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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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OCARINA
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6
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1
Piano Trio: piano, violon, violoncelle
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2 Pianos, 4 mains
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1 Piano, 4 mains
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Guitare
6
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VOIX
Chorale SATB
16
Voix Soprano, Piano
7
Chorale 3 parties
5
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4
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3
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2
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1
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1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
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Clarinette
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Saxophone Alto
2
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Saxophone Alto et Piano
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Quatuor de Flûtes : 4 flûtes
1
Quatuor de Clarinettes: 4 clarinettes
1
Quintette de Saxophone: 5 saxophones
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Flûte et Guitare
1
Trio de Flûtes: 3 flûtes
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Trombone et Piano
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Cor
3
Trompette
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de Cuivres
2
Cor et Harpe
1
Cor et Piano
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Tuba et Piano
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Quatuor de cuivres: 4 trombones
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Trombone
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Ensemble de Trombones
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
8
Violon
7
Violon et Piano
5
Violoncelle
3
2 Violoncelles (duo)
2
Harpe, Flûte (duo)
2
Alto, Piano
1
Quatuor à cordes : 4 altos
1
Violon, Violoncelle (duo)
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Harpe
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17
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In Concert! for SSA
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Chorale SATB
Partitions à imprimer
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1
A Capella Rhapsody in Blue for SSATB
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.976561 Composed by …
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.976561 Composed by George Gershwin. Arranged by Ros Harling Page. 20th Century,A Cappella,Contemporary,Jazz. Octavo. 35 pages. Ros Harling Page #6022059. Published by Ros Harling Page (A0.976561). A stunning showpiece for a really good SSATB choir, plus soprano soloist. Extremely enjoyable but also challenging to sing, A Capella Rhapsody contains some truly symphonic vocal textures, some gentle humour, and original lyrics which take the form of a conversation between soprano soloist and choir, and at times provide a musical analysis of the music. There is also some scat singing and some optional cameo solos when performing with a smaller choir. For massed choir performances, the soprano solo may require amplification.While an a capella version of a piece for piano and orchestra sounds like a preposterous proposal, live performance of this piece defies categorisation but packs an entirely positive punch. This piece is a delight to perform and a dramatic and exciting audience experience for any part of your choir's concert programme - but once you've heard it, you'll probably want to save it for the end of the concert! Listeners are left with the impression that they have heard the whole of the original work, somehow condensed into approx 8 minutes of choral magic!
$4.99
4.56 €
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Chorale SATB
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George Gershwin
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Ros Harling Page
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A Capella Rhapsody in Blue for SSATB
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Ros Harling Page
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SheetMusicPlus
Missa Sanctae Mariae Virginis
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1027605 Composed by James …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1027605 Composed by James Kennerley. Christian,Christmas,Contemporary,Sacred. Octavo. 30 pages. James Kennerley #2119771. Published by James Kennerley (A0.1027605). The Missa Sanctae Mariae Virginis – literally Mass of Saint Mary the Virgin – was composed for the Episcopal church of Saint Mary the Virgin, New York City, where the composer was Music Director & Organist from 2008 to 2013. The Kyrie was composed in 2016. The title makes reference to the name of the church, but also makes reference to the principal source of inspiration: two ancient plainsong melodies that accompany Marian texts (Salve regina and Ave maris stella). The Mass is composed in a vain that is influenced by the great parody Masses of Renaissance masters Palestrina, Lassus, and others. Nods are also made to the twentieth century, and particularly to the music of Herbert Howells and the Anglican tradition, and also to Jean Langlais, Olivier Messiaen, and similar French musical trends. It features a wide range of moods, from scintillating and exotic harmonies to thrilling rhythmic passages. The work is composed for 8-part choir with solo sections for additional voices from within the choir. The Mass can be performed complete as part of a church service. Likewise, any of the movements will work as independent compositions which makes them suitable for concert performance. Please visit www.jameskennerley.com for complete biographical information and for links to recorded performances of this work.
$4.49
4.1 €
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Chorale SATB
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James Kennerley
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Missa Sanctae Mariae Virginis
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James Kennerley
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
80.44 €
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Chorale SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Easter Dawn. Visionary Motet for SSAATTB & piano
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1008688 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1008688 Composed by Words & Music by Michael Maxwell Steer. Christian,Concert,Contemporary,Easter. Octavo. 80 pages. ColourMuse #4966917. Published by ColourMuse (A0.1008688). This is a 21' work for a choir of 8/16 pro or undergraduate choristers, concerning an intimate dream experience that I participated in on the morning of Easter Day 2004. I found everything about how the poem itself came to me and subsequently the music absolutely fascinating. It flowed throu me as if I was merely a secretary who had been allowed to be present for some sublime dictation. I have never believed in a work more than I do in this. When the time is right: the right people will appear to perform it.
$15.00
13.71 €
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Chorale SATB
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Words & Music by Michael Maxwell Steer
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Easter Dawn. Visionary Motet for SSAATTB & piano
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ColourMuse
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SheetMusicPlus
Beowulf: A Classical Melodrama in Four Scenes for Chorus, Soiloists and Piano
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.939813 Composed by Richard…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.939813 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 139 pages. Richard St. Clair #4760561. Published by Richard St. Clair (A0.939813). This work, running over 50 minutes performance time, is a dramatic presentation of the Beowulf epic from Medieval England. The action is compelling throughout, with prominent solo and full chorus passages. The Audio Clip presents the complete Overture and highlights from Scene 1 and the battle with Grendel and the joyful conclusion of Scene 4. This work is not intended for stage production, but with imagination it could be presented on stage. Rather, the concept is for concert performance. The Score, 139 pages long, is the complete piano-vocal score.
$100.00
91.42 €
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Chorale SATB
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Richard St
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Beowulf: A Classical Melodrama in Four Scenes for Chorus, Soiloists and Piano
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Richard St. Clair
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SheetMusicPlus
Gloria from Missa Aedis Christi (Downloadable)
Chorale SATB
SATB choir divisi and organ - Difficult - Digital Download SKU: MQ.56-0073-E Compos…
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SATB choir divisi and organ - Difficult - Digital Download SKU: MQ.56-0073-E Composed by Howard Goodall. Instrument parts. 22 pages. Duration 5 minutes, 30 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0073-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0073-E). Latin.This mass setting was commissioned by the Friends of Christ Church Cathedral, Oxford and first performed on Ascension Sunday, 1994. Suitable for both church and concert use, the music is both lyrical and dramatic. The “Gloria†is set for SATB divisi (all parts divide) in a quick and rhythmic mixed meter. The movement begins with a sort of call and response where Choir 1 states a motif and Choir 2 responds with the same motif (sometimes at a different pitch level.) A soloist begins the middle section, Piu Allegro (“Qui tollisâ€) and the first material returns, but in unison this time, at “Jesu Christe.†Duration 5:30.
$3.70
3.38 €
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Chorale SATB
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Howard Goodall
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Gloria from Missa Aedis Christi
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Missa brevis
Chorale SATB
Mixed choir (SATB) and organ - advanced - Digital Download SKU: S9.Q5807 (liturg…
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Mixed choir (SATB) and organ - advanced - Digital Download SKU: S9.Q5807 (liturgisch). Composed by Daniel Roth. This edition: score. Downloadable, Score. Duration 20 minutes. Schott Music - Digital #Q5807. Published by Schott Music - Digital (S9.Q5807). Latin.This work is suitable for concert or liturgical use – without a Credo. It is in a characteristically individual contemporary idiom though deliberately based on the polyphonic style of the Renaissance. Daniel Roth is titulaire at Saint-Sulpice in Paris and internationally in demand as teacher and performer and it particularly noted for his improvisation on the organ.
$10.99
10.05 €
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Chorale SATB
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Daniel Roth
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Missa brevis
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Schott Music - Digital
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SheetMusicPlus
A Psalm of Suffering and of Hope (By the Waters of Babylon)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.989242 Composed by Mary An…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.989242 Composed by Mary Ann Joyce. Christian,Concert,Jewish,Sacred,World. Octavo. 9 pages. Mary Ann Joyce-Walter #6244605. Published by Mary Ann Joyce-Walter (A0.989242). Mary Ann Joyce-Walters writes: The first two sections of In Anguish and Hope are based on verses from two terrifying Psalms; the third section is a setting of a passage from Micah. I chose to use these texts after listening to a friend of mine speak about the death of her son.I became keenly aware of her personal and genuine feelings of rage against God, which were so similar to David’s Why do You hide Your face and forget our persecution and our oppression? Christ’s My God, My God, why have you forsaken me? and Elie Wiesel’s Never shall I forget those flames which consumed my faith forever. I realized that a far more difficult question (and perhaps more deeply personal) than that of asking God to forgive us is Can we forgive God?After asking that intimate and bold question, the words of Micah recall that peace, based on justice, will come one day: you shall be at peace and unafraid.…nations shall not lift up sword against nation….you shall bear fruit in justice and peace.
$4.50
4.11 €
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Chorale SATB
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Mary Ann Joyce
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A Psalm of Suffering and of Hope
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Mary Ann Joyce-Walter
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SheetMusicPlus
Anim Zemiros
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909…
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
2.74 €
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Chorale SATB
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Illumine le tenebre
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.900166 By Sa…
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy. By Mary Ellen Haupert. Easter,Sacred,Spiritual. 5 pages. Mary Ellen Haupert #3031789. Published by Mary Ellen Haupert (A0.900166). ILLUMINE LE TENEBRE (SSAATTBB) For Jean Saladino and the Viterbo University Concert Choir TRANSLATION of TEXT: Most High, glorious God, enlighten the darkness of my heart and give me true faith, certain hope and perfect charity, sense and knowledge, Lord, that I may carry out your holy and true command. Amen. - St. Francis of Assisi's Prayer before the Crucifix NOTES from the composer: One year ago, I had the privilege of participating in the Leadership Pilgrimage to Assisi and Rome (2011) sponsored by the Franciscan Sisters of Perpetual Adoration, Franciscan Healthcare, and Viterbo University. I carried with me, not only the responsibility of bringing back a hint of Francis’ lived experience to my students, but the desire to compose something wholly Franciscan. The San Damiano Cross is one of the most distinctive Franciscan images we have on campus. The gentle Jesus that hangs on this 12th-century icon will forever be linked to Francis’ dramatic step from citizen to sainthood-welcoming his earnest prayer to enlighten the darkness of his heart. The Basilica of Santa Chiara in Assisi holds both the San Damiano Cross and the remains of his confidante, St. Clare. It seemed a good place to start getting serious. Copying the prayer in at least six different languages, I tucked it away in my travel books, not digging it out again until the following summer (2012). The opening phrases in the piece came easily enough (Altissimo, glorioso Dio), but I stumbled through a handful of ideas before coming up with the mantra (illumine le tenebre…). It made sense that Francis would joyfully address God singing forte (Altissimo and Signore), while quietly chanting his humble prayers for faith, hope, charity, and knowledge. The friendship between Francis and Clare can’t be missed, not only in the intermingling of SATB voices, but in the setting of che faccia lo tuo santo e verace comadamento (that I may carry out your holy and true command). The phrase is sung only once by the women before the final return of the illumine chant (which is repeated throughout by the men). Maybe I chanced on weaving some of Clare’s courage with Francis’ persistence into Illumina le tenebre, all while trying to compose something wholly Franciscan?  ---Mary Ellen Haupert, October 2012. Â
$3.99
3.65 €
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Chorale SATB
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Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy
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Illumine le tenebre
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Mary Ellen Haupert
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SheetMusicPlus
Calon Lan - A Pure Heart, Welsh Hymn
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1016441 Composed by John H…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1016441 Composed by John Hughes, lyrics by Daniel James. Arranged by Daniel White. Celtic,Sacred,World. Octavo. 13 pages. Dan White #5711005. Published by Dan White (A0.1016441). Calon Lan is one of the most beloved songs of Wales, and here is the choral arrangement that you have been waiting for of it! Suitable for festival competition, sacred worship service, or any choral concert, this arrangement features SSAATTBB, piano, pennywhistle (which can be substituted), and includes an IPA transcription of the Welsh lyrics.About the arranger:Daniel White is currently a DMA candidate at the University of Utah in Choral Conducting, including secondary areas in Music Education and Vocology. He holds a BA in Music from Eastern Oregon University, an MM in Choral Conducting from Portland State University, and also attended Cardiff University in Wales where he completed intensive Welsh language programs. White retired from the Mormon Tabernacle Choir in 2017 after nearly ten years of membeship; he has also sang with the Utah Symphony Chorus, Utah Opera Chorus, and Cor CF1 in Wales. He holds teaching licenses in Utah, taught in the public education system for several years, and welcomes any commissions, recorded performances of his works, and questions! Please feel free to contact him at: danny_boy99@yahoo.com.
$4.00
3.66 €
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Chorale SATB
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John Hughes, lyrics by Daniel James
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Daniel White
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Calon Lan - A Pure Heart, Welsh Hymn
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Dan White
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SheetMusicPlus
PLATINUM FANFARE & PROCESSIONAL
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.903819 Composed by …
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.903819 Composed by Alan Edgar. 20th Century,Concert,Holiday,Patriotic. Octavo. 29 pages. Alan Edgar Ted Moon #6825999. Published by Alan Edgar Ted Moon (A0.903819). PLATINUM FANFARE & PROCESSIONAL Choir SSATB, flute, oboe, clarinet, 2 bassoons. OR SSATB OR woodwind quartet. May thy hand be strengthened as thy right hand is exalted. Thy justice and judgement are the signs and wonder of thy reign. Trumpets are sounding to honour thee. Thy kindness, patience, service and smile known throughout the world. Alleluia. For Elizabeth II's Platinum Jubilee. It is designed to be suitable for any large indoor space, using whole-tone mode except in the pavan, to reduce clashes of harmony caused by echoes. We hear fanfares and a more flowing and dignified processional pavan. The words were inspired by a Handel coronation anthem, which used words by Ethan the Ezrahite from Psalm 89, but we looked at other psalms and added some words of our own. 3 minutes.
$8.00
7.31 €
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Chorale SATB
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Alan Edgar
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PLATINUM FANFARE & PROCESSIONAL
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Alan Edgar Ted Moon
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SheetMusicPlus
O Sing To The Lord A New Song (Psalm 98)
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1221919 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1221919 Composed by Diane Whitacre. A Cappella,Praise & Worship,Sacred. Octavo. 8 pages. Dianewhitacremusic.com #818204. Published by Dianewhitacremusic.com (A0.1221919). This exciting choral work was commissioned for the 75th Anniversary of the Genevans, the student choir of Geneva College, Beaver Falls, Pennsylvania. O Sing To The Lord A New Song is a setting of the complete text of Psalm 98. It was the students' favorite piece on its premiere concert in March of 2013. The piece has become a staple of their repertoire, has been the capstone piece of their 2013 through 2017 tours and has been sung most every year by the Genevans since its premiere. The voicing is SSAATTBB, for acapella choir and includes the rehearsal piano part.    It is a fantastic anthem for celebrations or a rousing way to start or end your concert.
$2.25
2.06 €
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Chorale SATB
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Diane Whitacre
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O Sing To The Lord A New Song
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Dianewhitacremusic.com
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SheetMusicPlus
Everytime We Touch
Chorale SATB
Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1298286 By Cascada.…
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Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1298286 By Cascada. By Maggie Reilly, Peter Risavy, and Stuart Mackillop. Arranged by Lukas C Jaeger. 21st Century,A Cappella,Contemporary,Contest,Festival,Pop. 13 pages. Lukas C Jaeger #888255. Published by Lukas C Jaeger (A0.1298286). In honor of the iconic 90's club scene here and overseas, I created this arrangement of 'Everytime We Touch' by CASCADA. Incorporating thematic snippits from another memorable tune by alice deejay (Better Off Alone), this piece is sure to get any large mixed group dancing and grooving. While vocal percussion adds a lot to this particular arrangementy, it isn't necessary due to the driving patternic nature of the supporting voice parts... This is not an easy piece... But nailing the rhythm changes and emmersing yourself in the vibe of this piece will reward you with a showstopper sure to make a splash at any concert or competition. Challenging to learn, but EPIC once you get it. A great number to throw at any advanced acappella group looking for their next big thing!
$1.99
1.82 €
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Chorale SATB
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Cascada
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Lukas C Jaeger
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Everytime We Touch
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Lukas C Jaeger
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SheetMusicPlus
Perfect Day
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1000239 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1000239 Composed by Lou Reed. Arranged by Ben Batt. A Cappella. Octavo. 16 pages. Ben Batt #3867525. Published by Ben Batt (A0.1000239). This SSATB arrangement of Perfect Day by Lou Reed is both demanding and rewarding. Using a capella and polyphonic sections, and splitting the soprano section to introduce a descant in the final choruses (along with modulation), this is truly a climactic concert showpiece. Arranged by Ben Batt, who has over 20 years of musical directing and writing arrangements for choirs.Please note that this is rated as requiring an advanced level (or a lot of rehearsal time!).
$2.25
2.06 €
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Chorale SATB
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Lou Reed
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Ben Batt
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Perfect Day
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Ben Batt
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SheetMusicPlus
What Language Shall I Borrow?
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1099118 By Lee Johnson. By…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1099118 By Lee Johnson. By Lee Johnson. 20th Century,Chamber,Contemporary,Contest,Festival,Sacred. Octavo. 23 pages. Lee Johnson Music #702986. Published by Lee Johnson Music (A0.1099118). An advanced level Chamber Choir piece with piano accompaniment using an English translation of the Nicene Creed, as well as melodic and text fragments from the third verse of O Sacred Head Now Wounded. This choral work is recommended for groups of 12-16 advanced singers that are capable of rhythmic and precise singing as well as well-blended lyrical and legato passages. This work is intended to be a concert work and may not be perceived as being appropriate for use in a religious service. For more information on the composer, please visit www.leejohnsonmusic.com.
$3.50
3.2 €
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Chorale SATB
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Lee Johnson
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What Language Shall I Borrow?
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Lee Johnson Music
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SheetMusicPlus
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