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--INSTRUMENTS--
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7 partitions trouvées
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1
Now that Winter is Upon Us
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Chorale SATB
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AVANCÉ
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Contemporain
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James W
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Now that Winter is Upon Us
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Knox Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.942868 Composed by James W. Knox. Contemporary. Octavo. 13 pages. Knox Music #4803265. Published by Knox Music ...
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Choral Choir (Mixed) - Level 5 - SKU: A0.942868 Composed by James W. Knox. Contemporary. Octavo. 13 pages. Knox Music #4803265. Published by Knox Music (A0.942868). Now that Winter is Upon Us is an original poem by composer James W. Knox. Written for SATB divisi with piano/ advanced level.NOW THAT WINTER IS UPON US,OUR MIND SLOWLY GOES UNDER SLUMBERING THOUGHTS.LIKE DAYS BEFORE WHEN THE GOLDEN SUN SHINES BRIGHT ACROSS THE EARTH,AND THE NIGHT'S GENTLE AIR KEEPS OUR HEARTS WARM.SLOWLY, ALL FALL ASLEEP AND SILENCE FILLS THE SKY.SILENT.EARTH'S BLANKET IS NOW WHITE,WITH SILVER GLEAMS OF WINTER'S DUST SOAR TO THE HEAVENLY STARS ABOVE.THE MOON STRETCHES DOWN ONTO THE HIDDEN TREES,ONLY TO FIND THE BARREN ARMS OF THE THINGS IT ONCE HELD.LIFE IS STILL.LIFE IS CALM.PEACE SURROUNDS WHAT IS LOST AND WILL GUARD YOUR HEART,UNTIL THE RETURN OF ALL THAT IS ANEW!
$3.50
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
The Story of a Leader
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Chorale SATB
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AVANCÉ
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Classique
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio ...
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Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
Chamber Music for SATB voices a cappella
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Chorale SATB
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AVANCÉ
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Leslie Kleen
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Chamber Music for SATB voices
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Music From Riverside
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1004799 Composed by Leslie Kleen. A Cappella,Contemporary. Octavo. 23 pages. Music From Riverside #4368574. Publ...
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Choral Choir (SATB) - Level 5 - SKU: A0.1004799 Composed by Leslie Kleen. A Cappella,Contemporary. Octavo. 23 pages. Music From Riverside #4368574. Published by Music From Riverside (A0.1004799). Nine love songs from James Joyce's collection of poetry entitled Chamber Music published in 1907. These poems are very romantic and dreamy. Each poem has a reference to something musical - singing, strings, piano, etc.1. Strings in the Earth and Air2. The Twilight Turns from Amethyst3. At that Hour4. When the Shy Star Goes Forth5. Lean Out of the Window, Goldenhair6. My Love is in a Light Attire7. Bright Cap and Streamers8. In the Dark Pine-wood9. O Cool is the Valley NowThese songs are also available separately.Close and chromatic harmonies require an advanced high school, or college level choral group.
$3.00
The Weight
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Chorale SATB
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AVANCÉ
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The Band
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Eric Hagmann
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The Weight
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Eric Hagmann
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.796815 By The Band. By J.R. Robertson. Arranged by Eric Hagmann. A Cappella. Octavo. 14 pages. Eric Hagma...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.796815 By The Band. By J.R. Robertson. Arranged by Eric Hagmann. A Cappella. Octavo. 14 pages. Eric Hagmann #3911445. Published by Eric Hagmann (A0.796815). An SSATB + duet vocal jazz arrangement of The Weight (Take a Load Off, Annie) by The Band. This chart reimagines The Band's original song as an a cappella swing tune straight out of the 1940's. The bottom voice thumps along on neutral syllables of your choosing just as an upright bassist would in the big band. If you don't have any singers who can take on this part, an actual bass instrument could be substituted. The guitar accompaniment of the original song is now replaced by complex jazz harmonies and rhythms sung by your upper voices to compliment your soloists. The last 1/3rd of the song has a breakdown that layers and overlaps your voices one by one until they come together for a final build into the last chorus. This section also offers an opportunity for a small quartet to sing an optional harmony part. While this piece is challenging, it offers a unique spin on an old classic that will surely hold your audience's attention if performed well. .
$2.25
On The Lake
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Chorale SATB
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AVANCÉ
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the beautiful light of this su
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James W
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On The Lake
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Knox Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.942890 Composed by James W. Knox. Contemporary,World. Octavo. 17 pages. Knox Music #6599787. Published by Knox ...
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Choral Choir (Mixed) - Level 5 - SKU: A0.942890 Composed by James W. Knox. Contemporary,World. Octavo. 17 pages. Knox Music #6599787. Published by Knox Music (A0.942890). On the Lake written for advanced SSAA divisi and harp. Fannie Isabelle Sherrick was an American poet who wrote songs and poems throughout the 1860's that captured hearts and minds. I Can Not Say the Sad Good-Bye was one of her notable songs published in 1873. She was both influenced and encouraged by Ella Wheeler Wilcox who she attributed her success to. Her most popular poetry volume entitled Love or Fame and Other Poems was published in 1880 by W.S Bryan of St Louis and she continued writing for many years. ON THE LAKE There's a beautiful lake where the sun lies low, And the skies are warm with their summer glow; And a beautiful picture there I see Where the winds are warm and the waves are free, And the waves lie still in the sun As the flowers at night, when the day is done. You may sing of your silvery seas by night When the moon looks down with a dreamy light; And the stars shine out in the skies above Like the warm sweet gaze of the eyes of love; But the glow on the lake to-day Is a glory that never will fade away. The beautiful lake is a sea of gold And the beauty it wears will never grow old; The trees bend down in the sun's warm glow Till their branches meet in the waves below, And the clouds in the far-off skies Are mirrored anew where the sunlight lies. I love to float where the shadows lie 'Neath the matchless glow of the summer sky; And I love to dream that these waves of light Will never fade in the gloomy night: But I know that the things I love Are as far from my reach as the clouds above. Oh, the beautiful lake is a sea of gold And the beauty it wears will never grow old; The cloudlets of Heaven are mirrored there In a golden splendor so bright and fair That the soul is dazzled for aye By the beautiful light of this summer's day. Oh, I love to dream when this life is o'er We shall moor our boats near the golden shore; And our sorrows shall drift from us far away As the leaves that float in their idle play, And the waves shall smile in the sun When the night is over and life is done. Fannie Isabelle Sherrick.
$4.65
PLATINUM FANFARE & PROCESSIONAL
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Alan Edgar
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PLATINUM FANFARE & PROCESS
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Alan Edgar Ted Moon
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.903819 Composed by Alan Edgar. 20th Century,Concert,Holiday,Patriotic. Octavo. 29 pages. Alan Edgar Ted M...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.903819 Composed by Alan Edgar. 20th Century,Concert,Holiday,Patriotic. Octavo. 29 pages. Alan Edgar Ted Moon #6825999. Published by Alan Edgar Ted Moon (A0.903819). PLATINUM FANFARE & PROCESSIONAL Choir SSATB, flute, oboe, clarinet, 2 bassoons. OR SSATB OR woodwind quartet. May thy hand be strengthened as thy right hand is exalted. Thy justice and judgement are the signs and wonder of thy reign. Trumpets are sounding to honour thee. Thy kindness, patience, service and smile known throughout the world. Alleluia. For Elizabeth II's Platinum Jubilee. It is designed to be suitable for any large indoor space, using whole-tone mode except in the pavan, to reduce clashes of harmony caused by echoes. We hear fanfares and a more flowing and dignified processional pavan. The words were inspired by a Handel coronation anthem, which used words by Ethan the Ezrahite from Psalm 89, but we looked at other psalms and added some words of our own. 3 minutes.
$8.00
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