Made popular by British vocal octet VOCES8, this arrangement of Dougie Maclean's heartwarming tune invites a slice of Scotland into the choral rehearsal room. "Caledonia" was the Latin name the Romans used for Scotland, and Dougie's original song has become somewhat of an unofficial anthem for the country. In an arrangement here by Blake Morgan, the textures throughout range from the signature "blended" sound of VOCES8 to a roaring climb through the Scottish highlands before returning to the final refrain in a hymn-like harmonization, bringing us to back to the place we call home. "Let me tell you that I love you, and I think about you all the time; Caledonia, you're calling me, and now I'm going home.".

It's Only A Paper Moon - one of the Great American Songbook's most enduring standards is given a swing-choir treatment in this arrangement. It includes tight harmony, a wordless jazz vocal chorus, a very effective key change and jazzy piano accompaniment. It will be a favorite of singers and audience alike.

This heartfelt ballad is from the hit Broadway production Waitress the Musical, written by Sara Bareilles. This arrangement originally premiered at the Barbershop Harmony Society's 2019 International Convention by Momma's Boys, a men's quartet, but all voicings (SSAA, TTBB, SATB) are available. This piece works well for small ensemble (quartet minimum) or a large choir.

This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.

Originally recorded by the American rock band Extreme in 1991, this SATB w/ divisi a cappella arrangement adds a flavor of vocal jazz with a hint of Imogen Heap inspiration. While solos throughout are optional, this chart was written to feature the entire ensemble over highlighting a single voice. Also, a slower tempo, tight harmonies and softer dynamics will contrast nicely against the upbeat tunes in your set. Finally, ensembles may elect to snap or use some other form of body percussion to keep time while your vocal percussionist can take a much needed breather! Your audience will love this rendition of an iconic tune from the 1990's!

Ranges:
Soprano = B3 - E5
Alto = A3 - C#5
Tenor = C#3 - F#4
Bass = E2 - C#4

Performance Time = approx. 4:25