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Vous avez sélectionné:
Look At Me
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Chorale SATB
Partitions à imprimer
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Take Me Back (A New American Folk Song), SATB, piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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learning from our past, we can
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Steve Danielson
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Take Me Back
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Steve Danielson
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1006775 Composed by Steve Danielson. Contemporary,Country,Folk,Traditional. Octavo. 15 pages. Steve Danielson #4...
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Choral Choir (SATB) - Level 4 - SKU: A0.1006775 Composed by Steve Danielson. Contemporary,Country,Folk,Traditional. Octavo. 15 pages. Steve Danielson #4804099. Published by Steve Danielson (A0.1006775). This original folk song written in a style similar to Skip to My Lou and Bile Them Cabbage Down is a look back at our musical past. In a world of disconnectedness, people are looking for ways to connect. This song looks back at a time when people came together to sing and tell stories. By learning from our past, we can learn how to negotiate the future.
$2.00
U. F. O. A new & original 'Sci-Fi' stage musical
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Dennis A
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U. F. O. A new & original
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Tyne Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.999346 Composed by Dennis A. Westgate. Contemporary,Musical/Show,Pop,World. Octavo. 107 pages. Tyne Music #58713...
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Choral Choir (SATB) - Level 4 - SKU: A0.999346 Composed by Dennis A. Westgate. Contemporary,Musical/Show,Pop,World. Octavo. 107 pages. Tyne Music #5871343. Published by Tyne Music (A0.999346). U. F. O. : Is my newest sci-fi full length modern play in the TYNE ONSTAGE series of original musicals. I wrote this specifically for the senior students of the Performing Arts. It has many leading parts for both sexes and has a hint of the 60-70 style of writing found in those musicals of the times but modern in context. The story line includes opportunities for many individual performances covering song and dance numbers, group singing, contemporary dance, dramatic interludes and strong comedy parts. This is an original story taking a humorous look at a possible visitation from our space neighbours. The story begins with the arrival of GS2, an ‘Interstellar Space Surveyor’ on its mission to map this part of the Universe. Whilst reporting its position to the home base ‘Niva’, the surveyor informs them that one of the planets (Earth) appears to have intelligent life forms. On receiving this information Niva decides to dispatch a party of college students to study this unique planet, much to the annoyance of GS2 who take umbridge at being appointed, what he calls a Galactic Nanny! Events take a dramatic turn when the surveyor is called away on an ‘emergency rescue mission’ so has to beam the students down to planet Earth, where during transmutation, they are warned not to integrate with the population. But ‘students being students’ the consequences are both hilarious and profound.This album includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/u-f-oP.S. Owing to the high cost in orchestration The music is only available as a piano score with lyrics and chords. However this is reflected in the price. You would have to add your own instrumentation, but this would be an excellent opportunity for any up and coming senior student to take on.SONG TITLES 1) Earthbound 2) Hold the Front Page 3) Sex Talk 4) We’re In This Together 5) The Annual Bazaar 6) You Are Me 7) Body Talk 8) Bionic Love
$70.00
Savin' Jeremiah - SATB Choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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a chariot of fire, But the pro
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Kevin G
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Savin' Jeremiah - SATB Choir
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,Spiritual. Octavo...
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Choral Choir (SATB) - Level 4 - SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,Spiritual. Octavo. 14 pages. Kevin G. Pace #730069. Published by Kevin G. Pace (A0.1129659). A fun, jazzy, energetic choral composition telling the story of Ebed-Melech and how he saved the prophet Jeremiah. Music by Kevin G. Pace. Text by Kathryn W. Hales. Text: The Good Book says that Moses Was buried by the hand of God; And those bitten by fiery serpents Were healed by lookin’ at a rod. Elijah was taken up to heaven By a chariot of fire, But the prophet Jeremiah Was cast into a pit of mire. “Can’t you hear me, Lord?†Jeremiah is a’cryin’, “Wilt Thou deliver me? For I am surely dyin’.†The Lord touched the heart On one Ethiopian And says to Ebed-Melech, “Go and save my son.†That black man, he did hearken And went straight up to the king, “What you’ve done to Jeremiah Is a very wicked thing.†“Can’t you see his misery? Can’t you hear him cryin’? Let me deliver him, O King, For he is surely dyin’.†Then Zedekiah repented, Said, “Go get Jeremiah Out of that old dungeon Out of the pit of mire. Take thirty strong men with you Do not delay or wait, Bring the prophet up again Before it is too late.†Ebed went to the pit, Called down into the dark, “I’s a comin’ to save you, Now, oh man, take heart. The king has relented, But before we start, Put old rags beneath your arms, So the ropes won’t leave a mark. Poor Jeremiah was so weak, He’d almost lost all hope, The men did gently lift him up ‘Cause he couldn’t climb the rope. He was kept in prison, But now he had some food, Until the Babylonians came To seize the multitude. ‘Twas an Ethiopian that saved him, A servant to Judah’s King, Blessed be the name of Ebed-Melek For doin’ such brave things. The Lord uses many people From every tribe and race To be an instrument in His hands, An implement of His grace. “Repent all House of Judah,†Jeremiah kept on a’cryin’, “Turn unto the Lord again, Otherwise you’all be dyin’. His words come down through the years To the people of today, “Repent and turn back to the Lord, And walk His chosen Way.â€.
$1.99
Stabat Mater (2002) for SATB chorus and organ
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Thomas Oboe Lee
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Stabat Mater
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Thomas Oboe Lee
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.869218 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Romantic Period,Sacred. Octavo. 69 pages. Tho...
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Choral Choir (SATB) - Level 4 - SKU: A0.869218 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Romantic Period,Sacred. Octavo. 69 pages. Thomas Oboe Lee #31009. Published by Thomas Oboe Lee (A0.869218). Program note.The greatest challenge of the Stabat Mater text is to figure out how to set twenty stanzas of pain and suffering without making it all sound too depressing. So, before I began composing, I looked at a number of scores and recordings of Stabat Mater by various composers: DesPrez, Palestrina, Pergolesi, Boccherini, Vivaldi, Haydn, Dvorak, Rossini, Poulenc, Szymanowski, Penderecki, et al. It was fascinating to see what each composer did with regard to text setting: the variety of musical textures from movement to movement, different approaches to the use of fast or allegro music to offset the mood of the text, solo versus choral sections, etc. Each composer took a very personal and creative approach to the task. It was a fascinating study! After weeks of listening and scrutinizing, I decided to divide the twenty-stanza text into six sections. It is my hope that the end result is formally coherent and emotionally affecting.I. Lento Stabat Mater dolorosa â?¦II. Allegro Cuius animam gementem â?¦ O quam tristis et afflicta â?¦ Quae moerebat et dolebat â?¦III. Recitativo Quis est homo qui non fleret â?¦ Quis non posset contristari â?¦ Pro peccatis suae gentis â?¦ Vidit suum dulcem natum â?¦IV. ModeratoEia Mater, fons amoris â?¦ Fac, ut ardeat cor meum â?¦ Sancta Mater, istud agas â?¦ Tui nati vulnerati â?¦ Fac me vere tecum flere â?¦ Iuxta cruce tecum stare â?¦ Virgo virginum praeclara â?¦ Fac, ut portem Christi mortem â?¦V. Prestissimo Fac me plagis vulnerari â?¦ Inflammatus et accensus â?¦ Fac me cruce custodiri â?¦VI. Moderato Quando corpus morietur â?¦ Amen.Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/stabat-mater-2002Video link: https://youtu.be/_ApUlmSb4Ho
$9.99
Saturnalia Song for voices, wind, brass and percussion
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Saturnalia Song for voices, wi
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.576366 Composed by David Warin Solomons. 20th Century,Christmas,Classical,Contemporary,World. Octavo. 27 pages....
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Choral Choir (Mixed) - Level 4 - SKU: A0.576366 Composed by David Warin Solomons. 20th Century,Christmas,Classical,Contemporary,World. Octavo. 27 pages. David Warin Solomons #18013. Published by David Warin Solomons (A0.576366). A vivid and at times raucous celebration of Saturnalia, in Latin, for an ensemble of voices and instruments (including various percussion, woodwind and brass instruments). The sound sample is a sung performance by the composer with an electronic preview of the instruments. Further explanations: Song for Saturnalia - a raucous and fun romp - in whole tones (since there is scant evidence of the types of scales used in those days - whole tones just seem to work in this context). The Latin words make references to relatively modern times but the spirit of Saturnalia is timeless, after all. The pileum (also written pilleum) is the little cap that slave wore during Saturnalia to show they were free men and women on that day - they would point to their cap and say libertus sum (I am a free person) and omnes aequales sumus (we are all equal). The words (and translation - both by me) are as follows: Saturnalia Song Io Saturnalia! Hodie igitur dominus noster non es. [Hooray, it’s Saturnalia, so today you’re not our boss] Hodie omnes aequales sumus. Io! [Today we are all equal, hooray!] [spoof of USA Anthem] Salve O Frutici [Hi there, Bush] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] [spoof of UK Anthem] Salve O Campestri [Hi there, Blair] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] [spoof of German Anthem] Salve O Candelari [Hi there Brandt] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] Io Saturnalia, Io! [Hooray, it’s Saturnalia, hooray!] [Note on the invented names (used in the vocative in the song of course): Fruticius is based on the word frutex a bush - it’s also used to mean blockhead in Roman comedies, but I can’t help that!. Campestrius is based on campester - a plain or place of clear ground (Blair is the Celtic equivalent word - a forest clearing!) Candelarius is based on candela - a taper or candle - ie something burning hence Brandt (yes, I know he’s earlier than the other two politicians, but, hey, it’s all a bit of anachronistic fun!)].
$10.00
Where Is Jesus
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin Longley
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Where Is Jesus
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Kevin Longley
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1019372 Composed by Kevin Longley. Christian,Easter,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #65...
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Choral Choir (SATB) - Level 4 - SKU: A0.1019372 Composed by Kevin Longley. Christian,Easter,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6550433. Published by Kevin Longley (A0.1019372). Where Is JesusInspiration January 1st, 2021 was the start of my official retirement from a wonderful company that I had been employed at for 40+ years, Cirtronics Corporation. Where Is Jesus was my first retirement music so to speak. A 2 measure musical idea came to me in early January. Several weeks later I had the overall structure completed and started inputting the score into my music program. At this point I had no lyrical ideas, however with Easter approaching it occurred to me that the musics dramatic content leaned heavily towards Good Friday, in spirit. As I pondered that, I couldn't help but wonder what the disciples thought when Jesus was taken. Certainly they would question where he was, question what had happened. Thus was born Where is Jesus with the lyrical content asking and then answering. The Music The music is comprised of an A section which begins with the Tenors and Altos singing Where Is Jesus. The choir then responds (in chronological order, as recorded in the Gospels ) with lyrics that describe the brutality that Jesus endured. Here the weight of what has occurred is felt with the lyrics and music evoking great emotion. The B section follows; a retrospective look back sung by the soloist, stating that all had transpired as foretold, or as stated, by Jesus and the prophets. A C section is then introduced which contains the hope then, and the crux now, of our faith deaths chain cannot have its reign, he will rise, he will rise. After a short piano interlude we are returned to the A section, now modulated to a higher key; here the most emotional section of the music is felt with the raw truth of what has happened. He is nailed to the cross, he has died, we are lost. The piece then ends as it started Where Is Jesus, to be answered three days later.
$4.99
"Hope" Is The Thing
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Zack Richards
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"Hope" Is The Thing
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Zack Richards
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.894378 Composed by Zack Richards. 20th Century,Contemporary. Octavo. 10 pages. Zack Richards #2160511. Published...
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Choral Choir (SATB) - Level 4 - SKU: A0.894378 Composed by Zack Richards. 20th Century,Contemporary. Octavo. 10 pages. Zack Richards #2160511. Published by Zack Richards (A0.894378). 2016 Choral Contest EntryHope is the Thing is a deeply personal piece for me. I found the Emily Dickinson poem in early 2014 while searching for inspirational texts. After the first read, I knew I would like to set it to music someday. Later that summer I came across a composition contest that was looking for a piece about success/belief/hope. I started putting music to the text in late September. In October my mother was diagnosed with terminal bone cancer and she passed away a few days before Thanksgiving. Her passing affected me in ways I never expected. Music went from being the thing in which I could find solace, to the thing that reminded me of my mother's absence. I found myself unable to write my own music for quite some time. During the Lenten season of 2015, one of the Pastors at the church for which I work gave a sermon using this text. The sermon was particularly moving and I decided it was time to revisit the piece. The music was finished within 1 week. Just as my mother had done for me countless times, writing this piece gave me the hope and inspiration I needed to get through a difficult time in my life. I dedicate this work to my mother, Cynthia Marie Richards.
$3.99
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Look At Me
