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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Baroque Baroque
Non classifié
66
Piano & claviers
Piano seul
45
Orgue
4
Clavecin
2
Piano, Voix
2
Orgue, Trompette (duo)
2
1 Piano, 4 mains
1
+ 1 instrumentations
Retracter
Guitares
Guitare
18
Basse electrique
2
2 Guitares (duo)
2
Guitare notes et tablatures
1
Voix
Chorale SATB
7
Vents
Quatuor de Saxophones: 4 saxophones
10
Flûte traversière et Piano
10
Quintette de Saxophone: 5 saxophones
8
Quatuor de Clarinettes: 4 clarinettes
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Flûte, Hautbois, Clarinette, Basson
5
Ensemble de Clarinettes
4
Clarinette
3
Clarinette et Piano
3
Hautbois, Piano (duo)
3
Quintette de Flûte : 5 flûtes
2
Clarinette Basse, Piano
2
2 Flûtes traversières (duo)
2
Saxophone Soprano et Piano
2
Saxophone Alto et Piano
2
Flûte traversière
2
Saxophone Baryton, Piano
2
Flûte à Bec
2
Flûte à bec Tenor
1
Saxophone Tenor et Piano
1
3 Clarinettes (trio)
1
Clarinette, Violon (duo)
1
Cor anglais, Piano
1
Quatuor de Flûtes : 4 flûtes
1
2 Hautbois (duo)
1
+ 20 instrumentations
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Cuivres
Ensemble de Trompettes
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Cor
3
Trombone et Piano
3
Ensemble de Trombones
3
Trombone
3
Trompette, Piano
3
Euphonium, Piano (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor et Piano
2
Tuba
2
Trompette
1
Quatuor de cuivres: 4 trombones
1
Cor anglais, Piano
1
2 Trombones (duo)
1
Tuba et Piano
1
+ 11 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon et Piano
10
Violon, Guitare (duo)
6
Violoncelle , Guitare (duo)
6
Violoncelle, Piano
4
Violoncelle
3
Ensemble d'Altos
2
Alto, Piano
2
Violon
2
Quatuor à cordes: 4 violons
1
Contre Basse
1
Trio à Cordes: violon, alto, violoncelle
1
4 Violoncelles
1
Harpe
1
4 Contrebasses
1
Alto seul
1
Ensemble de Violons
1
+ 12 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
7
Orchestre de chambre
7
Orchestre
3
Ensemble de cuivres
3
Orchestre d'harmonie
1
Ensemble Jazz
1
+ 1 instrumentations
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
TUBA
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I Baroque Baroque
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Chorale SATB
Partitions à imprimer
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Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
23.92 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
18.39 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Leopold I (1640-1705) - Heu! Heu! Heu! Peccatores!
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.828764 Composed by Leopold…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.828764 Composed by Leopold I. Arranged by Guido Menestrina. Baroque,Sacred. Octavo. 21 pages. Guido Menestrina #3245607. Published by Guido Menestrina (A0.828764). Mottetto a 4 di Sua Maestà Cesarea Leopoldo I d'Asburgo (1640-1705) per 4 voci con accompagnamento di 3 viole da gamba e violone, tiorba e organo al basso; con ripieni (coro, viole, basso di viola, cornetto, tromboni, fagotto).
$16.99
15.66 €
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Chorale SATB
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Leopold I
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Guido Menestrina
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Leopold I
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Guido Menestrina
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SheetMusicPlus
Bach Little Fugue in G Minor for Double Reed Choir BWV 578
Chorale SATB
Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.796870 Composed by Johann…
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Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Stephanie Daige #3377603. Published by Stephanie Daige (A0.796870). This little fugue is one of Bach's most famous and beloved organ works. Re-imagined for double reed choir, it is a challenging and fun setting for this fugue. The different instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments adds a whole new textural dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of these wind instruments, which obviously wasn't an issue for the original version intended for organ. This piece would be appropriate for advanced high school students, college students, or professionals. It would do well in a chamber music concert, in a church, or between acts of a larger ensemble concert, perhaps in another location of the auditorium while a (quiet!) set change is taking place. It would also work well as prelude or lobby music. The duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There are also versions of this piece available for wind and brass quintets. Please check out my other arrangements at: http://www.sheetmusicplus.com/publishers/stephanie-daige/6875
$17.99
16.59 €
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Chorale SATB
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Johann Sebastian Bach
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Stephanie Daige
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Bach Little Fugue in G Minor for Double Reed Choir BWV 578
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Stephanie Daige
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SheetMusicPlus
G. Fr. Handel: DIXIT DOMINUS
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.887072 Compo…
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.887072 Composed by George Frideric Handel. Arranged by Marilena Zlatanou. Baroque,Praise & Worship. 419 pages. Marilena Zlatanou #3426785. Published by Marilena Zlatanou (A0.887072). G. Gr. Handel: DIXIT DOMINUS. Transposed to G (orig. B). Conductor's score, vocal, score, choir score and parts in one long pdf file.The original key is uninvitingly high for singers and my transposition of a minor third down has proved to be very successful indeed both for choir members and for audiences. I have had to make a few adjustments in the violin parts of the first movement by assigning the violas a few places, a solution that has worked seamlessly.Please visit website www.zlatanou.net for more information on the arranger who is a member of the Norwegian copyright org., TONO.
$40.00
36.88 €
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Chorale SATB
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George Frideric Handel
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Marilena Zlatanou
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G. Fr. Handel: DIXIT DOMINUS
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Marilena Zlatanou
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SheetMusicPlus
Song of the Heart
Chorale SATB
Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1313789 By Jeanni G…
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Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1313789 By Jeanni Gould. By Jeanni Gould. Arranged by Jeanni Gould. A Cappella,Baroque,Chamber,Christian,Sacred. 5 pages. Jeanni Gould #902503. Published by Jeanni Gould (A0.1313789). A delightful vocal work for SATB AcappellaA modern madrigal, rich in harmonies and interwoven melody lines. The song builds to an almost surprising climax. Everyone loves that part. Lyrics from ancient scripture praises, yet suitable for sectarian performances as well.I love the powerful bass line rising up the scale halfway through the song. Every vocal part has a turn to shine in this piece. Excellent performance choice for church quartets or choirs, high school or college quartet or choirs, and madrigal or jazz vocal groups.Includes piano accompaniment for rehearsal only.
$2.99
2.76 €
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Chorale SATB
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Jeanni Gould
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Jeanni Gould
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Song of the Heart
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Jeanni Gould
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SheetMusicPlus
Georg Joseph "Abt" Vogler - Alma Redemptoris
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.828725 Composed by Georg J…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.828725 Composed by Georg Joseph Vogler. Arranged by Guido Menestrina. Baroque. Octavo. 14 pages. Guido Menestrina #566651. Published by Guido Menestrina (A0.828725). Terzaparte del Trittico per coro a 4 voci ed organo composto da - Salve Regina - Ave Regina - Alma Redemptoris del compositore tedesco G.J. Vogler, detto Abt (o Abbé) Vogler (1749-1814) Trascrizione a cura di Guido Menestrina. La partitura si può sentire e seguire su youtube: https://www.youtube.com/watch?v=NxBD89s7u-I.
$4.99
4.6 €
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Chorale SATB
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Georg Joseph Vogler
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Guido Menestrina
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Georg Joseph "Abt" Vogler - Alma Redemptoris
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Guido Menestrina
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SheetMusicPlus
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