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--INSTRUMENTS--
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Slow Me Down
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--INSTRUMENTS--
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Crtitères actifs :
Slow Me Down
avancé
Chorale SATB
Partitions à imprimer
10 partitions trouvées
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1
Pity Me Not
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jane K
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Pity Me Not
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Evgeniya Kozhevnikova
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1088970 Composed by Jane K (Evgeniya Kozhevnikova). Classical,Contemporary,Contest,Festival. Octavo. 8 pages. Ev...
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Choral Choir (SATB) - Level 4 - SKU: A0.1088970 Composed by Jane K (Evgeniya Kozhevnikova). Classical,Contemporary,Contest,Festival. Octavo. 8 pages. Evgeniya Kozhevnikova #693181. Published by Evgeniya Kozhevnikova (A0.1088970). Written by Jane K (Evgeniya Kozhevnikova) in 2019, Pity Me Not is a setting of the text by Edna St. Vincent Millay for voice and piano. The poem is a sonnet (14 lines), reflecting how “the heart is slow to learn what the swift mind beholds at every turn.†The choral version of this piece was premiered on September 27, 2020 by Celebris Ensemble under the direction of Joel Snyder.
$2.49
Beyond The Sea
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Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
Toxic
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Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Britney Spears
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Jason Howard
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Toxic
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Jason Howard
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1265200 By Britney Spears. By Cathy Dennis, Christian Karlsson, Henrik Jonback, and Pontus Winnberg. Arra...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1265200 By Britney Spears. By Cathy Dennis, Christian Karlsson, Henrik Jonback, and Pontus Winnberg. Arranged by Jason Howard. A Cappella,Contemporary,Pop. Octavo. 9 pages. Jason Howard #858044. Published by Jason Howard (A0.1265200). This arrangement of Toxic is a fresh take on the popular 2000's hit! Taking inspiration from the original and several other different covers of this song, I've written out what is probably one of my favorite arrangements I've written. It's sure to challenge your performers and keep your audience engaged from start to finish!It starts with a soft drone in the Basses that continuously adds chord tones and volume to build sonic intensity and set the tone right out of the gate! We then move on to a slowed down first verse with the melody supported only by chords in the choir. Vocal Percussion leads us into a tempo change and explosive snippet of the melody before the piece hits its stride. Lots of upbeats, syncopations, and altered melodic tones throughout adds a high level of difficulty to this piece. As we get to the end of this piece, the ensemble will suddenly alter time to a half time feel that not only adds to excitement but also helps to bring the piece to a dramatic closing.This is written for Solo voice and SSAATTBB choir and a Vocal Percussionist.As with most of my arrangements I leave many of the syllables blank to encourage the director/performers to put their own spin on the arrangement with their own choice of syllables! Suggested syllables in certain spots and all necessary melodic lyrics have all been included for you!I hope that you and your group enjoys my arrangement! If you do (or even if you don't), please leave a comment and let me know! As a current full time band director who would love to be able to do this full time one day, any and all critiques are appreciated, and I'm particularly interested in formatting suggestions! If you would rather email me than leave a comment, shoot me an email at jhowardarranging@gmail.com!A little about me:My name is Jason Howard, and at the time of this publication, I'm going into my 5th year as a band director at the middle and high school levels. I have quite a bit of experience with arranging of various types of vocal and instrumental ensembles and combos. Most are for personal use, but as I get time, I hope to publish more and more for public consumption! Primarily, I focus on popular music, and I one day hope to bring important and influential classical musics to audiences and younger students everywhere!
$1.99
Stopping by Woods on a Snowy Evening
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
#
Geoffrey Peterson
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Stopping by Woods on a Snowy E
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Geoffrey Peterson
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1303857 Composed by Geoffrey Peterson. 21st Century,A Cappella,Classical,Contemporary. 7 pages. Geoffrey ...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1303857 Composed by Geoffrey Peterson. 21st Century,A Cappella,Classical,Contemporary. 7 pages. Geoffrey Peterson #893380. Published by Geoffrey Peterson (A0.1303857). Robert Frost wrote “Stopping by Woods on a Snowy Evening†in 1922. Frost referred to the poem as his “best bid for remembrance.†It was published, along with other celebrated poems, including “Fire and Ice†and “Nothing Gold Can Stay,†in his collection “New Hampshire†in 1923. I intended the slow repeating tone cluster chords in the last section as a solemn meditation on death. I wanted to be as deliberate as possible with the poem’s two concluding quintessential lines “And miles to go before I sleep, And miles to go before I sleep.â€Â Whose woods these are I think I know.His house is in the village though;He will not see me stopping hereTo watch his woods fill up with snow.My little horse must think it queerTo stop without a farmhouse nearBetween the woods and frozen lakeThe darkest evening of the year.He gives his harness bells a shakeTo ask if there is some mistake.The only other sound’s the sweepOf easy wind and downy flake.The woods are lovely, dark and deep,But I have promises to keep,And miles to go before I sleep,And miles to go before I sleep.
$1.99
La Mort des Amants
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
#
RKSouza
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La Mort des Amants
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RKSouza
#
SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.1009570 Composed by RKSouza. Contemporary,Wedding. Octavo. 7 pages. RKSouza #2011163. Published by RKSouza (A0....
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Choral Choir (Mixed) - Level 4 - SKU: A0.1009570 Composed by RKSouza. Contemporary,Wedding. Octavo. 7 pages. RKSouza #2011163. Published by RKSouza (A0.1009570). La Mort des Amants, for SATB div., is a piece composed for the French poem La Mort des Amants by Charles Baudelaire, a poem which answers the prompt of a lover telling her love I'm scared of this love, to which the poet replies We will have great memories, and our love will be like mirrors and flames, a constant connection of life and happiness. But there will come a time when you will die, and slowly but surely, my mirror will tarnish and my flame will die away. But at that moment, when my mirror is completely tarnished and my flame is nothing but ashes, an angel will swoop me up and bring me back to you. This piece's suspensions represent the flames, while the constant passing of motifs represent the mirrors. I urge you to enjoy singing this piece.
$5.35
O magnum mysterium - SATB
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Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Joel Yeap
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O magnum mysterium - SATB
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Joel Yeap
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1030883 Composed by Joel Yeap. 20th Century,Romantic Period,Sacred. Octavo. 11 pages. Joel Yeap #38453. Publishe...
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Choral Choir (SATB) - Level 4 - SKU: A0.1030883 Composed by Joel Yeap. 20th Century,Romantic Period,Sacred. Octavo. 11 pages. Joel Yeap #38453. Published by Joel Yeap (A0.1030883). O magnum mysterium, originally written for Raffles Chorale and was premiered by just over 20 singers on 19th December 2014. This is the revised edition for sale in SheetMusicPlus. O magnum mysterium begins with an almost chant-like, dark atmosphere with the basses singing below the drones of the choir. The sopranos slowly emerge and the choir bursts into lush harmonies and long undulating melody lines. O magnum mysterium ends with the sopranos proclaiming Alleluia and the rest of the choir echoing. Finally, the basses return with the melody heard right from the beginning, allowing the piece to culminate peacefully and calmly. The duration of O magnum mysterium is approximately 3'40'' long. It is recommended that a sizeable choir of approximately 40 or more singers is needed to perform this work, however, it is adequate to perform this with any other choir size. (For a gauge, the sample recording given was sung by approximately 20 singers at one of the first few readings of this work) Do contact me for any further enquiries at yeapyej@hotmail.com.
$3.49
Because I Could Not Stop for Death
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Richard deCosta
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Richard deCosta
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Because I Could Not Stop for D
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Richard deCosta
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,Chamber,Classical...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,Chamber,Classical,Opera,Romantic Period. 4 pages. Richard deCosta #897289. Published by Richard deCosta (A0.1308012). Words by Emily DickinsonMusic by Richard deCostaBecause I could not stop for Death –He kindly stopped for me –The Carriage held but just Ourselves –And Immortality.We slowly drove – He knew no hasteAnd I had put awayMy labor and my leisure too,For His Civility –We passed the School, where Children stroveAt Recess – in the Ring –We passed the Fields of Gazing Grain –We passed the Setting Sun –Or rather – He passed Us –The Dews drew quivering and Chill –For only Gossamer, my Gown –My Tippet – only Tulle –We paused before a House that seemedA Swelling of the Ground –The Roof was scarcely visible –The Cornice – in the Ground –Since then – 'tis Centuries – and yetFeels shorter than the DayI first surmised the Horses' HeadsWere toward Eternity –-=-In the reclusive chambers of Emily Dickinson's 19th-century Massachusetts home, the haunting poem, 'Because I Could Not Stop for Death,' was conceived. Living much of her life in isolation, Dickinson's thoughts often ventured into the shadowlands of existence. This poem, published posthumously in 1890, offers a chilling reflection of her contemplation. The Grim Reaper, a timeless symbol, is portrayed as a carriage driver, guiding the reader through a somber journey that mirrors the ephemeral nature of life. Passing scenes of childhood innocence, maturity's labor, and the twilight of existence, it culminates in the cold embrace of the grave. Her words, etched in a gothic darkness, resonate with the uncertainties and fears of her time, transcending to speak to the eternal human condition.
$7.99
Only My Savior, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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only He died for my soul
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Only My Savior, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1452351 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religiou...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1452351 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1031677. Published by Kevin G. Pace (A0.1452351). A beautiful, heart-felt, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Who am I that when I fall, Thou offers only grace,That when I see my weaknesses, pure love shines from thy face?Who art Thou who cried for me in ever-wors’ning pain,That when I’m trapped in senseless sin, still suffered for my gain?Only my Savior can love me that much; only He died for my soul.Only my Savior has scars to atone; only He makes me feel whole.Who am I that Thou redeems my prideful, unkempt soul?That when I stray from righteousness, forgiveness is thy goal?Who art Thou who bled for me with drops like falling rain,That when I’m slow to show my love, still wipes away each stain?Only my Savior can love me that much; only He died for my soul.Only my Savior has scars to atone; only He makes me feel whole.Who am I that Thou should save, redeeming ev’ry flaw?That when I suffer selfishness, Thou shows me greater laws?Who art Thou who gave His life so I might live with Thee,That when I’ve given up all hope, still wants to be with me?Only my Savior can love me that much; only He died for my soul.Only my Savior has scars to atone; only He makes me feel whole.
$1.99
Three Amens (2024)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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David W
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Three Amens
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David W. Barber
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1404308 Composed by David W. Barber. A Cappella,Religious,Sacred. 3 pages. David W. Barber #987408. ...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1404308 Composed by David W. Barber. A Cappella,Religious,Sacred. 3 pages. David W. Barber #987408. Published by David W. Barber (A0.1404308). Three short Amen settings for general choral use.The first two are slow and stately. The third is faster and more sprightly.This piece and more of my music is available for download and purchase from SheetMusicPlus and SheetMusicDirect via ArrangeMe. Find my music books and my new mystery novel, Hedshot, at IndentPublishing.com Read my author/composer blog at DavidWBarber.com Contact me at dbarber@indentpublishing.com.
$1.99
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Slow Me Down