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--INSTRUMENTS--
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157
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37
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16
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12
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10
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9
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7
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6
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2
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2
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2
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Piano Facile
1
Instruments en Do
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2 Orgues (duo)
1
+ 13 instrumentations
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9
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Ukulele
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14
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13
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2
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1
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1
Voix duo, Orgue
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+ 5 instrumentations
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142
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91
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88
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78
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32
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31
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22
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22
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21
Saxophone Soprano et Piano
20
Clarinette
18
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16
Saxophone
15
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14
Clarinette, Guitare (duo)
13
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11
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Hautbois (partie séparée)
10
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9
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9
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8
Clarinette, Basson (duo)
7
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6
Hautbois, Basson (duo)
6
Flûte traversière
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Flûte, Violoncelle
6
Hautbois, Flûte
6
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5
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4
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4
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4
Hautbois, Guitare (duo)
4
Clarinette, Orgue
3
Clarinette, Basson, Piano (trio)
3
Saxophone et Guitare
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Clarinette et Alto
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Flûte, Alto (duo)
2
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Clarinette, Contrebasse (duo)
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Hautbois, Clarinette (duo)
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2 Clarinettes, Piano
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1
Flûte, Tuba (duo)
1
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Saxophone Soprano
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Ensemble de Flûtes
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1
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Saxophone Alto
1
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Flûte à bec Soprano
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1
Flûte à bec Alto, Basse continue
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1
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1
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29
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16
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11
Trompette
8
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8
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7
Trombone
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Cor et Piano
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4
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3
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2 Euphoniums (duo)
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2
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1
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1
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1
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1
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1
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1
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1
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1
Tuba
1
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1
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1
Clarinette, Cor (duo)
1
+ 36 instrumentations
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210
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107
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88
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67
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59
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50
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47
Violon et Piano
46
Alto, Violoncelle (duo)
38
Violoncelle, Piano
32
Violoncelle , Guitare (duo)
30
Harpe, Violon (duo)
23
Violoncelle, Contrebasse (duo)
22
Harpe, Flûte (duo)
18
Alto, Piano
18
2 Contrebasses (duo)
8
Violon
6
Quatuor à cordes: 2 violons, alto, violoncelle
5
Alto et Harpe
5
Alto, Guitare (duo)
5
Harpe
4
Violoncelle
4
Harpe, Violoncelle (duo)
4
Violoncelle, Orgue
3
Flûte, Contrebasse (duo)
2
Violon, Orgue
2
Alto seul
2
Contre Basse
2
Piano Trio: Violon, Alto, Piano
2
Violon, Basson (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Trombone (duo)
1
2 Violons, Piano
1
2 Harpes (duo)
1
Alto et Basson
1
Trio à Cordes: violon, alto, violoncelle
1
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Ensemble de cuivres
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7
Orchestre d'harmonie
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Orchestre de chambre
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Cloches
4
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1
Fanfare
1
Instrumentation Flexible
1
2 Marimbas
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Marimba, Piano (duo)
1
Ensemble de Percussions
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Marimba
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Xylophone
1
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<
1
Tuesday Morning at School (a 9/11 Story)
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Chorale SATB
#
AVANCÉ
#
Stephen Sullivan
#
Original Score
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Tuesday Morning at School
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Stephen Sullivan Arts
#
SheetMusicPlus
Instrumental Duet,Piano Electric Guitar,Instrumental Duet,Keyboard,Piano - Level 5 - SKU: A0.1385825 By Stephen Sullivan. By Stephen Sullivan- arranged ...
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Instrumental Duet,Piano Electric Guitar,Instrumental Duet,Keyboard,Piano - Level 5 - SKU: A0.1385825 By Stephen Sullivan. By Stephen Sullivan- arranged for SATB and Rock Band. Arranged by Original Score. 21st Century,Patriotic,Rock,Singer/Songwriter. 16 pages. Stephen Sullivan Arts #969765. Published by Stephen Sullivan Arts (A0.1385825). Based on the events of 9/11 and including audio clips from where the airport officials indicated the carnage on board one of the planes that struck the former World Trade Centers 1 and 2 on Tuesday, September 11th, 2001. I was 12 and a half years old at the time, and my brother was 10 and a half. Before he woke up, he had nightmares about flames. That was really creepy. The song centers on the trauma that the elementary school students across the street from the destruction in Manhattan faced as they witnessed the planes strike the towers, and everything that ensued. It uses the opening melody of Rachmaninoff's 2nd Piano Concerto, repeated and with the addition of drums, a wild bass solo, and some electric guitar riffs. It's a little painful even for me to listen to. I listened to it a lot this evening before posting it for sale.Stephen Sullivan- 02/20/2024Southeast Indiana *.
$4.99
Fly
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Chorale SATB
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AVANCÉ
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Donald John Sebesky
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Gerhard Guter
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tenor)
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Fly
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Gerhard Guter
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.844243 Composed by Donald John Sebesky. Arranged by Gerhard Guter. A Cappella. Octavo. 5 pages. Gerhard G...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.844243 Composed by Donald John Sebesky. Arranged by Gerhard Guter. A Cappella. Octavo. 5 pages. Gerhard Guter #4109727. Published by Gerhard Guter (A0.844243). Voicing: a cappella SSATTB plus soloists (soprano & tenor) Originally recorded and sung by the composer/arranger, Don Sebesky, for the CTI Records release Giant Box in 1973. An ethereal introduction sets the tone for the recurring soprano and tenor duet. Lush, contemporary harmonies accompany the duet, weaving through five key centers until all that remains is the introductory material reintroduced in a new key, and with spacey counterlines. Optional antiphonal parts (heard in demo at 12 second mark), notes (expanding voicing to SSAATTBB), and suggestions for doubling are provided for larger choirs, but these additional elements are not necessary for a successful performance. Recorded as the title track on Fly by the Riverside City College Vocal Jazz Ensemble and premiered at the University of North Texas/Addison Jazz Festival in 2006.
$49.99
The Weight
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Chorale SATB
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AVANCÉ
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The Band
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Eric Hagmann
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The Weight
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Eric Hagmann
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.796815 By The Band. By J.R. Robertson. Arranged by Eric Hagmann. A Cappella. Octavo. 14 pages. Eric Hagma...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.796815 By The Band. By J.R. Robertson. Arranged by Eric Hagmann. A Cappella. Octavo. 14 pages. Eric Hagmann #3911445. Published by Eric Hagmann (A0.796815). An SSATB + duet vocal jazz arrangement of The Weight (Take a Load Off, Annie) by The Band. This chart reimagines The Band's original song as an a cappella swing tune straight out of the 1940's. The bottom voice thumps along on neutral syllables of your choosing just as an upright bassist would in the big band. If you don't have any singers who can take on this part, an actual bass instrument could be substituted. The guitar accompaniment of the original song is now replaced by complex jazz harmonies and rhythms sung by your upper voices to compliment your soloists. The last 1/3rd of the song has a breakdown that layers and overlaps your voices one by one until they come together for a final build into the last chorus. This section also offers an opportunity for a small quartet to sing an optional harmony part. While this piece is challenging, it offers a unique spin on an old classic that will surely hold your audience's attention if performed well. .
$2.25
In Too Deep
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Chorale SATB
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AVANCÉ
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Jacob Collier
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Joseph Knox
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In Too Deep
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Joseph Knox
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1326744 By Jacob Collier. By Jacob Collier. Arranged by Joseph Knox. A Cappella,Contemporary,Pop,R...
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Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1326744 By Jacob Collier. By Jacob Collier. Arranged by Joseph Knox. A Cappella,Contemporary,Pop,R & B. 10 pages. Joseph Knox #914887. Published by Joseph Knox (A0.1326744). A dense and challenging arrangement of Jacob Collier's aethereal, celestial R&B track. For advanced ensembles looking to challenge themselves musically. Features a duet between two particularly virtuosic soloists. Ensemble:- Soprano Soloist- Baritone Soloist- Soprano 1+2- Mezzo 1+2- Alto 1+2- Tenor 1+2- Baritone- Bass- Vocal Percussion.
$4.99
Diffusa est gratia - SATB choir
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Erik Spangler
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Diffusa est gratia - SATB choi
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Erik Spangler
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1082352 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 4 pages. E...
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Choral Choir (SATB) - Level 5 - SKU: A0.1082352 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 4 pages. Erik Spangler #686504. Published by Erik Spangler (A0.1082352). Commissioned by Allen Buskirk for the Mount Calvary Choir, Baltimore, MD. “Diffusa est gratia / Senex puerum portabatâ€Â combines two liturgical texts associated with the feast of Candlemas. The first, “Diffusa est gratia is from Psalm 44:3 and ascribes to Mary a fullness of grace that is a common theme in Marian feasts. The second, Senex puerum portabat,†is more particularly relevant to the story of the infant Jesus and the ancient holy man Simeon found in today’s gospel. Singing two texts within one piece was common in Medieval music, where the interest lay on the juxtaposition of the texts and the interplay between them. Erik’s setting is influenced by both late Medieval and Renaissance choral styles. Each singer has long flowing lines that combine in duets, trios, and full quartet, yielding a variety of textures. Dissonant intervals are treated freely as was common in the late Medieval period before the tight control of the high Renaissance style. This expanded palette allows for more modern harmony that shifts in and out and resolves into consonant intervals at the end of phrases. Rhythmic syncopation and complexity were highly valued in the late Medieval style as they are again today; here they provide forward momentum. Together, these elements define a sensibility that is both ancient and new, influenced by practices of composers from the 14th and 15th centuries as well as more modern composers such as Moondog and Meredith Monk.
$6.00
The Best Is Yet To Come
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Chorale SATB
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AVANCÉ
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Jazz
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Michael Buble
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Bob Eggers
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The Best Is Yet To Come
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.940453 By Michael Buble. By Cy Coleman. Arranged by Bob Eggers. Jazz. Octavo. 18 pages. ROBERT J EGGERS #3603617...
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Choral Choir (SATB) - Level 5 - SKU: A0.940453 By Michael Buble. By Cy Coleman. Arranged by Bob Eggers. Jazz. Octavo. 18 pages. ROBERT J EGGERS #3603617. Published by ROBERT J EGGERS (A0.940453). One of Frank Sinatra's signature songs, The Best Is Yet To Come was composed in 1959. This showy arrangement is based on the Tony Bennet Duets rendition with Diana Krall and features a very active, jazzy background ensemble. This SATB arrangement was derived from the TTBB arrangement also posted here; for an audio sample, please preview that recording. Suitable for advanced school or adult ensembles, this piece will show off your talents and impress audiences.Learning Tracks available for all voice parts. Contact me for details: reggersusa@yahoo.com
$12.99
The City In the Sea: Choral Tone Poem
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Chorale SATB
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AVANCÉ
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Contemporain
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Pu...
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Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
St John's passion
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Chorale SATB
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AVANCÉ
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Classique
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Chidi Obijiaku
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St John's passion
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Obijiaku C.C
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1011020 Composed by Chidi Obijiaku. Baroque. Octavo. 116 pages. Obijiaku C.C #5726891. Published by Obiji...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1011020 Composed by Chidi Obijiaku. Baroque. Octavo. 116 pages. Obijiaku C.C #5726891. Published by Obijiaku C.C (A0.1011020). The passion of Jesus Christ according to Saint John set for solos, duets, trios and choruses.
$25.05
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