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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
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XYLOPHONE
Never Change
Non classifié
13
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Piano seul
18
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10
Piano, Voix et Guitare
4
Instruments en Do
1
Piano Facile
1
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2
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2
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1
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1
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Chorale SATB
10
Voix haute
2
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1
Chorale 3 parties
1
Chorale SSAA
1
Vents
Flûte, Violon, Piano
31
Flûte, Hautbois, Clarinette, Basson
5
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3
Quintette de Saxophone: 5 saxophones
3
Quintette de Clarinettes: 5 clarinettes
2
Quatuor de Clarinettes: 4 clarinettes
1
Flûte, Saxophone (duo)
1
Clarinette et Piano
1
Flûte traversière et Piano
1
Hautbois, Piano (duo)
1
Flute, harpe et violon
1
Saxophone Soprano et Piano
1
Ensemble de Clarinettes
1
Saxophone Alto et Piano
1
Quintette de Flûte : 5 flûtes
1
+ 10 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Ensemble de Cors
1
Ensemble de Trompettes
1
Cor et Piano
1
Quatuor de cuivres: 4 cors
1
2 Euphoniums et 2 Tubas
1
+ 2 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
8
Harpe
3
Violoncelle
2
Alto, Piano
1
Violon et Piano
1
Orchestre & Percussions
Orchestre à Cordes
2
Orchestre d'harmonie
1
Orchestre
1
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FLUTE A DIX…
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FORMATION M…
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GUITARE PED…
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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OUD
PARTITIONS …
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SYNTHE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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ENFANTS : EVEIL - IN…
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Crtitères actifs :
Never Change
intermédiaire
Chorale SATB
Partitions à imprimer
10 partitions trouvées
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NI TORI E WA TI TI LAI
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Chorale SATB
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Rev Dr
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Muyiwa Sodiya
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NI TORI E WA TI TI LAI
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Muyiwa Sodiya
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1028456 Composed by Rev Dr. Adeolu Ogunleye. Arranged by Muyiwa Sodiya. Contemporary,Sacred. Octavo. 4 pages. Mu...
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Choral Choir (SATB) - Level 3 - SKU: A0.1028456 Composed by Rev Dr. Adeolu Ogunleye. Arranged by Muyiwa Sodiya. Contemporary,Sacred. Octavo. 4 pages. Muyiwa Sodiya #3557633. Published by Muyiwa Sodiya (A0.1028456). This song is written in Yoruba language, it was given by inspiration from God, it's a classical contemporary music.It describes the awesomeness of God Almighty, and it says, Because you are till iternity, Because you created Earth and the Heaven, Because you never change it's why you're called the KING of Kings.This song is for all time, and be blessed as you listen.
$2.99
Jesus, Savior
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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BassCliff Songs
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W
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Jesus, Savior
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BassCliff Songs
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1313381 Composed by BassCliff Songs. Arranged by W. C. Frierson. Christian,Easter,Praise & Worship,Religi...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1313381 Composed by BassCliff Songs. Arranged by W. C. Frierson. Christian,Easter,Praise & Worship,Religious,Sacred. 10 pages. BassCliff Songs #902137. Published by BassCliff Songs (A0.1313381). The lush harmonies in this song for SATB choirs ushers in a spirit of worship and calls to mind the many names and attributes of our Lord and Savior, Jesus Christ. From the name Emmanuel (Matthew 1:23), to Wonderful Counsellor and Prince of Peace (Isaiah 9:6), and to Alpha and Omega (Revelation 22:13); the overall message of this song is that Jesus is here with us always, He never changes (Malachi 3:6), and He is King of Kings and Lord of Lords and reigns forever (Revelation 19:6-16). Â This means He is always with us even unto the end of the world (Matthew 28:20).Soundtrack is available to purchase separately.
$3.00
Northwest Passage (Downloadable Piano/Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Z
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Northwest Passage
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir, wind quintet and string quartet or piano - Medium - SKU: MQ.1.3438-E Composed by Z. Randall Stroope. Advanced/Collegiate. Secular, 21st Cent...
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SATB choir, wind quintet and string quartet or piano - Medium - SKU: MQ.1.3438-E Composed by Z. Randall Stroope. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Score & instrument part. 24 pages. Duration 8 minutes, 25 seconds. Galaxy Music Corporation - Digital #1.3438-E. Published by Galaxy Music Corporation - Digital (MQ.1.3438-E). English.Northwest Passage is a set of “poetic landscapes†that reflects on three elements of the great Northwest of the United States—rivers, mountains, and prairies. Each sonic reflection (movement) combines to form a larger image, not unlike someone standing on a vista and seeing rivers, mountains, and prairies—each distinct, but part of one vast expanse.The work is scored for two versions: mixed chorus and piano, or mixed chorus, wind quintet, and string quartet. The harmonic vocabulary of the work maintains an uncomplicated, transparent (“organicâ€) approach in describing nature. The melodic vocabulary immediately pulls the listener's eye to the image, and rhythm is used as the underlying spark that is subtly ever changing and unpredictable. These three poetic landscapes should be performed without applause between movements.1. A Willow by the River|William Carlos Williams was a medical practitioner, pediatrician, and an avid writer. He wrote short stories, novels, plays, critical essays and, of course, poetry. The subjects of his writing were often “local†images, and he preferred to see the world “as it is,†without unnecessary trappings or “airs.†He was an important mentor to many younger poets of his day. “Willow Poem†(A Willow by the River) has no rhyme scheme but is comprised of fourteen individual lines. The willow is the focus of the poem (by its title and content) and how it never changes but will always “be.†The river represents, among other things, life quickly moving by and in a constant state of motion.2. Mountains|Marjorie Seiffert (who often used the pseudonyms Elijah Hay or Angela Cypher) led an incredibly full and balanced life. College introduced her to a world beyond her domestic and civic life and, as a result, she wanted to experience self-empowerment and independence. She prided herself in being a spouse, mother and maintaining a full slate of professional appearances and commissions for writing. Her poetry is vivid, keenly “visual,†and full of fast-paced, tightly woven ideas. “Mountain trails†(Mountains) was written at Glacier Park, Montana in September 1917.3. The Prairie|John Hay was an American statesman who was personal assistant to Abraham Lincoln. He also served as U. S. Secretary of State and Ambassador to Great Britain. He was a cultivated man of letters and wrote poetry which was straightforward in design and delivery. Nature was often the subject of his creative output. -Z. Randall StroopeDuration: 8:25Instrumental Parts packet includes: Flute, Oboe, Clarinet, Horn, Bassoon, Strings (1-1-1-1).
$3.20
Oh Shenandoah (SATB choir and piano)
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Chorale SATB
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INTERMÉDIAIRE
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Traditional
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Colin Kirkpatrick
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Oh Shenandoah
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Colin Kirkpatrick Publications
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1255595 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Patriotic,Traditional. Octavo. 11 pages. Co...
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Choral Choir (SATB) - Level 3 - SKU: A0.1255595 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Patriotic,Traditional. Octavo. 11 pages. Colin Kirkpatrick Publications #849108. Published by Colin Kirkpatrick Publications (A0.1255595). Here’s a new arrangement of that ever-popular American folksong Shenandoah.  The original song probably has its origins among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. These traders exchanged weapons and tools for animal furs, especially beaver pelts. Paddling their canoes along the Mississippi and Missouri Rivers the traders were well-known for their singing. However, as most of the traders were illiterate, the songs were never written down and went through numerous changes over the years and centuries.  In most versions of the song, the lyrics tell of a seafarer, possibly a canoeing fur-trader, who was in love with the daughter of Shenandoah, a Native American Chief who lived in what is now the state of Virginia. John Shenandoah was a real person: evidently an individual of commanding presence who lived for over a hundred years.  Shenandoah became one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Most versions of the song have a similar couplet at the end of each verse. In some transcriptions, the melody is written out entirely in 4/4 time; others use triple time and some arrangements use a mixture of both. In this version, the lyrics have been selected from different versions of the song. This SATB arrangement for choir and piano is within easy technical reach of most amateur choirs. The top soprano note is G just above the treble staff. The highest alto note is the C above middle C and the tenor and bass parts fall well within the usual choral range. Each section of the choir takes the melody at some point. With a running time of 04:00 this piece is enjoyable to sing and hear. It’s an essential addition to your choir’s repertoire.
$2.35
In Whom All Things (Downloadable) from Two Pickthall Songs
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Chorale SATB
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INTERMÉDIAIRE
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Matthew Emery
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Love, in whom all things nest
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In Whom All Things
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir unaccompanied - Medium - SKU: MQ.1.3534-E Composed by Matthew Emery. Instrument part. 6 pages. Duration 2 minutes, 30 seconds. Galaxy Music C...
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SATB choir unaccompanied - Medium - SKU: MQ.1.3534-E Composed by Matthew Emery. Instrument part. 6 pages. Duration 2 minutes, 30 seconds. Galaxy Music Corporation - Digital #1.3534-E. Published by Galaxy Music Corporation - Digital (MQ.1.3534-E). English.The second piece of Two Pickthall Songs' suggests that whatever is in our hearts may remain there so that we are never truly parted. The music has three main sections which correspond to the three main images of the poem: Love, in whom all things are; Love, in whom all things nest; and Love, in whom all things hide. The main melodic idea is sustained while the harmonies meander. This is to represent the notion that events in life can be unexpected; things change, and we must forge a new path. The opening line of the text, Love, in whom all things are, is repeated to act as a cleansing phrase to end the piece, and to return us to the idea that we can find love and compassion in everything. All we have to do is to look. Duration: 2:30.
$2.05
We Are One!
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Chorale SATB
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INTERMÉDIAIRE
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Zack Richards
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We Are One!
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Zack Richards
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.894408 Composed by Zack Richards. Holiday,Patriotic,Sacred,Spiritual,World. Octavo. 6 pages. Zack Richards #5821...
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Choral Choir (SATB) - Level 3 - SKU: A0.894408 Composed by Zack Richards. Holiday,Patriotic,Sacred,Spiritual,World. Octavo. 6 pages. Zack Richards #5821179. Published by Zack Richards (A0.894408). I wrote this piece in response to the #BlackLivesMatter Protests across the United States and world during the early summer of 2020. The extreme extent of peaceful protests and violent riots demonstrated the desperate need for change in a way I had not witnessed before. I knew quickly that I wanted to write music in some sort of response to the situation, but I struggled at first to find my voice within the movement. I am a white male and have experienced the privilege that comes with it. No matter how much I sympathized or understood the struggles of minorities in our culture, I knew I could not possibly bring the full meaning of it through my music, as I could never really experience the trials they have faced constantly for so long. So instead I decided to write words and music that reflected how I hoped things would be going forward after this movement. I wanted this to be an anthem for those who have suffered through real oppression, in any form. While there are some religious undertones in the text I chose, I tried to find words that could resonate with anyone, reaching beyond color, culture, belief, orientation, age, or any other dividing label. I tried to write in regard to one thing we all have in common, humanity. I hope I was able to accomplish this. The anthem can be done in parts or unison or as a solo. It can also be done with or without accompaniment.
$1.99
#WeToo
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Chorale SATB
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INTERMÉDIAIRE
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
Heather Sorenson: Some Things Never Change - choir (SATB: soprano, alto, tenor, bass)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Heather Sorenson
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Virtualsheetmusic
Instantly printable sheet music by Heather Sorenson for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / sacred
Instantly printable sheet music by Heather Sorenson for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / sacred
$5.33
Mystery of the Hills
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Chorale SATB
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INTERMÉDIAIRE
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Debbie Allen
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Mystery of the Hills
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Nottingham Scores
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1240133 Composed by Debbie Allen. Children,Contemporary,Contest,Festival,Folk,Historic. Octavo. 14 pages. Nottin...
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Choral Choir (SATB) - Level 3 - SKU: A0.1240133 Composed by Debbie Allen. Children,Contemporary,Contest,Festival,Folk,Historic. Octavo. 14 pages. Nottingham Scores #835514. Published by Nottingham Scores (A0.1240133). Mystery of the Hills is an S.A.T.B. choral work describing the wonder of the Flint Hills, a region in East Central Kansas.  I’m not a native Kansan, but whenever I drive through this area, I am enthralled by the infinite sense of expanse and gently rolling terrain. Geologists believe there was an inland seaway that covered central North America starting 290 million years ago. Over time, alternating layers of hard limestone and softer shale rocks formed. It is believed erosion caused the varied elevations of terrain, unique to the slopes of the Flint Hills. These surface layers of limestone and chert prevented the settler’s ability to farm, which in turn preserved the integrity of the soil. Today, the prairie grasses can reach 10 feet tall if not managed.  The rich grasses are prime for feeding livestock. This music attempts to provide images of traveling through the Flint Hills today, while imagining changes over eons of time, due to weather and eventually, human interaction.  Generally, the upper voices provide the imagery and some history, while the lower voices describe a bedrock foundation.  Describing the rock foundation found in the Flint Hills is also a metaphor for human strife and struggle as man, among living flora and fauna, interact with the area. The vocal ranges and harmonies are accessible for young ensembles, whether in development or with years of experience.
$2.99
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Never Change