Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Baroque
Non classifié
403
Piano & claviers
Piano seul
302
Piano, Voix
51
Orgue
45
Clavecin
11
1 Piano, 4 mains
10
Orgue, Trompette (duo)
7
2 Pianos, 4 mains
4
Orgue, Piano (duo)
3
Piano Trio: piano, violon, violoncelle
3
Accompagnement Piano
2
1 Piano, 6 mains
1
Instruments en Do
1
Piano Facile
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare
117
Guitare notes et tablatures
25
2 Guitares (duo)
12
Basse electrique
7
Ukulele
2
Ensemble de guitares
1
4 Guitares (Quatuor)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
35
Chorale
16
Voix Soprano, Piano
5
Voix duo
3
Voix Alto, Piano
1
Chorale SSAA
1
Chorale 2 parties
1
Chorale SSAATTBB
1
Voix basse, Piano
1
Chorale 3 parties
1
+ 5 instrumentations
Retracter
Vents
Flûte traversière et Piano
50
Quatuor de Saxophones: 4 saxophones
41
Quatuor de Clarinettes: 4 clarinettes
29
Flûte, Hautbois, Clarinette, Basson
20
Quintette de Saxophone: 5 saxophones
19
Clarinette et Piano
19
2 Clarinettes (duo)
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Flûte traversière
17
Flûte à Bec
15
2 Flûtes traversières (duo)
14
Clarinette
14
Saxophone Alto et Piano
12
Ensemble de Clarinettes
11
3 Clarinettes (trio)
11
Hautbois, Piano (duo)
10
3 Saxophones (trio)
10
Saxophone Alto
9
Saxophone Tenor et Piano
8
Saxophone Soprano et Piano
8
Cor anglais, Piano
8
Clarinette Basse, Piano
7
Hautbois (partie séparée)
7
Saxophone (partie séparée)
6
2 Saxophones (duo)
5
Ensemble de saxophones
5
Quintette de Clarinettes: 5 clarinettes
5
Saxophone Baryton, Piano
5
Saxophone Tenor
5
Flûte, Clarinette (duo)
4
Trio de Flûtes: 3 flûtes
4
Ensemble de Flûtes
4
Quatuor de Flûtes à bec
4
Flûte et Guitare
3
Quintette de Flûte : 5 flûtes
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Clarinette et Basson
3
2 Hautbois (duo)
3
Flûte, Violoncelle, Guitare
2
Clarinette, Violon (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois
2
Saxophone, Clarinette (duo)
2
3 Flûtes à bec (trio)
2
Clarinette, Basson (duo)
1
2 Clarinettes, Piano
1
Flûte à bec Tenor
1
Flûte à bec Alto, Basse continue
1
Flûte, Hautbois, Basson
1
3 Hautbois
1
2 Flûte à bec (duo)
1
Ensemble de Hautbois
1
Ensemble De Flûte à bec
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Clarinette (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Saxophone (duo)
1
Flûte, Violon
1
Flûte, Hautbois, Piano (trio)
1
5 Flûtes à bec
1
Cor Anglais
1
Saxophone Soprano
1
+ 57 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
87
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Ensemble de Trombones
25
Trombone
21
Quatuor de cuivres: 4 trombones
20
Trombone et Piano
15
Trompette, Piano
14
Cor
13
Trompette
13
Tuba
12
Euphonium, Piano (duo)
12
Euphonium
9
Quatuor de cuivres: 4 cors
8
3 Trombones (trio)
8
Trompette (partie séparée)
8
Cor et Piano
8
Ensemble de Trompettes
8
Cor anglais, Piano
8
2 Trompettes (duo)
7
2 Trompettes, Clavier (piano ou orgue)
7
Tuba et Piano
4
2 Trombones (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
3 Euphoniums
3
Trombone basse
3
Quatuor de Cuivres
3
Ensemble de Cors
2
Quatuor de cuivres: 4 trompettes
2
2 Cors (duo)
2
2 Euphoniums et 2 Tubas
2
3 Tubas (trio)
2
3 Trompettes (trio)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Tubas (duo)
1
4 Tubas
1
Euphonium, Tuba (duo)
1
Cor Anglais
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
73
Violon et Piano
71
Violon
40
Violoncelle
27
Violoncelle, Piano
15
Trio à Cordes: violon, alto, violoncelle
15
2 Violons (duo)
15
Violon, Alto (duo)
15
Harpe
12
Alto, Piano
12
Alto seul
12
Violon, Guitare (duo)
10
Violoncelle , Guitare (duo)
10
Violon, Violoncelle (duo)
7
4 Violoncelles
5
2 Violoncelles (duo)
5
Trio à Cordes: 3 violoncelles
4
Quatuor à cordes: 4 violons
3
Alto, Violoncelle (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
2 Altos (duo)
3
Trio à cordes: 3 violins
3
Contre Basse
3
Trio à Cordes: 2 violons, violoncelle
3
Alto (partie séparée)
2
4 Contrebasses
2
Trio à Cordes: 2 violons, alto
2
Ensemble de Violons
2
Ensemble d'Altos
2
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 altos
1
2 Violons, Piano
1
Violoncelle, Orchestre
1
Violon, Orgue
1
Contrebasse, Piano (duo)
1
Violoncelle, Contrebasse (duo)
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
56
Ensemble de cuivres
46
Orchestre à Cordes
46
Orchestre d'harmonie
32
Orchestre
17
Ensemble Jazz
3
Cloches
2
Xylophone
1
Orchestre, Violon
1
+ 4 instrumentations
Retracter
Autres
Théorie de la musique
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
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A propos de free-scores.com
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Partitions Numériques
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702
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Baroque
expert
Chorale SATB
Partitions à imprimer
35 partitions trouvées
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1
26
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Chorale SATB
#
AVANCÉ
#
Carson Cooman
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Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Chorale SATB
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
A Common Phrase
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Chorale SATB
#
AVANCÉ
#
Renaissance
#
Classique
#
Boucher
#
A Common Phrase
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Mitch Boucher
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1211157 Composed by Boucher (b. 1994). Baroque,Renaissance. Octavo. 3 pages. Mitch Boucher #808856. Published by...
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Choral Choir (SATB) - Level 5 - SKU: A0.1211157 Composed by Boucher (b. 1994). Baroque,Renaissance. Octavo. 3 pages. Mitch Boucher #808856. Published by Mitch Boucher (A0.1211157). This piece was requested by a client in early 2023, and is a cross between Renaissance and Baroque writing. The text translates to 'the ax forgets but the tree remembers.'.
$19.99
Such a Nice Brisket (SATB)
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Chorale SATB
#
AVANCÉ
#
Jack Curtis Dubowsky
#
Jazz
#
Such a Nice Brisket
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De Stijl Music Digital
#
SheetMusicPlus
By Jack Curtis Dubowsky. For SATB choir. Choral. Humor; Jazz; Pop; Baroque; Whimsical; Food; Secular. Advanced. Octavo. Composed 2007. 12 pages. Duration 4:30. ...
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By Jack Curtis Dubowsky. For SATB choir. Choral. Humor; Jazz; Pop; Baroque; Whimsical; Food; Secular. Advanced. Octavo. Composed 2007. 12 pages. Duration 4:30. Published by De Stijl Music Digital
$2.25
Royal Hymn 9810315
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Chorale SATB
#
AVANCÉ
#
Ryan Benoist
#
Ryan Benoist
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Royal Hymn 9810315
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Ryan Benoist
#
SheetMusicPlus
Choral Choir,Choral (4-Part) - Level 5 - SKU: A0.1384976 Composed by Ryan Benoist. Arranged by Ryan Benoist. Baroque,Christian,Renaissance,Sacred,Spirit...
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Choral Choir,Choral (4-Part) - Level 5 - SKU: A0.1384976 Composed by Ryan Benoist. Arranged by Ryan Benoist. Baroque,Christian,Renaissance,Sacred,Spiritual. 10 pages. Ryan Benoist #969074. Published by Ryan Benoist (A0.1384976). Choral Work: Soprano Alto Tenor and HarpComposed in Saint Louis Missouri 2024.
$1.99
Sacred Serenade 7978254
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Chorale SATB
#
AVANCÉ
#
Ryan Benoist
#
Ryan Benoist
#
Sacred Serenade 7978254
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Ryan Benoist
#
SheetMusicPlus
Choral Choir,Choral (4-Part) - Level 5 - SKU: A0.1385482 Composed by Ryan Benoist. Arranged by Ryan Benoist. Baroque,Christian,Renaissance,Sacred,Spirit...
(+)
Choral Choir,Choral (4-Part) - Level 5 - SKU: A0.1385482 Composed by Ryan Benoist. Arranged by Ryan Benoist. Baroque,Christian,Renaissance,Sacred,Spiritual. 10 pages. Ryan Benoist #969462. Published by Ryan Benoist (A0.1385482). Choral Work: Soprano Alto Tenor and HarpComposed in Saint Louis Missouri 2024.
$1.99
Harmonic Majesty 6803859
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Chorale SATB
#
AVANCÉ
#
Ryan Benoist
#
Ryan Benoist
#
Harmonic Majesty 6803859
#
Ryan Benoist
#
SheetMusicPlus
Choral Choir,Choral (4-Part) - Level 5 - SKU: A0.1385932 Composed by Ryan Benoist. Arranged by Ryan Benoist. Baroque,Christian,Renaissance,Sacred,Spirit...
(+)
Choral Choir,Choral (4-Part) - Level 5 - SKU: A0.1385932 Composed by Ryan Benoist. Arranged by Ryan Benoist. Baroque,Christian,Renaissance,Sacred,Spiritual. 10 pages. Ryan Benoist #969876. Published by Ryan Benoist (A0.1385932). Choral Work: Soprano Alto Tenor and HarpComposed in Saint Louis Missouri 2024.
$1.99
Divine Harmonies 7171394
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Chorale SATB
#
AVANCÉ
#
Ryan Benoist
#
Ryan Benoist
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Divine Harmonies 7171394
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Ryan Benoist
#
SheetMusicPlus
Choral Choir,Choral (4-Part) - Level 5 - SKU: A0.1386368 Composed by Ryan Benoist. Arranged by Ryan Benoist. Baroque,Christian,Renaissance,Sacred,Spirit...
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Choral Choir,Choral (4-Part) - Level 5 - SKU: A0.1386368 Composed by Ryan Benoist. Arranged by Ryan Benoist. Baroque,Christian,Renaissance,Sacred,Spiritual. 10 pages. Ryan Benoist #970281. Published by Ryan Benoist (A0.1386368). Choral Work: Soprano Alto Tenor and HarpComposed in Saint Louis Missouri 2024.
$1.99
5318096
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Chorale SATB
#
AVANCÉ
#
Ryan Benoist
#
Ryan Benoist
#
5318096
#
Ryan Benoist
#
SheetMusicPlus
Choral Choir,Choral (4-Part) - Level 5 - SKU: A0.1386494 Composed by Ryan Benoist. Arranged by Ryan Benoist. Baroque,Christian,Renaissance,Sacred,Spirit...
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Choral Choir,Choral (4-Part) - Level 5 - SKU: A0.1386494 Composed by Ryan Benoist. Arranged by Ryan Benoist. Baroque,Christian,Renaissance,Sacred,Spiritual. 10 pages. Ryan Benoist #970378. Published by Ryan Benoist (A0.1386494). Choral Work: Soprano Alto Tenor and HarpComposed in Saint Louis Missouri 2024.
$1.99
Royal Chorus 6580035
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Chorale SATB
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AVANCÉ
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Ryan Benoist
#
Ryan Benoist
#
Royal Chorus 6580035
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Ryan Benoist
#
SheetMusicPlus
Choral Choir,Choral (4-Part) - Level 5 - SKU: A0.1386897 Composed by Ryan Benoist. Arranged by Ryan Benoist. Baroque,Christian,Renaissance,Sacred,Spirit...
(+)
Choral Choir,Choral (4-Part) - Level 5 - SKU: A0.1386897 Composed by Ryan Benoist. Arranged by Ryan Benoist. Baroque,Christian,Renaissance,Sacred,Spiritual. 10 pages. Ryan Benoist #970780. Published by Ryan Benoist (A0.1386897). Choral Work: Soprano Alto Tenor and HarpComposed in Saint Louis Missouri 2024.
$1.99
Golden Hymn 6616214
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Chorale SATB
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AVANCÉ
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Ryan Benoist
#
Ryan Benoist
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Golden Hymn 6616214
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Ryan Benoist
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SheetMusicPlus
Choral Choir,Choral (4-Part) - Level 5 - SKU: A0.1384329 Composed by Ryan Benoist. Arranged by Ryan Benoist. Baroque,Christian,Renaissance,Sacred,Spirit...
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Choral Choir,Choral (4-Part) - Level 5 - SKU: A0.1384329 Composed by Ryan Benoist. Arranged by Ryan Benoist. Baroque,Christian,Renaissance,Sacred,Spiritual. 10 pages. Ryan Benoist #968643. Published by Ryan Benoist (A0.1384329). Choral Work: Soprano Alto Tenor and HarpComposed in Saint Louis Missouri 2024.
$1.99
Harmonic Royal Choir 845592500
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Chorale SATB
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AVANCÉ
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Ryan Benoist
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Ryan Benoist
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Harmonic Royal Choir 845592500
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Ryan Benoist
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SheetMusicPlus
Choral Choir,Choral (4-Part) - Level 5 - SKU: A0.1383223 Composed by Ryan Benoist. Arranged by Ryan Benoist. Baroque,Classical,Renaissance,Sacred,Spirit...
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Choral Choir,Choral (4-Part) - Level 5 - SKU: A0.1383223 Composed by Ryan Benoist. Arranged by Ryan Benoist. Baroque,Classical,Renaissance,Sacred,Spiritual. 10 pages. Ryan Benoist #967652. Published by Ryan Benoist (A0.1383223). Choral Work: Soprano Alto Tenor and HarpComposed in Saint Louis Missouri 2024.
$1.99
Royal Choir's Grace 232670
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Chorale SATB
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AVANCÉ
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Ryan Benoist
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Ryan Benoist
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Royal Choir's Grace 232670
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Ryan Benoist
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SheetMusicPlus
Choral Choir,Choral (4-Part) - Level 5 - SKU: A0.1383371 Composed by Ryan Benoist. Arranged by Ryan Benoist. Baroque,Christian,Renaissance,Sacred,Spirit...
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Choral Choir,Choral (4-Part) - Level 5 - SKU: A0.1383371 Composed by Ryan Benoist. Arranged by Ryan Benoist. Baroque,Christian,Renaissance,Sacred,Spiritual. 10 pages. Ryan Benoist #967809. Published by Ryan Benoist (A0.1383371). Choral Work: Soprano Alto Tenor and HarpComposed in Saint Louis Missouri 2024.
$1.99
Fac ut ardeat cor meum
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Chorale SATB
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AVANCÉ
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Giovanni Battista Pergolesi
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Luis Enrique Téllez
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Fac ut ardeat cor meum
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Luis Enrique Téllez
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1283585 Composed by Giovanni Battista Pergolesi. Arranged by Luis Enrique Téllez. A Cappella,Baroque,Religiou...
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Choral Choir (SATB) - Level 5 - SKU: A0.1283585 Composed by Giovanni Battista Pergolesi. Arranged by Luis Enrique Téllez. A Cappella,Baroque,Religious. Octavo. 8 pages. Luis Enrique Téllez #874773. Published by Luis Enrique Téllez (A0.1283585). New version of Fac ut ardeat cor meum for Mixed Chorus a capella from the original No.8 part of Pergolesi's Stabat Mater.
$6.00
G. Fr. Handel: DIXIT DOMINUS
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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George Frideric Handel
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Marilena Zlatanou
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G. Fr. Handel: DIXIT DOMINUS
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.887072 Composed by George Frideric Handel. Arranged by Marilena Zlatanou. Baroque,Praise & Worship...
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Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.887072 Composed by George Frideric Handel. Arranged by Marilena Zlatanou. Baroque,Praise & Worship. 419 pages. Marilena Zlatanou #3426785. Published by Marilena Zlatanou (A0.887072). G. Gr. Handel: DIXIT DOMINUS. Transposed to G (orig. B). Conductor's score, vocal, score, choir score and parts in one long pdf file.The original key is uninvitingly high for singers and my transposition of a minor third down has proved to be very successful indeed both for choir members and for audiences. I have had to make a few adjustments in the violin parts of the first movement by assigning the violas a few places, a solution that has worked seamlessly.Please visit website www.zlatanou.net for more information on the arranger who is a member of the Norwegian copyright org., TONO.
$40.00
Hush, Hush-a-by, Don't Cry
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Chorale SATB
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Hush, Hush-a-by, Don't Cry
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Maury Franklin
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.983470 Composed by Johann Sebastian Bach. Arranged by Maury Franklin transcription, arrangement and lyrics. A Ca...
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Choral Choir (SATB) - Level 5 - SKU: A0.983470 Composed by Johann Sebastian Bach. Arranged by Maury Franklin transcription, arrangement and lyrics. A Cappella,Baroque,Christian,Christmas,Sacred. Octavo. 8 pages. Maury Franklin #4362381. Published by Maury Franklin (A0.983470). Hush, Hush-a-by is a transcription of J. S. Bach's Sinfonia #11. Mr. Franklin arranged it for SATB quartet as a hauntingly beautiful lullaby to be sung a cappella. It works especially well for Christmas or general worship.
$4.75
Missa Millennia in Honor of St. Francis (SATB)
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Curtis Hanson
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Missa Millennia in Honor of St
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curti...
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Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
Bach Little Fugue in G Minor for Double Reed Choir BWV 578
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Chorale SATB
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Stephanie Daige
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Bach Little Fugue in G Minor f
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Stephanie Daige
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Steph...
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Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Stephanie Daige #3377603. Published by Stephanie Daige (A0.796870). This little fugue is one of Bach's most famous and beloved organ works. Re-imagined for double reed choir, it is a challenging and fun setting for this fugue. The different instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments adds a whole new textural dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of these wind instruments, which obviously wasn't an issue for the original version intended for organ. This piece would be appropriate for advanced high school students, college students, or professionals. It would do well in a chamber music concert, in a church, or between acts of a larger ensemble concert, perhaps in another location of the auditorium while a (quiet!) set change is taking place. It would also work well as prelude or lobby music. The duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There are also versions of this piece available for wind and brass quintets. Please check out my other arrangements at: http://www.sheetmusicplus.com/publishers/stephanie-daige/6875
$17.99
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
ADAGIO - for Oboe, Cello and Strings - D. Zipoli - Arr. for SATB Choir
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Chorale SATB
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AVANCÉ
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Classique
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Domenico Zipoli
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Renato Tagliabue
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ADAGIO - for Oboe, Cello and S
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Renato Tagliabue
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.724060 Composed by Domenico Zipoli. Arranged by Renato Tagliabue. Baroque. Octavo. 9 pages. Renato Tagliabue #34...
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Choral Choir (SATB) - Level 5 - SKU: A0.724060 Composed by Domenico Zipoli. Arranged by Renato Tagliabue. Baroque. Octavo. 9 pages. Renato Tagliabue #3465676. Published by Renato Tagliabue (A0.724060). Arr. for SATB Choir.
$18.90
Georg Joseph "Abt" Vogler - Salve Regina, Ave Regina und Alma Redemptoris
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Chorale SATB
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AVANCÉ
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Georg Joseph Vogler, Abt Vogle
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Guido Menestrina
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Georg Joseph "Abt" V
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.828724 Composed by Georg Joseph Vogler, Abt Vogler. Arranged by Guido Menestrina. Baroque,Sacred. Octavo. 61 pag...
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Choral Choir (SATB) - Level 5 - SKU: A0.828724 Composed by Georg Joseph Vogler, Abt Vogler. Arranged by Guido Menestrina. Baroque,Sacred. Octavo. 61 pages. Guido Menestrina #568739. Published by Guido Menestrina (A0.828724). Georg Joseph Abt Vogler - Salve Regina, Ave Regina und Alma Redemptoris Oltre 60 pagine di partitura che raccolgono le tre composizioni mariane di Abt Vogler, sia in versione partitura completa che per solo coro o solo accompagnamento. Ad un prezzo speciale! / Over 60 pages summing up the three scores by Abt Vogler, in full score and choir/organ separated parts. For a special price!
$17.99
Orazio Faà - Come sperar poss'io (1571)
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Chorale SATB
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AVANCÉ
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Classique
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Orazio Faa
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Guido Menestrina
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Orazio Faà - Come spera
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.828751 Composed by Orazio Faa. Arranged by Guido Menestrina. Baroque. Octavo. 17 pages. Guido Menestrina ...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.828751 Composed by Orazio Faa. Arranged by Guido Menestrina. Baroque. Octavo. 17 pages. Guido Menestrina #3068569. Published by Guido Menestrina (A0.828751). Madrigale a 10 voci (dialogo a 2 cori di 5 voci) di Orazio Faà , compositore cinquecentesco nativo di Casale Monferrato legato ai Gonzaga, di cui non si sa molto di più.
$7.99
Leopold I (1640-1705) - Heu! Heu! Heu! Peccatores!
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Chorale SATB
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AVANCÉ
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Leopold I
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Guido Menestrina
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Leopold I
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.828764 Composed by Leopold I. Arranged by Guido Menestrina. Baroque,Sacred. Octavo. 21 pages. Guido Menestrina #...
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Choral Choir (SATB) - Level 5 - SKU: A0.828764 Composed by Leopold I. Arranged by Guido Menestrina. Baroque,Sacred. Octavo. 21 pages. Guido Menestrina #3245607. Published by Guido Menestrina (A0.828764). Mottetto a 4 di Sua Maestà Cesarea Leopoldo I d'Asburgo (1640-1705) per 4 voci con accompagnamento di 3 viole da gamba e violone, tiorba e organo al basso; con ripieni (coro, viole, basso di viola, cornetto, tromboni, fagotto).
$16.99
ADAGIO - for Oboe, Cello and Strings - D. Zipoli - Arr. for SATB Choir
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Chorale SATB
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AVANCÉ
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Classique
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Domenico Zipoli
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Renato Tagliabue
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ADAGIO - for Oboe, Cello and S
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Renato Tagliabue
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.724059 Composed by Domenico Zipoli. Arranged by Renato Tagliabue. Baroque. Octavo. 9 pages. Renato Tagliabue #34...
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Choral Choir (SATB) - Level 5 - SKU: A0.724059 Composed by Domenico Zipoli. Arranged by Renato Tagliabue. Baroque. Octavo. 9 pages. Renato Tagliabue #3465672. Published by Renato Tagliabue (A0.724059). Arr. for SATB Choir.
$2.99
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