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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
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TROMBONE
TROMPETTE
TUBA
UKULELE
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Love Letter
Non classifié
35
Piano & claviers
Piano seul
22
Piano, Voix
7
Piano, Voix et Guitare
5
1 Piano, 4 mains
1
Instruments en Do
1
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4
Ukulele
3
Guitare
2
Paroles et Accords
1
2 Guitares (duo)
1
Banjo
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
9
Voix Soprano, Piano
4
Chorale 3 parties
3
Chorale TTBB
3
Chorale SSAA
1
Vents
Flûte, Violon, Piano
8
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2
Flûte et Guitare
2
Quintette de Saxophone: 5 saxophones
1
Quintette de Clarinettes: 5 clarinettes
1
Ensemble de Clarinettes
1
Quatuor de Clarinettes: 4 clarinettes
1
+ 2 instrumentations
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Quatuor de cuivres: 4 trombones
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9
Trio à Cordes: 2 violons, violoncelle
4
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3
Trio à Cordes: violon, alto, violoncelle
3
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2
4 Violoncelles
2
Violon, Alto (duo)
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Harpe
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
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Orchestre
7
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Batterie
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Jazz combo
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FLUTE A DIX…
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OUD
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
Love Letter
intermédiaire
Chorale SATB
Partitions à imprimer
9 partitions trouvées
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Laura, How I Love You (SATB, Bar Solo, Piano, Oboe, Cello)
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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D
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Laura, How I Love You
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.799655 Composed by D. M. Gardner. Contemporary. Octavo. 15 pages. D. M. Gardner Music #481053. Published by D. M...
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Choral Choir (SATB) - Level 3 - SKU: A0.799655 Composed by D. M. Gardner. Contemporary. Octavo. 15 pages. D. M. Gardner Music #481053. Published by D. M. Gardner Music (A0.799655). Laura, How I Love You (SATB, Bar Solo, Piano, Oboe, Cello)Laura is a uniquely beautiful composition, mirroring the beauty, grace and youth of its subject. The original text evokes a sense of tangible emotion... A love letter.PURCHASE INCLUDES ALL PARTS - Priced as a choral score, so please purchase one copy per performer...Thank you!Difficulty: IntermediateApprox. 2 minutes and 49 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$1.99
Paris Rutherford: Love Letters - choir (SATB: soprano, alto, tenor, bass)
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Chorale SATB
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INTERMÉDIAIRE
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Mariage/Ballade
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Pop musique
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Paris Rutherford
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Virtualsheetmusic
Instantly printable sheet music by Paris Rutherford for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / love,pop,concert
Instantly printable sheet music by Paris Rutherford for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / love,pop,concert
$5.78
Scorn Not His Simplicity
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Chorale SATB
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INTERMÉDIAIRE
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Phil Coulter
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Caryn Patterson
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Scorn Not His Simplicity
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Pattersongs
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1117926 Composed by Phil Coulter. Arranged by Caryn Patterson. Celtic,Folk,Irish,Pop,Singer/Songwriter. Octavo. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1117926 Composed by Phil Coulter. Arranged by Caryn Patterson. Celtic,Folk,Irish,Pop,Singer/Songwriter. Octavo. 10 pages. Pattersongs #715290. Published by Pattersongs (A0.1117926). This deeply personal song was written by Phil Coulter as a love letter to his wife, grappling with the news that their child would be born with disabilities. The message of love, hope, and acceptance still resonates today. Artfully combined with excerpts from Bach's 'Prelude No. 1' and Gounod's 'Ave Maria', this choral arrangement employs solo moments for your singers and pianist, and is sure to be a crowd pleaser.
$2.50
In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
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Chorale SATB
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INTERMÉDIAIRE
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Adrienne Inglis
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In Heaven and on Earth for SAT
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Ing...
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Choral Choir (SATB) - Level 3 - SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Inglis (ASCAP) #4807817. Published by Adrienne Inglis (ASCAP) (A0.953621). One of the most powerful passages in scripture set to music! Good length for an anthem, interesting and idiomatic use of flute and harp, nice mix of beautiful melodic passages and crunchy bits!A Setting of Philippians 2:5-11 from New Revised Standard VersionFor SATB chorus, flute, and clà rsach (Scottish lever harp) or harp or pianoDuration approximately 5:00 The Letter of Paul to the Philippians 2:5-11 (NRSV)*Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death - even death on a cross.Therefore God also highly exalted him and gave him the name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father. *New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.Composed by Adrienne Inglis in 2014 and premiered in 2014 in Austin, Texas, by the Westminster Presbyterian Church Sanctuary Choir, In Heaven and on Earth for SATB chorus, flute, and clà rsach, draws inspiration from the tune Love is the Cause of my Mourning from The Caledonian Pocket Companion Book 1, p. 27. The piece opens with the tune altered to G mixolydian mode. As the word exploited appears, a sinister-sounding E flat enters the harmony. Open octaves between soprano and bass show the emptying, followed by a shift to E phrygian mode with the word slave. Several dissonances emerge as the narrative gets darker. The flute and clà rsach represent chaos or hell with an aleatoric interlude of extended techniques involving tongue rams, flutter tonguing, multiphonics, spoken syllables, and lever glissandi. The harp then joyfully proclaims the new tonality of G major in a fanfare to introduce the text of praise and exaltation. The original source tune returns harmonically restored to G major.
$3.99
THE GREAT HUMILITY OF CHRIST (SATB) – Philippians 2:5-11
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Chorale SATB
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INTERMÉDIAIRE
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Michael A
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THE GREAT HUMILITY OF CHRIST
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Publ...
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Choral Choir (SATB) - Level 3 - SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Published by M.A. Morizio (A0.926663). In chapter two of Paul's letter to the Philippians, Paul begins speaking to his readers about encouragement, comfort from love, participation in the Spirit, and godly affection and sympathy for one another. He says, we are to count others as more important than ourselves. He pleads, Complete my joy by doing these things. From this point, Paul breaks immediately into this other known 1st century Hymn to Christ (Verses 5-11), which I have called, The Great Humility of Christ. The hymn text is a beautiful exposition of the Gospel; Christ in the form of God, did not hold onto (grasp) His equality with God, but humbled Himself and took on the human form of a servant (slave) and poured Himself out for all of mankind. The anthem is composed for SATB (a cappella) choir in two stanzas, with a bridge section and a coda. The piece is scored in D minor, but weaves between D minor and G Major (representing the dual natures of Christ-fully God and fully man). After the first stanza, regarding Christ’s taking on human flesh, the unthinkable happens; Christ humbles Himself in holy obedience to be put to death, even a humiliating and repugnant death on a cross. Here in the anthem we find the musical bridge between the two stanzas with the sopranos holding onto a single note (high D) followed by a cascade of dissonant suspensions, one voice handing off to the other, finally resolving in a descending scale.The second stanza declares God’s having exalted Christ as a consequence of His sacrifice, giving Him a name that is above every name, that at the name of Jesus every knee shall bow, in heaven and on earth and under the earth. The final coda (in G Major) trumpets the pronouncement that; Every tongue will confess that Jesus Christ is Lord, to the glory of the Father.
$1.99
Apolytikion tis Pentikostis - polyphonic version
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Chorale SATB
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INTERMÉDIAIRE
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Anonymous
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David Warin Solomons
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Apolytikion tis Pentikostis -
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David Warin Solomons
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.576129 Composed by Anonymous. Arranged by David Warin Solomons. 20th Century,Christian,Sacred,World. Octavo. 7 p...
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Choral Choir (SATB) - Level 3 - SKU: A0.576129 Composed by Anonymous. Arranged by David Warin Solomons. 20th Century,Christian,Sacred,World. Octavo. 7 pages. David Warin Solomons #2031521. Published by David Warin Solomons (A0.576129). Setting of the Byzantine chant for dismissal at the time of Pentecost ... This composition starts with the original chant and then, in this less traditional polyphonic version, it keeps the original rhythms but continues with harmonies reminiscent of John Taverner. For the final - somewhat more extended - repetition, the measure is kept in 6/4 time and the basses provide a Western style ostinato while the original themes weave in canon above them. The sound sample is my own multitrack performance, transposed down a third. The more traditional homophonic version is also available. The score shows the Greek words transcribed into Latin letters, since more choirs can read those. However, the final page of the score provides the original words using Greek letters followed by this English translation: ... Blessed be you, O Christ our God Who showed the fishermen to be most wise you sent the Holy Spirit upon them and through them you caught the inhabited world in your net O Lover of Mankind Glory to you.
$2.99
Two Views of Scott Joplin
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Chorale SATB
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INTERMÉDIAIRE
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James Siddons
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Two Views of Scott Joplin
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James Siddons Music and Writings
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings...
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Choral Choir (SATB) - Level 3 - SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings #4898807. Published by James Siddons Music and Writings (A0.972650). Two Views of Scott Joplin is an exploration of a personal and artistic crisis that Scott Joplin, the King of Ragtime, went through between 1904 and 1906. This crisis was precipitated by the untimely death of Freddie Alexander in September 1904, to whom Joplin had been married only ten weeks. Knowledge of this marriage was lost to history for almost a century until the Joplin scholar Edward A. Berlin discovered the newspaper obituary, which is quoted in the bass solo in Part II, The Obituary of Freddie Alexander. Apparently, Scott Joplin, already inspired by the progressive ideals of Booker T. Washington, saw a path to social and artistic betterment through his love of Freddie, a daughter of a refined family. During this period, Joplin used the title rag less often in his piano-solo works, and nurtured an interest in opera (he had long been active in vaudeville as well as ragtime piano). He seems to have lost his sense of direction in 1905 and 1906, until led by his publisher John Stark to move to New York City in 1907. Once there, apparently growing out of his grief, Joplin studied with an Italian opera singer and composer, composed his folk opera Treemonisha, and composed Wall Street Rag and his other late masterpieces for piano. Joplin died in April 1917 following two years of debilitating illness. Joplin left almost no personal writings, such as letters or diaries. To create an impression of autobiography, Two Views of Scott Joplin consists mostly of words and music written by Scott Joplin, and piano music composed by two close associates, the composer-pianists Louis Chauvin and Scott Hayden. These words come from Treemonisha, from Joplin’s little-remembered vaudeville and parlor songs, and also from text in his sheet-music---copyright notices, publishers’ addresses, titles and subtitles of rags, performance directions. In most cases, selected lyrics are extracted from songs and paired with piano-solo themes. These ingredients are combined in creative ways to express the biographical narrative. Instrumental themes are re-cast as necessary to express their newly-attached lyrics. But in no place can any of the music in Two Views of Scott Joplin be considered an arrangement of a given, intact composition, nor a medley of tunes, nor a theatrical revue. The character development and dialogue found in Scott Joplin’s Struggle with Destiny (Part II, No. 3) is my own biographical interpretation of Joplin, based on known evidence and on his music.The score contains extensive Performance Notes for performing this 16-minute work as a choral work or as a short opera scene.
$9.99
On the Seashore of Endless Worlds (SATB Choir)
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Chorale SATB
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INTERMÉDIAIRE
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Colin Kirkpatrick
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On the Seashore of Endless Wor
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Colin Kirkpatrick Publications
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.522260 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 33 pages. Colin Kirkpatrick Publications #60285...
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Choral Choir (SATB) - Level 3 - SKU: A0.522260 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 33 pages. Colin Kirkpatrick Publications #6028587. Published by Colin Kirkpatrick Publications (A0.522260). This choral work is sure to add excitement to your concert and it was given splendid reviews when it was first performed at London’s Royal Albert Hall. It was later performed at Croydon’s Fairfield Halls just outside London where it received a rapturous reception from the large audience. The work is ideal for music festivals (for which it was originally written) or any important event which needs a celebratory piece for choir and orchestra. The piece celebrates the endless joy of life and light, as children play on the seashore. The choral parts are not difficult and parts of the soprano could also be sung by children’s chorus if necessary. The words of the soprano solo part have a reflective, maternal quality as she watches the children playing on the shore. Singers are sure to enjoy the catchy melodies, the expressive soprano solo and the dramatic middle section of this work. Parts of the piece use several irregular time signatures. Don’t let them put you off! They are good deal easier than they look and the score contains indicates how they break down into simple units of two and three beats.The choral score contains a piano reduction of the orchestral score. The full orchestral score and parts are available separately from SMP. The orchestration is standard and requires: 2 flutes and piccolo, 2 oboes, 2 clarinets in B flat, 2 bassoons; 4 horns in F, 3 trumpets, 3 trombones, 1 tuba, timpani, percussion (4 players), violin 1, violin 2, viola, cello, double bass. A high-quality audio file containing the orchestral accompaniment is also available.The words are by the distinguished and much-loved Bengali poet Rabindranath Tagore (1861-1941). He made significant contributions to literature and wrote a prodigious number of works including essays, philosophical treatises, journals, memoirs, short stories and letters. The text of this work is taken from two poems in the book entitled Gitanjali. The title is translated as Song Offerings and was largely responsible for Tagore winning the Nobel Prize for Literature. The book contains over one hundred poems, translated freely by the author into English from the original Bengali, published in 1910. The English version appeared in 1912 published by the Indian Society of London. The text has been adapted slightly for this choral setting.Colin Kirkpatrick has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester and Belwin Mills. His music has been performed and broadcast world-wide.
$3.99
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Love Letter
