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--INSTRUMENTS--
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4 Violoncelles
1
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10
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Vibraphone
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22 partitions trouvées
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1
Everytime We Touch
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Chorale SATB
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AVANCÉ
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Cascada
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Lukas C Jaeger
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Everytime We Touch
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Lukas C Jaeger
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1298286 By Cascada. By Maggie Reilly, Peter Risavy, and Stuart Mackillop. Arranged by Lukas C Jaeger. 21s...
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Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1298286 By Cascada. By Maggie Reilly, Peter Risavy, and Stuart Mackillop. Arranged by Lukas C Jaeger. 21st Century,A Cappella,Contemporary,Contest,Festival,Pop. 13 pages. Lukas C Jaeger #888255. Published by Lukas C Jaeger (A0.1298286). In honor of the iconic 90's club scene here and overseas, I created this arrangement of 'Everytime We Touch' by CASCADA. Incorporating thematic snippits from another memorable tune by alice deejay (Better Off Alone), this piece is sure to get any large mixed group dancing and grooving. While vocal percussion adds a lot to this particular arrangementy, it isn't necessary due to the driving patternic nature of the supporting voice parts... This is not an easy piece... But nailing the rhythm changes and emmersing yourself in the vibe of this piece will reward you with a showstopper sure to make a splash at any concert or competition. Challenging to learn, but EPIC once you get it. A great number to throw at any advanced acappella group looking for their next big thing!
$1.99
Christmas Time Is Here
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Chorale SATB
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AVANCÉ
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Vince Guaraldi
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Michael Chadwick
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Christmas Time Is Here
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Michael Alexander Chadwick
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.981587 Composed by Vince Guaraldi. Arranged by Michael Chadwick. A Cappella,Jazz. Octavo. 1 pages. Michael Alexa...
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Choral Choir (SATB) - Level 5 - SKU: A0.981587 Composed by Vince Guaraldi. Arranged by Michael Chadwick. A Cappella,Jazz. Octavo. 1 pages. Michael Alexander Chadwick #4853935. Published by Michael Alexander Chadwick (A0.981587). Challenging SATB a cappella arrangement specifically designed for a caroling quartet, but suitable for any sized SATB choral ensemble. Recommended for advanced choral artists.
$4.99
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Chorale SATB
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AVANCÉ
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Chorale SATB
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AVANCÉ
#
Carson Cooman
#
Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
Jazzonia: from Black Pierrot (Piano/Vocal Score)
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Chorale SATB
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AVANCÉ
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Gospel Spirituel
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William Averitt
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Jazzonia: from Black Pierrot
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir (choir divisi) and chamber ensemble (SATB — 1 0 1 0 — 0 0 0 0 — 1[dr set,mar,vib,claves] — pf(cel) — vn,vc) - Diff...
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SATB choir (choir divisi) and chamber ensemble (SATB — 1 0 1 0 — 0 0 0 0 — 1[dr set,mar,vib,claves] — pf(cel) — vn,vc) - Difficult - SKU: MQ.8829-E Composed by William Averitt. African American Heritage. 14 pages. Duration 4 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8829-E. Published by E. C. Schirmer Music Company - Digital (MQ.8829-E). English.From the large work Black Pierrot, Jazzonia (1923) describes the scene in a Harlem café of the 1920s in which “six long-headed jazzers play,†and beautiful girls dance. After a short introductory section, the music moves into a lively ragtime—complete with drum set—that forms the background for the remainder of the piece. Altogether, it is something of a poetic and musical glance at the era of the Harlem Renaissance in which so much African-American music, art, and poetry emerged as vital forces in the arts. Duration: 4:30.
$2.85
Big Yellow Taxi
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Chorale SATB
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AVANCÉ
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Joni Mitchell
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Kerry Marsh
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Big Yellow Taxi
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Kerry Marsh
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SheetMusicPlus
Rhythm Section SATB Chorus divisi,Voice - Level 5 - SKU: A0.1488643 By Joni Mitchell. By Joni Mitchell. Arranged by Kerry Marsh. Folk,Jazz,Pop. Vocal Ja...
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Rhythm Section SATB Chorus divisi,Voice - Level 5 - SKU: A0.1488643 By Joni Mitchell. By Joni Mitchell. Arranged by Kerry Marsh. Folk,Jazz,Pop. Vocal Jazz Ensemble. 52 pages. Kerry Marsh #1065491. Published by Kerry Marsh (A0.1488643). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a lower price than the standard flat-fee range for vocal jazz ensemble arrangements ($75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the “All Tracks Pack (With SkyTracks Mixer)“ package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation).This arrangement of Joni Mitchell's Big Yellow Taxi is propelled by a driving groove, making it a perfect opener or closer for your program. It features fresh reharmonization while retaining many hints of the memorable aspects of Mitchell's original recording, capturing its essence while adding a modern twist.Originally released in 1970 on her album *Ladies of the Canyon*, Big Yellow Taxi is known for its catchy melody and poignant lyrics that lament environmental destruction and urban development. The song's playful yet impactful tone has made it a lasting classic, covered by numerous artists over the years.In this arrangement, a soli section challenges groups and offers directors the opportunity to teach advanced rhythmic and harmonic concepts, providing exciting and energetic musical treats for audiences. The chart is well worth the time spent preparing, especially with the help of our audio learning materials. This memorable and impactful arrangement will be a standout piece in your program, leaving a lasting impression on your audience.
$49.99
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Missa Millennia in Honor of St. Francis (SATB)
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Curtis Hanson
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Missa Millennia in Honor of St
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curti...
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Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
Gabriel Appeared (Sovet prevechni)
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Chorale SATB
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AVANCÉ
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Pavel Grigorievich Chesnokov
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James W
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Gabriel Appeared
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Jim Featherstone
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.569657 Composed by Pavel Grigorievich Chesnokov. Arranged by James W. Featherstone, III. A Cappella,Multicultura...
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Choral Choir (SATB) - Level 5 - SKU: A0.569657 Composed by Pavel Grigorievich Chesnokov. Arranged by James W. Featherstone, III. A Cappella,Multicultural,Sacred,World. Octavo. 13 pages. Jim Featherstone #178790. Published by Jim Featherstone (A0.569657). This Russian Orthodox Feast of the Annunciation hymn was set to music by Chesnokov for baritone soloist and male chorus, and the hymn (lyrics) is in Slavonic, The arrangement is for baritone soloist and SATB chorus and the lyrics are in English I heard the piece for the first time a few years ago when I was searching YouTube for a different Chesnokov work and stumbled onto the performance linked below, which thrills though the imperfection of the recording. It has now had 1.4 million views . I liked the music and wanted to obtain it for my church choir. I couldn't find anywhere an SATB version in English, so I finally created one myself. The piece should be sung a cappella. A piano part for rehearsal is included.
$6.00
Sassy
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Chorale SATB
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AVANCÉ
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Kurt Elling
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Kerry Marsh
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Sassy
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Kerry Marsh
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SheetMusicPlus
Rhythm Section SATB Chorus divisi,Voice - Level 5 - SKU: A0.1488634 By Kurt Elling. By Bill Bodine, Bill Odine, Charlie Hunter, Cheryl Bentyne, Corey Jo...
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Rhythm Section SATB Chorus divisi,Voice - Level 5 - SKU: A0.1488634 By Kurt Elling. By Bill Bodine, Bill Odine, Charlie Hunter, Cheryl Bentyne, Corey Jonathan Fonville, Dj Harrison, Janis Siegel, and Kurt Elling. Arranged by Kerry Marsh. Funk,Jazz,Pop. Vocal Jazz Ensemble. 49 pages. Kerry Marsh #1065481. Published by Kerry Marsh (A0.1488634). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a lower price than the standard flat-fee range for vocal jazz ensemble arrangements ($75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the “All Tracks Pack (With SkyTracks Mixer)“ package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation).This arrangement of Sassy, inspired by Kurt Elling's version from the *Superblue* album, brings a modern twist to the classic originally performed by The Manhattan Transfer. Featuring the vocal ensemble prominently throughout, this chart captures the energy and spirit of Elling's interpretation while providing a fresh take on the song, which is a tribute to jazz legend Sarah Vaughan.The ensemble handles nearly all the lyric content, weaving through the intricate and plentiful lines with style and precision. There are also moments where the group seamlessly integrates aspects of the instrumental arrangement, ensuring the performance is engaging and cohesive. One standout section features the choir grooving with just the drums, highlighting the dynamic interplay between voices and rhythm.The arrangement includes some exciting, fast-moving harmonies, especially on the Workin' in the daytime... section, which showcases the group's agility and tight coordination. Toward the end, a baritone soloist steps into the spotlight, embodying the role of Kurt Elling with both notated lyric riffs and opportunities for vocal improvisation, adding an extra layer of excitement and individuality to the performance.Dig!
$49.99
Like Breathing
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Chorale SATB
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AVANCÉ
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Benj Pasek and Justin Paul
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Anita Cracauer
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Paul
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Like Breathing
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Custom Arrangements, LLC
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.892631 Composed by Benj Pasek and Justin Paul. Arranged by Anita Cracauer. A Cappella. Octavo. 16 pages. Custom ...
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Choral Choir (SATB) - Level 5 - SKU: A0.892631 Composed by Benj Pasek and Justin Paul. Arranged by Anita Cracauer. A Cappella. Octavo. 16 pages. Custom Arrangements, LLC #6503247. Published by Custom Arrangements, LLC (A0.892631). From the musical Edges, this ballad is an early gem of the now famous songwriting duo Pasek & Paul. The lyrics are about finding one's path in life--perfect for a graduation ceremony or other special event. The arrangement features a substantial male solo and an a cappella section. Appropriate for any high school, community, or church choir. Performance time is approximately 3:55.Parts for rhythm section (Piano/Synth/Guitar/Bass/Drums/Percussion/3 Tpt/2 Tbn/Bass Trombone/Alto, Tenor, & Bari Sax) are available as a separate package and includes a full score.Email music@showchoirstock.com for the performance track of this arrangement.Anita's show choir music catalog can be found at www.ShowChoirStock.com, including her own original music and the music of Scott Alan, Kerrigan/Lowdermilk, Ben Wexler, and more!
$3.99
Angelus
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Chorale SATB
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AVANCÉ
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Sir Peter Maxwell Davies
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Angelus
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) - difficult - SKU: S9.Q6250 Composed by Sir Peter Maxwell Davies. This edition: choral score. Choral Music of Our Time. Downloadable,...
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Mixed choir (SATB) - difficult - SKU: S9.Q6250 Composed by Sir Peter Maxwell Davies. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Op. 242. Duration 8 minutes. Schott Music - Digital #Q6250. Published by Schott Music - Digital (S9.Q6250). English • Latin.Angelus is an important addition to the choral ensemble repertoire - highly charged, dramatic and challenging for any good choir.
$7.99
O Light Divine
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Chorale SATB
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AVANCÉ
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Jonathan Thomas Madden
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O Light Divine
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Jonathan Thomas Madden
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1382341 Composed by Jonathan Thomas Madden. 21st Century,Christian,Classical,Religious,Sacred. 7 p...
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Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1382341 Composed by Jonathan Thomas Madden. 21st Century,Christian,Classical,Religious,Sacred. 7 pages. Jonathan Thomas Madden #966859. Published by Jonathan Thomas Madden (A0.1382341). This slow-evolving choral and organ setting of WIE SCHOEN LEUCHTET by Philip Nicolai is suitable for concert performances and the Epiphany season. Performers have the option of singing the text to either O Holy Spirit Enter In and O Morning Star, How Fair and Bright (both translated by Catherine Winkwork), making this piece also appropriate for other general times throughout the liturgical year.
$2.95
A Capella Rhapsody in Blue for SSATB
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Chorale SATB
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AVANCÉ
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George Gershwin
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Ros Harling Page
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A Capella Rhapsody in Blue for
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Ros Harling Page
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.976561 Composed by George Gershwin. Arranged by Ros Harling Page. 20th Century,A Cappella,Contemporary,Ja...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.976561 Composed by George Gershwin. Arranged by Ros Harling Page. 20th Century,A Cappella,Contemporary,Jazz. Octavo. 35 pages. Ros Harling Page #6022059. Published by Ros Harling Page (A0.976561). A stunning showpiece for a really good SSATB choir, plus soprano soloist. Extremely enjoyable but also challenging to sing, A Capella Rhapsody contains some truly symphonic vocal textures, some gentle humour, and original lyrics which take the form of a conversation between soprano soloist and choir, and at times provide a musical analysis of the music. There is also some scat singing and some optional cameo solos when performing with a smaller choir. For massed choir performances, the soprano solo may require amplification.While an a capella version of a piece for piano and orchestra sounds like a preposterous proposal, live performance of this piece defies categorisation but packs an entirely positive punch. This piece is a delight to perform and a dramatic and exciting audience experience for any part of your choir's concert programme - but once you've heard it, you'll probably want to save it for the end of the concert! Listeners are left with the impression that they have heard the whole of the original work, somehow condensed into approx 8 minutes of choral magic!
$4.99
We Are In Love
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Chorale SATB
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AVANCÉ
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Jazz
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Harry Connick Jr
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Kerry Marsh
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We Are In Love
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Kerry Marsh
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SheetMusicPlus
Rhythm Section SATB Chorus divisi,Voice - Level 5 - SKU: A0.1453748 Composed by Harry Connick Jr. Arranged by Kerry Marsh. Jazz. Vocal Jazz Ensemble. 66...
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Rhythm Section SATB Chorus divisi,Voice - Level 5 - SKU: A0.1453748 Composed by Harry Connick Jr. Arranged by Kerry Marsh. Jazz. Vocal Jazz Ensemble. 66 pages. Kerry Marsh #1032965. Published by Kerry Marsh (A0.1453748). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a much lower price than the standard flat-fee range ($60 to $75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the All Tracks Pack with SkyTracks Mixer (No Sheet Music) package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation)Step into the timeless swing of Harry Connick, Jr.'s We Are In Love with this dynamic arrangement for advanced SSATBaB vocal jazz ensemble. In this chart, vocalists often take on the role of the big band brass and winds, while a baritone soloist steps into Connick’s shoes to deliver this swinging love story. The ensemble shines in several key spots, taking the lead with bold and exciting harmonies.A vocal or instrumental improv section adds a layer of spontaneity, launching the tune into a new key with a powerful sendoff from the choir. The ensemble remains engaged with energetic backgrounds, building towards an exhilarating hybrid shout section/soli section. The arrangement culminates in a huge final chorus, bringing the chart to a rousing peak before winding down to a clever and subtle finish.Despite its swinging nature, the chart features a delightful contrast with sudden transitions to a straight-8th Afro-Cuban groove at the end of each chorus. This unique twist keeps both the singers and the audience on their toes, providing a fun and engaging listening experience.Perfect for vocal jazz directors looking to challenge their advanced ensembles, this arrangement offers a mix of technical prowess, stylistic variety, and performance excitement. Check out the Scoreflipper preview to see how this arrangement can bring your group to new heights and captivate your audience.
$49.99
Motetti de la Corona (2020)
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Chorale SATB
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AVANCÉ
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Colin Eatock
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Motetti de la Corona
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Colin Eatock Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1463357 Composed by Colin Eatock. 21st Century,A Cappella,Classical,Sacred. 56 pages. Colin Eatock M...
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Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1463357 Composed by Colin Eatock. 21st Century,A Cappella,Classical,Sacred. 56 pages. Colin Eatock Music #1042050. Published by Colin Eatock Music (A0.1463357). The composer writes: When the word “corona” entered daily use in the year 2020, I recalled the Motetti de la Corona: a book of popular motets published by Ottaviano Petrucci, in 1514. The volume contained part-songs with sacred texts in Latin, written by the leading composers of the day, including Josquin, Mouton, De Févin and others. The publication was popular, and Petrucci went on to publish another four books of motets under the same name.Three of my own Motetti de la Corona are settings of texts excerpted from Petrucci’s publication: “Ecce Maria,” “Christum ducem” and “Sancta Trinitas.” The “Ave Maria” draws on the Book of St. Luke for its text. And “De profundis” (Psalm 129 or 130, depending on the numbering system used) has been set to music by many composers, from Josquin to Pärt. Its cry for help seemed an appropriate response to a time of global pandemic.
$4.99
Gwahoddiad
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Chorale SATB
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AVANCÉ
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Rechoir
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Nathan Jones
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Gwahoddiad
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Nathan Jones Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1455012 By Rechoir. By Ieuan Gwyllt and Lewis Hartsough. Arranged by Nathan Jones. Broadway,C...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1455012 By Rechoir. By Ieuan Gwyllt and Lewis Hartsough. Arranged by Nathan Jones. Broadway,Christian,Multicultural,Musical/Show,Pop,Traditional,World. 10 pages. Nathan Jones Music #1034083. Published by Nathan Jones Music (A0.1455012). A pop choir version of the traditional Welsh hymn.Originally in a predictable 3/4, this version (mostly in 4/4) keeps you guessing, with many key and time signature changes, giving the piece more of a Musical Theatre ensemble number flare.Including a brand new set of 'Amens' at the end, maintaining the impressive finish to the original, but inkeeping with the new style.Originally performered by Rechoir on Saint David's Day in 2020 and published as a lockdown video on YouTube for Saint David's Day 2021.Also Available: Band parts for Bass Guitar and Drum Kit (as heard in the YouTube video version) Individual rehearsal tracks for each part, sung by Rechoir members
$1.99
This Is The Moment
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Chorale SATB
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AVANCÉ
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Frank Wildhorn and Leslie Bric
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Jeffrey Bowen
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Hydeâ€
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This Is The Moment
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Music Arrangement Services Inc.
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1360802 Composed by Frank Wildhorn and Leslie Bricusse. Arranged by Jeffrey Bowen. Broadway,Contest,Festi...
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Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1360802 Composed by Frank Wildhorn and Leslie Bricusse. Arranged by Jeffrey Bowen. Broadway,Contest,Festival,Musical/Show. 17 pages. Music Arrangement Services Inc. #945299. Published by Music Arrangement Services Inc. (A0.1360802). From the Musical “Jekyll & Hydeâ€.  This song is about the moment when, from all your hard work, life comes to fruition.  The song refers to the moment, day, doubts, demons, endeavors, dreaming, scheming, screaming, proving, destiny, greatest moment.  This arrangement features a solo, key changes, many countermelodies and varies from the original cast recording.  This arrangement is designed for high school or college show choir, concert choir or community choir.  Concert Band Score accompaniment also available.  Performance time is approximately 3:40.
$3.99
Madrigal Book (for unaccompanied choir in up to 12 parts)
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Chorale SATB
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AVANCÉ
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Alan Bullard
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Madrigal Book
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1089116 Composed by Alan Bullard. A Cappella,Classical,Contemporary. Octavo. 24 pages. Colne Edition / Bu...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1089116 Composed by Alan Bullard. A Cappella,Classical,Contemporary. Octavo. 24 pages. Colne Edition / BullardMusic #693333. Published by Colne Edition / BullardMusic (A0.1089116). Madrigal Book contains four virtuosic and exciting settings of sixteenth-century texts for unaccompanied choir. The four movements are 1. The lowest trees have tops (Sir Edward Dyer) 2. Hot sun, cool fire (George Peele) 3. Fire, fire! (Thomas Campion) 4. Come, heavy sleep (Anon.) The first poem sings of the richness, but sometimes the incompatibility, of love, and the second is the mysterious song of Bathsheba, mother of Solomon and alleged seductress of David. The third song portrays the scorching pain of love, which all the oceans of the world cannot quench, and finally the heart-broken lover takes refuge in sleep, ‘the image of true death’ Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$3.99
Dona Nobis Pacem (SATB)
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Chorale SATB
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AVANCÉ
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Curtis Hanson
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Dona Nobis Pacem
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.719511 Composed by Curtis Hanson. Sacred,World. Octavo. 12 pages. Curtis Hanson #2032679. Published by Curtis Ha...
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Choral Choir (SATB) - Level 5 - SKU: A0.719511 Composed by Curtis Hanson. Sacred,World. Octavo. 12 pages. Curtis Hanson #2032679. Published by Curtis Hanson (A0.719511). September 11, 2001 has had a profound affect on many people, not the least of which is the composer of this work. Written the month following the tragic events of 9/11, it is a reflection of the chaotic times in which we live. Dona Nobis Pacem (Grant Us Peace) is a prayer for peace to the loving God who is the God (or Allah, or Yahweh) of all people, that out of our current discord peace and harmony may come to all humanity. The work is in three sections (ABA) with a coda. The only text in the first three sections is a wailing Oh intoned by the choir. Throughout these sections the melody wanders in search of a harmonious resting point. In the B section the choir and strings part ways and resonate increased dissonance. The second A section exactly duplicates the first. The work concludes in the coda with the phrase Dona nobis pacem and an ever-increasing sense of harmonious repose. The listener may hear occasional reflections of Samuel Barber’s Adagio for Strings or Pavane for a Dead Princess by Maurice Ravel. Dona Nobis Pacem was premiered in May 2003 by the combined choirs of the John Duss Music Conservatory, Duluth MN, and Pilgrim Lutheran Church, Superior WI, under the direction of the composer. It is purely coincidental that there are 191 measures in the work......the numbers in the date of 9/11.
$2.50
TWELVE
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Robert Myers
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TWELVE
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.976724 Composed by Robert Myers. Christian,Contemporary,Jewish,Sacred. Octavo. 37 pages. WheatMyer Music #502197...
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Choral Choir (SATB) - Level 5 - SKU: A0.976724 Composed by Robert Myers. Christian,Contemporary,Jewish,Sacred. Octavo. 37 pages. WheatMyer Music #5021979. Published by WheatMyer Music (A0.976724). There are 150 psalms in the Bible, each one originally meant to be sung; and so they were for most of the last 3,000 years, beginning at the Jerusalem Temple. They were adopted as the primary song text of the early church as evidenced by Col. 3:16 and maintained in the Western church throughout medieval times. Psalms were the featured texts of most of the Reformers and were the sole mode of sacred singing among the first American settlers. Of late, hymns and choruses and popular songs with human texts have almost entirely replaced the singing of God’s word in many churches. This scarcity of Psalms in the Church’s song is a great loss which frequently compels me to do what I can to promote their increase.
$65.00
Gloria
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Arya Brahmantya Boga
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Gloria
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Arya Brahmantya Boga
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.493677 Composed by Arya Brahmantya Boga. Sacred. Octavo. 27 pages. Arya Brahmantya Boga #108542. Publishe...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.493677 Composed by Arya Brahmantya Boga. Sacred. Octavo. 27 pages. Arya Brahmantya Boga #108542. Published by Arya Brahmantya Boga (A0.493677). Second song of Mass of Hope, a mass created in times of pandemic. A rhytmical, joyful exultation on the beginning of the song which turns into a calm prayer in the middle, and a triumphant ending makes this double choir piece an exciting one to be performed on many occasions.
$1.99
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