3 instrumentations
Retracter
Orchestre & Percussions
Fanfare
24
Ensemble de cuivres
1
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1
Orchestre
1
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--INSTRUMENTS--
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ALTO
AUTOHARPE
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CITHARE
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COR
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CORNET
DEEJAY
DIDGERIDOO
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FLUTE TRAVERSI…
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Vous avez sélectionné:
Good As Hell
intermédiaire
Chorale SATB
Partitions à imprimer
3 partitions trouvées
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We said Hello, We Said Goodbye
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Chorale SATB
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INTERMÉDIAIRE
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Pop musique
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Craig Cassils
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We said Hello, We Said Goodbye
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Craig Cassils
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.912370 Composed by Craig Cassils. Pop. Octavo. 9 pages. Craig Cassils #3068987. Published by Craig Cassils (A0.9...
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Choral Choir (SATB) - Level 3 - SKU: A0.912370 Composed by Craig Cassils. Pop. Octavo. 9 pages. Craig Cassils #3068987. Published by Craig Cassils (A0.912370). We Said Hello, We Said Goodbye – As the title suggests, the song talks about a time of meeting and a time of parting. The song pulls at the heart as it paints a picture of saying goodbye, with feelings that run deep as water. Melodic lines are woven through all choral parts, with harmonies that are close and rich. The piano accompaniment gently wraps itself around the choral parts, supporting the mood of the piece. This song would serve well for a farewell event, a graduation, a funeral, or for any concert performance. $15.00 - THE PURCHASE PRICE ENTITLES YOU TO MAKE ENOUGH PHOTOCOPIES FOR ONE CHOIR IN ONE FACILITY. IF BUYING FOR MULTIPLE CHOIRS, PLEASE PAY FOR MULTIPLE COPIES.
$15.00
In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
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Chorale SATB
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INTERMÉDIAIRE
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Adrienne Inglis
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In Heaven and on Earth for SAT
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Ing...
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Choral Choir (SATB) - Level 3 - SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Inglis (ASCAP) #4807817. Published by Adrienne Inglis (ASCAP) (A0.953621). One of the most powerful passages in scripture set to music! Good length for an anthem, interesting and idiomatic use of flute and harp, nice mix of beautiful melodic passages and crunchy bits!A Setting of Philippians 2:5-11 from New Revised Standard VersionFor SATB chorus, flute, and clà rsach (Scottish lever harp) or harp or pianoDuration approximately 5:00 The Letter of Paul to the Philippians 2:5-11 (NRSV)*Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death - even death on a cross.Therefore God also highly exalted him and gave him the name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father. *New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.Composed by Adrienne Inglis in 2014 and premiered in 2014 in Austin, Texas, by the Westminster Presbyterian Church Sanctuary Choir, In Heaven and on Earth for SATB chorus, flute, and clà rsach, draws inspiration from the tune Love is the Cause of my Mourning from The Caledonian Pocket Companion Book 1, p. 27. The piece opens with the tune altered to G mixolydian mode. As the word exploited appears, a sinister-sounding E flat enters the harmony. Open octaves between soprano and bass show the emptying, followed by a shift to E phrygian mode with the word slave. Several dissonances emerge as the narrative gets darker. The flute and clà rsach represent chaos or hell with an aleatoric interlude of extended techniques involving tongue rams, flutter tonguing, multiphonics, spoken syllables, and lever glissandi. The harp then joyfully proclaims the new tonality of G major in a fanfare to introduce the text of praise and exaltation. The original source tune returns harmonically restored to G major.
$3.99
Sag Beim Abschied Leise "servus"
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Josephine Baker
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Scott S
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Sag Beim Abschied Leise "
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.955807 By Josephine Baker. By Hilm, Kreuder, and Lengsfelder. Arranged by Scott S. Stewart. Contemporary....
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.955807 By Josephine Baker. By Hilm, Kreuder, and Lengsfelder. Arranged by Scott S. Stewart. Contemporary. 7 pages. Scott S. Stewart #6072443. Published by Scott S. Stewart (A0.955807). The melody for this farewell song Sag’ beim Abschied leise ‘Servus’ comes from the failed operetta Blindekuh (1878) by Johann Strauss II (1825-1899). It was borrowed by composer Peter Kreuder and friends for the movie Burgtheater (1936). This charming waltz uses the word ‘Servus’ in the friendly colloquial way of greeting; it can be used either for saying hello as well as saying goodbye. This tune is a perfect ending or encore number for an evening of Viennese music, be it a concert or an outdoor event. It is arranged for 4-part SATB choir and piano. The text is German. Performance time: 2:15.
$2.99
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Good As Hell
