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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Minor is Major!
Non classifié
143
Piano & claviers
Piano seul
183
Orgue
21
Piano, Voix
11
Piano Trio: piano, violon, violoncelle
5
Piano Facile
5
1 Piano, 4 mains
4
Orgue, Trompette (duo)
3
Instruments en Do
3
Piano, Voix et Guitare
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavecin
1
+ 6 instrumentations
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Guitare notes et tablatures
30
Guitare
14
2 Guitares (duo)
3
Piano, Guitare (duo)
2
Banjo
2
Dulcimer
1
+ 1 instrumentations
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Chorale SATB
28
Chorale 3 parties
11
Chorale Unison
4
Chorale TTBB
3
Chorale SSAA
3
Chorale 2 parties
2
Voix Soprano, Orchestre
1
Voix Alto, Piano
1
+ 3 instrumentations
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Flûte traversière et Piano
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Hautbois, Piano (duo)
12
Clarinette et Piano
11
Flûte, Hautbois, Clarinette, Basson
9
Saxophone Alto et Piano
9
Saxophone Tenor et Piano
7
Quatuor de Saxophones: 4 saxophones
7
2 Flûtes traversières (duo)
6
3 Saxophones (trio)
6
Flûte et Guitare
6
Saxophone Soprano et Piano
6
2 Saxophones (duo)
6
2 Clarinettes (duo)
6
Ensemble de Flûtes
5
Ensemble de Clarinettes
5
Saxophone Baryton, Piano
5
Clarinette, Guitare (duo)
4
Cor anglais, Piano
4
Quatuor de Clarinettes: 4 clarinettes
3
Clarinette Basse, Piano
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Hautbois, Clarinette (trio)
2
2 Clarinettes, Piano
2
3 Clarinettes (trio)
2
Flûte traversière
2
2 Flûte à bec (duo)
2
Flûte à bec Alto
2
Clarinette
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Clarinette (duo)
2
Flûte à Bec, Piano
1
Flûte, Clarinette, Piano (trio)
1
2 Hautbois (duo)
1
Flûte à bec Tenor
1
Ensemble De Flûte à bec
1
Saxophone Alto
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Saxophone (duo)
1
Hautbois (partie séparée)
1
2 Clarinettes, Basson
1
Saxophone et Guitare
1
Clarinette, Harpe (duo)
1
Hautbois, Basson (duo)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violoncelle, Piano (trio)
1
Cor Anglais
1
Cor anglais, Guitare (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Alto et Piano
1
Flûte à bec Soprano, Piano
1
Instruments en Mib
1
Saxophone (partie séparée)
1
Flûte, Violoncelle
1
Flûte à Bec
1
Saxophone
1
Clarinette, Basson (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Soprano
1
Clarinette Basse
1
+ 55 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Trompette
7
Euphonium, Piano (duo)
7
Trombone (partie séparée)
6
Trompette (partie séparée)
5
Cor anglais, Piano
4
Trompette, Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trombone et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba
2
Cor et Piano
2
Tuba et Piano
1
Quatuor de cuivres: 4 trompettes
1
Trio de Cuivres
1
Quatuor de Cuivres
1
Instruments en Sib
1
Cor Anglais
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 4 trombones
1
Bass Clef Instruments
1
2 Trompettes (duo)
1
Cor
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
31
Violon et Piano
26
Alto, Piano
17
Harpe
13
Violon, Violoncelle (duo)
12
Violoncelle, Piano
11
Violon
10
2 Violons (duo)
9
Violoncelle
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violon, Guitare (duo)
3
Trio à Cordes: 3 violoncelles
3
2 Violoncelles (duo)
3
Alto (partie séparée)
2
2 Altos (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Alto seul
2
Violon, Alto (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Alto, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
Violon, Basse continue
1
Quatuor à cordes: 4 violons
1
Violon, Basson (duo)
1
Harpe, Voix
1
Trio à Cordes: 2 violons, alto
1
3 Harpes
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
17
Cloches
15
Ensemble Jazz
15
Orchestre d'harmonie
12
Orchestre
8
Orchestre de chambre
5
Ensemble de Percussions
3
Fanfare
2
Ensemble de cuivres
2
Batterie
1
Big band
1
+ 6 instrumentations
Retracter
Autres
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ACCORDEON
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AUTRES INST…
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COR
COR ANGLAIS
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HARPE
HAUTBOIS
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
LUTH
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Crtitères actifs :
Minor is Major!
intermédiaire
Chorale SATB
Partitions à imprimer
28 partitions trouvées
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1
26
Art is a fire!
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Chorale SATB
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INTERMÉDIAIRE
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David Nelson Jex
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Art is a fire!
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David Jex
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.925770 Composed by David Nelson Jex. 20th Century,Concert,Contemporary,Graduation. Octavo. 9 pages. David Jex #2...
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Choral Choir (SATB) - Level 3 - SKU: A0.925770 Composed by David Nelson Jex. 20th Century,Concert,Contemporary,Graduation. Octavo. 9 pages. David Jex #2154591. Published by David Jex (A0.925770). 2016 Choral Contest EntryArt is a fire! is a bold statement on the importance of Art in our lives and society.Composed for SATB Chorus and Piano it is of moderate difficulty, with a length of 3 1/2 minutes.. The text is from a poem written by our older son, Matthew. He has a gift to express ideas and emotions in words that I do not, and I was very pleased and excited when he gave me permission to set his poem to music. The music is in an overall ternary form, with the fiery outer sections tempered with a more spiritual middle segment. The piano plays an important but supporting accompanying role. The music is somewhat tonally oriented, with an E minor basis for the more passionate outer sections. These sections also require the choir to sing some chromatic melodic and harmonic lines and constructions. The rhythm also varies somewhat, asking the chorus to express these emotional portions of the piece. The flowing middle section has a more consistent tempo and is centered in C major. This key seems to have the qualities of innocence and peace, which offsets the more restless and fiery E minor of the rest of this work. This more meditative center section also has a more triadic basis than the somewhat contrapuntal textures surrounding it. It invites the music performers and listeners to experience the joy of Music and Art, while the closing music and text sing of the passion and energy of the artistic experience.
$2.99
There is no Rose
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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verse five, some harmony is fo
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Tim Attride
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There is no Rose
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Tim Attride
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.851304 Composed by Tim Attride. Christmas. Octavo. 2 pages. Tim Attride #3589141. Published by Tim Attride (A0.8...
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Choral Choir (SATB) - Level 3 - SKU: A0.851304 Composed by Tim Attride. Christmas. Octavo. 2 pages. Tim Attride #3589141. Published by Tim Attride (A0.851304). Starting with bars of 11 beats might raise a few eyebrows. However, this short setting of anonymous C15th words (as with many of my pieces) is intended to support the text, rather than be a nice tune with words shoehorned in. What turns out to be a flowing opening line for the Sopranos (/ solo) leads into a simple refrain. Altos join for the second verse, still in unison, with a slightly elaborated 2-part refrain including duplets against 3/4. So on with the Tenors added in verse three and the Basses in verse four. By verse five, some harmony is forthcoming, as is a brief division for the Sops. Although the nominal key rests in C minor and the refrains so far have resolved on a G major chord, the final chorus ends on a triumphant 8-part C major chord.A definite showpiece for an (at least) reasonably competent choir.
$1.99
BEHOLD HE IS COMING (SATB) – Revelation 1:7
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Chorale SATB
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INTERMÉDIAIRE
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Michael A
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BEHOLD HE IS COMING
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Publ...
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Choral Choir (SATB) - Level 3 - SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Published by M.A. Morizio (A0.926664). The Apostle John’s visions in Revelation are nothing less than astounding to all readers. However, little is it known that another Hymn to Christ is neatly tucked into the very first seven verses of this last book of the Bible. John begins his Revelation (verses 1-3) with a prelude, introducing Jesus Christ and the apocalypse (revelation) that was made to him via the angel sent to describe all the things about which he was to write. He says, Blessed is the one who reads aloud the words of this prophecy, and blessed are those who hear, and keep what is written in it, for the time is near. After this short prelude, John delivers an epistolary opening (a greeting identifying the author and recipients), then pronounces a blessing upon the recipients-verses 4-6. After both the prelude and the opening, John immediately proceeds to another known Hymn to Christ, in verse 7, which I have called, Behold He Is Coming. When presented with the text in Revelation 1:7, I immediately thought, Where is the Gospel, the good news, in this piece? After several minutes of meditating on the text, I realized the Gospel message was right there in front of me-in the very last line: Yes, so be it [Lord], so be it, [Amen!] There will be peace! All will be known. Every single person will understand, at that point. The end, is the ushering in of a new beginning. The piece is scored in G minor for SATB with flute and Bâ™ clarinet accompaniment. In the opening phrase, we hear the clarinet on a sustained high (concert) G, which crescendos into a quick, descending sixteenth note pattern. There is urgency! The flute joins the clarinet in a duet to complete the introduction to the anthem. Then, the choir begins their haunting chant, Behold, He is coming with the clouds. Every eye will see Him, even those who pierced Him. Every eye will see Him and all the tribes of the earth will mourn over Him . Alas, there is peace! The two instruments dissolve into an a cappella four-part chorale where the choir creates the agreement between the text and the music, modulating to the relative major (Bâ™)-all is reconciled in a final Amen!
$1.99
Where Is Hope? - SATB Ensemble
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Chorale SATB
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INTERMÉDIAIRE
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Mark R Lewis
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Mark R Lewis
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Where Is Hope? - SATB Ensemble
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Mark R Lewis
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 3 - SKU: A0.1516690 By Mark R Lewis. By Mark R Lewis. Arranged by Mark R Lewis. Contemporary,Praise & Worship,...
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Choral Choir,Choral (SATB Chorus) - Level 3 - SKU: A0.1516690 By Mark R Lewis. By Mark R Lewis. Arranged by Mark R Lewis. Contemporary,Praise & Worship,Religious,Sacred. 11 pages. Mark R Lewis #1090863. Published by Mark R Lewis (A0.1516690). The text for “Where Is Hope?” is adapted from the Lamentations Chapter 3 and is an expression of hopelessness, almost depression. The text starts out with the singer feeling lost, alone, and in pain. As the song progresses, the singer remembers God’s promises to always help and be with us. By the end of the song, the singer has regained hope and is triumphant and comforted. First and foremost, the music is very much intended to support the lyrical content of this song.Throughout the song, the key switches from major to minor (both parallel and relative) quite frequently. The piece starts with a very free section with almost no tempo alternating between just voices and simple piano accompaniment. The middle sections have stricter tempo and more active piano accompaniment and the final section increases in speed and excitement with piano truly accompanying the voices instead of just mostly mirroring them. Throughout the piece, meter always follows word stress so there are a surprising number of time signature changes with lyrical clarity always being more important than strict meter. All that said, the rhythms are not too difficult throughout the song and while there are some dissonant harmonies, the musical lines themselves should be singable by most intermediate choirs.
$2.99
God Is There Accompaniment MP3
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Chorale SATB
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INTERMÉDIAIRE
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Lee Dengler
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God Is There Accompaniment MP3
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Celebrating Grace - Digital
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SheetMusicPlus
SATB chorus - Intermediate - SKU: C6.846097 Composed by Lee Dengler. General. MP3. Celebrating Grace - Digital #846097. Published by Celebrating Grace -...
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SATB chorus - Intermediate - SKU: C6.846097 Composed by Lee Dengler. General. MP3. Celebrating Grace - Digital #846097. Published by Celebrating Grace - Digital (C6.846097). Herb Frombach has written a powerful text about the struggle of faith in the face of adversity. Lee Dengler's sensitive and reflective melody carries the text forward on the wings of song, affirming the reality that God is there. Following a moving minor section, the piece accelerates into a warm, major section that explores God's character and encourages everyone to stop and listen for God's voice. A 3/4 section with reduced accompaniment follows, allowing the voices to communicate the poignant text. The opening tempo in 6/8 returns and concludes with emphasis on the stop and listen text. Final resolution occurs harmonically with a Picardy third, symbolizing hope. Inspiring!
$9.99
The Messianic Psalm Trilogy
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Zachary Damm
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The Messianic Psalm Trilogy
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Digital Print Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.969602 Composed by Zachary Damm. Christian,Easter,Sacred,Spiritual,Standards. Octavo. 17 pages. Digital Print Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.969602 Composed by Zachary Damm. Christian,Easter,Sacred,Spiritual,Standards. Octavo. 17 pages. Digital Print Publishing #6620047. Published by Digital Print Publishing (A0.969602). The first in a trilogy of Messianic Psalms, Psalm 22 poignantly presents the Good Shepherd, giving His life for the sheep, then rising again triumphantly. The contrast between the minor and major keys of the first and second sections adequately portray the humiliation and exaltation of the Savior. This Psalm is a moving and fresh piece of music for Easter services, or any time of the year. Psalm 23 is the second in the trinity including Psalms 22 and 24 and presents the Great Shepherd, having died and risen again, caring for His sheep. The lively, flowing rhythm and the simple melody create a pleasant pastoral atmosphere that captures the message of this popular Psalm. The last of a trilogy of Psalms including Psalms 22 and 23, Psalm 24 presents the Chief Shepherd, returning to rule over the world. A triumphant organ part accompanies the jubilant choir to welcome the King.See also other Psalms and works by this composer including the aforementioned titles sold individually. To contact the composer, please send a message to zddamm@yahoo.com or (703) 389-5058.
$8.00
THE GREAT HUMILITY OF CHRIST (SATB) – Philippians 2:5-11
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Chorale SATB
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INTERMÉDIAIRE
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Michael A
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THE GREAT HUMILITY OF CHRIST
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Publ...
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Choral Choir (SATB) - Level 3 - SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Published by M.A. Morizio (A0.926663). In chapter two of Paul's letter to the Philippians, Paul begins speaking to his readers about encouragement, comfort from love, participation in the Spirit, and godly affection and sympathy for one another. He says, we are to count others as more important than ourselves. He pleads, Complete my joy by doing these things. From this point, Paul breaks immediately into this other known 1st century Hymn to Christ (Verses 5-11), which I have called, The Great Humility of Christ. The hymn text is a beautiful exposition of the Gospel; Christ in the form of God, did not hold onto (grasp) His equality with God, but humbled Himself and took on the human form of a servant (slave) and poured Himself out for all of mankind. The anthem is composed for SATB (a cappella) choir in two stanzas, with a bridge section and a coda. The piece is scored in D minor, but weaves between D minor and G Major (representing the dual natures of Christ-fully God and fully man). After the first stanza, regarding Christ’s taking on human flesh, the unthinkable happens; Christ humbles Himself in holy obedience to be put to death, even a humiliating and repugnant death on a cross. Here in the anthem we find the musical bridge between the two stanzas with the sopranos holding onto a single note (high D) followed by a cascade of dissonant suspensions, one voice handing off to the other, finally resolving in a descending scale.The second stanza declares God’s having exalted Christ as a consequence of His sacrifice, giving Him a name that is above every name, that at the name of Jesus every knee shall bow, in heaven and on earth and under the earth. The final coda (in G Major) trumpets the pronouncement that; Every tongue will confess that Jesus Christ is Lord, to the glory of the Father.
$1.99
Come, Thou Long-Expected Jesus — SATB voices, organ
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Chorale SATB
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INTERMÉDIAIRE
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Todd Marchand
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Come, Thou Long-Expected Jesus
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Con Spirito Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1283376 Composed by Todd Marchand. Advent,Christian,Sacred. Octavo. 6 pages. Con Spirito Music #874560. Publishe...
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Choral Choir (SATB) - Level 3 - SKU: A0.1283376 Composed by Todd Marchand. Advent,Christian,Sacred. Octavo. 6 pages. Con Spirito Music #874560. Published by Con Spirito Music (A0.1283376). Charles Wesley’s (1707-1788) Advent hymn, “Come, Thou Long-Expected Jesus,†from Hymns for the Nativity of our Lord (1744), reflects the dual nature of Advent for Christians, in that it recalls the first coming and incarnation of the Messiah while also anticipating His return.Each stanza presents a different idea: Stanza 1, the longing for freedom from sin and fear; Stanza 2, attributes of or names for Christ; Stanza 3, the Messiah's birth, kingdom, and purpose; and Stanza 4, a prayer for Christ's rule in believers' hearts. Among the Scriptures referenced in the hymn are 2 Corinthians 4:14, Revelation 3:21, Isaiah 61:1-2, Luke 4:18-19, and Romans 6:22. In this setting of Wesley’s text to an original tune, a short introduction is followed by verse 1, presented by women’s voices (soprano, alto) and verse 2, presented by men’s voices (tenor, bass). Verse 3 is presented by SATB voices, unaccompanied; and following a short organ interlude and modulation from D minor to E minor, the concluding verse 4 is introduced by all voices in unison with organ, then expands both dynamically and in texture to SATB and ends on a glorious E major chord.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
When I Survey the Wondrous Cross
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pag...
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Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
Lux Aeterna
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Chorale SATB
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Sterling Severson
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Lux Aeterna
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Sterling Severson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1028083 Composed by Sterling Severson. Contemporary,Sacred. Octavo. 9 pages. Sterling Severson #3246551. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.1028083 Composed by Sterling Severson. Contemporary,Sacred. Octavo. 9 pages. Sterling Severson #3246551. Published by Sterling Severson (A0.1028083). Lux Aeterna is Sterling's take on showing the mystery of God through the use of extended harmonies and ambiguous tonality. It is written in a block chord format, like that of early church music. The song focuses on the key of G minor, but also goes between Bb major and D major.
$1.99
In the Bleak Midwinter (SATB)
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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Curtis Hanson
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Curtis Hanson
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In the Bleak Midwinter
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.719693 Composed by Curtis Hanson. Arranged by Curtis Hanson. A Cappella,Christian,Christmas,Sacred. Octavo. 6 pa...
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Choral Choir (SATB) - Level 3 - SKU: A0.719693 Composed by Curtis Hanson. Arranged by Curtis Hanson. A Cappella,Christian,Christmas,Sacred. Octavo. 6 pages. Curtis Hanson #3109143. Published by Curtis Hanson (A0.719693). This wonderful Christmas text is here given a new treatment with an original melody and four-part SATB harmonization. A capella performance is preferred, but a keyboard instrument may support by doubling the voices. The first verse is for optional solo with a humming choral accompaniment and is in a minor mode. The second verse is tutti with all voices singing the text and is in the parallel major. The final verse incorporates the familiar tune by Gustav Holst. The piece concludes by recalling the original humming motif in the middle voices. This work has comfortable ranges and relatively easy voice-leading so is accessible for a wide variety of choral abilities, but it requires a good ear for the close harmonies. 2017 Choral Contest Entry
$2.00
Total Eclipse - SATB choir and piano
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Chorale SATB
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INTERMÉDIAIRE
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Phil Beaman
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Sop - middle C to C
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Total Eclipse - SATB choir and
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Phil Beaman
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1373417 Composed by Phil Beaman. Classical,Contemporary,Contest,Festival,Pop,Romantic Period. 10 p...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1373417 Composed by Phil Beaman. Classical,Contemporary,Contest,Festival,Pop,Romantic Period. 10 pages. Phil Beaman #957783. Published by Phil Beaman (A0.1373417). I originally wrote Total Eclipse as an expressive Art Song for solo voice and piano. Â I used several lines of poetry from Newburgh Hamilton (1741) and set them to unique music that is a fusion of Classical, Romantic, and Modern, with a touch of Pop. Â The music expressively drifts from major to minor to modal every few measures, inspired by the themes of darkness and light. Â When I adapted it for SATB I filled out the already rich harmony and added ethereal 'oo's under some of the melody. Â In a few brief measures, at different places, SAB each will have a divisi line where it splits to 2 parts. Â (The texture is never thicker than 5 parts at once.) Â This approachable piece of music is a good introduction for singers to the interpretation of an Art Song and is a dramatic performance piece for concert. Â And perfect for the upcoming April 8 total eclipse!(Haydn also used variations of this text to create several Recitatives and an Aria for his oratorio Samson.) Â 10 pages, 2:00 minutesVocal Ranges: Â all 1 octave; Sop - middle C to C; Alto - low G to G; Tenor - D to C; Bass - G to Gattached recording is of the original solo voice version which SATB is closely based on. Â Be the first choir to record this and send me a link which I will post. Â plbeaman@gmail.comalso available on this site as a vocal solo in several keys, and as a Unison Choral hymn
$3.50
The Little Child (SATB version)
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Chorale SATB
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INTERMÉDIAIRE
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Robert A
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The Little Child
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Robert A. Howard
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1088814 Composed by Robert A. Howard. 21st Century,Christmas,Classical,Folk,Sacred. 8 pages. Robert A. Ho...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1088814 Composed by Robert A. Howard. 21st Century,Christmas,Classical,Folk,Sacred. 8 pages. Robert A. Howard #693026. Published by Robert A. Howard (A0.1088814). This piece is an original arrangement based on the wistful English folk melody 'Barbara Allen'. It takes the form of a 7-verse Epiphany carol, with introduction and coda, setting a poem by Laurie Twinam. Verse 1 gives the option for a single solo voice. Otherwise vocal lines, for SATB choir, retain the folk tune contour throughout, with fairly simple harmonies and a canon. Around this, the piano accompaniment weaves a set of characterful variations, as a commentary on each differing verse, which is always linked by a 2-bar 'turnaround'. The work explores aspects of both major and minor tonality, as well as modality (with the characteristic flattened seventh), thus working within and around the given folk idiom. This piece is appropriate for virtually any standard and size of SATB choir, including school, student, community, church and cathedral choirs. The accompaniment can be on piano, or for organ if slightly adapted by the player. The solo/unison and 2-part SA versions of this piece, as well as the solo piano version (Variations on 'Barbara Allen') by the same composer, are also available via Sheet Music Plus. Duration: 4 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$5.99
We Wait for Thy Loving-Kindness, O God
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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David Ashley White
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We Wait for Thy Loving-Kindnes
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and organ - Medium - SKU: MQ.8770-E Composed by David Ashley White. Easter Season. 7 pages. Duration 2 minutes, 30 seconds. E. C. Schirmer Mu...
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SATB choir and organ - Medium - SKU: MQ.8770-E Composed by David Ashley White. Easter Season. 7 pages. Duration 2 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8770-E. Published by E. C. Schirmer Music Company - Digital (MQ.8770-E). English. Psalms 48:8-9.This setting of the 8th and 9th verses of Psalm 48 uses the Myles Coverdale translation of the Bible (1535), and adds Alleluias, which occur three times and serve as a sort of refrain. The addition of these Alleluias provides opportunity for usage throughout the Church Year, including during Eastertide. Another unifying idea is the suggestion of a chaconne—a harmonic/melodic idea that is first presented in the opening measures. The arrival of a “triumphant†C Major in the final section is the high point of the piece, but hints of C Minor linger, along with a bit of modal ambiguity due to the presence of the D-flat in the final measures. Duration: 2:30.
$2.25
The Wind Blows
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Chorale SATB
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INTERMÉDIAIRE
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Isaac McNutt
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The Wind Blows
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Isaac McNutt
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1232092 Composed by Isaac McNutt. 21st Century,A Cappella,Chamber. Octavo. 4 pages. Isaac McNutt #827770. Publis...
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Choral Choir (SATB) - Level 3 - SKU: A0.1232092 Composed by Isaac McNutt. 21st Century,A Cappella,Chamber. Octavo. 4 pages. Isaac McNutt #827770. Published by Isaac McNutt (A0.1232092). This song is meant to help us say goodbye to those we love. The wind will always blow, and though our lives will never be the same without them, like the wind we must continue on. Most of the song is in g minor, with the final chord resolving to C major, this is meant to symbolize hope, not only that our tears will dry and we will find joy again, but that also in the future we will be reunited with our loved one.
$1.99
The Lord Bless You And Keep You
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Douglas Brooks-Davies
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The Lord Bless You And Keep Yo
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Douglas Brooks-Davies
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.898108 Composed by Douglas Brooks-Davies. Christian,Contemporary,Praise & Worship,Sacred. Octavo. 9 pages. Dougl...
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Choral Choir (SATB) - Level 3 - SKU: A0.898108 Composed by Douglas Brooks-Davies. Christian,Contemporary,Praise & Worship,Sacred. Octavo. 9 pages. Douglas Brooks-Davies #4338413. Published by Douglas Brooks-Davies (A0.898108). An exciting new anthem for solo soprano, SATB choir and keyboard on the familiar text from Numbers 6:24-6. The first and last sections of the anthem repeat each other, and are in call and response format between soloist and chorus. The middle section is a rather lovely tune, which changes the opening section's D minor to an exuberant D major. The keyboard maintains an arpeggiated ostinato accompaniment throughout. The piece would suit any service in which a contemporary rhythmical setting is welcome.
$5.20
Love Asks For Nothing
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Michael Woytiuk
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Love Asks For Nothing
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Michael Woytiuk
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.875707 Composed by Michael Woytiuk. Sacred. Octavo. 3 pages. Michael Woytiuk #4887087. Published by Michael Woyt...
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Choral Choir (SATB) - Level 3 - SKU: A0.875707 Composed by Michael Woytiuk. Sacred. Octavo. 3 pages. Michael Woytiuk #4887087. Published by Michael Woytiuk (A0.875707). Love asks for nothing is a beautiful reflection on the nature of love taken from a text by the thirteenth century Persian Poet Mevlana Rumi. Starting from a simple C major chord the music grows with small gestures leading to a sweeping expression that love risks everything. The first section finishes with a a simple and asks for nothingPart two feels like a waltz without the interruptions of silence in part one. The text is reversed. Starting in a minor key with love asks for nothing nothing nothing and ends with loves risks everything!
$1.99
Little Lamb (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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David M
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Little Lamb
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir divisi (a cappella) - Medium - SKU: MQ.50-6511-E Composed by David M. Cherwien. Instrument part. 3 pages. MorningStar Music Publishers - Digi...
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SATB choir divisi (a cappella) - Medium - SKU: MQ.50-6511-E Composed by David M. Cherwien. Instrument part. 3 pages. MorningStar Music Publishers - Digital Sheet Music #50-6511-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-6511-E). The innocence yet complexity of this wonderful poem by William Blake is set very simply in four part texture (with some divisi), vacillating between major and minor chords as the narrative fluctuates between query and statement. A fairly wide range of dynamics and vocal ranges are employed, yet the piece is accessible for just about any size choir.
$2.15
It Came Upon the Midnight Clear
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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Paul Jones
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It Came Upon the Midnight Clea
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Paul S. Jones
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.871089 Composed by Paul Jones. Christian,Christmas,Contemporary,Sacred. Octavo. 9 pages. Paul S. Jones #3...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.871089 Composed by Paul Jones. Christian,Christmas,Contemporary,Sacred. Octavo. 9 pages. Paul S. Jones #3560131. Published by Paul S. Jones (A0.871089). A brand new (2017) tune that sets the beloved Christmas carol text predominantly in minor mode, but the last stanza and refrain (the Gloria of Angels We Have Heard on High) are major. A careful listener will discern that snippets of the latter are heard in the piano introductions and interludes throughout the work. The setting is relatively simple, much in unison or 2-part, with short sections of divisi women/men and one verse in SATB throughout. .
$2.25
Away In A Manger (SATB and Piano)
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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Unknown
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Howard Ward
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Away In A Manger
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Howard Ward
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1025007 Composed by Unknown. Arranged by Howard Ward. Christmas. 4 pages. Howard Ward #6509779. Published...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1025007 Composed by Unknown. Arranged by Howard Ward. Christmas. 4 pages. Howard Ward #6509779. Published by Howard Ward (A0.1025007). A unique and interesting setting of this timeless Christmas classic, using two of the 'other' favourite melodies that have been associated with the carol for many, many years.  The opening and final verses are set to the tune Mueller, while the middle verse utilises the ‘Old Normandy Carol’.  The use of major and minor modes, together with a final key change, add to the arrangements appeal, as does the integral piano part that is a feature of this arrangement.
$2.99
Come, Sweet Death
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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D
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Come, Sweet Death
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.799672 Composed by Johann Sebastian Bach. Arranged by D. M. Gardner. Baroque. Octavo. 4 pages. D. M. Gardner Mus...
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Choral Choir (SATB) - Level 3 - SKU: A0.799672 Composed by Johann Sebastian Bach. Arranged by D. M. Gardner. Baroque. Octavo. 4 pages. D. M. Gardner Music #4324397. Published by D. M. Gardner Music (A0.799672). This is a simple SATB unaccompanied edition of Come, Sweet Death originally composed by J. S. Bach that includes new meter, dynamic, and text alignment interpretations in addition to a cleaner, more readable presentation on a single page.This edition includes two alternate ending concepts (one in C minor, the other Eb Major). These aleatoric options create a haunting effect that ultimately settle into the final chord, again at rest.To learn more about the editor of this work, please visit https://www.dmgardner.com
$1.99
God Rest You Merry, Gentlemen (SATB Choir, Chords, Piano Acc.)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional English Carol
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Cathy Stamegna
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God Rest You Merry, Gentlemen
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Cathy Stamegna
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.780518 Composed by Traditional English Carol. Arranged by Cathy Stamegna. Christmas,Contemporary,Praise & Worshi...
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Choral Choir (SATB) - Level 3 - SKU: A0.780518 Composed by Traditional English Carol. Arranged by Cathy Stamegna. Christmas,Contemporary,Praise & Worship,Sacred,Traditional. Octavo. 7 pages. Cathy Stamegna #4983253. Published by Cathy Stamegna (A0.780518). God Rest You Merry, Gentlemen with changing meters (SATB Choir, Chords, Piano Acc.) begins with the traditional 4/4 and changes meters to 3/4 and 5/4. Major and minor seventh chords add to the twist of this English carol. The use of the comma after Merry is stressed with a rest to add meaning to the lyrics. Use the chord symbols to add a bass guitar and/or a pitched percussion instrument - a powerful and haunting addition(s) to your performance. Other arrangements available.
$2.50
Unser Vater
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Chorale SATB
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INTERMÉDIAIRE
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Stefan Heucke
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Unser Vater
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Schott Music - Digital
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SheetMusicPlus
Mixed choir and organ - intermediate - SKU: S9.Q20945 For mixed choir and organ. Composed by Stefan Heucke. This edition: score for voice and/or ...
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Mixed choir and organ - intermediate - SKU: S9.Q20945 For mixed choir and organ. Composed by Stefan Heucke. This edition: score for voice and/or instruments. Schott Chamber Choir. Downloadable, Vocal and performing score. Op. 57 a. Duration 7 minutes. Schott Music - Digital #Q20945. Published by Schott Music - Digital (S9.Q20945). German.From his Pater noster for soloists, choir and orchestra, written in the form of a cantata, in which the original Latin text is combined with the new German translation of the former President of the Bundestag, Norbert Lammert, Stefan Heucke has taken an almost seven-minute German version for mixed choir and organ for practical use and newly arranged it. The text version of Norbert Lammert uses a direct and concise language which reinterprets several archaic expressions of the traditional translation: 'Dein Reich kommt, wenn dein Wille geschieht, auch auf Erden'. Stefan Heucke set the choral parts in major/minor-mode homophony in a deliberately simple way. The organ basically supports the choral setting and expands it rhythmically and harmonically now and then.
$7.99
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Minor is Major!