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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Classical
Non classifié
2 199
Piano & claviers
Piano seul
1 842
Piano, Voix
235
Orgue
101
1 Piano, 4 mains
50
Piano Trio: piano, violon, violoncelle
48
2 Pianos, 4 mains
43
Piano, Voix et Guitare
41
Instruments en Do
14
Piano Quintette: piano, 2 violons, alto, violoncelle
10
Clavecin
10
Accordéon
9
Piano Facile
8
Orgue, Piano (duo)
4
Clavier
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
3
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Pianos, 8 mains
3
1 Piano, 6 mains
3
Orgue, Trompette (duo)
2
Ensemble d'Accordéons
1
Accordéon, Voix
1
+ 17 instrumentations
Retracter
Guitares
Guitare
437
Guitare notes et tablatures
151
Ukulele
72
2 Guitares (duo)
37
Basse electrique
17
4 Guitares (Quatuor)
13
Dulcimer
4
Mandoline
3
Piano, Guitare (duo)
2
Ensemble de guitares
2
Paroles et Accords
2
3 Guitares (trio)
2
Banjo
2
Mandoline, Piano (duo)
2
Ligne De Mélodie, (Paroles) et Accords
1
Orchestre à Plectres
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
132
Voix Soprano, Piano
18
Chorale SSAA
17
Voix haute
15
Voix basse, Piano
9
Chorale TTBB
8
Chorale 2 parties
7
Chorale 3 parties
7
Voix Tenor, Piano
6
Voix Baryton, Piano
5
Voix Alto, Piano
4
Voix duo, Piano
3
Voix duo
3
Voix Soprano
2
Voix moyenne, Piano
2
Voix seule
1
Voix Mezzo-Soprano, Piano
1
Chorale
1
+ 13 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
115
Flûte traversière et Piano
94
Quatuor de Saxophones: 4 saxophones
91
Flûte traversière
65
Quatuor de Clarinettes: 4 clarinettes
60
Clarinette et Piano
56
Hautbois (partie séparée)
49
Clarinette
48
2 Flûtes traversières (duo)
46
Clarinette (partie séparée)
44
Saxophone Alto et Piano
44
Flûte, Hautbois, Clarinette, Basson
41
2 Saxophones (duo)
40
Saxophone Alto
37
Flute (partie séparée)
34
Ensemble de Clarinettes
34
Saxophone Soprano et Piano
30
Hautbois, Piano (duo)
30
Saxophone (partie séparée)
29
Flûte et Guitare
25
2 Clarinettes (duo)
21
Quintette de Saxophone: 5 saxophones
19
Quatuor de Flûtes : 4 flûtes
18
2 Flûte à bec (duo)
15
Ensemble de saxophones
15
Saxophone Soprano
15
Saxophone Tenor et Piano
14
Flûte à Bec, Piano
13
3 Clarinettes (trio)
13
Quintette de Clarinettes: 5 clarinettes
12
Saxophone Baryton, Piano
9
Harmonica
8
Ensemble de Flûtes
6
Clarinette, Guitare (duo)
6
Flûte, Clarinette (duo)
6
Flûte, Violon, Piano
6
Hautbois
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Trio de Flûtes: 3 flûtes
5
Cor anglais, Piano
5
Saxophone Tenor
5
Clarinette Basse, Piano
4
Flûte, Clarinette et Basson
4
3 Saxophones (trio)
4
Ocarina
3
Saxophone
3
Cor Anglais
3
Flûte, Violon
3
Hautbois, Guitare (duo)
3
Quatuor de Flûtes à bec
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, Hautbois, Basson
3
Saxophone Baryton
3
2 Hautbois (duo)
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Clarinette, Violon (duo)
2
Quintette de Flûte : 5 flûtes
2
Flûte, Hautbois, Piano (trio)
2
Flûte traversière, Orchestre
2
Clarinette, Basson (duo)
1
Flûte, Alto et Piano
1
Hautbois, Basson (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone, Clarinette (duo)
1
Flûte, Alto (duo)
1
Flûte à bec Alto, Piano
1
Hautbois, Basson et Piano
1
Saxophone et Orgue
1
Flûte à bec Tenor
1
Piccolo, Piano
1
Saxophone et violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Piccolo
1
Flûte, Violoncelle
1
Flûte et Trio à cordes
1
Flûte à Bec
1
Flûte, Trombone (duo)
1
Clarinette, Violoncelle (duo)
1
Saxophone et Guitare
1
Flûte, Saxophone (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette Basse
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois (duo)
1
+ 79 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
234
Trombone et Piano
64
Cor
52
Quatuor de Cuivres : 2 trompettes, trombone, tuba
51
Trompette (partie séparée)
49
Cor (partie séparée)
48
Trompette
47
Ensemble de Trombones
43
Trompette, Piano
42
Trombone (partie séparée)
35
Cor et Piano
33
Trombone
33
Tuba et Piano
29
Euphonium, Piano (duo)
25
Quatuor de cuivres: 4 trombones
25
Quatuor de Cuivres
18
2 Trombones (duo)
16
2 Cors (duo)
14
Tuba
14
Trombone basse
12
2 Trompettes (duo)
10
Euphonium
10
Quatuor de cuivres: 4 cors
9
Tuba (partie séparée)
7
Quatuor de cuivres: 4 trompettes
6
Ensemble de Cors
5
Cor anglais, Piano
5
Trompette, Trombone (duo)
4
Trombone basse et Piano
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trombone, Orgue
4
4 Tubas
4
2 Tubas (duo)
4
Trompette, violon (duo)
3
Cor Anglais
3
3 Trombones (trio)
3
2 Euphoniums et 2 Tubas
3
2 Trompettes, Clavier (piano ou orgue)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
3 Cors (trio)
2
Ensemble de Trompettes
2
3 Euphoniums
2
Trombone, Tuba (duo)
1
Trombone et orchestre
1
3 Tubas (trio)
1
Cor et Harpe
1
Trompette, Trombone, Piano
1
+ 42 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
435
Violon et Piano
210
Violon
202
Violoncelle, Piano
121
Violoncelle
104
Violon, Violoncelle (duo)
91
Alto seul
85
Alto, Piano
66
Trio à Cordes: violon, alto, violoncelle
61
2 Violons (duo)
49
Harpe
45
Alto (partie séparée)
29
Violon, Guitare (duo)
27
Violon, Alto (duo)
26
Contrebasse, Piano (duo)
24
2 Violoncelles (duo)
22
Violoncelle , Guitare (duo)
17
Contre Basse
16
2 Altos (duo)
13
Alto, Violoncelle (duo)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Contrebasse (partie séparée)
7
Trio à Cordes: 2 violons, violoncelle
7
Trio à cordes
7
Violoncelle, Contrebasse (duo)
6
Violon (partie séparée)
5
4 Violoncelles
5
4 Contrebasses
5
Harpe, Flûte (duo)
4
Trio à Cordes: 2 violons, alto
4
Trio à Cordes: 3 violoncelles
4
Trio à cordes: 3 violins
4
Ensemble de Violoncelles
3
Quatuor à cordes : 4 altos
3
Piano Trio: Violon, Alto, Piano
2
Harpe, Violon (duo)
2
Alto, Guitare (duo)
2
Violon, Clarinette, Piano (trio)
1
2 Altos, Piano
1
Harpe, Violon, Violoncelle
1
Violoncelle, Orchestre
1
Violoncelle, Orgue
1
Violoncelle (partie séparée)
1
4 Harpes
1
Harpe, Orchestre
1
Alto et Harpe
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre
455
Orchestre d'harmonie
395
Orchestre à Cordes
177
Orchestre de chambre
94
Ensemble de cuivres
66
Ensemble Jazz
28
Percussion (partie séparée)
19
Jazz combo
14
Piano et Orchestre
8
Fanfare
8
Timbales (partie séparée)
6
Cloches
5
Marimba
5
Batterie
4
Ensemble de Percussions
3
Vibraphone
3
Orchestre, Violon
2
Percussion
2
Quintette de Cuivres: autres combinaisons
1
+ 14 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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style (tous)
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
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METHODE : TECHNIQUES
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OPERA
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Chorale SATB
Partitions à imprimer
132 partitions trouvées
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126
Hallelujah Chorus (Eastern Indian Classical)
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Chorale SATB
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AVANCÉ
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Classique
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George Frideric Handel
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Mathews Abraham Puliyelil
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Hallelujah Chorus
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Mathews Abraham Puliyelil
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1454389 Composed by George Frideric Handel. Arranged by Mathews Abraham Puliyelil. Christian,Multicu...
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Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1454389 Composed by George Frideric Handel. Arranged by Mathews Abraham Puliyelil. Christian,Multicultural,World. 12 pages. Mathews Abraham Puliyelil #1033491. Published by Mathews Abraham Puliyelil (A0.1454389). Indian Classical Arrangement of Hallelujah Chorus.
$1.99
Beowulf: A Classical Melodrama in Four Scenes for Chorus, Soiloists and Piano
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Chorale SATB
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AVANCÉ
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Contemporain
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Richard St
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Beowulf: A Classical Melodrama
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Richard St. Clair
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.939813 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 139 pages. Richard St. Clair #4760561. ...
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Choral Choir (SATB) - Level 5 - SKU: A0.939813 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 139 pages. Richard St. Clair #4760561. Published by Richard St. Clair (A0.939813). This work, running over 50 minutes performance time, is a dramatic presentation of the Beowulf epic from Medieval England. The action is compelling throughout, with prominent solo and full chorus passages. The Audio Clip presents the complete Overture and highlights from Scene 1 and the battle with Grendel and the joyful conclusion of Scene 4. This work is not intended for stage production, but with imagination it could be presented on stage. Rather, the concept is for concert performance. The Score, 139 pages long, is the complete piano-vocal score.
$100.00
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
#
AVANCÉ
#
Adrian Gagiu
#
Missa Solemnis, op. 27
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Adrian Gagiu
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Chorale SATB
#
AVANCÉ
#
Carson Cooman
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Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Chorale SATB
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
Mis Errores: for SATB
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Chorale SATB
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AVANCÉ
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Classique
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Emiliano Brunetti
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Mis Errores: for SATB
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Songburd Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1449352 Composed by Emiliano Brunetti. Classical. 16 pages. Songburd Music #1029126. Published by So...
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Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1449352 Composed by Emiliano Brunetti. Classical. 16 pages. Songburd Music #1029126. Published by Songburd Music (A0.1449352). Mis Errores celebrates the mistakes I have made, the ones I’m currently making, and the ones to come…I took a step outside of my comfort zone by embracing the adventure of twelve-tone theory, with a series which allowed me to maintain some tonal expressions in a serialist framework. Rhythmic patterns, signature changes, idioms and musical language used showcase the intersection between Western Classical Music and my Argentinian and Latin American culture and influence.
$12.80
Cantata No. 1 Psalm 139 The Lord Has Known Me
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Chorale SATB
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AVANCÉ
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Kevin Longley
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Kevin Longley
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Charles Munion
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Cantata No. 1 Psalm 139 The Lo
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Kevin Longley
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1441952 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. 21st Century,Contemporary,Rel...
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Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1441952 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. 21st Century,Contemporary,Religious,Spiritual. 38 pages. Kevin Longley #1021944. Published by Kevin Longley (A0.1441952). The InspirationIn 2023 I decided to review a piece I had composed in 1990 to honor a friend I was singing with in a choral group at that time; Charles Munion. He never heard the piece as I felt the classical contemporary style would be a bit much for his ears! Beyond that I don't have allot of recollection as to the inspiration or what my thoughts were at the time of the composition. In regards to the revision, I added additional music to the third movement in order to balance out the movements and reworked some of the choral voicing.The MusicWritten in a contemporary classical style it follows the classic structure of 3 movements: First movement – brisk, loud forceful in nature Second movement – slow and lyrical Third movement – light and quick but with a forceful ending While in a contemporary style, at heart it maintains tonal centers throughout. While there is a few brief moments where I can here a little Bartok, as a whole I would say this piece is unique in regards to its style.
$1.99
Gloria
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Chorale SATB
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AVANCÉ
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Sam Smith
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Whitney Lussier
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Gloria
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Rosesong Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1169297 By Sam Smith. By Foy Vance and Samuel Frederick Smith. Arranged by Whitney Lussier. A Cappella,Classical...
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Choral Choir (SATB) - Level 5 - SKU: A0.1169297 By Sam Smith. By Foy Vance and Samuel Frederick Smith. Arranged by Whitney Lussier. A Cappella,Classical,Contemporary,Pop. Octavo. 5 pages. Rosesong Music #769651. Published by Rosesong Music (A0.1169297). An arrangement of Sam Smith's classical/gospel mashup, Gloria from their 2023 album Gloria. Described by Smith as their queer love hymn, this song takes listeners on a two minute emotional journey from pensive doubt to realization and exuberant self-acceptance.This a cappella arrangement is in the original key and is a near-transcription of the original SATB choral parts, combining elements of Smith's live performances and the recorded album version.  Can be performed with or without a soloist!Please note this is an advanced arrangement due to range demands. Follow the link for a slightly modified version in a friendlier key: Gloria SATB (Lower Key)
$1.99
La Danza (Tarantella Napoletano)
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Chorale SATB
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AVANCÉ
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Classique
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Gioachino Rossini
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Scott S
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La Danza
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Scott S. Stewart
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.955792 Composed by Gioachino Rossini. Arranged by Scott S. Stewart. Classical. Octavo. 11 pages. Scott S. Stewar...
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Choral Choir (SATB) - Level 5 - SKU: A0.955792 Composed by Gioachino Rossini. Arranged by Scott S. Stewart. Classical. Octavo. 11 pages. Scott S. Stewart #6029329. Published by Scott S. Stewart (A0.955792). La Danza is considered the most famous and popular patter piece from Rossini's Soirées musicales. It is a tour de force for any mature ensemble and pianist. It has been arranged from the original solo/pianist printing for a 4-part SATB ensemble and classical pianist. The Italian text was provided by Rossini's 'noble outlaw friend' Conte Carlo Pepoli. It is well suited for the recital hall or concert hall. The duration of this arrangement is 2:55.
$4.50
DSCHbags vs. BACHstards
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Chorale SATB
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AVANCÉ
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Sally Whitwell
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DSCHbags vs. BACHstards
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1178563 Composed by Sally Whitwell. Chamber,Classical,Comedy,Contemporary. Octavo. 12 pages. Sally Whitwe...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1178563 Composed by Sally Whitwell. Chamber,Classical,Comedy,Contemporary. Octavo. 12 pages. Sally Whitwell #778526. Published by Sally Whitwell (A0.1178563). DSCHbags vs. BACHstards was inspired by a tweet I saw once (can't remember whose) offering the world a new word 'DSCHbag' to describe classical composers who are self-obsessed enough to need to include their musical signnature in every piece they write. My quick witted friend Peter J Casey replied with 'What a BACHstard' and this a cappella work was born.Don't think I don't like Shostakovich and bach. I really them and their musical signature thing is genuinely really clever, but I can't help but liked this habit to rapper who insist on yelling their own names in their songs. That is just plainn annoying.Performance note: The singers should be arranged in two SATB quartets that are mirror images of one another, so that singers may aim each motif directly to the face of their counterpart, like a weapon of sorts, laser beams for eyes.(DSCHbags vs. BACHstards was commissioned by The Song Company).
$1.99
MASS for WORLD PEACE for SATB Chorus and Piano
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Chorale SATB
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AVANCÉ
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Richard St
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Richard St
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MASS for WORLD PEACE for SATB
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Richard St. Clair
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1508188 By Richard St. Clair. By Richard St. Clair. Arranged by Richard St. Clair. 21st Century,Chri...
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Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1508188 By Richard St. Clair. By Richard St. Clair. Arranged by Richard St. Clair. 21st Century,Christian,Classical,Praise & Worship,Religious. 55 pages. Richard St. Clair #1083501. Published by Richard St. Clair (A0.1508188). This Mass is a powerful prayer for peace in the world. Using the traditional Mass text, the composer has amplified the text with a personal trope expressing his personal faith in God. The audio sample is of the first two movements (Kyrie and Gloria). All parts of the Mass Ordinary are set, including the Ite Missa Est. Total performance time at least 22 minutes. The piano part mainly doubles the voices, with bridge passages for the piano alone.
$42.00
Let Nothing Ever Grieve You for SATB Chorus and Organ, conductor/organ part
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Chorale SATB
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AVANCÉ
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Harvard University Chorus
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Let Nothing Ever Grieve You fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1508747 By Harvard University Chorus. By Jean-Thierry Boisseau. 21st Century,Classical,Contemporary,...
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Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1508747 By Harvard University Chorus. By Jean-Thierry Boisseau. 21st Century,Classical,Contemporary,Sacred. 19 pages. Musik Fabrik Music Publishing #1084016. Published by Musik Fabrik Music Publishing (A0.1508747). A festive, sacred motet on a text by Paul Fleming (1609-1640), translated from the German by Carson Cooman. This item is the organ/conductor part. The chorus parts are available as a seperate item.
$19.95
Let Nothing Ever Grieve You for SATB Chorus and Organ, chorus part
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Chorale SATB
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AVANCÉ
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Harvard University Chorus
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Let Nothing Ever Grieve You fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1508745 By Harvard University Chorus. By Jean-Thierry Boisseau. 21st Century,Classical,Contemporary,...
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Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1508745 By Harvard University Chorus. By Jean-Thierry Boisseau. 21st Century,Classical,Contemporary,Sacred. 10 pages. Musik Fabrik Music Publishing #1084014. Published by Musik Fabrik Music Publishing (A0.1508745). A festive, sacred motet on a text by Paul Fleming (1609-1640), translated from the German by Carson Cooman. This item is the chorus part only. The conductor/organ part is available as a seperate item.
$3.25
TE DEUM LAUDAMUS for SATB Chorus and Organ
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Chorale SATB
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AVANCÉ
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Richard St
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Richard St
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TE DEUM LAUDAMUS for SATB Chor
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Richard St. Clair
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 5 - SKU: A0.1510591 By Richard St. Clair. By Richard St. Clair. Arranged by Richard St. Clair. Christian,Class...
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Choral Choir,Choral (SATB Chorus) - Level 5 - SKU: A0.1510591 By Richard St. Clair. By Richard St. Clair. Arranged by Richard St. Clair. Christian,Classical,Praise & Worship,Religious,Sacred. 54 pages. Richard St. Clair #1085790. Published by Richard St. Clair (A0.1510591). This is an energetic and bold setting in English of the famous Te Deum Latin prayer, long a favorite text for composers. Duration: about 21 minutes.
$24.95
Erlkönig
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Chorale SATB
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AVANCÉ
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Franz Schubert
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MK Grout
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Erlkönig
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MK Grout
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 5 - SKU: A0.1515831 Composed by Franz Schubert. Arranged by MK Grout. Classical,Contest,Festival,Halloween. 14...
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Choral Choir,Choral (SATB Chorus) - Level 5 - SKU: A0.1515831 Composed by Franz Schubert. Arranged by MK Grout. Classical,Contest,Festival,Halloween. 14 pages. MK Grout #1090127. Published by MK Grout (A0.1515831). The iconic piece Erlkönig composed by Franz Schubert has been rearranged for a full SATB choir and includes two solos for the characters Father and Son. Haunting and disturbingly beautiful, this piece is suited to an advanced choir with a desire to share a tale about a father, son, and a horse ride they will never forget.
$4.99
Piel Canela
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Chorale SATB
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AVANCÉ
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Bobby Capo
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Vicente Umpiérrez Sánchez
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Piel Canela
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Vicente
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1503941 Composed by Bobby Capo. Arranged by Vicente Umpiérrez Sánchez. 21st Century,A Cappella,Cla...
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Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1503941 Composed by Bobby Capo. Arranged by Vicente Umpiérrez Sánchez. 21st Century,A Cappella,Classical,Contemporary,Jazz. 8 pages. Vicente #1079393. Published by Vicente (A0.1503941). Arreglo para Coro Mixto SATB.
$10.00
La Bikina
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Chorale SATB
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AVANCÉ
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Ruben Fuentes Gasson
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Vicente Umpiérrez Sánchez
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La Bikina
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Vicente
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1503939 Composed by Ruben Fuentes Gasson. Arranged by Vicente Umpiérrez Sánchez. 21st Century,A Ca...
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Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1503939 Composed by Ruben Fuentes Gasson. Arranged by Vicente Umpiérrez Sánchez. 21st Century,A Cappella,Classical,Contemporary,Jazz. 9 pages. Vicente #1079391. Published by Vicente (A0.1503939). Arreglo para coro mixto SATB.
$10.00
A Rose Leaf
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Chorale SATB
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AVANCÉ
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Contemporain
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Classique
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William Hawley
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A Rose Leaf
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William Hawley
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1492366 Composed by William Hawley. Classical,Contemporary. 7 pages. William Hawley #1069037....
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1492366 Composed by William Hawley. Classical,Contemporary. 7 pages. William Hawley #1069037. Published by William Hawley (A0.1492366). This is the score of William Hawley's A Rose Leaf, for a cappella SSAATTBB Voices, Setting a text by John Keats. The score contains a piano reduction for rehearsal. The Audio Sample is the complete Composer's Demo recording. Performance duration: 2.5 minutes,. ASCAP https://williamhawley.net.
$3.99
Strawberry Fields Forever
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Chorale SATB
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AVANCÉ
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The Beatles
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Frank Oldengott
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Strawberry Fields Forever
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Frank Oldengott
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1494945 By The Beatles. By John Lennon and Paul McCartney. Arranged by Frank Oldengott. A Cappella,C...
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Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1494945 By The Beatles. By John Lennon and Paul McCartney. Arranged by Frank Oldengott. A Cappella,Classical,Pop,Rock,Singer/Songwriter. 8 pages. Frank Oldengott #1071511. Published by Frank Oldengott (A0.1494945). A Cappella Arrangement for mixed SATB Choir.
$3.49
Requiem
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Chorale SATB
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AVANCÉ
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David Ellender
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David Ellender
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Requiem
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David Ellender
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1496659 By David Ellender. By David Ellender. Arranged by David Ellender. Classical,Praise & ...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1496659 By David Ellender. By David Ellender. Arranged by David Ellender. Classical,Praise & Worship,Religious. 17 pages. David Ellender #1073173. Published by David Ellender (A0.1496659). From an American Requiem.
$2.99
Kyrie
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Chorale SATB
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AVANCÉ
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David Ellender
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David Ellender
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Kyrie
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David Ellender
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1496662 By David Ellender. By David Ellender. Arranged by David Ellender. Classical,Praise & ...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1496662 By David Ellender. By David Ellender. Arranged by David Ellender. Classical,Praise & Worship,Religious. 16 pages. David Ellender #1073176. Published by David Ellender (A0.1496662). From American Requiem.
$2.99
The Sound Of Silence
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Chorale SATB
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AVANCÉ
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Cody Fry Feat
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Cody Fry
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The Sound Of Silence
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Cody Fry
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1497505 By Cody Fry Feat. Sleeping At Last. By Paul Simon. Arranged by Cody Fry. 21st Century,Classi...
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Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1497505 By Cody Fry Feat. Sleeping At Last. By Paul Simon. Arranged by Cody Fry. 21st Century,Classical,Contemporary,Film/TV,Singer/Songwriter. 9 pages. Cody Fry #1073657. Published by Cody Fry (A0.1497505). The haunting lyrics of Paul Simon's The Sound of Silence take on new salience with this epic orchestral reimagining by Grammy-nominated arranger Cody Fry. Written for orchestra, full choir, and two solo vocalists, this jaw-dropping symphonic poem will leave you contemplating the nature of modern society and technology. First premiered with the Chicago Symphony Orchestra in May 2024, Cody has been performing this new arrangement to standing ovations all over the country.
$2.99
Anim Zemiros
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Chorale SATB
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AVANCÉ
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
Eleanor Rigby
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Chorale SATB
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AVANCÉ
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David Cook
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Eleanor Rigby
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Kerry Marsh
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SheetMusicPlus
SATB Chorus divisi,Voice - Level 5 - SKU: A0.1488650 By David Cook. By John Lennon and Paul McCartney. Arranged by Kerry Marsh and Julia Dollison. A Cap...
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SATB Chorus divisi,Voice - Level 5 - SKU: A0.1488650 By David Cook. By John Lennon and Paul McCartney. Arranged by Kerry Marsh and Julia Dollison. A Cappella,Jazz,Pop. Vocal Jazz Ensemble. 13 pages. Kerry Marsh #1065498. Published by Kerry Marsh (A0.1488650). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a lower price than the standard flat-fee range for vocal jazz ensemble arrangements ($75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the “All Tracks Pack (With SkyTracks Mixer)“ package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation).Returning to the catalog after years out of print, this arrangement of Eleanor Rigby is an epic a cappella treatment that transforms the Beatles' classic into a dynamic vocal jazz journey. With an extended introduction that travels through several key centers, the piece features an intricate bass vocal part set against surprising modal harmonies above. This collaborative arrangement by Kerry Marsh and Julia Dollison employs a wealth of contemporary vocal jazz arranging devices and tonal colors, creating a captivating soundscape that challenges even skilled vocal jazz and pop groups.Originally written by Paul McCartney and released on The Beatles' *Revolver* album in 1966, Eleanor Rigby is renowned for its poignant lyrics and innovative use of classical instrumentation. The song explores themes of loneliness and isolation, which resonate with audiences to this day.This chart pushes the boundaries of traditional a cappella, offering a complex and emotive interpretation that leaves listeners truly astonished. Perfect for ensembles seeking a challenging and rewarding piece that showcases their technical prowess and emotional depth.
$49.99
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