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--INSTRUMENTS--
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George F
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--INSTRUMENTS--
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Crtitères actifs :
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expert
Chorale SATB
Partitions à imprimer
6 partitions trouvées
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Eastern Hallelujah Chorus
Eastern Hallelujah Chorus
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Chorale SATB
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AVANCÉ
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George F Handel
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Mathews Abraham Puliyelil
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Eastern Hallelujah Chorus
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Mathews Abraham Puliyelil
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1452204 Composed by George F Handel. Arranged by Mathews Abraham Puliyelil. Christian,Classical. 12 ...
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Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1452204 Composed by George F Handel. Arranged by Mathews Abraham Puliyelil. Christian,Classical. 12 pages. Mathews Abraham Puliyelil #1031524. Published by Mathews Abraham Puliyelil (A0.1452204).
$1.99
And I Saw a New Heaven
And I Saw a New Heaven
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Chorale SATB
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AVANCÉ
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G
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And I Saw a New Heaven
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George Skipworth
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.962551 Composed by G.F. Skipworth. Christian,Contemporary,Sacred. Octavo. 20 pages. George Skipworth #4357305. P...
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Choral Choir (SATB) - Level 5 - SKU: A0.962551 Composed by G.F. Skipworth. Christian,Contemporary,Sacred. Octavo. 20 pages. George Skipworth #4357305. Published by George Skipworth (A0.962551). And I Saw a New Heaven is a festival anthem for SATB with frequent part division. It is particularly well-suited to Holy Week and choral festivals. The difficulty level is advanced for both singers and organist.
$2.00
Exchanges
Exchanges
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Chorale SATB
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AVANCÉ
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Contemporain
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G
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Exchanges
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George Skipworth
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.962535 Composed by G.F. Skipworth. Contemporary. Octavo. 8 pages. George Skipworth #3479357. Published by...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.962535 Composed by G.F. Skipworth. Contemporary. Octavo. 8 pages. George Skipworth #3479357. Published by George Skipworth (A0.962535). Exchanges, on a text of Ernest Christopher Dowson, is scored for an 8 part vocal ensemble or choir. An unaccompanied work designed for advanced collegiate, community or professional ensembles, strong interval skills are prerequisite.
$4.50
Preces and Responses
Preces and Responses
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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G
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Preces and Responses
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George Skipworth
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.962552 Composed by G.F. Skipworth. Christian,Sacred. Octavo. 12 pages. George Skipworth #4364912. Published by ...
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Choral Choir (Mixed) - Level 5 - SKU: A0.962552 Composed by G.F. Skipworth. Christian,Sacred. Octavo. 12 pages. George Skipworth #4364912. Published by George Skipworth (A0.962552). Set for SSAATTBB Choir, Preces & Responses is suitable for service use, in particular for festival days.
$2.00
The Harp that Once Through Tara's Halls
The Harp that Once Through Tara's Halls
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Chorale SATB
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AVANCÉ
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G
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The Harp that Once Through Tar
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George Skipworth
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1348319 Composed by G.F. Skipworth. 21st Century,Celtic,Classical,Irish. 7 pages. George Skipworth #93309...
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Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1348319 Composed by G.F. Skipworth. 21st Century,Celtic,Classical,Irish. 7 pages. George Skipworth #933090. Published by George Skipworth (A0.1348319). SATB choral setting of the Thomas Moore poem-difficulty advance.
$2.50
The City In the Sea: Choral Tone Poem
The City In the Sea: Choral Tone Poem
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Chorale SATB
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AVANCÉ
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Contemporain
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Pu...
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Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
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