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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Bee
Non classifié
500
Piano & claviers
Piano seul
523
Piano, Voix
145
Instruments en Do
25
Orgue
25
2 Pianos, 4 mains
10
1 Piano, 4 mains
10
Piano, Voix et Guitare
10
Accordéon
4
2 Pianos, 8 mains
3
Clavier
3
Piano Facile
3
Piano Trio: piano, violon, violoncelle
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare
36
Guitare notes et tablatures
18
2 Guitares (duo)
10
Mandoline, Piano (duo)
7
Orchestre à Plectres
4
Ukulele
3
Basse electrique
3
Ligne De Mélodie, (Paroles) et Accords
3
Mandoline
3
Piano, Guitare (duo)
2
Banjo
2
4 Guitares (Quatuor)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
47
Voix Soprano, Piano
13
Voix haute
12
Chorale TTBB
12
Chorale 3 parties
9
Chorale SSAA
8
Voix basse, Piano
6
Voix Alto, Piano
4
Voix duo, Piano
3
Voix Baryton, Piano
3
Voix basse
2
Chorale SSAATTBB
2
Chorale 2 parties
2
Voix Tenor, Piano
1
Voix, Guitare
1
Voix Tenor
1
Voix Soprano
1
Voix moyenne, Piano
1
+ 13 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
38
Clarinette
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
35
Saxophone
30
Flûte traversière et Piano
30
Clarinette et Piano
27
Flûte traversière
25
Quatuor de Clarinettes: 4 clarinettes
25
Flûte, Hautbois, Clarinette, Basson
18
Hautbois (partie séparée)
17
2 Flûtes traversières (duo)
17
Ensemble de Clarinettes
16
Quintette de Saxophone: 5 saxophones
14
Saxophone Alto et Piano
13
Hautbois, Piano (duo)
11
3 Clarinettes (trio)
11
Ensemble de saxophones
10
Quatuor de Flûtes : 4 flûtes
9
2 Saxophones (duo)
8
Saxophone Soprano et Piano
7
Clarinette Basse, Piano
7
Quintette de Clarinettes: 5 clarinettes
7
Flûte et Guitare
6
Flute (partie séparée)
5
Saxophone Baryton, Piano
4
Saxophone Tenor et Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Saxophone Alto
3
Quintette de Flûte : 5 flûtes
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois
3
Saxophone et Orgue
2
Ensemble de Flûtes
2
Flûte, Violon
2
Clarinette, Basson (duo)
2
Clarinette, Violoncelle (duo)
2
2 Clarinettes (duo)
2
Flûte à bec Alto, Piano
1
Cor anglais, Piano
1
Flûte, Violon, Piano
1
Piccolo
1
Clarinette, Violon (duo)
1
Saxophone Tenor
1
Flûte, Hautbois, Clarinette (trio)
1
Trio de Flûtes: 3 flûtes
1
Cor Anglais
1
Flûte, Violoncelle
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
+ 44 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Trombone et Piano
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trompette
30
Cor
25
Tuba et Piano
23
Euphonium, Piano (duo)
22
Trombone
21
Ensemble de Trombones
18
Quatuor de cuivres: 4 trombones
16
Trompette, Piano
12
Cor et Piano
12
Ensemble de Trompettes
7
Tuba
6
2 Trombones (duo)
5
Trombone basse
5
Euphonium
4
Trombone basse et Piano
4
Trompette (partie séparée)
4
Quatuor de Cuivres
4
2 Cors (duo)
3
2 Euphoniums et 2 Tubas
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Instruments en Sib
2
2 Trompettes (duo)
2
2 Tubas (duo)
2
Ensemble de Cors
2
Cor anglais, Piano
1
2 Euphoniums (duo)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone et orchestre
1
4 Tubas
1
Euphonium, Tuba (duo)
1
Trombone (partie séparée)
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Tuba (duo)
1
Cor Anglais
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Tubas
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
126
Violon
80
Violon et Piano
52
Violoncelle
43
Violoncelle, Piano
25
Alto, Piano
19
Alto seul
14
Harpe
12
2 Violons (duo)
11
Violon, Violoncelle (duo)
10
Contre Basse
10
Violon, Alto (duo)
9
Trio à Cordes: violon, alto, violoncelle
6
2 Violoncelles (duo)
5
Violon, Guitare (duo)
4
Trio à cordes
3
4 Violoncelles
3
2 Altos (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violoncelle, Contrebasse (duo)
2
Alto, Violoncelle (duo)
2
Harpe, Violon (duo)
2
Trio à cordes: 3 violins
2
Ensemble d'Altos
2
Alto (partie séparée)
2
Contrebasse, Piano (duo)
2
Ensemble de Violons
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violon, Violoncelle
1
Violon, Orgue
1
2 Violons, Piano
1
Harpe, Flûte (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre
93
Orchestre à Cordes
60
Orchestre d'harmonie
45
Ensemble de cuivres
42
Ensemble Jazz
36
Orchestre de chambre
33
Jazz combo
7
Fanfare
4
Ensemble de Percussions
3
Piano et Orchestre
2
Cloches
2
+ 6 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
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difficulté (tous)
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Vous avez sélectionné:
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Chorale SATB
Partitions à imprimer
47 partitions trouvées
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26
The flight of the bumblebee (A Cappella Funky)
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Chorale SATB
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AVANCÉ
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Contemporain
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Jazz
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R
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Alberto Schirò
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The flight of the bumblebee
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Preludio s.r.l.
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SheetMusicPlus
Composed by R. Korsakov, A. Schirò. Arranged by Alberto Schirò. A Cappella, Contemporary, Jazz, Romantic Period. Octavo. 12 pages. Prelu...
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Composed by R. Korsakov, A. Schirò. Arranged by Alberto Schirò. A Cappella, Contemporary, Jazz, Romantic Period. Octavo. 12 pages. Preludio s.r.l. #5213613. Published by Preludio s.r.l.
$9.99
From you have I been absent in the spring
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Chorale SATB
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AVANCÉ
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Contemporain
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Robert Brooks
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From you have I been absent in
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Robert Brooks
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1028282 Composed by Robert Brooks. Contemporary. Octavo. 11 pages. Robert Brooks #3461841. Published by Robert B...
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Choral Choir (SATB) - Level 5 - SKU: A0.1028282 Composed by Robert Brooks. Contemporary. Octavo. 11 pages. Robert Brooks #3461841. Published by Robert Brooks (A0.1028282). A setting of William Shakespeare's Sonnet 98 for SATB choirDuration c.4'Difficulty 8/10
$15.00
I've Never Been In Love Before
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Chorale SATB
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AVANCÉ
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Billy Eckstine
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David Wright
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I've Never Been In Love Before
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David Wright
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.512621 By Billy Eckstine. By Frank Loesser. Arranged by David Wright. A Cappella. Octavo. 4 pages. David ...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.512621 By Billy Eckstine. By Frank Loesser. Arranged by David Wright. A Cappella. Octavo. 4 pages. David Wright #6413471. Published by David Wright (A0.512621). This is an eight-part arrangement for a cappella ensemble with four female parts and four male parts.
$1.99
Caught A Lite Sneeze
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Chorale SATB
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AVANCÉ
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Tori Amos
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Rogier Ijmker
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Caught A Lite Sneeze
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BeeMaster Music
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1073258 By Tori Amos. By Tori Amos. Arranged by Rogier Ijmker. A Cappella,Pop,Rock. Octavo. 16 pages. Bee...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1073258 By Tori Amos. By Tori Amos. Arranged by Rogier Ijmker. A Cappella,Pop,Rock. Octavo. 16 pages. BeeMaster Music #677521. Published by BeeMaster Music (A0.1073258).
$5.00
The Story of a Leader
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Chorale SATB
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AVANCÉ
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Classique
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio ...
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Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
Anim Zemiros
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Chorale SATB
#
AVANCÉ
#
Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
Love Is Fire
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Chorale SATB
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AVANCÉ
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Freya Ridings
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Garrett Breeze
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Love Is Fire
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Lagom Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1235667 By Freya Ridings. By Freya Ridings and Michael Busbee. Arranged by Garrett Breeze. Folk,Pop,Singer/Songw...
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Choral Choir (SATB) - Level 5 - SKU: A0.1235667 By Freya Ridings. By Freya Ridings and Michael Busbee. Arranged by Garrett Breeze. Folk,Pop,Singer/Songwriter. Octavo. 9 pages. Lagom Music #831177. Published by Lagom Music (A0.1235667). **This product is the piano vocal score only.**Purchase the show band accompaniment score and parts:Purchase accompaniment and part dominant learning tracks: COMING SOONFrom the Breeze Tunes Show Choir Championship Series, a curated collection of tried and true arrangements performed by the nation's top competitive show choirs, now available as stock arrangements through sheetmusicdirect.com and sheetmusicplus.com.For custom arrangements and show designs for competitive show choir visit https:/breezetunes.com.Visit garrettbreeze.com to find music for traditional choral ensembles and a cappella groups, as well as resources for arrangers and composers!
$1.99
Chansons de Ronsard
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Chorale SATB
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AVANCÉ
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Contemporain
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William Hawley
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Chansons de Ronsard
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William Hawley
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.889670 Composed by William Hawley. Contemporary. Octavo. 52 pages. William Hawley #3405991. Published by William...
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Choral Choir (SATB) - Level 5 - SKU: A0.889670 Composed by William Hawley. Contemporary. Octavo. 52 pages. William Hawley #3405991. Published by William Hawley (A0.889670). William Hawley's Chansons de Ronsard, commissioned by Michael Paine for members of The New London Singers for private performance in London, was subsequently given its World Premiere in New York's Merkin Concert Hall by The New York Vocal Arts Ensemble, Raymond Beegle, Director (audio clip). Originally composed for SATB Vocal Quartet and Piano, these settings may also be performed effectively by Mixed Choir. Total Duration: 13 1/2 minutes. ASCAP http://williamhawley.net .
$6.99
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Der glorreiche Augenblick
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Chorale SATB
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Der glorreiche Augenblick
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) with soloists (SMezTB), children's choir and orchestra - advanced - SKU: S9.Q274 Friedenskantate. Composed by Ludwig van Beeth...
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Mixed choir (SATB) with soloists (SMezTB), children's choir and orchestra - advanced - SKU: S9.Q274 Friedenskantate. Composed by Ludwig van Beethoven. This edition: vocal/piano score. Downloadable, Piano reduction. Op. 136. Duration 40 minutes. Schott Music - Digital #Q274. Published by Schott Music - Digital (S9.Q274). German.
$11.99
Antiphonal Joy and Variations
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Chorale SATB
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Ben Pritchard
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Antiphonal Joy and Variations
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Ben Pritchard
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SheetMusicPlus
By Ludwig van Beethoven (1770-1827). Arranged by Ben Pritchard. For Choral, Orchestra, Concert Band. Jazz, Christmas, Classical Period, 20th Century, Gospel. Ad...
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By Ludwig van Beethoven (1770-1827). Arranged by Ben Pritchard. For Choral, Orchestra, Concert Band. Jazz, Christmas, Classical Period, 20th Century, Gospel. Advanced. Set of Parts, Octavo, Score. Published by Ben Pritchard
$2.50
This Little Light of Mine
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Chorale SATB
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AVANCÉ
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Rory M
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Rory M
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This Little Light of Mine
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New Horizons Music Studio, Inc.
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1352513 Composed by Rory M. Thompson. Arranged by Rory M. Thompson. Christian,Jazz,Praise & Worship,Spiri...
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Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1352513 Composed by Rory M. Thompson. Arranged by Rory M. Thompson. Christian,Jazz,Praise & Worship,Spiritual. 7 pages. New Horizons Music Studio, Inc. #937328. Published by New Horizons Music Studio, Inc. (A0.1352513). This public domain song has always been a favorite.  I first improvised a piano version and improvised a vocal solo.  I recorded that for a CD I made for my parents.  The choir arrangement came later.  I designed it as an introductory solo in free time, and the verses alternate with a piano solo, and a choir verse accompanied by only a bass line. Choirs may choose other means of performing this.  The choir arrangement is for a well-trained group, on a more advanced leve.It has never been recorded.  If you happen to like this and produce a performance I would love to hear the finished product.
$2.50
O Sing To The Lord A New Song (Psalm 98)
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Diane Whitacre
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O Sing To The Lord A New Song
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Dianewhitacremusic.com
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1221919 Composed by Diane Whitacre. A Cappella,Praise & Worship,Sacred. Octavo. 8 pages. Dianewhitacremus...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1221919 Composed by Diane Whitacre. A Cappella,Praise & Worship,Sacred. Octavo. 8 pages. Dianewhitacremusic.com #818204. Published by Dianewhitacremusic.com (A0.1221919). This exciting choral work was commissioned for the 75th Anniversary of the Genevans, the student choir of Geneva College, Beaver Falls, Pennsylvania. O Sing To The Lord A New Song is a setting of the complete text of Psalm 98. It was the students' favorite piece on its premiere concert in March of 2013. The piece has become a staple of their repertoire, has been the capstone piece of their 2013 through 2017 tours and has been sung most every year by the Genevans since its premiere. The voicing is SSAATTBB, for acapella choir and includes the rehearsal piano part.    It is a fantastic anthem for celebrations or a rousing way to start or end your concert.
$2.25
The Girl From Ipanema (garôta De Ipanema)
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Chorale SATB
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AVANCÉ
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Stan Getz & Astrud Gilberto
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John C
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The Girl From Ipanema
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John C. Quillin
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.995559 By Stan Getz & Astrud Gilberto. By Antonio Carlos Jobim. Arranged by John C. Quillin. A Cappella. ...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.995559 By Stan Getz & Astrud Gilberto. By Antonio Carlos Jobim. Arranged by John C. Quillin. A Cappella. Octavo. 13 pages. John C. Quillin #5298317. Published by John C. Quillin (A0.995559). This classic Brazilian bossa nova was first released in 1963 and it's popularity has been such that it has been covered by artist after artist ever since. Amy Winehouse released her version in 2011, just a few years before months before her untimely death. This version will really give your ensemble great jazz harmonies and slinky rhythms to show off their expertise.
$2.50
The City In the Sea: Choral Tone Poem
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Chorale SATB
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AVANCÉ
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Contemporain
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Pu...
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Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
AMETSETAN (full version)
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Chorale SATB
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AVANCÉ
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Javier Busto
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Javier Busto
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AMETSETAN
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bustovega
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1281197 By Javier Busto. By Javier Busto. Arranged by Javier Busto. 21st Century,A Cappella,Chamber,Class...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1281197 By Javier Busto. By Javier Busto. Arranged by Javier Busto. 21st Century,A Cappella,Chamber,Classical,Contemporary. Octavo. 9 pages. Bustovega #872540. Published by bustovega (A0.1281197). AMETSETAN: This is the title of the original work, from which the most difficult parts were later reduced. The original is entitled Ametsetan and the reduction, Ametsetan (zati bat). Zati bat in Basque means » one part».This work was commissioned by the CORK INTERNATIONAL CHORAL FESTIVAL for the 38th Seminar on Contemporary Choral Music. First performance, Cork, Ireland, 2 May 2003.Its intention is to recreate the atmosphere of the open-air festivity in an Irish small village during its festival day, from the point of view of a Basque musician who never visited that country and only knows its music.The work has four different parts: 1- In the first one, people are invited to join the festival. 2- In the second one, women sing the Ave Maria during the religious celebration. 3- Dancing makes the people happy and it is an excuse to meet. 4- In the last part, when the feast comes to an end nobody wants to say goodbye.The composition’s closing text has been written by JOSUNE LÓPEZ, a component in my choir, Kanta Cantemus Korua. Miss López has tried to transmit all her love and admiration towards Ireland.* This song has been recorded on a CD in 2005 under the conduction of composer Javier Busto himself. The CD goes over 25 years of composing and contains exclusively music for mixed choirs. It is actually available at the website. Name of the CD: HONDARRIBIA… AMETSETAN.* The lyrics are in Basque language. Spanish and English translation of the text is included for those who hardly recognize Basque language. Furthermore, a small introductory guide can be found in the score for a correct Basque pronunciation.
$5.00
Some Enchanted Evening
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Chorale SATB
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AVANCÉ
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Comédie Musicale
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Film/TV
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Richard Rodgers
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Dan Wolgemuth
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Some Enchanted Evening
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Mark Daniel Wolgemuth
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1015654 Composed by Richard Rodgers. Arranged by Dan Wolgemuth. Broadway,Film/TV. Octavo. 9 pages. Mark Daniel W...
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Choral Choir (SATB) - Level 5 - SKU: A0.1015654 Composed by Richard Rodgers. Arranged by Dan Wolgemuth. Broadway,Film/TV. Octavo. 9 pages. Mark Daniel Wolgemuth #4896699. Published by Mark Daniel Wolgemuth (A0.1015654). An excellent, very creative arrangement for a SATB High School/College concert choir and/or has been performed with just a mixed quartet. Requires an excellent pianist with the vocal parts written at a moderately difficult level. Has been used as a finale for a High School concert event and as part of a Rodgers & Hammerstein evening of music on several passenger cruise ship revues in years past. Additional instrumental accompaniment parts for small ensemble are available (Rhythm section: Pno, Guit, Bass, Drums, trpt, sax doubler, trombone). A larger ensemble is also available (Rhythm section, trpt 1 & 2, AltoSax1-Flute, AltoSax2-Clarinet, TenorSax-Clarinet, Baritone Sax-Bass Clarinet, Tenor Trombone, Bass Trombone).
$5.99
Friede Anno 48
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Chorale SATB
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AVANCÉ
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Karl Amadeus Hartmann
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Friede Anno 48
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) with soprano solo and piano - difficult - SKU: S9.Q2598 Nach Texten von Andreas Gryphius. Composed by Karl Amadeus Hartmann. T...
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Mixed choir (SATB) with soprano solo and piano - difficult - SKU: S9.Q2598 Nach Texten von Andreas Gryphius. Composed by Karl Amadeus Hartmann. This edition: score. Downloadable, Score. Duration 45 minutes. Schott Music - Digital #Q2598. Published by Schott Music - Digital (S9.Q2598). German.’The towers are burning, the church has been ransacked, the town hall lies in ruins, the strong have been hacked to death, the virgins defiled, and wherever we look we see fire, plague and death which breaks both heart and spirit.’ Karl Amadeus Hartmann uses bold colours to depict the image of the Thirty Years’ War, the consequence of religious strife throughout Europe. The composer’s only choral work sets poetry by Andreas Gryphius and culminates in a muted call for peace. Hartmann undertook a revision of the music in his cantata Lamento for soprano and piano in 1955.
$51.99
Song of Peace
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Chorale SATB
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AVANCÉ
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Jazz
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BernadetteM
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Brad Esbensen
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Flute for Tenor Sax 1
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Song of Peace
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Bernadette M Debattista
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SheetMusicPlus
Choral Choir (4-Part) - Level 5 - SKU: A0.1024498 Composed by BernadetteM. Debattista, Brad Esbensen. Arranged by Brad Esbensen. Jazz. Octavo. 132 pages...
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Choral Choir (4-Part) - Level 5 - SKU: A0.1024498 Composed by BernadetteM. Debattista, Brad Esbensen. Arranged by Brad Esbensen. Jazz. Octavo. 132 pages. Bernadette M Debattista #6092703. Published by Bernadette M Debattista (A0.1024498). This work was originally composed for choir by Bernadette Debattista and was first performed at the Dawn Service, commemorating the centenary of the Gallipoli landings, in ANZAC Cove on 25 April 2015 by a combined choir from St Joseph’s College, Gregory Terrace and All Hallows’ School. This extended work sees the original theme recomposed for big band and choir. It may be performed in its entirety or the third movement may be omitted (or presented as spoken word only) if a choir is not available. The sax section requires the following doubles: Clarinet for Alto Saxes 1 and 2, and Tenor Sax 2; Flute for Tenor Sax 1; Bassoon for Bari Sax (although a Bari Sax part with no doubles has been included). There is also an optional part for Eb Sarrusophone! Trumpets require Flugelhorns and Harmon mutes.The recording features excerpts from each of the four movements and a brief description of each follows.1. Distant Shores With its jaunty, march-like feel, one can only imagine what it must have been like as these young men and women travelled to far off places, fired with the thrill of adventure, blind to the trauma and terrors of war. 2.Your Sons Are Our Sons The title for this movement is a paraphrase of a line in a speech given by Mustafa Kemal Ataturk in which he speaks of the special bond between Australia and Turkey. This movement features solo space for Piano and Trumpet.3.Reflection This movement features a small vocal group, including some of the singers who were present at the 2015 performance in ANZAC Cove, and a reading of the poem that became the lyrics of the song. 4.Hymn The final movement presents the theme in close to its original form, although extensively re-harmonised. A solo trumpet for most of the movement.I hope you enjoy performing this work.
$90.00
His Yoke is Easy
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Chorale SATB
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AVANCÉ
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Joy Simons
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Joy Simons
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His Yoke is Easy
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Joy Simons
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1038351 By Joy Simons. By George Frideric Handel. Arranged by Joy Simons. Baroque,Christmas,Classical,Sacred. Oc...
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Choral Choir (SATB) - Level 5 - SKU: A0.1038351 By Joy Simons. By George Frideric Handel. Arranged by Joy Simons. Baroque,Christmas,Classical,Sacred. Octavo. 8 pages. Joy Simons #643298. Published by Joy Simons (A0.1038351). While the complexities of Handel's rhythms remain, the runs have been modified for less flexible singers. The piano has also been simplified, although the voice parts will accommodate the original accompaniment. This arrangement will bring success to older or less experienced singers, while still maintaining the original feel.
$1.99
Erlkönig
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Chorale SATB
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AVANCÉ
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Franz Schubert
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MK Grout
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Erlkönig
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MK Grout
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 5 - SKU: A0.1515831 Composed by Franz Schubert. Arranged by MK Grout. Classical,Contest,Festival,Halloween. 14...
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Choral Choir,Choral (SATB Chorus) - Level 5 - SKU: A0.1515831 Composed by Franz Schubert. Arranged by MK Grout. Classical,Contest,Festival,Halloween. 14 pages. MK Grout #1090127. Published by MK Grout (A0.1515831). The iconic piece Erlkönig composed by Franz Schubert has been rearranged for a full SATB choir and includes two solos for the characters Father and Son. Haunting and disturbingly beautiful, this piece is suited to an advanced choir with a desire to share a tale about a father, son, and a horse ride they will never forget.
$4.99
The Sound Of Silence
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Chorale SATB
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AVANCÉ
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Cody Fry Feat
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Cody Fry
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The Sound Of Silence
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Cody Fry
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1497505 By Cody Fry Feat. Sleeping At Last. By Paul Simon. Arranged by Cody Fry. 21st Century,Classi...
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Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1497505 By Cody Fry Feat. Sleeping At Last. By Paul Simon. Arranged by Cody Fry. 21st Century,Classical,Contemporary,Film/TV,Singer/Songwriter. 9 pages. Cody Fry #1073657. Published by Cody Fry (A0.1497505). The haunting lyrics of Paul Simon's The Sound of Silence take on new salience with this epic orchestral reimagining by Grammy-nominated arranger Cody Fry. Written for orchestra, full choir, and two solo vocalists, this jaw-dropping symphonic poem will leave you contemplating the nature of modern society and technology. First premiered with the Chicago Symphony Orchestra in May 2024, Cody has been performing this new arrangement to standing ovations all over the country.
$2.99
O Magnum Mysterium (2023)
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Chorale SATB
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AVANCÉ
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Colin Eatock
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soprano saxophone
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O Magnum Mysterium
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Colin Eatock Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1484839 Composed by Colin Eatock. 21st Century,Christmas,Contemporary,Sacred. 24 pages. Colin Eatock...
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Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1484839 Composed by Colin Eatock. 21st Century,Christmas,Contemporary,Sacred. 24 pages. Colin Eatock Music #1061927. Published by Colin Eatock Music (A0.1484839). SATB choir; soprano saxophone; ca. 5 min.The composer writes: The author of the poem “O Magnum Mysterium” is unknown. Originally the text for a Gregorian chant, it was later used in polyphonic motets of the 16th century – and many settings have been composed since then. Perhaps the enduring appeal of the poem is based on its simple depiction of Christ’s humanity and humility, together with its expression of devotion to his mother, Mary. In composing my own setting, it pleased me to think of the choir as representing the worldly creatures (people and animals) present at Jesus’s birth; and the saxophone as an otherworldly, mystical presence hovering above. It’s a fanciful notion, but I found it inspiring.
$4.99
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