English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Classical One
Non classifié
791
Piano & claviers
Piano seul
281
Piano, Voix
69
Piano, Voix et Guitare
13
Orgue
10
2 Pianos, 4 mains
7
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
4
Instruments en Do
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
2
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
Orgue, Trompette (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 8 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare
37
Guitare notes et tablatures
23
Basse electrique
12
Dulcimer
4
Ukulele
4
4 Guitares (Quatuor)
3
2 Guitares (duo)
2
Mandoline
1
Orchestre à Plectres
1
Mandoline, Piano (duo)
1
Piano, Guitare (duo)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
31
Voix basse, Piano
7
Voix Baryton, Piano
5
Voix Soprano, Piano
5
Chorale 2 parties
4
Chorale TTBB
4
Voix haute
3
Voix Tenor, Piano
2
Voix duo
2
Voix duo, Piano
2
Voix Soprano
1
Voix moyenne, Piano
1
Chorale 3 parties
1
Voix Alto, Piano
1
Chorale SSAA
1
+ 10 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
91
Saxophone Alto et Piano
44
2 Saxophones (duo)
40
Saxophone Alto
37
Saxophone Soprano et Piano
30
Flûte traversière et Piano
29
Saxophone (partie séparée)
29
Quintette de Saxophone: 5 saxophones
19
Clarinette
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
2 Flûtes traversières (duo)
17
Hautbois (partie séparée)
16
Saxophone Soprano
15
Ensemble de saxophones
15
Quatuor de Clarinettes: 4 clarinettes
14
Saxophone Tenor et Piano
14
Flûte, Hautbois, Clarinette, Basson
12
Flûte traversière
11
Clarinette et Piano
10
Saxophone Baryton, Piano
9
Hautbois, Piano (duo)
8
Flute (partie séparée)
6
3 Clarinettes (trio)
6
Saxophone Tenor
5
Quatuor de Flûtes : 4 flûtes
4
3 Saxophones (trio)
4
2 Clarinettes (duo)
4
Ensemble de Clarinettes
3
Clarinette (partie séparée)
3
Saxophone Baryton
3
Saxophone
3
Flûte, Violon, Piano
3
Clarinette Basse, Piano
2
Cor Anglais
2
Hautbois
2
Flûte et Guitare
2
Ensemble de Flûtes
2
Flûte, Saxophone (duo)
1
Flûte, Alto et Piano
1
Flûte, Clarinette, Violon (trio)
1
2 Hautbois (duo)
1
Flûte, Violon
1
Quatuor de Flûtes à bec
1
Saxophone et Guitare
1
Clarinette, Violoncelle (duo)
1
Piccolo
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Ocarina
1
Saxophone et Orgue
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Alto, Piano
1
Clarinette, Basson (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone et violoncelle
1
Flûte, Trombone (duo)
1
Cor anglais, Piano
1
Saxophone, Clarinette (duo)
1
Hautbois, Clarinette (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Trio de Flûtes: 3 flûtes
1
+ 55 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
235
Trombone et Piano
64
Quatuor de Cuivres : 2 trompettes, trombone, tuba
51
Ensemble de Trombones
43
Trombone (partie séparée)
35
Trombone
33
Quatuor de cuivres: 4 trombones
25
Tuba et Piano
16
2 Trombones (duo)
16
Trompette, Piano
12
Trombone basse
12
Trompette
11
Cor
11
Quatuor de Cuivres
11
Tuba
10
Euphonium, Piano (duo)
9
Cor et Piano
7
Trompette (partie séparée)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette, Trombone (duo)
4
Euphonium
4
Trombone, Orgue
4
Trombone basse et Piano
4
2 Trompettes (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Quatuor de cuivres: 4 cors
3
3 Trombones (trio)
3
4 Tubas
3
2 Euphoniums et 2 Tubas
2
Cor (partie séparée)
2
Cor Anglais
2
3 Euphoniums
2
Ensemble de Cors
2
2 Cors (duo)
2
Quatuor de cuivres: 4 trompettes
1
3 Tubas (trio)
1
2 Tubas (duo)
1
Trompette, Trombone, Piano
1
Trombone et orchestre
1
Cor anglais, Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Tuba (duo)
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violon et Piano
34
Violoncelle, Piano
25
Violon
23
Violoncelle
21
Alto, Piano
15
Harpe
14
2 Violons (duo)
11
Alto seul
10
2 Violoncelles (duo)
9
Trio à Cordes: violon, alto, violoncelle
9
Violon, Violoncelle (duo)
7
Contre Basse
6
Contrebasse, Piano (duo)
5
2 Altos (duo)
4
Trio à cordes
3
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Alto (duo)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 2 violons, alto
2
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
Trio à cordes: 3 violins
1
Ensemble de Violoncelles
1
Alto (partie séparée)
1
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
Violon (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Piano Trio: Violon, Alto, Piano
1
4 Harpes
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
126
Orchestre
118
Ensemble de cuivres
41
Orchestre à Cordes
34
Orchestre de chambre
20
Ensemble Jazz
10
Percussion (partie séparée)
3
Marimba
3
Vibraphone
2
Ensemble de Percussions
1
Batterie
1
Cloches
1
Fanfare
1
Quintette de Cuivres: autres combinaisons
1
+ 9 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLON
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
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OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
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Chorale SATB
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26
The City In the Sea: Choral Tone Poem
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanle…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
5.16 €
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Chorale SATB
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Stanley M Hoffman
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The City In the Sea: Choral Tone Poem
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stanleymhoffman.com
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SheetMusicPlus
Tres canciones de Joan Salvat
Chorale SATB
Composed by VICTOR CARLOS Rebullida Adiego. 21st Century,Classical,Contemporary . 19 …
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Composed by VICTOR CARLOS Rebullida Adiego. 21st Century,Classical,Contemporary . 19 pages. Victor Rebullida #915300. Published by Victor Rebullida
$5.00
4.61 €
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Chorale SATB
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VICTOR CARLOS Rebullida Adiego
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Tres canciones de Joan Salvat
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Victor Rebullida
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SheetMusicPlus
We Are One (I Dream of You)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.903179 Composed by David E…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.903179 Composed by David Ellender. Classical,Contemporary. Octavo. 11 pages. David Ellender #509435. Published by David Ellender (A0.903179). SATB setting of text adapted from Christina Rossetti.
$1.99
1.83 €
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Chorale SATB
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David Ellender
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We Are One
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David Ellender
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SheetMusicPlus
Pierpont-Jingle Bells(The One Horse Open Sleigh),in F Major,for Quatre Chorales
Chorale SATB
Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.668204 Composed by …
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Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.668204 Composed by James Pierpont. Arranged by MSM. Classical,Romantic Period. 12 pages. Open Cloud #4414217. Published by Open Cloud (A0.668204). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Pierpont (Pierpont James), 1822-1893, for Quatre Chorales.
$4.99
4.6 €
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Chorale SATB
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James Pierpont
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MSM
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Pierpont-Jingle Bells(The One Horse Open Sleigh),in F Major,for Quatre Chorales
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Open Cloud
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SheetMusicPlus
Mis Errores: for SATB
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1449352 Compos…
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Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1449352 Composed by Emiliano Brunetti. Classical. 16 pages. Songburd Music #1029126. Published by Songburd Music (A0.1449352). Mis Errores celebrates the mistakes I have made, the ones I’m currently making, and the ones to come…I took a step outside of my comfort zone by embracing the adventure of twelve-tone theory, with a series which allowed me to maintain some tonal expressions in a serialist framework. Rhythmic patterns, signature changes, idioms and musical language used showcase the intersection between Western Classical Music and my Argentinian and Latin American culture and influence.
$12.80
11.8 €
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Chorale SATB
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Emiliano Brunetti
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Mis Errores: for SATB
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Songburd Music
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SheetMusicPlus
AMETSETAN (full version)
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1281197 By Javier B…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1281197 By Javier Busto. By Javier Busto. Arranged by Javier Busto. 21st Century,A Cappella,Chamber,Classical,Contemporary. Octavo. 9 pages. Bustovega #872540. Published by bustovega (A0.1281197). AMETSETAN: This is the title of the original work, from which the most difficult parts were later reduced. The original is entitled Ametsetan and the reduction, Ametsetan (zati bat). Zati bat in Basque means » one part».This work was commissioned by the CORK INTERNATIONAL CHORAL FESTIVAL for the 38th Seminar on Contemporary Choral Music. First performance, Cork, Ireland, 2 May 2003.Its intention is to recreate the atmosphere of the open-air festivity in an Irish small village during its festival day, from the point of view of a Basque musician who never visited that country and only knows its music.The work has four different parts: 1- In the first one, people are invited to join the festival. 2- In the second one, women sing the Ave Maria during the religious celebration. 3- Dancing makes the people happy and it is an excuse to meet. 4- In the last part, when the feast comes to an end nobody wants to say goodbye.The composition’s closing text has been written by JOSUNE LÓPEZ, a component in my choir, Kanta Cantemus Korua. Miss López has tried to transmit all her love and admiration towards Ireland.* This song has been recorded on a CD in 2005 under the conduction of composer Javier Busto himself. The CD goes over 25 years of composing and contains exclusively music for mixed choirs. It is actually available at the website. Name of the CD: HONDARRIBIA… AMETSETAN.* The lyrics are in Basque language. Spanish and English translation of the text is included for those who hardly recognize Basque language. Furthermore, a small introductory guide can be found in the score for a correct Basque pronunciation.
$5.00
4.61 €
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Chorale SATB
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Javier Busto
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Javier Busto
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AMETSETAN
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bustovega
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SheetMusicPlus
Anim Zemiros
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909…
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
2.77 €
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Chorale SATB
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
23.92 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
18.39 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chorale Partita with Seven Variations for 5-part Tuba Ensemble
Chorale SATB
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.792121 Composed by Johan…
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.792121 Composed by Johann Pachelbel. Arranged by Terrett, Keith. Baroque,Classical. Octavo. 19 pages. Gordon Cherry #3565739. Published by Gordon Cherry (A0.792121). Pachelbel's grand Chorale Partita with Seven Variations in G is based on the 17th Century Protestant German hymn tune Alle Menschen müssen sterben (All of Mankind is Mortal) by Jakob Hintze. The original form of the work was in C major with eight variations, composed for Organ. Bach, being greatly influenced by Pachelbel, later took up the melody for use in one of his Cantatas. Keith Terrett has done a great job arranging these elaborate variations of about 6 minutes in length for a Tuba Ensemble quintet of advanced performers.
$20.00
18.44 €
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Chorale SATB
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Johann Pachelbel
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Terrett, Keith
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Chorale Partita with Seven Variations for 5-part Tuba Ensemble
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Gordon Cherry
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
81.12 €
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Chorale SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Decora Lux Aeternitatis
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1253228 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1253228 Composed by Nicholas White. 21st Century,Classical,Sacred. Octavo. 12 pages. Nicholas White Music #846862. Published by Nicholas White Music (A0.1253228). A choral setting of the ancient vesper hymn for choir and organ, composed for the choir of St. John Cantius Parish, Chicago, and dedicated to the memory of Gordon McMillan. This was recorded on Saturday, June 29, 2019, in the glorious surroundings of St. John Cantius, and was premiered at Mass on Sunday, June 30, 2019.Decóra lux æternitátis, áureamDiem beátis irrigávit Ãgnibus,Apostolórum quæ corónat PrÃncipes,ReÃsque in astra lÃberam pandit viam.Mundi MagÃster atque cæli Iánitor,Romæ paréntes arbitrÃque géntium,Per énsis ille, hic per crucis victor necem,Vitæsenátum laureáti póssident.O Roma felix, quæ duórum PrÃncipumEs consecráta glorióso sánguine!Hórum cruóre purpuráta céterasExcéllis orbis una pulchritúdines.Sit Trinitáti sempitérna glória,Honor, potéstas atque iubilátio,In unitáte, quæ gubérnat ómnia,Per univérsa sæculórum sǽcula.Amen.The beauteous light of God's eternal majestyStreams down in golden rays to grace this holy dayWhich crowned the princes of the Apostles' glorious choir,And unto guilty mortals showed the heavenward way.The teacher of the world and keeper of heaven's gate,Rome's founders twain and rulers too of every land,Triumphant over death by sword and shameful cross,With laurel crowned are gathered to the eternal band.O happy Rome! who in thy martyr princes' blood,A twofold stream, art washed and doubly sanctified.All earthly beauty thou alone outshinest far,Empurpled by their outpoured life-blood's glorious tide.All honour, power, and everlasting jubileeTo him who all things made and governs here below,To God in essence One, and yet in persons Three,Both now and ever, while unending ages flow.Amen.(Hymn from the Office of Vespers for SS Peter and Paul).
$2.00
1.84 €
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Chorale SATB
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Nicholas White
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Decora Lux Aeternitatis
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Nicholas White Music
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SheetMusicPlus
Freedom Hymn / Moses
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1160767 By Mogens Eliasen.…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1160767 By Mogens Eliasen. By Mogens Eliasen. Arranged by Mogens Eliasen. Classical,Instructional,Spiritual. Octavo. 31 pages. Mogens Eliasen #761074. Published by Mogens Eliasen (A0.1160767). Symphonic variations for mixed choir and with serious political overtones.
$2.00
1.84 €
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Chorale SATB
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Mogens Eliasen
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Mogens Eliasen
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Freedom Hymn / Moses
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Mogens Eliasen
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SheetMusicPlus
His Unresisting Love
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1253937 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1253937 Composed by Nicholas White. 21st Century,Advent,Christmas,Classical,Sacred. Octavo. 12 pages. Nicholas White Music #847571. Published by Nicholas White Music (A0.1253937). A setting for unaccompanied voices of David Evett's poem.ET INCARNATUS EST That baby in the straw DE SPIRITU SANCTO drew first breath and took EX MARIA VIRGINE all in: ET HOMO FACTUS EST Â Â shepherds in their hills; their sheep; the old king, anxious on his throne; work-songs; the distant sea; the distant susurration of some war, some peace: Â and when He cried it was GLORIA IN EXCELSIS DEO a banner flung across the sky, ET IN TERRA PAX His force, His joy, His peace, HOMINIBUS BONAE VOLUNTATIS His unresisting love. Amen. Â Â Â David Evett Christmas 1978.
$2.00
1.84 €
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Chorale SATB
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Nicholas White
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their sheep
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His Unresisting Love
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Nicholas White Music
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SheetMusicPlus
Anima Christi
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1252976 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1252976 Composed by Nicholas White. 21st Century,A Cappella,Classical. Octavo. 12 pages. Nicholas White Music #846729. Published by Nicholas White Music (A0.1252976). Written for Father Scott A. Haynes, SJC and the choir of St. John Cantius Parish, Chicago, IL and First performed on Sunday, September 10, 2017.Anima Christi, sanctifica me.Corpus Christi, salva me. Sanguis Christi, inebria me. Aqua lateris Christi, lava me. Passio Christi, conforta me. O bone Jesu, exaudi me. Intra tua vulnera absconde me. Ne permittas me separari a te. Ab hoste maligno defendeme. In hora mortis meae voca me. Et iube me venire ad te, Ut cum Sanctis tuis laudem te, In saecula saeculorum. AmenSoul of Christ, be my sanctification; Body of Christ, be my salvation; Blood of Christ, fill all my veins; Water of Christ's side, washout my stains; Passion of Christ, my comfort be; O good Jesus, listen to me; In Thy wounds I fain would hide; Ne'er to be parted from Thy side; Guard me, should the foe assail me; Call me when my life shall fail me; Bid me come to Thee above, With Thy saints to sing Thy love, World without end. Amen.14thCentury.
$2.00
1.84 €
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Chorale SATB
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Nicholas White
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Anima Christi
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Nicholas White Music
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SheetMusicPlus
DSCHbags vs. BACHstards
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1178563 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1178563 Composed by Sally Whitwell. Chamber,Classical,Comedy,Contemporary. Octavo. 12 pages. Sally Whitwell #778526. Published by Sally Whitwell (A0.1178563). DSCHbags vs. BACHstards was inspired by a tweet I saw once (can't remember whose) offering the world a new word 'DSCHbag' to describe classical composers who are self-obsessed enough to need to include their musical signnature in every piece they write. My quick witted friend Peter J Casey replied with 'What a BACHstard' and this a cappella work was born.Don't think I don't like Shostakovich and bach. I really them and their musical signature thing is genuinely really clever, but I can't help but liked this habit to rapper who insist on yelling their own names in their songs. That is just plainn annoying.Performance note: The singers should be arranged in two SATB quartets that are mirror images of one another, so that singers may aim each motif directly to the face of their counterpart, like a weapon of sorts, laser beams for eyes.(DSCHbags vs. BACHstards was commissioned by The Song Company).
$1.99
1.83 €
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Chorale SATB
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Sally Whitwell
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DSCHbags vs. BACHstards
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Sally Whitwell
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SheetMusicPlus
Eleanor Rigby
Chorale SATB
SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1488650 By David Cook…
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SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1488650 By David Cook. By John Lennon and Paul McCartney. Arranged by Kerry Marsh and Julia Dollison. A Cappella,Jazz,Pop. Vocal Jazz Ensemble. 13 pages. Kerry Marsh #1065498. Published by Kerry Marsh (A0.1488650). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a lower price than the standard flat-fee range for vocal jazz ensemble arrangements ($75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the “All Tracks Pack (With SkyTracks Mixer)“ package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation).Returning to the catalog after years out of print, this arrangement of Eleanor Rigby is an epic a cappella treatment that transforms the Beatles' classic into a dynamic vocal jazz journey. With an extended introduction that travels through several key centers, the piece features an intricate bass vocal part set against surprising modal harmonies above. This collaborative arrangement by Kerry Marsh and Julia Dollison employs a wealth of contemporary vocal jazz arranging devices and tonal colors, creating a captivating soundscape that challenges even skilled vocal jazz and pop groups.Originally written by Paul McCartney and released on The Beatles' *Revolver* album in 1966, Eleanor Rigby is renowned for its poignant lyrics and innovative use of classical instrumentation. The song explores themes of loneliness and isolation, which resonate with audiences to this day.This chart pushes the boundaries of traditional a cappella, offering a complex and emotive interpretation that leaves listeners truly astonished. Perfect for ensembles seeking a challenging and rewarding piece that showcases their technical prowess and emotional depth.
$49.99
46.09 €
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Chorale SATB
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David Cook
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Eleanor Rigby
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Kerry Marsh
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SheetMusicPlus
Songs in Time of Peril
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1417464…
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1417464 Composed by Nicholas Weininger. 21st Century,Classical. 34 pages. Nicholas Brock Weininger #998985. Published by Nicholas Brock Weininger (A0.1417464). I wrote this set of three meditations on existential fear and hope in 2017-18, and it has only gotten more relevant as time has passed since then. Each sets a Biblical text in the original Hebrew using one of Messaien's modes of limited transposition. The music is challenging but rewarding, a perfect stretch project for your ambitious SATB ensemble.
$5.99
5.52 €
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Chorale SATB
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Nicholas Weininger
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Songs in Time of Peril
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Nicholas Brock Weininger
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SheetMusicPlus
fantasy on hark! (orchestral version)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1215605 Composed by Reno F…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1215605 Composed by Reno Fusani. Christmas,Classical,Contemporary. Octavo. 85 pages. Reno Fusani #812335. Published by Reno Fusani (A0.1215605). Fantasy on hark! uses Hark! The Herald Angels Sing as a theme. Written for SATB choir with a version for small orchestra, and one for organ, it provides a very interesting and modern setting for a special Christmas performance. Both versions feature the harp. Both versions also include a “vocal rehearsal piano score†which may be copied for your choir members to facilitate rehearsal. This small orchestra version includes a score and parts (fl, cl, bsn, hrn, timp/tamb, harp, vln (1 & 2), vla, cello, bass) as well as the vocal rehearsal score.
$49.99
46.09 €
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Chorale SATB
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Reno Fusani
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fantasy on hark!
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Reno Fusani
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SheetMusicPlus
Diffusa est gratia - SATB choir
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082352 Composed by Erik S…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082352 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 4 pages. Erik Spangler #686504. Published by Erik Spangler (A0.1082352). Commissioned by Allen Buskirk for the Mount Calvary Choir, Baltimore, MD. “Diffusa est gratia / Senex puerum portabatâ€Â combines two liturgical texts associated with the feast of Candlemas. The first, “Diffusa est gratia is from Psalm 44:3 and ascribes to Mary a fullness of grace that is a common theme in Marian feasts. The second, Senex puerum portabat,†is more particularly relevant to the story of the infant Jesus and the ancient holy man Simeon found in today’s gospel. Singing two texts within one piece was common in Medieval music, where the interest lay on the juxtaposition of the texts and the interplay between them. Erik’s setting is influenced by both late Medieval and Renaissance choral styles. Each singer has long flowing lines that combine in duets, trios, and full quartet, yielding a variety of textures. Dissonant intervals are treated freely as was common in the late Medieval period before the tight control of the high Renaissance style. This expanded palette allows for more modern harmony that shifts in and out and resolves into consonant intervals at the end of phrases. Rhythmic syncopation and complexity were highly valued in the late Medieval style as they are again today; here they provide forward momentum. Together, these elements define a sensibility that is both ancient and new, influenced by practices of composers from the 14th and 15th centuries as well as more modern composers such as Moondog and Meredith Monk.
$6.00
5.53 €
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Chorale SATB
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Erik Spangler
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Diffusa est gratia - SATB choir
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Erik Spangler
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SheetMusicPlus
fantasy on hark! (organ version)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1215602 Composed by Reno F…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1215602 Composed by Reno Fusani. Christmas,Classical,Contemporary. Octavo. 46 pages. Reno Fusani #812332. Published by Reno Fusani (A0.1215602). Fantasy on hark! uses Hark! The Herald Angels Sing as a theme. Written for SATB choir with a version for small orchestra, and one for organ, it provides a very interesting and modern setting for a special Christmas performance. Both versions feature the harp. Both versions also include a “vocal rehearsal piano score†which may be copied for your choir members to facilitate rehearsal. This organ version includes a score, organ only part, and harp part as well as the vocal rehearsal score. I couldn't get the organ sound on the computer rendered mp3 to my liking. You may want to listen to the mp3 of the orchestra version (available elsewhere on this site) to get a better idea of the sound. Obviously an organist will make a suitable registration for performance.
$29.99
27.65 €
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Chorale SATB
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Reno Fusani
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fantasy on hark!
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Reno Fusani
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SheetMusicPlus
Great is Thy Faithfulness
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1242744 Comp…
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1242744 Composed by Thomas O. Chisholm. Arranged by Steven Samuel Dubulakta. 21st Century,A Cappella,Barbershop,Classical,Contemporary. 3 pages. Semii Music #837826. Published by Semii Music (A0.1242744). Title: Great is Thy FaithfulnessThis song is about the faithfulnes of chist to us, His children. He creates and provided new wonders each morning we rise from bed and behold. Summer, spring or winter is his amazing design of the seasons that one may experience. We serve a mighty God.
$4.99
4.6 €
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Chorale SATB
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Thomas O
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Steven Samuel Dubulakta
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Great is Thy Faithfulness
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Semii Music
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SheetMusicPlus
Set No. 10 of Three Pieces
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1350508 Comp…
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1350508 Composed by Charles Ives. Arranged by Stanley M Hoffman. 20th Century,Classical. 12 pages. Stanleymhoffman.com #935320. Published by stanleymhoffman.com (A0.1350508). I have long had a fondness for the songs of Charles Ives whose music is in the Public Domain for the world as of 2024. Creating choral versions of some of them is inspired by the solo recordings made by Jan DeGaetani accompanied by Gilbert Kalish, and by the choral recordings made by The Gregg Smith Singers.That Ives composed over one hundred songs is no small feat. Though they vary in quality as does his entire oeuvre, some of them remain almost mystical to me in their quality and effect. Like a Sick Eagle and The Indians (renamed here to The Native Americans to match the current times) are two such songs.When arranging Like a Sick Eagle, I visited the website for the Charles Ives Society where I discovered that he grouped this song with The Indians under the master title Set No. 10 of Three Pieces with the song Luck and Work placed between them for contrast. I knew I could arrange the first and third songs for mixed chorus, but I also knew right away that the second song would be all but impossible to arrange for I was already familiar with it. So I included it in its original version and labeled it for Solo Voice or Unison Chorus and Piano.In creating these arrangements I hope to rekindle interest in Ives’ music and its possibilities. I also hope that you find these songs as moving as I do.—Stanley M. Hoffman—Set No. 10 of Three Pieces (Charles Ives [1874-1954]) - 1) Like a Sick Eagle, 2) Luck and Work, 3) The Native Americans (The Indians) arranged for SATB chorus (divisi) and piano - English - composed 1920-1921, arranged in 2021. NotePerformer 4 audio and scrolling score video in search of live performances.Arrangement: © Copyright 2021 by Stanley M. Hoffman.  www.stanleymhoffman.com  All rights reserved.
$2.25
2.07 €
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Chorale SATB
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Charles Ives
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Stanley M Hoffman
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Set No. 10 of Three Pieces
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stanleymhoffman.com
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SheetMusicPlus
A Year in a Day (Choral Suite for SSAATTBB unaccompanied)
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1086990 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1086990 Composed by Alan Bullard. A Cappella,Classical,Contemporary. Octavo. 51 pages. Colne Edition / BullardMusic #691185. Published by Colne Edition / BullardMusic (A0.1086990). A Year in a Day, for SSAATTBB unaccompanied. Duration c.16 minutes The five movements of 'A Year in a Day' bring a wide range of colour and texture to the various seasons, and treat fragments of text in an almost symphonic way, by turns gentle and expressive, humorous, and excitingly forceful. 1. Winter Dawn (lines from Tennyson's In Memoriam) 2. Spring Morning (one line from Gerard Manley Hopkins' Spring) 3. Summer Afternoon (anonymous lines) 4. Autumn Twilight (lines from William Watson's Autumn, and from Robert Bridges' November) 5. Winter Night (Emily Bronte: The night is darkening round me) Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$3.99
3.68 €
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Chorale SATB
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Alan Bullard
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A Year in a Day
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Colne Edition / BullardMusic
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SheetMusicPlus
Symphony No. 8 - 1st Movement
Chorale SATB
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.870375 Composed by Gusta…
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.870375 Composed by Gustav Mahler. Arranged by Randy A. Steinberg. 20th Century. Octavo. 439 pages. Randy A. Steinberg #1900261. Published by Randy A. Steinberg (A0.870375). Frequently called the Symphony of a Thousand, this major work by Mahler is one of the largest symphony and choral works in the entire repertoire of classical music. The work was written in 1906, but not performed until 1910. Highly unconventional, this symphony only has 2 movements. The first movement is titled Veni Creator Spiritus (Come, Creator Spirit), the second is a setting of the words from the closing scene of Goethe's Faust. It is the first movement that utilizes mass choir and soloists in a rousing and inspiring setting. Musical historians have highlighted this work as a defining musical composition for the 20th century. It is that movement that has been arranged here for the first time for Concert Band. 2016 Arrangement New Release.
$65.00
59.92 €
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Chorale SATB
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Gustav Mahler
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Randy A
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Symphony No. 8 - 1st Movement
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Randy A. Steinberg
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SheetMusicPlus
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