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--INSTRUMENTS--
ACCORDEON
ALTO
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BANJO
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BATTERIE
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Crtitères actifs :
Innocence
avancé
Chorale SATB
Partitions à imprimer
6 partitions trouvées
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Songs of Innocence and Experience - Part 1 (SATB)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Dorian Kelly
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Songs of Innocence and Experie
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Modal Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.866157 Composed by Dorian Kelly. A Cappella,Concert,Contemporary. Octavo. 13 pages. Modal Music #6877751. Publis...
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Choral Choir (SATB) - Level 4 - SKU: A0.866157 Composed by Dorian Kelly. A Cappella,Concert,Contemporary. Octavo. 13 pages. Modal Music #6877751. Published by Modal Music (A0.866157). A contemporary setting of three of William Blake’s poems from the Innocence & Experience collection – Infant Joy, The Sick Rose (a cappella) and The Angel, for SATB choir and piano.
$2.75
TWO SONGS OF INNOCENCE after Poems by William Blake (I. The Ecchoing Green; II. Night)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Richard St
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TWO SONGS OF INNOCENCE after P
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Richard St. Clair
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.939672 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 29 pages. Richard St. Clair #3000535. P...
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Choral Choir (SATB) - Level 4 - SKU: A0.939672 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 29 pages. Richard St. Clair #3000535. Published by Richard St. Clair (A0.939672). These two tonal and very accessible chansons on poems by William Blake are suitable for high school as well as professional choruses. The two poems are The Ecchoing Green and Night from Blake's Songs of Innocence. Duration about 8:30.
$2.50
Songs Of Innocence
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Folklorique/Traditionel
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Nicholas White
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Songs Of Innocence
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Nicholas White Music
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SheetMusicPlus
Composed by Nicholas White. 21st Century, Classical, Contemporary, Folk, Traditional. Octavo. 212 pages. Nicholas White Music #850291. Published by Ni...
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Composed by Nicholas White. 21st Century, Classical, Contemporary, Folk, Traditional. Octavo. 212 pages. Nicholas White Music #850291. Published by Nicholas White Music
$20.00
HAPPINESS
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Clark Gesner
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John T Sarno
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HAPPINESS
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John T Sarno
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1080063 Composed by Clark Gesner. Arranged by John T Sarno. A Cappella,Contest,Festival,Jazz. Octavo. 5 p...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1080063 Composed by Clark Gesner. Arranged by John T Sarno. A Cappella,Contest,Festival,Jazz. Octavo. 5 pages. John T Sarno #684293. Published by John T Sarno (A0.1080063). This is from the musical You're A Good Man Charlie Brown. It is an ASTB with divisi acapella vocal jazz arrangement. Medium difficulty. It is a lovely little piece about innocence and simplicity. Great for a concert or even competition.
$2.99
Because I Could Not Stop for Death
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Richard deCosta
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Richard deCosta
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Because I Could Not Stop for D
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Richard deCosta
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,Chamber,Classical...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,Chamber,Classical,Opera,Romantic Period. 4 pages. Richard deCosta #897289. Published by Richard deCosta (A0.1308012). Words by Emily DickinsonMusic by Richard deCostaBecause I could not stop for Death –He kindly stopped for me –The Carriage held but just Ourselves –And Immortality.We slowly drove – He knew no hasteAnd I had put awayMy labor and my leisure too,For His Civility –We passed the School, where Children stroveAt Recess – in the Ring –We passed the Fields of Gazing Grain –We passed the Setting Sun –Or rather – He passed Us –The Dews drew quivering and Chill –For only Gossamer, my Gown –My Tippet – only Tulle –We paused before a House that seemedA Swelling of the Ground –The Roof was scarcely visible –The Cornice – in the Ground –Since then – 'tis Centuries – and yetFeels shorter than the DayI first surmised the Horses' HeadsWere toward Eternity –-=-In the reclusive chambers of Emily Dickinson's 19th-century Massachusetts home, the haunting poem, 'Because I Could Not Stop for Death,' was conceived. Living much of her life in isolation, Dickinson's thoughts often ventured into the shadowlands of existence. This poem, published posthumously in 1890, offers a chilling reflection of her contemplation. The Grim Reaper, a timeless symbol, is portrayed as a carriage driver, guiding the reader through a somber journey that mirrors the ephemeral nature of life. Passing scenes of childhood innocence, maturity's labor, and the twilight of existence, it culminates in the cold embrace of the grave. Her words, etched in a gothic darkness, resonate with the uncertainties and fears of her time, transcending to speak to the eternal human condition.
$7.99
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