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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Chorale
Non classifié
52
Piano & claviers
Piano seul
15
Orgue
12
2 Pianos, 4 mains
2
1 Piano, 4 mains
1
Accompagnement Piano
1
Guitares
Guitare
2
Voix
Chorale SATB
1 555
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728
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260
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120
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55
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37
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33
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22
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22
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6
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1
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Vents
Flûte traversière et Piano
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Clarinette, Orgue
2
Ensemble de Clarinettes
1
2 Saxophones (duo)
1
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1
Clarinette
1
Quatuor de Flûtes : 4 flûtes
1
+ 3 instrumentations
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Cuivres
Ensemble de Trombones
7
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6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Quatuor de cuivres: 4 trombones
4
3 Trombones (trio)
2
Quatuor de cuivres: 4 cors
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2
3 Trompettes (trio)
1
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1
Trompette
1
+ 5 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
5
Trio à Cordes: violon, alto, violoncelle
2
Violon et Piano
2
Alto, Piano
2
Alto, Violoncelle (duo)
1
Violoncelle
1
Violon, Orgue
1
Violon, Alto (duo)
1
Violoncelle, Piano
1
Harpe
1
+ 5 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
10
Ensemble de cuivres
8
Orchestre
5
Orchestre de chambre
3
Autres
Instruments
ACCORDEON
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CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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Vous avez sélectionné:
Chorale
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Chorale SATB
Partitions à imprimer
1 555 partitions trouvées
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1551
Pierpont-Jingle Bells(The One Horse Open Sleigh),in F Major,for Quatre Chorales
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Chorale SATB
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AVANCÉ
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Classique
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James Pierpont
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MSM
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Pierpont-Jingle Bells(The One
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Open Cloud
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - SKU: A0.668204 Composed by James Pierpont. Arranged by MSM. Classical,Romantic Period. 12 pages. Open Cloud #4414...
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Choral Choir,Choral (SATB) - Level 5 - SKU: A0.668204 Composed by James Pierpont. Arranged by MSM. Classical,Romantic Period. 12 pages. Open Cloud #4414217. Published by Open Cloud (A0.668204). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Pierpont (Pierpont James), 1822-1893, for Quatre Chorales.
$4.99
O Young And Fearless Prophet (Long Acre) - Anthem - Chorale Variant
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Chorale SATB
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AVANCÉ
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James F
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O Young And Fearless Prophet
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WayWordBound
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.729325 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 5 pages. WayWordBound #2873445. Publ...
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Choral Choir (SATB) - Level 5 - SKU: A0.729325 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 5 pages. WayWordBound #2873445. Published by WayWordBound (A0.729325). For Choir (SATB) Unaccompanied (Keyboard Reduction Provided)Extended Chorale Settingfrom The Beatitudes.
$3.50
Lord, Speak To Me (Uffingham) - Anthem - Chorale Variant
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Chorale SATB
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AVANCÉ
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James F
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Lord, Speak To Me
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WayWordBound
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.729316 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 6 pages. WayWordBound #2873417. Publ...
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Choral Choir (SATB) - Level 5 - SKU: A0.729316 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 6 pages. WayWordBound #2873417. Published by WayWordBound (A0.729316). For Choir (SATB) Unaccompanied (Keyboard Reduction Provided)Extended Chorale Settingfrom The Beatitudes.
$3.00
The Good Intent of God (Morecambe) - Anthem - Chorale Variant
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Chorale SATB
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AVANCÉ
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James F
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The Good Intent of God
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WayWordBound
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.729315 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 2 pages. WayWordBound #2873415. Publ...
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Choral Choir (SATB) - Level 5 - SKU: A0.729315 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 2 pages. WayWordBound #2873415. Published by WayWordBound (A0.729315). For Choir (SATB) Unaccompanied (Keyboard Reduction Provided)Extended Chorale Settingfrom The Beatitudes.
$3.00
Now Again The World Is Shaken (Pleading Savior) - Anthem - Chorale Variant
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Chorale SATB
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AVANCÉ
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James F
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Now Again The World Is Shaken
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WayWordBound
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.729324 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 7 pages. WayWordBound #2873443. Publ...
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Choral Choir (SATB) - Level 5 - SKU: A0.729324 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 7 pages. WayWordBound #2873443. Published by WayWordBound (A0.729324). For Choir (SATB) Unaccompanied (Keyboard Reduction Provided)Extended Chorale Settingfrom The Beatitudeshttps://youtu.be/P5OsvS1ZYqc
$3.00
There's A Wideness In God's Mercy (Jude) - Anthem - Chorale Variant
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Chorale SATB
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AVANCÉ
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James F
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There's A Wideness In God's Me
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WayWordBound
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.729321 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 5 pages. WayWordBound #2873431. Publ...
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Choral Choir (SATB) - Level 5 - SKU: A0.729321 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 5 pages. WayWordBound #2873431. Published by WayWordBound (A0.729321). For Choir (SATB) Unaccompanied (Keyboard Reduction Provided)Extended Chorale Settingfrom The Beatitudes.
$3.00
Thou Who Taught The Thronging People (Bullinger) - Anthem - Chorale Variant
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Chorale SATB
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AVANCÉ
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James F
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Thou Who Taught The Thronging
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WayWordBound
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.729322 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 5 pages. WayWordBound #2873435. Publ...
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Choral Choir (SATB) - Level 5 - SKU: A0.729322 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 5 pages. WayWordBound #2873435. Published by WayWordBound (A0.729322). For Choir (SATB) Unaccompanied (Keyboard Reduction Provided)Extended Chorale Settingfrom The Beatitudes.
$3.00
Though Christ A Thousand Times (Munich) - Anthem - Chorale Variant
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Chorale SATB
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AVANCÉ
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James F
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Though Christ A Thousand Times
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WayWordBound
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.729318 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 3 pages. WayWordBound #2873425. Publ...
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Choral Choir (SATB) - Level 5 - SKU: A0.729318 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 3 pages. WayWordBound #2873425. Published by WayWordBound (A0.729318). For Choir (SATB) Unaccompanied (Keyboard Reduction Provided)Extended Chorale Settingfrom The Beatitudes.
$3.00
I Sought The Lord (Kerr) - Anthem - Chorale Variant
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Chorale SATB
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AVANCÉ
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James F
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I Sought The Lord
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WayWordBound
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.729320 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 5 pages. WayWordBound #2873429. Publ...
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Choral Choir (SATB) - Level 5 - SKU: A0.729320 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 5 pages. WayWordBound #2873429. Published by WayWordBound (A0.729320). For Choir (SATB) Unaccompanied (Keyboard Reduction Provided)Extended Chorale Settingfrom The Beatitudes.
$3.00
Beloved, Let Us Love (Parrat) - Anthem - Chorale Variant
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Chorale SATB
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AVANCÉ
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James F
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Beloved, Let Us Love
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WayWordBound
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.729323 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 4 pages. WayWordBound #2873441. Publ...
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Choral Choir (SATB) - Level 5 - SKU: A0.729323 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 4 pages. WayWordBound #2873441. Published by WayWordBound (A0.729323). For Choir (SATB) Unaccompanied (Keyboard Reduction Provided)Extended Chorale Settingfrom The Beatitudes.
$3.00
My Master Was So Very Poor (Herrnhut) - Anthem - Chorale Variant
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Chorale SATB
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AVANCÉ
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James F
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My Master Was So Very Poor
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WayWordBound
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.729317 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 4 pages. WayWordBound #2873421. Publ...
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Choral Choir (SATB) - Level 5 - SKU: A0.729317 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 4 pages. WayWordBound #2873421. Published by WayWordBound (A0.729317). For Choir (SATB) Unaccompanied (Keyboard Reduction Provided)Extended Chorale Settingfrom The Beatitudes.
$3.00
He Is A Path (Song 1) - Anthem - Chorale Variant
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Chorale SATB
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AVANCÉ
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James F
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He Is A Path
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WayWordBound
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.729319 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 9 pages. WayWordBound #2873427. Publ...
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Choral Choir (SATB) - Level 5 - SKU: A0.729319 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 9 pages. WayWordBound #2873427. Published by WayWordBound (A0.729319). For Choir (SATB) Unaccompanied (Keyboard Reduction Provided)Extended Chorale Settingfrom The Beatitudes.
$3.00
Chorale Partita with Seven Variations for 5-part Tuba Ensemble
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Chorale SATB
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AVANCÉ
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Classique
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Johann Pachelbel
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Terrett, Keith
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Chorale Partita with Seven Var
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Gordon Cherry
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SheetMusicPlus
Choral Choir (4-Part) - Level 5 - SKU: A0.792121 Composed by Johann Pachelbel. Arranged by Terrett, Keith. Baroque,Classical. Octavo. 19 pages. Gordon C...
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Choral Choir (4-Part) - Level 5 - SKU: A0.792121 Composed by Johann Pachelbel. Arranged by Terrett, Keith. Baroque,Classical. Octavo. 19 pages. Gordon Cherry #3565739. Published by Gordon Cherry (A0.792121). Pachelbel's grand Chorale Partita with Seven Variations in G is based on the 17th Century Protestant German hymn tune Alle Menschen müssen sterben (All of Mankind is Mortal) by Jakob Hintze. The original form of the work was in C major with eight variations, composed for Organ. Bach, being greatly influenced by Pachelbel, later took up the melody for use in one of his Cantatas. Keith Terrett has done a great job arranging these elaborate variations of about 6 minutes in length for a Tuba Ensemble quintet of advanced performers.
$20.00
When Lilacs Last in the Dooryard Bloomed: (Ghost Chorales) (Choral Score)
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Chorale SATB
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AVANCÉ
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Adolphus Hailstork
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When Lilacs Last in the Doorya
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and brass trio (Instrumental Parts include: Trumpet in B-flat and C, Horn, Trombone) - Difficult - SKU: MQ.9195-E Composed by Adolphus Hailst...
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SATB choir and brass trio (Instrumental Parts include: Trumpet in B-flat and C, Horn, Trombone) - Difficult - SKU: MQ.9195-E Composed by Adolphus Hailstork. Funeral. 20 pages. E. C. Schirmer Music Company - Digital #9195-E. Published by E. C. Schirmer Music Company - Digital (MQ.9195-E). English.The new setting of the Walt Whitman text by noted composer Aldophus Hailstork provides a challenge for an advanced ensemble. The harmonic progressions and vocal treatments are adventurous and effective.
$3.15
The Story of a Leader
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Chorale SATB
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AVANCÉ
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Classique
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio ...
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Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Anim Zemiros
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Chorale SATB
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AVANCÉ
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
Song of the Sky Loom (Downloadable)
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Chorale SATB
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AVANCÉ
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Frank Ferko
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Song of the Sky Loom
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir (choir divisi) unaccompanied - Difficult - SKU: MQ.8452-E Composed by Frank Ferko. Advanced/Collegiate. Secular, 21st Century, Creation/Natur...
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SATB choir (choir divisi) unaccompanied - Difficult - SKU: MQ.8452-E Composed by Frank Ferko. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Instrument part. 20 pages. Duration 6 minutes, 7 seconds. E. C. Schirmer Music Company - Digital #8452-E. Published by E. C. Schirmer Music Company - Digital (MQ.8452-E). English.In the summer of 2011, while I was visiting my friends Don and Sally Roberts in Santa Fe, Sally asked me if I would be interested in writing a new choral work for Don in celebration of his upcoming 75th birthday. The idea appealed to me very much, so I readily agreed to write the piece. Since Don has enjoyed a lifelong interest in the American Southwest Pueblo people and their customs, Sally provided me with several Tewa texts, in English translation, to consider for musical setting. I was particularly drawn to the imagery of Song of the Sky Loom, so that poem became the basis for the new work. The music begins with two baritone soloists singing an introductory 'call-and-response' to which the entire chorus eventually responds. The opening line of text is first presented in fragmented form, as if voices from all areas of nature gradually rise up and then merge into a unified chordal texture. As the text turns to the imagery of weaving, the musical texture, accordingly, becomes contrapuntal: individual melodic lines, sung by solo voices or small groups (the 'weft'), intertwine with each other and also with the main chorus, which provides the overall harmonic structure (the 'warp'). The following chorale section, infused with occasional chromatic inflections, represents the massive 'rainbow' in the text and brings the work to a unified conclusion. Song of the Sky Loom was first performed by the Santa Fe Desert Chorale, under the direction of Joshua Habermann, on July 19, 2016 with three subsequent performances during the following two weeks. -Frank Ferko Duration: 6:07.
$3.15
The Day of Rest for Cantor and SATB Mixed Chorus (A Cappella Vocal Edition, S'fardic Hebrew Dialect)
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Chorale SATB
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AVANCÉ
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Sylvan
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The Day of Rest for Cantor and
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 5 - SKU: A0.1510542 Composed by Sylvan (Sholom) Kalib. Arranged by Benjamin Ayotte, Steven Carryer, and Peter ...
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Choral Choir,Choral (SATB Chorus) - Level 5 - SKU: A0.1510542 Composed by Sylvan (Sholom) Kalib. Arranged by Benjamin Ayotte, Steven Carryer, and Peter Solomon Gross, Editors. A Cappella,Holiday,Jewish,Praise & Worship,Religious. 228 pages. Ayotte Custom Musical Engravings #1085740. Published by Ayotte Custom Musical Engravings (A0.1510542). The Day of Rest was commissioned for the Beth Abraham Youth Chorale, Dayton, Ohio, and its director, Hazzan Jerome B. Kopmar, by Dr. and Mrs. Michael Jaffe in honor of Mr. and Mrs. Lawrence Jaffe, Mrs. Albert Abrams, and in memory of Mr. Albert Abrams.Part I: Leil Shabat (Sabbath Evening Service)L’chu N’ran’naKol AdoshemL’cha DodiAdoshem MalachV’sham’ruShalom AleichemPart II: Shacharit L’shabat (Sabbath Morning Service)Shochein AdTitbarachMim’kom’chaAna AvdaSh’ma YisraeilL’cha Adoshem Hag’dulaPart III: Shacharit L’shabat (Cont’d)PreludeY’hi RatzonMi Sheasa NisimUv’nucho YomarPart IV: Musaf L’shabat (Additional Service for the Sabbath)K’dushat MusafNaªritz’chaKadoshMim’komoSh’ma YisraeilYimlochL’dor VadorYism’chuPart V: Motzaë Shabat (The Conclusion of The Sabbath)PreludeHavdalaHamavdilEiliyahu Hanavi.
$9.99
VOYAGER
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Chorale SATB
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AVANCÉ
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Matthew Brown
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VOYAGER
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Matthew Brown
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1381761 Composed by Matthew Brown. 21st Century,Classical,Contemporary. 71 pages. Matthew Brown #9...
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Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1381761 Composed by Matthew Brown. 21st Century,Classical,Contemporary. 71 pages. Matthew Brown #966430. Published by Matthew Brown (A0.1381761). VOYAGER(2023)for double choir & electronicsCommissioned by the Los Angeles Master Chorale. Simplified double choir version commissioned by Moorpark College.
$4.99
O Holy Night
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Chorale SATB
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AVANCÉ
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Noël
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Adolphe-Charles Adam
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Greg Wheatley
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O Holy Night
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Greg Wheatley
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.939946 Composed by Adolphe-Charles Adam. Arranged by Greg Wheatley. Christian,Christmas,Sacred. Octavo. 2 pages....
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Choral Choir (SATB) - Level 5 - SKU: A0.939946 Composed by Adolphe-Charles Adam. Arranged by Greg Wheatley. Christian,Christmas,Sacred. Octavo. 2 pages. Greg Wheatley #3011433. Published by Greg Wheatley (A0.939946). Greg Wheatley's arrangement of the much-loved O Holy Night was written as a finale for the Glen Ellyn-Wheaton Chorale's Christmas concert Wintersong. It captures the wonder and awe of that night divine when Christ was born. The organ provides a shimmering backdrop for the choir, including richly textured added-note chords. After building to a full climax, the piece ends with sopranos sustaining a single note, with the full choir echoing quietly O holy night.
$2.25
NGỌZI DỊRỊ CHUKWU [BLESSED BE GOD]
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Christian contemporain
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SHALOM CHORALE
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MARCEL
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NGỌZI DỊRỊ CHUK
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DON MARCELLINO
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1300469 By SHALOM CHORALE. By MARCEL. NWOLISA. Arranged by MARCEL. NWOLISA. Christian,Contemporary,Praise...
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Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1300469 By SHALOM CHORALE. By MARCEL. NWOLISA. Arranged by MARCEL. NWOLISA. Christian,Contemporary,Praise & Worship,Religious,Sacred. 21 pages. DON MARCELLINO #890201. Published by DON MARCELLINO (A0.1300469). NGỌZI DỊRỊ CHUKWU is an Igbo liturgical art music. It is a choral work for advanced choirs and intermediate choirs. The instrumentation used is 'akụ neche enyi' style mostly found in Anambra state, Nigeria.
$2.00
Me/No
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Chorale SATB
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AVANCÉ
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Conspirare
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Me/No
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Deke Sharon
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1170959 By Conspirare. By Deke Sharon. A Cappella,Chamber,Classical,Comedy,Contemporary. Octavo. 16 pages...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1170959 By Conspirare. By Deke Sharon. A Cappella,Chamber,Classical,Comedy,Contemporary. Octavo. 16 pages. Deke Sharon #771298. Published by Deke Sharon (A0.1170959). Composed for the legendary Texan chorale Conspirare, this piece was commissioned in 2019 during Covid, joyfully/teasingly reflecting the frustration with online discourse. For triple SATB divisi choir, watch the youtube link to see their online video of the song made during the pandemic.
$1.99
Ị NWALEELA ANYỊ [FOR YOU, OH GOD HAS TESTED US]
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Chorale SATB
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AVANCÉ
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SHALOM CHORALE
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MARCEL
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Ị NWALEELA ANYỊ [FOR
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DON MARCELLINO
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1300465 By SHALOM CHORALE. By MARCEL. NWOLISA. Arranged by MARCEL. NWOLISA. Christian,Contemporary,Lent,R...
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Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1300465 By SHALOM CHORALE. By MARCEL. NWOLISA. Arranged by MARCEL. NWOLISA. Christian,Contemporary,Lent,Religious,Sacred. 13 pages. DON MARCELLINO #890198. Published by DON MARCELLINO (A0.1300465). Ị NWALEELA ANYỊ is an Igbo liturgical art music that dwells on God's chastisement on us HIS people. It is made of double choir.
$2.00
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