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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One Moment In Time
Non classifié
33
Piano & claviers
Piano seul
23
Instruments en Do
2
Piano, Voix
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano, Voix et Guitare
1
Guitares
Guitare
3
Voix
Chorale SATB
7
Chorale SSAA
3
Chorale 3 parties
1
Chorale 2 parties
1
Chorale TTBB
1
Vents
Saxophone
6
2 Saxophones (duo)
5
Clarinette
3
Flûte traversière
3
Saxophone, Clarinette (duo)
3
2 Flûtes traversières (duo)
3
Clarinette, Violon (duo)
2
2 Clarinettes (duo)
2
Flute (partie séparée)
2
Clarinette, Trompette (duo)
2
Hautbois (partie séparée)
2
Ensemble de Flûtes
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte, Clarinette (duo)
1
Flûte, Trompette (duo)
1
Quatuor de Saxophones: 4 saxophones
1
Flûte, Saxophone (duo)
1
Flûte, Violon
1
Flûte, Alto (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Saxophone Alto
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Clarinette (duo)
1
Hautbois, Piano (duo)
1
Hautbois, Flûte
1
Clarinette et Alto
1
2 Hautbois (duo)
1
Hautbois, Basson (duo)
1
+ 23 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trompette (partie séparée)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor
2
Trombone
2
Trompette
2
Trompette, Saxophone (duo)
2
2 Trompettes (duo)
1
2 Trombones (duo)
1
Trombone et Piano
1
4 Tubas
1
2 Euphoniums et 2 Tubas
1
Trompette, Trombone (duo)
1
+ 8 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
5
Violon
2
Violon, Violoncelle (duo)
2
2 Violoncelles (duo)
1
Alto, Piano
1
Violon, Alto (duo)
1
Violoncelle
1
Violoncelle, Piano
1
Violon et Piano
1
Alto seul
1
Contre Basse
1
2 Violons (duo)
1
2 Altos (duo)
1
+ 8 instrumentations
Retracter
Orchestre & Percussions
Orchestre
13
Orchestre de chambre
6
Orchestre d'harmonie
5
Fanfare
3
Ensemble Jazz
3
Orchestre à Cordes
2
Cloches
1
Jazz combo
1
+ 3 instrumentations
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Instruments
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COR ANGLAIS
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HARPE
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LUTH, THEOR…
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PARTITIONS …
PAS DE PART…
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SYNTHE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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POP ROCK - POP MUSIC
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Crtitères actifs :
One Moment In Time
avancé
Chorale SATB
Partitions à imprimer
7 partitions trouvées
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1
Together As One
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Michael Thomas Coull
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Together As One
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MTC Publishing
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1269762 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop,Standards. 20 pages. MTC Publishi...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1269762 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop,Standards. 20 pages. MTC Publishing #862270. Published by MTC Publishing (A0.1269762). Together As One - Choral Composition for SATB and Piano by Michael Thomas CoullTogether As One is a song about singing in a choir and performing to an audience. Â It explores how singing gives us both sides of the emotional coin: Â from nervousness and even trepidation on one side, to great joy on the other. Â Â We all feel nervous before a performance, and even more so when we are actually standing in front of the audience. Â But then we are announced, the choir director raises their arms, the accompanist starts the introduction and we are all brought in and start singing. Â And at that moment we realize something, that when we all sing a great joy overtakes us, lifting us up to another world where our voices meld 'Together As One'. Â This original composition for SATB choir and piano accompaniment is an inspirational song that captures the mood and enjoyment of singing, and how singing effects us both individually and as a group. Â A song that your choir will love to sing with beautiful harmonies and a soaring descant part, and perfect to perform at any time of the year.Also available for SSAA, 2-Part and Unison.
$3.99
Written in the Stars
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Written in the Stars
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1157142 Composed by Sally Whitwell. Classical,Contemporary. Octavo. 15 pages. Sally Whitwell #757469. Published ...
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Choral Choir (SATB) - Level 4 - SKU: A0.1157142 Composed by Sally Whitwell. Classical,Contemporary. Octavo. 15 pages. Sally Whitwell #757469. Published by Sally Whitwell (A0.1157142). Written in the Stars -- text and music by Sally Whitwell Written in the Stars was originally conceived in the aftermath of the 2019-2020 bushfire season, the most destructive Australia has yet seen. At the time, we thought things couldn’t get worse, but then followed more extreme weather events, insect and rodent plagues, and a deadly pandemic that brought the world to its knees. All these things are connected, the result of humanity’s exploitative relationship with the planet and its other inhabitants. But we continue to deny the problems and to fail to act. As a species, in our more optimistic moments, we talk about having great opportunities to reinvent, that to live the status quo means that we will be faced with an untenable future. Talking about it is one thing but as far as I see it, we are not taking any opportunities to act. It is clear that we do not learn from our mistakes. As Spanish American writer George Santayana once said “Those who cannot remember the past are condemned to repeat it.†It is from this notion that this song was born. Written in the Stars is about society’s propensity to go through cycles of behaviour, never learning from the mistakes of the past. Written in the Stars was originally commissioned by Adelaide Chamber Singers, directed by Carl Crossin. Sally Whitwell January 2023.
$1.99
A Child Is Born
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Thad Jones
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Alison Crockett
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A Child Is Born
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Generations of Vocal Jazz
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1030539 By Thad Jones. By Thad Jones. Arranged by Alison Crockett. Jazz. Octavo. 6 pages. Generations of Vocal J...
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Choral Choir (SATB) - Level 4 - SKU: A0.1030539 By Thad Jones. By Thad Jones. Arranged by Alison Crockett. Jazz. Octavo. 6 pages. Generations of Vocal Jazz #6413577. Published by Generations of Vocal Jazz (A0.1030539). This beautiful waltz can be used at any time during the year, but I have commonly used it as a Jazz Christmas song since the lyrics are about a child being born and the beauty of that moment. This is for an intermediate/advanced choir, though it is a good stretch for an intermediate choir in high school and college. There is a scat/solo group section that widens into a grand ending with a gospel-like ostinato at the end. Here is the place for your solo riffers and belters to solo at the end over top of the ostinato and have church at the end with your singers and audience. This is a crowd pleaser and a great concert ender.
$1.99
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guid...
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Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99
Turn It Up
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Dustin Burnett and Tyrone N We
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Garrett Breeze
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Turn It Up
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Lagom Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1256204 Composed by Dustin Burnett and Tyrone N Wells. Arranged by Garrett Breeze. Contemporary,Pop. Octavo. 9 p...
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Choral Choir (SATB) - Level 4 - SKU: A0.1256204 Composed by Dustin Burnett and Tyrone N Wells. Arranged by Garrett Breeze. Contemporary,Pop. Octavo. 9 pages. Lagom Music #849673. Published by Lagom Music (A0.1256204). **This product is the SATB piano vocal score only.**Show Band accompaniment score and parts available separatelySSA piano and SAB piano voicings also availableThis epic closer covers a lot of ground in a short amount of time, filled with huge vocal moments, tons of dynamic contrast, and shifting styles of band accompaniment that help propel the arrangement to a massive conclusion.From the Breeze Tunes Show Choir Championship Series, a curated collection of tried and true arrangements performed by the nation's top competitive show choirs, now available as stock arrangements through sheetmusicdirect.com and sheetmusicplus.com.For custom arrangements and show designs for competitive show choir visit https:/breezetunes.com.Visit garrettbreeze.com to find music for traditional choral ensembles and a cappella groups, as well as resources for arrangers and composers!
$2.50
Chorale: Messianicum, Prophetia
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Michael J
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Chorale: Messianicum, Propheti
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Van Slyke Audio
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.945510 Composed by Michael J. Van Slyke. A Cappella,Easter,Sacred. 9 pages. Van Slyke Audio #5888229. Pub...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.945510 Composed by Michael J. Van Slyke. A Cappella,Easter,Sacred. 9 pages. Van Slyke Audio #5888229. Published by Van Slyke Audio (A0.945510). The piece: Chorale: Messianicum, Prophetia, was not originally composed as a sacred work. Rather, it was an exercise; written to practice aural and written theory while I was a student at the University of Wyoming. So, its roots were those of a Vocalise. Be that as it may, the harmonies are reminiscent of the music for Mass in the old Catholic cathedrals and churches. Therefore I added a text taken from Isaiah 53: 3-5 from the the Vulgate to complement the music.There are moments where the music appears to be at odds with natural inflection of the Latin language and this is not an error. Though there is a time signature indicating a meter, this is to facilitate greater ease in conducting and reading the music. It is very much in free time and thus I invite the conductors and choirs performing this work to please refrain from following the metronome mark as if it were God reincarnate.Finally, a thank you to all musicians who suffer for my madness, the conductors and directors for taking a chance, my fellow composers for the inspiration they give, and my friends and family for the loving support they give to one, who for better of for worse, works hard at nothing all day.8 1/2 X 11 pre-prepped for Booklet Printing
$3.99
The Weight of Glory
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kara Patefield
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The Weight of Glory
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Kara Patefield
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.517863 Composed by Kara Patefield. Sacred. Octavo. 6 pages. Kara Patefield #128586. Published by Kara Patefield ...
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Choral Choir (SATB) - Level 4 - SKU: A0.517863 Composed by Kara Patefield. Sacred. Octavo. 6 pages. Kara Patefield #128586. Published by Kara Patefield (A0.517863). Life hurts. Suffering and pain overwhelm us. Where do we go in our darkest times? For the child of God, we have the promise that all things work together for good, as our Lord sanctifies us and makes us more like His Son Jesus Christ (Romans 8:28-29). Beginning as a prayer, this song directs us straight to a loving Lord who understands our pain, has experienced pain Himself and comforts us through it all. Face to face with Him in Heaven one day, it will be worth it all, as He receives all the glory. For this light momentary affliction is preparing for us an eternal weight of glory beyond all comparison, (2 Cor. 4:18).
$2.30
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